CHAPTER TWENTY-ONE

THE ELDEST SON--SAYING OF WILD FINLAND--THE CRITICAL TIME--VAUNTING

POLLS--ONE THING WANTED--A FATHER'S BLESSING--MIRACLE OF ART--THE POPE'S

HOUSE--THE YOUNG ENTHUSIAST--PICTURES OF ENGLAND--PERSIST AND WRESTLE--OF

THE LITTLE DARK MAN

The eldest son! The regard and affection which my father entertained for

his first-born were natural enough, and appeared to none more so than

myself, who cherished the same feelings towards him. What he was as a

boy the reader already knows, for the reader has seen him as a boy; fain

would I describe him at the time of which I am now speaking, when he had

attained the verge of manhood, but the pen fails me, and I attempt not

the task; and yet it ought to be an easy one, for how frequently does his

form visit my mind's eye in slumber and in wakefulness, in the light of

day and in the night watches; but last night I saw him in his beauty and

his strength; he was about to speak, and my ear was on the stretch, when

at once I awoke, and there was I alone, and the night storm was howling

amidst the branches of the pines which surround my lonely dwelling:

'Listen to the moaning of the pine, at whose root thy hut is

fastened,'--a saying that, of wild Finland, in which there is wisdom; I

listened and thought of life and death. . . . Of all human beings that I

have ever known, that elder brother was the most frank and generous, ay,

and the quickest and readiest, and the best adapted to do a great thing

needful at the critical time, when the delay of a moment would be fatal.

I have known him dash from a steep bank into a stream in his full dress,

and pull out a man who was drowning; yet there were twenty others bathing

in the water, who might have saved him by putting out a hand, without

inconvenience to themselves, which, however, they did not do, but stared

with stupid surprise at the drowning one's struggles. Yes, whilst some

shouted from the bank to those in the water to save the drowning one, and

those in the water did nothing, my brother neither shouted nor stood

still, but dashed from the bank and did the one thing needful, which,

under such circumstances, not one man in a million would have done. Now,

who can wonder that a brave old man should love a son like this, and

prefer him to any other?

'My boy, my own boy, you are the very image of myself, the day I took off

my coat in the park to fight Big Ben,' said my father, on meeting his son

wet and dripping, immediately after his bold feat. And who cannot excuse

the honest pride of the old man--the stout old man?

Ay, old man, that son was worthy of thee, and thou wast worthy of such a

son; a noble specimen wast thou of those strong single-minded Englishmen,

who, without making a parade either of religion or loyalty, feared God

and honoured their king, and were not particularly friendly to the

French, whose vaunting polls they occasionally broke, as at Minden and at

Malplaquet, to the confusion vast of the eternal foes of the English

land. I, who was so little like thee that thou understoodst me not, and

in whom with justice thou didst feel so little pride, had yet perception

enough to see all thy worth, and to feel it an honour to be able to call

myself thy son; and if at some no distant time, when the foreign enemy

ventures to insult our shore, I be permitted to break some vaunting poll,

it will be a triumph to me to think that, if thou hadst lived, thou

wouldst have hailed the deed, and mightest yet discover some distant

resemblance to thyself, the day when thou didst all but vanquish the

mighty Brain.

I have already spoken of my brother's taste for painting, and the

progress he had made in that beautiful art. It is probable that, if

circumstances had not eventually diverted his mind from the pursuit, he

would have attained excellence, and left behind him some enduring

monument of his powers, for he had an imagination to conceive, and that

yet rarer endowment, a hand capable of giving life, body, and reality to

the conceptions of his mind; perhaps he wanted one thing, the want of

which is but too often fatal to the sons of genius, and without which

genius is little more than a splendid toy in the hands of the

possessor--perseverance, dogged perseverance, in his proper calling;

otherwise, though the grave had closed over him, he might still be living

in the admiration of his fellow-creatures. O ye gifted ones, follow your

calling, for, however various your talents may be, ye can have but one

calling capable of leading ye to eminence and renown; follow resolutely

the one straight path before you, it is that of your good angel, let

neither obstacles nor temptations induce ye to leave it; bound along if

you can; if not, on hands and knees follow it, perish in it, if needful;

but ye need not fear that; no one ever yet died in the true path of his

calling before he had attained the pinnacle. Turn into other paths, and

for a momentary advantage or gratification ye have sold your inheritance,

your immortality. Ye will never be heard of after death.

'My father has given me a hundred and fifty pounds,' said my brother to

me one morning, 'and something which is better--his blessing. I am going

to leave you.'

'And where are you going?'

'Where? to the great city; to London, to be sure.'

'I should like to go with you.'

'Pooh,' said my brother, 'what should you do there? But don't be

discouraged, I daresay a time will come when you too will go to London.'

And, sure enough, so it did, and all but too soon.

'And what do you purpose doing there?' I demanded.

'Oh, I go to improve myself in art, to place myself under some master of

high name, at least I hope to do so eventually. I have, however, a plan

in my head, which I should wish first to execute; indeed, I do not think

I can rest till I have done so; every one talks so much about Italy, and

the wondrous artists which it has produced, and the wondrous pictures

which are to be found there; now I wish to see Italy, or rather Rome, the

great city, for I am told that in a certain room there is contained the

grand miracle of art.'

'And what do you call it?'

'The Transfiguration, painted by one Rafael, and it is said to be the

greatest work of the greatest painter whom the world has ever known. I

suppose it is because everybody says so, that I have such a strange

desire to see it. I have already made myself well acquainted with its

locality, and think that I could almost find my way to it blindfold.

When I have crossed the Tiber, which, as you are aware, runs through

Rome, I must presently turn to the right, up a rather shabby street,

which communicates with a large square, the farther end of which is

entirely occupied by the front of an immense church, with a dome, which

ascends almost to the clouds, and this church they call St. Peter's.'

'Ay, ay,' said I, 'I have read about that in Keysler's Travels.'

'Before the church, in the square, are two fountains, one on either side,

casting up water in showers; between them, in the midst, is an obelisk,

brought from Egypt, and covered with mysterious writing; on your right

rises an edifice, not beautiful nor grand, but huge and bulky, where

lives a strange kind of priest whom men call the Pope, a very horrible

old individual, who would fain keep Christ in leading strings, calls the

Virgin Mary the Queen of Heaven, and himself God's Lieutenant-General

upon earth.'

'Ay, ay,' said I, 'I have read of him in Foxe's _Book of Martyrs_.'

'Well, I do not go straight forward up the flight of steps conducting

into the church, but I turn to the right, and, passing under the piazza,

find myself in a court of the huge bulky house; and then ascend various

staircases, and pass along various corridors and galleries, all of which

I could describe to you, though I have never seen them; at last a door is

unlocked, and we enter a room rather high, but not particularly large,

communicating with another room, into which, however, I do not go, though

there are noble things in that second room--immortal things, by immortal

artists; amongst others, a grand piece of Correggio; I do not enter it,

for the grand picture of the world is not there; but I stand still

immediately on entering the first room, and I look straight before me,

neither to the right nor left, though there are noble things both on the

right and left, for immediately before me at the farther end, hanging

against the wall, is a picture which arrests me, and I can see nothing

else, for that picture at the farther end hanging against the wall is the

picture of the world. . . .'

Yes, go thy way, young enthusiast, and, whether to London town or to old

Rome, may success attend thee; yet strange fears assail me and misgivings

on thy account. Thou canst not rest, thou say'st, till thou hast seen

the picture in the chamber at old Rome hanging over against the wall; ay,

and thus thou dost exemplify thy weakness--thy strength too, it may

be--for the one idea, fantastic yet lovely, which now possesses thee,

could only have originated in a genial and fervent brain. Well, go, if

thou must go; yet it perhaps were better for thee to bide in thy native

land, and there, with fear and trembling, with groanings, with straining

eyeballs, toil, drudge, slave, till thou hast made excellence thine own;

thou wilt scarcely acquire it by staring at the picture over against the

door in the high chamber of old Rome. Seekest thou inspiration? thou

needest it not, thou hast it already; and it was never yet found by

crossing the sea. What hast thou to do with old Rome, and thou an

Englishman? 'Did thy blood never glow at the mention of thy native

land?' as an artist merely? Yes, I trow, and with reason, for thy native

land need not grudge old Rome her 'pictures of the world'; she has

pictures of her own, 'pictures of England'; and is it a new thing to toss

up caps and shout--England against the world? Yes, against the world in

all, in all; in science and in arms, in minstrel strain, and not less in

the art 'which enables the hand to deceive the intoxicated soul by means

of pictures.' {153} Seek'st models? to Gainsborough and Hogarth turn,

not names of the world, maybe, but English names--and England against the

world! A living master? why, there he comes! thou hast had him long, he

has long guided thy young hand towards the excellence which is yet far

from thee, but which thou canst attain if thou shouldst persist and

wrestle, even as he has done, 'midst gloom and despondency--ay, and even

contempt; he who now comes up the creaking stair to thy little studio in

the second floor to inspect thy last effort before thou departest, the

little stout man whose face is very dark, and whose eye is vivacious;

that man has attained excellence, destined some day to be acknowledged,

though not till he is cold, and his mortal part returned to its kindred

clay. He has painted, not pictures of the world, but English pictures,

such as Gainsborough himself might have done; beautiful rural pieces,

with trees which might well tempt the wild birds to perch upon them: thou

needest not run to Rome, brother, where lives the old Mariolater, after

pictures of the world, whilst at home there are pictures of England; nor

needest thou even go to London, the big city, in search of a master, for

thou hast one at home in the old East Anglian town who can instruct thee

whilst thou needest instruction: better stay at home, brother, at least

for a season, and toil and strive 'midst groanings and despondency till

thou hast attained excellence even as he has done--the little dark man

with the brown coat and the top-boots, whose name will one day be

considered the chief ornament of the old town, and whose works will at no

distant period rank amongst the proudest pictures of England--and England

against the world!--thy master, my brother, thy, at present, all too

little considered master--Crome.

Lavengro: The Scholar, The Gypsy, The Priest · 第 28 / 165 题