[205] At that time, its length was twenty-five leagues, and its width

ten, without comprising the islands of Guernsey and Jersey, over which

it still held a titular sway. In it were included the district of the

Côtentin; the city of Coutances; the towns of St. Lo, Granville,

Carentan, Vallognes, and Cherbourg; twenty-four smaller market towns;

four archdeaconries; twenty-two rural deaneries; ten abbeys; twenty-four

other convents; and five hundred and fifty parishes. The chapter

consisted of twenty-six canons and eight dignitaries.

[206] The following are the words of Robertus Cenalis upon this

subject:--"Carolo, Ludovici XI. germano, quorundam procerum principumque

suggestione ducatum Normanniæ non precario, sed vi impense ambiente, cum

via sibi per posticum episcopalis domus aperta esset, rex idcirco

indignatus incolis qui a fide defecerant, cavit decreto suo in poenam

criminis, quod funditus a solo everterentur civitatis moenia, quæ nulla

vel pretii, vel precum sollicitatione restitui potuerunt."--Cenalis then

proceeds to say,--"Habet in templi sui meditullio merito suspiciendum

spectaculum miræ architecturæ contextum, e cujus abside si quis lapillum

dejecerit, nunquam a puncto designato ultra citrave dimovebitur instar

laternæ vitreæ in sublime erectum: vitream arcem merito dixeris, opus

sane venustum et elegans. Urbem præterea insigniter ornat aquæductus ad

milliaris semissem, ingenti impensa et opera arcuatim suppositis

fornicibus longo ductu protensus, cujus artificii ope civitas alluitur

et rigatur. Denique si moenibus conclusa foret, quis vetet civitatem

illam Constantinopolim Neustriæ maritimæ appellari!"--_Gallia

Christiana_, p. 863.

[207] In the following part of the description of the church of

Coutances, considerable use has been made of a manuscript dissertation,

kindly communicated by M. de Gerville to the author, who only laments

that the limits of this publication would not allow him to insert it

entire.

[208] Among the _Instrumenta Ecclesiæ Constantiensis_, p. 218.

[209] "Hujus tamen temporibus incoepta et ex parte constructa est

Constantiensis ecclesia, fundante et coadjuvante Gonorra comitissa,

auxiliantibus etiam canonicis, reditibus medietatis altaris ad tempus

operi concessis, cooperantibus quoque baronibus et parochianis

fidelibus, quod usque hodie contestantur aliquot ipsorum nomina

insculpta lapidibus in ecclesiæ arcubus."--_Gallia Christiana, Inst._ p.

218.

[210] "Anno igitur Dominicæ Incarnationis, MXLVIII. duodecim tantum

diebus ipsius anni restantibus, id est IV idus Aprilis, indictione II,

venerandus Gaufridus post Robertum Constantiensis episcopus Rotomagi

consecratur, nobilium baronum prosapia ortus, statura procerus, vultu

decorus, prudentia consilioque providus, quanquam sæpissime curialibus

negotiis regiisque obsecundationibus irretitus, tamen ad ædificationem

et incrementum ecclesiæ suæ omni nisu et voluntate per noctem erat et

per diem, qui ut eandem ecclesiam celebrem gloriosamque restitueret, in

Apuliam et Calabriam adire Robertum cognomine Guischardum parochianum

suum, aliosque barones consanguineos suos, et alumnos, et notos peregre

profectus, multum in auro, et argento, et gemmis, et palliis variisque

divitiarum donariis acquisivit, tresque asportavit phialas plenas puro

opobalsamo, aliaque pretiosissima quibus postea præfatam ecclesiam intus

et extus locupletavit, majoremque crucifixum largis sumtibus et tempore

longo construxit. Cum autem non haberet in civitate, sive in suburbio

tantum possessionis ecclesia, ubi maneret episcopus, vel proprius equus

ejus posset stabulari, sed neque propriam domum, nisi quoddam

appendicium humile, quod pendebat de parietibus ecclesiæ, ipse prudentia

sua et probitate valentiorem medietatem civitatis, suburbii, et telonei,

et vectigalis, cum molendinis et multa Grimoldi viaca a Guillelmo

invictissimo duce Normannorum, postea quoque glorioso rege Anglorum

trecentis libris comparavit et acquietavit. Postea vero episcopalem

aulam et reliquas officinas construxit, virgultum et vineam non modicam

plantavit, capitium navis ecclesiæ cum area, et hinc inde duo majora

capitia nobiliora et ampliora construxit. Duas turres posteriores a

fundamentis, tertiamque supra chorum opere spectabili sublimavit, in

quibus classicum consonans et pretiosum imposuit, et hæc omnia plumbo

cooperuit."--_Gallia Christiana, Inst._ p. 218.

[211] The instrument, above quoted, abounds in examples of this spirit.

Among the rest, after detailing at length various estates which he had

purchased or obtained as presents for the enriching of his church, it

proceeds to say,--"Cæterum ornamenta ecclesiastica et ustencilia,

calices, cruces, capsas, phylacteria, candelabra, thuribula, bacinos,

siculam et ampullas aurea contulit et argentea, casulas quoque,

dalmaticas, tunicas, planetas, albas, cappas mirifici operis, necnon

dorsalia serica et lanea, cortinas et tapeta, sed et bibliothecas,

passionales, omeliares, missales aureis litteris duos sufficientesque et

competentes libros subrogavit: super hæc omnia pretiosum famosumque

clerum, quo nihil pretiosius in ecclesia et utilius in officium et

servitium divini cultus delegavit, septemque canonicos quos episcopus

Hugo Rotomagi in ecclesia S. Laudi irregulariter constituerat,

apostolica auctoritate ecclesiæ matri revocavit, itemque duos alios

adjecit. Cantorem quoque, et succentorem, et rectorem scholarum, et

custodes ecclesiæ, clericos quoque præbendarios, aurifabros, fabrumque

ferrarium, carpentarios et magistrum coementarium in opus ecclesiæ

constituit. O virum prudentem et domui suæ bene præsidentem, qui de

vivis et electis lapidibus domum suam composuit, et mirabilibus columnis

eam sustentavit!"--_Gallia Christiana, Inst._ p. 219.

[212] The following remarks upon the architecture of the cathedral of

Coutances, transcribed from the journal of a most able friend of the

author's, cannot fail to be acceptable to the reader:--"The cathedral is

most singular in its aspect. It is pointed throughout, except the

circular arches in the vaulting over the side-chapels, and one or two

segments of circles which form the door-ways, within the porches on the

north and south sides. It is really a difficult task to come at any

conclusion respecting the æra of the building, from an inspection of it.

If it is of the Norman age, then the pointed style arose at once from a

transfusion of Arabian or Tartarian architecture. The whole is of a

piece, complete in conception and execution; and there are no

intersecting arches from which a pointed arch may have arisen. The

circles in the spandrils are in the same oriental style as at Bayeux.

The peculiarities of the cathedral are--the side-porches close behind

the towers; the screens of mullioned tracery, which divide the

side-chapels; and the excessive height of the choir, which, having no

triforium, has only a balustrade just before the clerestory windows. The

centre tower is wonderfully fine in the exterior: it is apparently an

expansion of the plain Norman lantern, as at Caen; but most airy and

graceful. There is a double aisle round the ambit and altars are placed

in the bays, as if they were distinct chapels, for which purpose they

were originally intended; but the line continues unbroken. The

perspective of these aisles, and also of the choir, seen from the

Lady-Chapel, is very fine. The round pillars of the choir are double, as

at Canterbury and Senlis. The apsis is half a duodecagon. The pointed

windows above are in two lancet divisions, surmounted by a trefoil; but

the dividing masonry is not a mullion: it is the unperforated part of

the wall. This perhaps is arabesque. There is a second arch within,

which is really divided by a mullion or small pillar. A curious leaf

projects above. Some of the painted glass is in the oldest style:

dispersed patterns in a black outline, on a grey ground. In a

side-chapel are painted tiles, brown and yellow as usual, displaying

knots and armorial bearings. In the same chapel are fresco paintings:

many more are on the east side of the wall that divides the last

choir-aisle from the south transept. They represent St. Michael and the

Devil, the Deity between angels, &c. In all of them, the outline is

formed by a thick black line."

PLATE XCV. AND XCVI.

MOUNT ST. MICHAEL.

[Illustration: Plate 95. MOUNT ST. MICHAEL.

_On the approach from Pontorson._]

Religion, history, poetry, and painting, have all united in giving

celebrity to St. Michael's Mount. The extraordinary sanctity of its

monastery, the striking peculiarities of its form and situation, and the

importance acquired by the many sieges it supported, or the almost

endless pilgrimages it received, have so endeared it to the man of taste

and the philosopher, that scarcely a spot is to be found in Europe, more

generally known, or more universally interesting.

The legendary mist with which St. Michael's Mount is now densely

involved, has continued, from a period of remote antiquity, to float

around its summit. Tradition delights in relating how, in times prior to

the Christian æra, it was devoted to the worship of the great luminary

of heaven, under his Gallic name of Belenus,[213] a title probably

derived from the Hebrew Baal, and the Assyrian Belus. The same tradition

recounts how, at a more recent epoch, it reared its majestic head,

embosomed in a spacious tract of woods and thickets, while the hermits

who had fixed themselves upon its summits, received their daily bread

from the charity of the priest of the neighboring parish of Beauvoir; an

ass spontaneously undertaking the office of conveying it to them, till

on the road he fell a prey to a wolf, who was then constrained by

Providence to devote himself to the same pious labor.

At length, about the year 709, it was decreed that the rock should at

once change its designation and its patron. To the clouds of Paganism,

succeeded the sun of Christianity; and the original heathen appellation,

_Tumba_, was replaced by one of the most elevated names of holy writ.

St. Michael, "the chief of the angels and of the host of heaven, the

protector of the Hebrew synagogue of yore, as now of the Catholic

church, the conqueror of the old serpent, and the leader of souls to

heaven," condescended to be worshipped here upon the western coast, as

on Mount Garganus in the east, and with this view appeared to St.

Aubert, then bishop of Avranches, commanding him to erect a church to

his honor upon the mount. Another legend relates, how there had

previously existed upon the same spot, a religious edifice, which had

passed under the name of the _Monasterium ad duas Tumbas_, being equally

appropriated to the adjoining rock of Tombeleine. However this may have

been, it is admitted on all sides that a church was built, and that the

hill knew thenceforth no other name than that of St. Michael's Mount;

though Aubert, tardy in his belief, had refused to obey the injunction,

till it had been repeated three several times, upon the last of which,

the archangel touched the head of the saint, and left imprinted in his

skull the marks of his fingers, which the author, here quoted, relates

that he himself saw, to his great delight, in the years 1612 and 1641.

To the miraculous vision, succeeded other occurrences of similar import.

A tethered bull pointed out the spot where the holy edifice should be

erected, and at the same time circumscribed its limits; a rock, that

opposed the progress of the workmen, and was immoveable by human art,

spontaneously withdrew at the touch of an infant's foot; and the earth

opening, on being struck with St. Aubert's staff, gave birth to a spring

of water, at once of the utmost use to the inhabitants, and gifted with

the most sanative powers. At about the same period also, the sea

ingulphed the neighboring forests,[214] insulating the rock; so that

three messengers, who had been dispatched to Mount Garganus, thence to

bring a portion of red cloth, the gift of St. Michael, together with a

fragment of the stone on which he himself had sate, found on their

return the aspect of things so changed, that "they thought they must

have entered into a new world."

History, from this period, assumes a character of comparative

authenticity. The Norman conquest threatened for awhile the extinction

of Christianity: the baptism of Rollo, rekindling its dying embers, made

them blaze forth with a light and warmth unknown before. The duke

himself, on the fourth day after he had presented himself at the holy

font, endowed the monastery of St. Michael, then styled "_ecclesiam in

periculo maris supra montem positam_."--No further mention occurs of the

convent, during the reign of this monarch, or of his son, William

Longue-Epée; but their immediate successor, Richard I. amply atoned for

any neglect on their part. He built, according to Dudo of St. Quentin, a

church of wondrous size, together with spacious buildings, for a body of

monks of the Benedictine order, whom he established there in 988,

displacing the regular canons, whose irregular lives had been the

subject of much scandal. This munificence on the part of Richard, has

even caused him to be regarded by some writers as the founder of the

convent.--His son and successor, of the same name, selected St.

Michael's Mount, as the favored spot, where, in the beginning of his

reign, he received the hand of the fair Judith, sister to Geoffrey, one

of the principal counts of Brittany. An opportunity was almost

immediately afterwards afforded him of testifying at once his liberality

and his devotion, as well as his love; for, on the first year of the

eleventh century, the church, which had then been completed only five

years, was burned to the ground. The prince, however, appears to have

been somewhat tardy on the occasion; no attempt was made towards

replacing the loss, till Hildebert II. succeeded as abbot. During his

prelacy, in 1022, the foundations of a new church were laid, upon a

still more extensive scale.--Twenty-six years more were suffered to

elapse, and the abbatial mitre had adorned the brows of four successive

abbots, when Ralph de Beaumont witnessed the completion of the work.

The church then built is expressly stated by the authors of the _Gallia

Christiana_, to be the same as was in existence at the time of the

publication of that work;[215] and M. de Gerville confirms their remark

by his own personal observation, at least as far as relates to the nave.

This indeed has been shortened of late; but he is persuaded, that

whatever still remains is really of the architecture of the days of Duke

Richard.--Robert, the following duke, repaired to St. Michael's Mount,

to superintend his forces, upon the occasion of the revolt of Alain,

Count of Dol; and it was hither, also, that the archbishop of Rouen

brought the humbled count, to make his peace with his offended

sovereign.--At the period of the conquest, the monks of St. Michael

furnished six transports towards that eventful expedition; and when,

after the death of William, the dominion over the mount passed by

purchase from Robert to Henry, they distinguished themselves by their

attachment to their new sovereign, who here supported a siege on the

part of his two elder brothers, and was finally driven to surrender only

by famine. The elder of these brothers, at an advanced period of his

life, re-visited the church in a far different guise; and, to discharge

his vows to the archangel for his safe return from the crusade,

prostrated himself before the shrine which he had erst assaulted with

the fury of his arms.--The year 1158 was, almost above every other,

memorable in the history of St. Michael's Mount. Henry Plantagenet, who,

two years before, had there received the homage of his subjects of

Brittany, then returned in pilgrim weeds, accompanied by Louis VII.

whose repudiated wife, Eleanor of Aquitaine, he had married; and the

two monarchs, attended by a numerous throng of secular nobility, as well

as by several cardinals, archbishops, and bishops, kneeled in amity at

the holy altar.

During the reign of the ill-starred John, St. Michael's Mount passed, in

common with the rest of Normandy, under the sceptre of France, and

suffered severely upon the occasion. Guy of Thouars, then in alliance

with Philip-Augustus, advanced against it at the head of an army of

Britons; and, experiencing on the part of the inhabitants but a feeble

resistance, set fire to the palisades, the principal defence of the

place. The flames communicated to the houses; and the church also fell a

prey to them. To use the words of Brito,

"vis ignea sursùm

Scandit, et ecclesiæ decus omne, locumque sacratum,

Resque monasterii cremat insatiabilis omnes."

Philip lamented the injury, and did all in his power to repair it; but,

considering that one great source of the misfortunes of the holy place

had sprung from the impiety of the Anglo-Norman monarchs, in placing

their trust in ramparts made by human hands, rather than in the

protection of the archangel, he levelled with the ground the few works

of defence that remained.[216] His pious successor, the sainted Louis,

was far from entertaining a similar feeling. On the other hand, when his

devotion led him to the shrine of St. Michael, after returning from his

unfortunate expedition to Damietta, the chronicles expressly state, that

he placed, with his own hand, a considerable sum of money upon the

altar, for the purpose of repairing the fortifications. And it appears

probable that, at a period not very distant, the money thus expended

stood the crown of France in good stead; for, during the war at the

beginning of the fifteenth century, St. Michael's Mount was the only

place that successfully resisted the English arms. The siege it

supported upon that occasion, is one of the few brilliant events that

give lustre to a period of French history, generally dark and gloomy.

Two cannon, of prodigious size, constructed for the discharge of stone

balls, above a foot in diameter, testify to the present moment the

heroic defence of the garrison, and the defeat of the assailants.

At a subsequent period of French history, during the times when party,

under the mask of pious zeal, deluged the kingdom with blood, and

virtuous men of every creed joined in the lamentation, that "tantum

Religio potuit suadere malorum," the Huguenots made many and most brave

and memorable, though vain, attempts to render themselves masters of St.

Michael's Mount. From that time forward, the rock has been suffered to

continue in tranquillity, though still retaining its character as a

fortification. Its designation of late has been a departmental prison:

during the reign of terror, it was applied to the disgraceful purpose of

serving as a receptacle for three hundred ecclesiastics, whose age or

infirmities would not allow of their being transported; and who, with

cruel mockery, were incarcerated within the walls, long gladdened with

the comforts, dignified with the pomp, and sanctified with the holiness

of religion. Prisoners of importance, especially those charged with

crimes against the state, were chiefly confined here before the

revolution, when the iron cage, and the vaults, known by the ominous

names of the _Oubliettes_, or the _In Pace_, gave the mount a melancholy

notoriety.

In this short outline of the history of St. Michael's Mount, mention has

been repeatedly made of French sovereigns who have proceeded thither in

pilgrimage. The task were long to enumerate all those princes and

monarchs who distinguished it with this mark of their veneration. But

there is one other instance too important in its consequences to be

passed over in silence. Louis XI. after having expelled the rebellious

Britons from Normandy in 1463, not content with paying his devotions to

the archangel at his shrine, and bestowing upon the monks a donation of

six hundred crowns of gold, sent them the image of St. Michael, together

with the golden chain that he had himself worn upon his neck; and

directed that the three escalop shells, formerly borne upon the abbatial

shield, should be enriched by the addition of four others, and three

lilies. Nor satisfied with this, he, six years afterwards, still further

testified his devotion, by various privileges granted to the community,

and by the institution of the noble military order of St. Michael,[217]

whose collar was composed of silver escalop shells, while the medal bore

a representation of the archangel trampling upon the dragon, with the

legend, "Immensi tremor oceani."--Even in this enlightened age, the

concourse of pilgrims to the mount is by no means at an end: they are

still to be seen repairing to the church; and, if the female Druids have

ceased for many a century to sell to the sailors their enchanted arrows,

of power to still the angry ocean, when hurled into its waves by a

maiden hand, the Pythonesses of the present day find a no less plentiful

source of emolument in their chaplets, and rosaries, and crosses, and

medals, of St. Michael. The annals of the world abound in details of the

changes of form and feature which superstition has assumed in different

ages; but it is humiliating to human nature to reflect, that the

conquests obtained by philosophy over her great adversary, are in

reality very small. Superstition, like the fabled Proteus, appears under

an endless variety of forms; but she is also, like the god, still one

and the same.

The list of abbots of St. Michael's Mount, contains names of the highest

consequence in France: the Cardinal d'Estouteville, and the still more

illustrious Cardinal de Joyeuse, Henry of Lorraine, son of the Duke de

Guise, and Charles Maurice, of the noble family of Broglio, have, in

times comparatively modern, presided over the community. The privileges

and honorary distinctions attached to the office, were also

considerable. The names of the superiors of the monastery stand recorded

on various occasions, as men selected for important trusts; and they

were formally empowered, by a bull of Pope Clement VII. dated from

Avignon, to bestow the benediction, even in the church of Avranches, and

in the presence of the bishop or the metropolitan himself, and to wear

the mitre, and all other episcopal insignia. The powers and immunities

of the convent were likewise extensive and important. Its annual income

was estimated by the author of the _Alien Priories_, in the middle of

the last century, at forty thousand livres; but it is at the same time

stated in that work, that, at an earlier period, it was far more

considerable. Among the transmarine possessions of the abbey, was its

namesake in Cornwall, which was annexed to it by Robert, Earl of Moreton

and Cornwall, before the year 1085, and was also renowned for its

sanctity at a very remote epoch. The coincidence in form and situation

between the two is most remarkable.

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