SECTION I

Produced by Chuck Greif and the Online Distributed

Proofreading Team at http://www.pgdp.net (This file was

produced from images available at The Internet Archive)

THE MOTOR ROUTES

OF FRANCE

TO THE CHÂTEAUX OF TOURAINE, BIARRITZ, THE

PYRENEES, THE RIVIERA, AND THE

RHONE VALLEY

ALREADY PUBLISHED IN THE

SAME SERIES

MOTOR ROUTES

OF ENGLAND

SOUTHERN SECTION

(South of the Thames)

With 24 Illustrations in Colour

Cloth, =5s. net= (by post, 5s. 4d.)

Leather, =7s. 6d. net= (by post, 7s. 10d.)

“The touring motorist ... will find Mr. Home exactly the sort of

companion who will add sensibly to the pleasures of the day’s run.

All along the main roads he gossips brightly of history,

architecture, and archæology, and manages to convey a large amount

of information without being unpleasantly didactic.”--_Pall Mall

Gazette._

TO BE PUBLISHED SHORTLY

MOTOR ROUTES

OF ENGLAND

WESTERN SECTION

A. AND C. BLACK, SOHO SQUARE, LONDON

AGENTS

AMERICA THE MACMILLAN COMPANY

64 & 66 FIFTH AVENUE, NEW YORK

AUSTRALASIA OXFORD UNIVERSITY PRESS

205 FLINDERS LANE, MELBOURNE

CANADA THE MACMILLAN COMPANY OF CANADA, LTD.

27 RICHMOND STREET WEST, TORONTO

INDIA MACMILLAN & COMPANY, LTD.

MACMILLAN BUILDING, BOMBAY

309 BOW BAZAAR STREET, CALCUTTA

[Illustration: CHARTRES.

The Cathedral towering above the old roofs of the city from near the

Porte Guillaume.]

THE

MOTOR ROUTES

OF FRANCE

TO THE CHÂTEAUX OF TOURAINE,

BIARRITZ, THE PYRENEES, THE

RIVIERA, & THE RHONE VALLEY

BY

GORDON HOME

WITH

16 FULL-PAGE ILLUSTRATIONS IN COLOUR, 16 IN

BLACK AND WHITE, AND 60 MAPS & PLANS

[Illustration]

ADAM AND CHARLES BLACK

SOHO SQUARE, LONDON · MCMX

‘O’er the Flaminian way he bade the axle glow--

For there, our young Antomedon first tried

His powers, there loved the rapid car to guide.’

JUVENAL.

PREFACE

The fascination of a motor tour through France can scarcely be

exaggerated. It is a country eminently suited to the new method of road

travel, for with the spaces between the towns traversed by wide national

ways going to their objectives as straight as the contours of the

country will permit, no one feels that the presence of a rapid car is

destroying the peace or beauty of the neighbourhood. And yet in the tour

described in this book there is a huge diversity of scenery, from the

wheat plains of the North to the mountains and sea of the South.

Great pains have been taken to embody in the small compass of a book

that will easily slip into an overcoat pocket all that is essential for

the motorist to know both before and during the tour. At the same time,

the large clear type of the first volume of this series has been

retained in order that there may be no difficulty in reading while the

car is in motion.

Dr. Kirk’s practical notes are the result of much experience, and they

need only be supplemented by a word as to hotel charges. In _every_ case

the wise tourist discusses prices with the manager or proprietor before

he takes his car into the courtyard or garage. By doing so he knows

exactly what his bill will amount to in the morning, and he is quite

sure of no overcharge. If no arrangement is made on arrival, one must be

prepared for any charge, _notwithstanding the prices given in guides or

the hotel books published by the Touring Club de France_.

For those who either do not possess cars or do not wish to take their

own abroad, the simplest method is to hire a car in England. The

author’s experience of hiring from the Daimler Company has been so

satisfactory that he is glad of this opportunity of recommending their

cars. To Mr. A. H. Hallam Murray the author is greatly indebted for

permission to reproduce four of his delightful pictures from ‘On the Old

Road through France to Florence.’

As in the previous volume of this series, a list of dates of prominent

events in French history and of the Kings of France is given in the

Appendix.

The author would greatly appreciate any suggestions for improving the

book, and would much like to hear of any inaccuracies which may have

crept in.

GORDON HOME.

_43, Gloucester Street,

London, S. W._

CONTENTS

SECTION PAGE

I. HAVRE TO ROUEN, DIEPPE TO ROUEN, AND CALAIS

AND BOULOGNE TO ROUEN 1

II. ROUEN TO EVREUX 27

III. EVREUX TO CHARTRES 50

IV. CHARTRES TO ORLEANS 62

V. ORLEANS TO TOURS 80

VI. TOURS TO POITIERS 116

VII. POITIERS TO ANGOULÊME 138

VIII. ANGOULÊME TO BERGERAC 152

IX. BERGERAC TO MONT-DE-MARSAN 167

X. MONT-DE-MARSAN TO BIARRITZ 175

XI. BIARRITZ TO PAMPLONA AND SAN SEBASTIAN, SPAIN 193

XII. BIARRITZ TO PAU 218

XIII. PAU TO ST. GAUDENS 227

XIV. ST. GAUDENS TO CARCASSONNE 241

XV. CARCASSONNE TO MONTPELLIER 254

XVI. MONTPELLIER TO AIX-EN-PROVENCE 272

XVII. AIX-EN-PROVENCE TO CANNES 292

XVIII. CANNES TO SAN REMO 305

XIX. AIX-EN-PROVENCE TO AVIGNON 324

XX. AVIGNON TO VALENCE 320

XXI. VALENCE TO ST. ÉTIENNE 346

XXII. ST. ÉTIENNE TO MOULINS 356

XXIII. MOULINS TO BRIARE 364

XXIV. BRIARE TO MELUN 375

XXV. MELUN TO ST. GERMAIN-EN-LAYE 383

XXVI. ST. GERMAIN-EN-LAYE TO GISORS 390

XXVII. GISORS TO ROUEN 400

XXVIII. GISORS TO DIEPPE 417

HINTS ON TOURING IN FRANCE, BY JOHN L. KIRK 420

FRENCH AND ITALIAN ROAD WARNINGS 426

A TABLE OF THE DATES OF THE CHIEF EVENTS IN FRENCH

HISTORY 430

INDEX 435

LIST OF ILLUSTRATIONS

IN COLOUR

1. Chartres _Frontispiece_

FACING PAGE

2. Caudebec-en-Caux 12

3. The Towers of St. Ouen, Rouen 40

4. The Road near Rouen 49

5. Amboise 105

6. The Château of Chenonceaux 112

7. The Limestone Cavern on the Road near Mas d’Azil 248

8. The Pyrenees in Spring 257

9. Narbonne 265

10. The Castle at Tarascon 272

11. On the Coast of the Estérels 305

12. Cap Martin 312

13. The Mouth of the Roya at Ventimiglia 321

14. An Arched Street in Apricale, Italy 328

15. The Roman Arch at Orange 344

16. Château Gaillard, Normandy 412

IN BLACK AND WHITE

1. Rouen Cathedral from the South 57

2. Approaching Chartres 64

3. Old Gabled Houses at Tours 121

4. The Street of Narvate 128

5. Shoeing a Bullock in the Basque Country 201

6. One of the Gates of Pamplona 208

7. The Limestone Gorge in the Pyrenees between

Pamplona and Tolosa 217

8. The Fortified Bridge at Orthez 224

9. A picturesque Corner of St. Lizier 243

10. The Cloisters at St. Lizier 246

11. On the Ramparts of the Cité of Carcassonne 259

12. The Arcaded Square of Mirepoix 262

13. The Greek Theatre at Arles 289

14. The Romanesque Bridge at Avignon 296

15. The Tour de l’Horloge at Moulins 361

16. The Fifteenth Century Fireplace in the Hôtel du

Grand Cerf at Le Grand Andely 368

IN THE TEXT

Plan of the Château of Blois, p. 95.

How Biarritz was visited in 1813, p. 188.

Twenty-eight Route Maps.

Thirty-one Town Plans.

AT END OF BOOK

Folding Map of France, showing all the routes described and other

alternative routes to which some reference is given.

THE MOTOR ROUTES OF FRANCE

ERRATA

The amount of ‘£48 10s. 0d.’ on page 420 _should read_ ‘£89 3s. 4d.’;

and the grand total at the foot of the page _should be_ ‘£102 16s. 4d.’

(OMITTING JUMIÈGES, 89 KILOMETRES)

DISTANCES ALONG THE ROUTE

Kil. Miles.

=Havre= to Harfleur =7= 4½

=Harfleur= to Lillebonne via

St. Romain de Colbosc =29= 18

=Lillebonne= to Caudebec =16= 10

=Caudebec= to Jumièges =14½= 9

=Jumièges= to Duclair =7= 4½

=Duclair= to St. Martin Boscherville =9= 5½

=St. Martin Boscherville= to Rouen =11= 6¾

THE MOTOR ROUTES OF FRANCE

TO THE CHÂTEAUX OF TOURAINE, BIARRITZ, THE PYRENEES, THE RIVIERA, AND

THE RHONE VALLEY

SECTION I

HAVRE TO ROUEN, 58¼ MILES

(93½ KILOMETRES)

(_OMITTING JUMIÈGES, 89 KILOMETRES_)

DISTANCES ALONG THE ROUTE

Kil. Miles.

=Havre= to Harfleur =7= 4½

=Harfleur= to Lillebonne via

St. Romain de Colbosc =29= 18

=Lillebonne= to Caudebec =16= 10

=Caudebec= to Jumièges =14½= 9

=Jumièges= to Duclair =7= 4½

=Duclair= to St. Martin Boscherville =9= 5½

=St. Martin Boscherville= to Rouen =11= 6¾

DIEPPE TO ROUEN, 36 MILES

(58 KILOMETRES)

DISTANCES ALONG THE ROUTE

Kil. Miles.

=Dieppe= to Tôtes =29= 18

=Tôtes= to Maromme =24= 15

=Maromme= to Rouen =5= 3

BOULOGNE TO ROUEN, 109½ MILES

(176 KILOMETRES)

DISTANCES ALONG THE ROUTE

Kil. Miles.

=Boulogne= to Montreuil (via Samer) =35= 21½

=Montreuil= to Abbeville =40= 25

=Abbeville= to Neufchâtel =56= 35

=Neufchâtel= to Rouen =45= 28

CALAIS TO BOULOGNE

1. By the coast =39= 24

2. By Marquise =36= 22

NOTES FOR DRIVERS

=Harfleur.=--On the way to St. Romain, a long ascent, with four

turns.

=St. Romain de Colbosc.=--Steam tramway.

=Lillebonne.=--After leaving the town, a steep ascent, with sharp

bends.

=Caudebec-en-Caux.=--A long, winding descent; 5 kilometres farther, a

dangerous level crossing (_passage à niveau_).

=Canteleu.=--Steep, winding descent into Rouen for 3 kilometres.

=In bad weather=, when the roads are likely to be sticky and greasy,

the route by the Seine described here is often troublesome to

motorists, and those who wish to avoid such inconvenience, and have

perhaps travelled through Caudebec before, are advised to go

through Bolbec and Yvetot to Rouen.

PLACES OF INTEREST ON THE ROUTE

=Havre.=--Second port of France; founded in 1514 by order of François

I. Church of Notre Dame, Early Renaissance.

=Graville.=--Suburb of Havre; eleventh century church of the Abbey of

Ste. Honorine.

=Harfleur.=--Picturesque old town; flamboyant church, with fine spire

and north porch; old houses.

=Lillebonne.=--Small town in a pretty valley; Roman theatre; castle,

thirteenth century, with slight remains of the Norman predecessor,

in which the Conqueror held his council for the invasion of

England.

=Caudebec-en-Caux.=--Extremely picturesque old town on the Seine;

streets full of old timber houses and a rich flavour of

medievalism. Church commenced in 1426; exceedingly rich in

sculpture; magnificent spire.

=St. Wandrille.=--Ruins of a Norman abbey in a beautiful valley.

=Jumièges.=--Stately ruins of the Norman abbey church; museum in the

abbey grounds.

=St. Martin Boscherville.=--A picturesquely situated village on

sloping ground, with a great church built in the eleventh century;

it is considered the finest and most complete Norman church in

France.

In spite of the fact that Havre is a port of such magnitude, and that

its tonnage approximates to a quarter of that possessed by France, one

is dependent on the state of the tide for disembarking a car when, after

the night crossing, one finds the ship tied up to the Grand Quai.

Instead of the ranges of dock-sheds and the giant cranes of Southampton,

the ship seems to be lying along the side of a second-rate French

street, and one looks in vain for the great steel arm that should

silently let down a hook to lift the car like a toy from the ship’s

lower deck. So if the tide should be low, one must wait until the deck

is level with the quay--a delay more often than otherwise a boon to a

party adjusting itself and its luggage for a long tour.

Although Havre is an infant port when compared to Marseilles, with its

founding by the Greeks, there are things worth remembering about the

place. When Rollo with his Norsemen in their black-sailed ships hovered

at the mouth of the Seine in preparation for their attack upon Rouen,

there was no Havre, and it was not until six centuries had passed that

François I. gave the order to Guillon le Roy, the Commandant of

Harfleur, on the opposite shore of the estuary of the Seine, to

construct a port for great ships, owing to the necessity for an ocean

seaport after the discovery of America. In 1514 the making of the port

began, and its growth has been continued up to the present day.

[Illustration: TOWN PLAN NO. 1--HAVRE.

_Walker & Boutall sc._]

Of the original town and its defences nothing is left, for even the old

tower of the château in which Cardinal Mazarin imprisoned the Princes of

Condé and of Conti, and the Duke of Longueville, has gone, and the only

relic of the century that saw the birth of the city is the Church of

Notre Dame. It stands in the Rue de Paris, near the Grand Quai, and is a

mixture of the last flicker of Gothic and of Renaissance architecture.

The building would appear to be the successor of the original Church of

Notre Dame de Grâce, founded for the sailors of the port, which then

bore the title of Le Havre-de-Grâce. In 1562 the Huguenots invited the

English to enter the town, and the church tower was used as a gun

platform, so that an effective fire on the royal camp could be

maintained. But the townsmen paid for this by having the spire and walls

of their church taken down. The rebuilding began in 1574, and the

completion of the aisles and chapels took place in the following

century.

Henri IV., Richelieu, and Colbert, who employed Vauban, not only

improved the harbours, but added to the defences of the town, which in

1694 and 1759 resisted English bombardments. In 1856 the walls were

removed, and the town now relies on three forts.

LEAVING HAVRE FOR ROUEN

The road to Rouen is through the Rue de Normandie, and this rapidly

brings one to the suburb of Graville, where, on the left side of the

road, on a hill above the Town Hall, stands the church of the Abbey of

Ste. Honorine. It is an interesting building of the eleventh century,

with curiously carved corbels outside, and within capitals as

grotesque, and the sarcophagus which contained the remains of St.

Honoria. Pilgrims, it is said, were just as numerous at Graville after

the relics of the saint had been removed to Conflans for safety at the

time of the Norman invasion!

The view over the Seine from the abbey church is exceedingly fine, and

on sunny mornings the broad river shimmers in a silvery light.

HARFLEUR,

to which the tramway comes, is a quaint town, with narrow streets and a

flamboyant church, whose highly enriched spire and curiously tall north

porch, recessed in the wall and full of elaborate carving, give one a

foretaste of that wealth of detail and medieval charm which a tour

through Normandy offers to the stranger.

Either the walls of Harfleur must in 1415 have been exceedingly strong

or their defenders of exceptional resource and courage, for in that year

Henry V., with 30,000 English, besieged the town when the garrison

numbered only 400, and yet for no less than forty days did they maintain

the defence. It was 75 Englishmen to 1 Frenchman; but it generally took

a few weeks to get through medieval walls, unless treachery or hunger

came to the help of the attackers. Harfleur languished as a port owing

to the shifting sand of the river-mouth, and the growth of Havre put an

end to its commercial importance.

[Illustration: No. 1 HAVRE AND DIEPPE TO ROUEN]

Bending to the left after passing the church, and going to the right

almost immediately at a fork, Harfleur is soon left behind, as the road

ascends the side of a green valley containing one or two large country

houses.

The farms stand compactly inside a hedge of trees, which almost hides

the buildings, and suggests the _tun_, or hedge, of the villages of our

Saxon ancestors. A straight poplar-bordered road leads past pretty

thatched farmyards, with timber-framed barns, to St. Romain de Colbosc.

Besides the sixteenth-century cross in the cemetery there is a

twelfth-century lepers’ chapel, with paintings inside, but it has for

long been reduced to a mere farm-building.

In St. Romain one turns to the right for Lillebonne, and soon afterwards

the road bears nearly due east, and runs straight for Lillebonne,

descending into the picturesque wooded valley of the Bolbec River with

several turns.

LILLEBONNE

If there was reason to complain of the juvenility of Havre, there is

sufficient antiquity at Lillebonne to satisfy the most exacting, for the

presence of a Roman theatre indicates the former existence of an

important Roman city, and there is some reason for believing that this

_Julia Bona_ of the Romans was built where the chief town of the tribe

of the Caletes stood. The heavy squared stones that formed the seats

were to a great extent carried away to the other side of Caudebec to

build the Abbey of St. Wandrille, and one can only get a small idea of

the perfect building from the rough inner stonework of the two lowest

tiers. Even these were only revealed through the excavations which took

place between 1812 and 1840. Many of the discoveries made in the

excavations are to be seen in the museum at Rouen.

Of exceptional interest to Englishmen is the castle of Lillebonne, for

in the great Norman hall--now also demolished--William the Conqueror

gathered together a great assemblage of his viscounts, his warrior

bishops, and men of lesser potency, and before them all announced his

intention of invading England. The reception of this portentous

declaration was mixed, many of the barons being unwilling to consent to

so hazardous an enterprise, in spite of the enthusiasm of the Duke’s

particular friends. Notwithstanding this lukewarmness, William’s

determination eventually carried away all opposition, and the invasion

‘scare’ became an accomplished fact. That the historic hall should have

survived until a wealthy cotton-spinner, who had purchased the castle,

destroyed it in cold blood is distressing to the visitor who longs to

feast his eyes on the building that once held that stirring council.

What he sees to-day is the ruins of the thirteenth-century castle built

on the site of the Conqueror’s stronghold, and the great round donjon

did not come into existence until long after William had been gathered

to his fathers. The church has a beautiful crocketed spire of the

fifteenth century, similar to the one seen at Harfleur.

As one climbs out of the valley the road winds in different directions,

and gives charming views over the Seine, with its passing steamers, and

the distant green country beyond.

Two pretty villages, La Frenaye and St. Arnoult, are passed, each with

its mossy thatched roofs and quaint little church, its particularly

attractive half-timbered houses, and here and there an outside wooded

staircase; then follows a winding descent into that most romantic of

towns--

CAUDEBEC-EN-CAUX

Although artists have painted the church, the river, and the old streets

and waterway for years, there are still many of the most appealing

aspects of the place that seem to remain outside the attainments of the

painters and sketchers who reveal the results of their work there. There

is one particular old street of houses, with romantic frontages on one

side rising from the green water of a narrow canal, which is not easy

to forget. Not only are the greens and greys and reds and ochres a

delight to the eye, and the detail of the windows, overhanging eaves,

and timber framing of the walls and gables particularly attractive, but

one also gets peeps into interiors, where one can see old folk seated by

windows with faces and curious black headgears such as Holbein and

Rembrandt painted.

Even Lisieux cannot eclipse Caudebec in the completeness of its antique

streets, for here there have been few attempts to hide the picturesque

timber fronts with stucco, and there are half a dozen narrow streets by

the church where the buildings, with the passage of the centuries, have

let their time-worn gables nod towards one another until the strip of

sky that the builders left has been appreciably narrowed. Then, in

wandering through these ancient ways one is suddenly confronted with a

wealth of the most delicately carved stone, and looking up, one sees the

exquisitely graceful tower of the church, with its profusion of ornament

and its crocketed and coroneted spire rising above. The western entrance

is often open, so that the passer-by may see the lacelike ornament of

the doorway thrown out against the velvet blackness

[Illustration: CAUDEBEC-EN-CAUX.

One of the most picturesque towns in Normandy.]

of the interior, a darkness relieved by the brilliant fifteenth and

sixteenth century stained glass of the Flamboyant windows.

Henri IV., when he stayed at Caudebec, said that the town had _la plus

jolie chapelle que j’ai jamais vue_, but added that the jewel was badly

set. The building was commenced in 1426, and in 1484 Guillaume Le

Tellier, the master mason, died, and was buried in the Lady-chapel of

the glorious building he had created.

There existed in the sixteenth century an island in the Seine opposite

Caudebec, and it is stated by Mrs. Macquoid that there were ‘three

beautiful churches’ on it until the _mascaret_, a tidal bore, which at

certain full moons in the spring and autumn equinoxes comes up the river

with tremendous force, swept the whole island away. By 1641 the island

had appeared again, but the _mascaret_ again demolished it. The wall of

water that rushes up the narrowing river-mouth varies from 6 to 12 feet

in height, and its force is sufficient to dislodge and carry away great

stones.

Caudebec began its existence as a fishing village under the control of

the Abbey of St. Wandrille, and, with its convenient quay, soon grew

prosperous. When Henry V. besieged the town, it held out for six

months.

During the Franco-Prussian War the Germans occupied the old town, but

fortunately did no damage to it.

It is with keen reluctance that one leaves the sunny quay of Caudebec,

with its busy market scenes, its steam ferry-boat, and the lovely views

up and down the curving river. However, the road follows the Seine, and

one enjoys for mile after mile lovely views across the wide belt of

silvery water, backed by sweeping green forests.

ST. WANDRILLE

About two kilometres from Caudebec a turning to the left leads up in a

few minutes to St. Wandrille, where the ruins of the Norman abbey stand

in a pretty valley. The conventual buildings are now the residence of M.

Maurice Maeterlinck, the dramatist and author, who recently performed an

historical play in the refectory and cloisters of the abbey, the

audience moving from one part of the buildings to another for each

successive scene.

The abbey was originally called Fontenelle, after the stream that flows

through the valley. It was founded in the middle of the seventh century

by a pupil of St. Columba, and the early buildings fell a prey to the

harrying Norsemen, who left the place in ruins. In 1033, having been

rebuilt, the abbey was dedicated to St. Wandrille, but a fire did much

destruction in the thirteenth century, and in 1631 the tower and spire

of the church fell, and smashed down the nave and aisles, the

Lady-chapel, and the choir-stalls. What remains of the church is not so

remarkable as the ornate cloisters of the fourteenth and sixteenth

centuries, and the imposing Norman refectory, with its vaulted roof of

the fifteenth century and its fine Flamboyant windows.

Returning to the main road, and continuing towards Rouen, one soon

catches sight of the two towers of the abbey of Jumièges rising above

trees beyond a bend of the winding river. At the small village of

Yainville, with a Norman church, the road to Jumièges goes to the right,

and the singular beauty of this stately ruin justifies the détour.

JUMIÈGES

The entrance to the abbey is at a lodge gate on the left side of the

road in the pleasant village, and the _concierge_--a quite charming type

of country-woman--accompanies one through the admirably-kept ruins, and

afterwards to the museum adjoining, where is preserved, among other

carved stones from the ruined buildings, the slab of black marble under

which was buried the heart of Agnes Sorel, the beautiful mistress of

Charles VII. She died near Jumièges in 1449, after the birth of her

fourth daughter, and her body was buried at Loches, which is passed

through on the way southwards from Tours (see Section VI.).

The impressiveness of the twin towers of the west end of the great

church is due in part to the extreme simplicity of the Norman work--for

the buildings were completed just before the Norman Conquest--and also

to their great height of 328 feet. On entering it is hard to believe

that until 1790 the abbey and its great church were in a perfect state

of preservation, for the roofs have gone except in the aisles, where the

stones of the vault have been in some places so disturbed by roots and

frosts that collapses are imminent. There are traces of orange-coloured

painting on the arches, and the stone is of a warm cream, which looks

singularly beautiful when afternoon shadows are falling from arches and

pillars. There are only the foundations of the semicircular apse, with

its nine chapels, and the gaps in the east end of the church are

beautified by the presence of tall larches that droop their graceful

branches over the broken moss-grown walls. The fourteenth-century chapel

on the south side, dedicated to St. Pierre, is also in a state of ruin.

St. Philibert founded Jumièges in 654, about the same time as St.

Wandrille was begun, and it also suffered terribly at the hands of the

Northmen, who tortured and massacred without mercy, and left the once

prosperous abbey a shattered ruin.

The rebuilding was encouraged by William Longsword, the son of Rollo;

but the builder of the Norman church which stands to-day was Abbot

Robert of Jumièges, who was afterwards appointed Archbishop of

Canterbury by Edward the Confessor, who had been educated at Jumièges

under his care. The buildings, completed and consecrated in 1067,

remained in use until 1793, the date of the Suppression, so that, with

an interval of about a century in its early history, Jumièges existed as

a monastery for 1,139 years, and in that period was ruled by eighty-two

abbots.

It is interesting to know that, although the Benedictines of Jumièges

contributed a very large sum towards the ransom of Richard I. after his

capture on the way home from the Holy Land, the monastery was twice

plundered by English armies, and the first occasion was in Edward

III.’s reign, when the generosity of the monks seems to have been quite

forgotten!

A portion of the buildings belonging to William Longsword’s church is to

be seen in the Chapel of St. Pierre already mentioned.

An interesting legend of the founder of the abbey explains the presence

of a wolf at the feet of the saint on a carved stone boss. St. Philibert

had given to a convent four leagues from Jumièges the laundry work of

his abbey, and the Abbess and her nuns washed the linen which was sent

to them. One day a wolf ate the ass that carried the washing, but the

holy Abbess induced the wicked wolf to carry the baskets, which he did,

we read, until the end of his life.

The greatness and power of the abbey declined very much after the

Reformation, and at the time of the Revolution the religious who were

dispersed were not numerous.

The short distance from Yainville has to be retraced, and then, going to

the right through a belt of forest, one reaches the banks of the Seine

once more, and passes through the little town of Duclair, with its sunny

quay and its ferry-boat. There are beautiful views over the river, and

as the car runs along the level road one may overtake a steamer that is

sliding along with a little pile of water pushed up in front of its bow,

and note the contrast of its stained red funnel with the soft green

landscape beyond. On the left curious little chambers are cut out of the

cliff of chalk, and several form complete cottages. So even and

horizontal are the layers of chalk, with bands of flint at different

heights, that the cliff has often an exceedingly artificial appearance.

Soon afterwards the road cuts across the neck of another peninsula

formed by one of the deep windings of the Seine, and on reaching the

foot of the rising ground a turning to the right leads to the hamlet of

St. Martin Boscherville, whose noble Church of St. Georges rears its

great bulk on the hillside. The hurried tourist might be inclined to

pass this by, thinking that of ecclesiastic architecture he has seen

enough in this neighbourhood; but throughout the whole of France he will

not find another Norman church so perfect as that of St. Georges de

Boscherville. The abbey was founded and built in the eleventh century by

the Grand Chamberlain of William the Conqueror, Raoul de Tancarville, a

fact proclaimed in an inscription above the chief portal; and the great

church, built at the time when England was newly subjected to the

Norman, stands to-day, with the exception of the western turrets,

exactly as the original builders left it.

The transepts are remarkable for their galleries, similar to those in

Winchester Cathedral; and the chapter-house, which is later than the

church, being Transitional in style, should also be seen. The

sixteenth-century tomb of Le Roulx, the last Abbot, is in front of the

altar.

On resuming the journey, the hill just mentioned is negotiated with some

considerable winding, which enables one to get especially fine views

over the wooded country to the west, with the big church in the middle

distance, and the gleaming river showing its snaky windings on either

side.

After passing through a belt of typical French forest, composed of thin

trees without beauty or individuality, one begins the long curving

descent to Rouen, the historic capital of Normandy. The city appeals so

much to the student of history that this first view of the place as a

whole, threaded by its broad river, and dominated by the fretted spire

and beautiful towers of cathedral and churches, is one that stands out

vividly in the memory when other impressions have faded.

DIEPPE TO ROUEN (36 miles--58 kilometres)

This is a direct road, with a few hills, the ascent from the river at

Sanqueville and the winding descent at Malaunay being the only ones

worth mentioning.

[Illustration: TOWN PLAN NO. 2--DIEPPE.

_Walker & Boutall sc._]

BOULOGNE TO ROUEN (109½ miles--176 kilometres)

This road is through the little town of Samer, where there is an

interesting fifteenth-century church and the ruins of the Abbey of St.

Wulmer. Soon afterwards there is a steep hill.

Montreuil-sur-Mer has a Palais de Justice, which was formerly part of a

Carmelite convent, and the college and École d’Infanterie occupy the

buildings of the Abbey of Ste. Austreberthe. The chapel of the Gothic

Hôtel Dieu has a curious altar-screen, and the very interesting Church

of St. Saulve dates from the twelfth century. The view seawards down the

Canche from the citadel, which is surrounded by towers and walls of the

Middle Ages, is remarkably fine.

On the road to Abbeville there is a steep ascent at Nampont St. Martin,

and a steep descent to Bernay-en-Ponthieu. The forest of Crécy lies to

the left of the road, and on the farther side of it is the medieval

battlefield, where the English army, under Edward III., crushingly

defeated the French in 1346.

Abbeville is an interesting old town, still possessing some very good

specimens of its domestic architecture of the thirteenth, fifteenth, and

sixteenth centuries. The best are the Maison François I., with richly

carved woodwork, at 29, Rue de la Tannerie; No. 2 in the same street

(sixteenth century); 7, Rue du Pont de Boulogne; 3 and 5, Rue de l’Hôtel

de Ville; 41, Rue de la Boucherie; and, besides these, several others

will be noticed in a walk through the town. There are also some good

town houses, or _hôtels_, in the Rue St. Gilles. The Church of St.

Vulfran belongs to the sixteenth and seventeenth centuries, and is

remarkable for its fine restored façade, with beautifully sculptured

doorways. The interior is not remarkable, except for two curved

altar-screens.

The Hôtel de Ville has a bell-tower dating from the beginning of the

thirteenth century, and the library in the Jardin Public d’Emonville

contains a Gospel which belonged to Charlemagne.

Neufchâtel-en-Bray is famous for its cheeses, and is the chief town of

the district, which has been called ‘the dairy of Paris.’ It was at one

time called Driencourt, the name having been altered when a new castle

was built by Henri Beauclerc. The Church of Notre Dame, of various

periods from the twelfth century, has a sixteenth-century tower. A

passage from the Grand Rue leads to the Maison des Templiers, a most

picturesque timber-framed building, with much carved woodwork.

From Neufchâtel to above the River Arques the road climbs, dropping

steeply down to that river at St. Martin Omonville. After leaving the

valley the road is comparatively level to Rouen.

CALAIS TO BOULOGNE

Along the coast, 22 miles--35 kilometres

By Marquise, 20 miles--32 kilometres

The coast route is the most interesting, as it gives splendid views of

the Straits of Dover and the white cliffs of England. Sangatte (7½

kilometres from Calais) is famous in connection with M. Blériot’s

cross-Channel flight, and for the abandoned workings of the Channel

tunnel.

[Illustration: TOWN PLAN NO. 3--CALAIS.

_Walker & Boutall sc._]

Four miles before passing over Cape Grisnez one passes the little town

of Wissant, associated with the Roman _Portus Itius_, from which Julius

Cæsar sailed when he made his first reconnaissance of the coast of

Britain. Beyond the great headland is Ambleteuse, the landing-place of

the fugitive James II. at 3 a.m. on Christmas Day, 1688. The King had

left Rochester on the night of the 23rd, and had passed by a back-door

on to the Medway, where he boarded the smack which brought him to the

French coast.

[Illustration: TOWN PLAN NO. 4--BOULOGNE.]

At the next river-mouth is Wimereux Harbour, the landing-place of

Prince Louis Napoleon in August, 1840. Having received no support, the

Prince and his followers were easily captured, and in Boulogne one can

see the thirteenth-century château, now converted into barracks, where

he was imprisoned.

[Illustration: No. 2. CALAIS TO BOULOGNE AND ROUEN.]

Boulogne Cathedral was erected in 1869 on the site of the original

Norman church, built in 1104 by Ida, the mother of Geoffrey de

Bouillon.

The Motor Routes of France To the Châteaux of Touraine, Biarritz, the Pyrenees, the Riviera, & the Rhone Valley · 第 1 / 28 章