AMONG THE MALVERN HILLS[66]

Between the fair boundaries of the counties of Hereford and Worcester

rise in a long undulation the sloping pastures of the Malvern Hills.

Consulting a big red book on the castles and manors of England, we

found Lockley Park to be seated near the base of this grassy range,

tho in which county I forget. In the pages of this genial volume

Lockley Park and its appurtenances made a very handsome figure. We

took up our abode at a certain little wayside inn, at which in the

days of leisure the coach must have stopt for lunch, and burnished

pewters of rustic ale been tenderly exalted to "outsides" athirst with

breezy progression. Here we stopt, for sheer admiration of its steep

thatched roof, its latticed windows, and its homely porch. We allowed

a couple of days to elapse in vague undirected strolls and sweet

sentimental observance of the land, before we prepared to execute the

especial purpose of our journey. This admirable region is a compendium

of the general physiognomy of England. The noble friendliness of the

scenery, its subtle old friendliness, the magical familiarity of

multitudinous details, appealed to us at every step and at every

glance. Deep in our souls a natural affection answered. The whole

land, in the full, warm rains of the last of April, had burst into

sudden perfect spring. The dark walls of the hedge-rows had turned

into blooming screens; the sodden verdure of lawn and meadow was

streaked with a ranker freshness. We went forth without loss of time

for a long walk on the hills. Reaching their summits, you find half

England unrolled at your feet. A dozen broad counties, within the vast

range of your vision, commingle their green exhalations. Closely

beneath us lay the dark, rich flats of hedgy Worcestershire and the

copse-checkered slopes of rolling Hereford, white with the blossom of

apples. At widely opposite points of the large expanse two great

cathedral towers rise sharply, taking the light, from the settled

shadow of the circling towns--the light, the ineffable English light!

"Out of England," cried Searle, "it's but a garish world!"

[Footnote 66: From "A Passionate Pilgrim and Other Tales." Copyright,

1875. Houghton, Mifflin Company.]

The whole vast sweep of our surrounding prospect lay answering in a

myriad fleeting shades the cloudy process of the tremendous sky. The

English heaven is a fit antithesis to the complex English earth. We

possess in America the infinite beauty of the blue; England possesses

the splendor of combined and animated clouds. Over against us, from

our station on the hills, we saw them piled and dissolved, compacted

and shifted, blotting the azure with sullen rain-spots, stretching,

breeze-fretted, into dappled fields of gray, bursting into a storm of

light or melting into a drizzle of silver. We made our way along the

rounded summits of these well-grazed heights--mild, breezy inland

downs--and descended through long-drawn slopes of fields, green to

cottage doors, to where a rural village beckoned us from its seat

among the meadows. Close beside it, I admit, the railway shoots

fiercely from its tunnel in the hills; and yet there broods upon this

charming hamlet an old-time quietude and privacy, which seems to make

it a violation of confidence to tell its name so far away. We struck

through a narrow lane, a green lane, dim with its height of hedges; it

led us to a superb old farm-house, now jostled by the multiplied lanes

and roads which have curtailed its ancient appanage. It stands in

stubborn picturesqueness, at the receipt of sad-eyed contemplation and

the sufferance of "sketches." I doubt whether out of Nuremberg--or

Pompeii!--you may find so forcible an image of the domiciliary genius

of the past. It is cruelly complete; its bended beams and joists,

beneath the burden of its gables, seem to ache and groan with memories

and regrets. The short, low windows, where lead and glass combine in

equal proportions to hint to the wondering stranger of the medieval

gloom within, still prefer their darksome office to the grace of

modern day.

Such an old house fills an American with an indefinable feeling of

respect. So propt and patched and tinkered with clumsy tenderness,

clustered so richly about its central English sturdiness, its oaken

vertebrations, so humanized with ages of use and touches of beneficent

affection, it seemed to offer to our grateful eyes a small, rude

synthesis of the great English social order. Passing out upon the

highroad, we came to the common browsing-patch, the "village green" of

the tales of our youth. Nothing was wanting; the shaggy, mouse-colored

donkey, nosing the turf with his mild and huge proboscis, the geese,

the old woman--the old woman, in person, with her red cloak and black

bonnet, frilled about the face and double-frilled beside her decent,

placid cheeks--the towering plowman with his white smock-frock,

puckered on chest and back, his short corduroys, his mighty calves,

his big, red, rural face. We greeted these things as children greet

the loved pictures in a story book, lost and mourned and found again.

It was marvelous how well we knew them. Beside the road we saw a

plow-boy straddle, whistling on a stile. Gainsborough might have

painted him. Beyond the stile, across the level velvet of a meadow, a

footpath lay, like a thread of darker woof. We followed it from field

to field and from stile to stile. It was the way to church. At the

church we finally arrived, lost in its rook-haunted churchyard, hidden

from the work-day world by the broad stillness of pastures--a gray,

gray tower, a huge black yew, a cluster of village graves, with

crooked headstones, in grassy, low relief. The whole scene was deeply

ecclesiastical. My companion was overcome.

"You must bury me here," he cried. "It's the first church I have seen

in my life. How it makes a Sunday where it stands!"

The next day we saw a church of statelier proportions. We walked over

to Worcester, through such a mist of local color that I felt like one

of Smollett's pedestrian heroes, faring tavern-ward for a night of

adventures. As we neared the provincial city we saw the steepled mass

of the cathedral, long and high, rise far into the cloud-freckled

blue. And as we came nearer still, we stopt on the bridge and viewed

the solid minster reflected in the yellow Severn. And going farther

yet we entered the town--where surely Miss Austen's heroines, in

chariots and curricles, must often have come a-shopping for

swan's-down boas and high lace mittens; we lounged about the gentle

close and gazed insatiably at that most soul-soothing sight, the

waning, wasting afternoon light, the visible ether which feels the

voices of the chimes, far aloft on the broad perpendicular field of

the cathedral tower; saw it linger and nestle and abide, as it loves

to do on all bold architectural spaces, converting them graciously

into registers and witnesses of nature; tasted, too, as deeply of the

peculiar stillness of this clerical precinct; saw a rosy English lad

come forth and lock the door of the old foundation school, which

marries its hoary basement to the soaring Gothic of the church, and

carry his big responsible key into one of the quiet canonical houses;

and then stood musing together on the effect on one's mind of having

in one's boyhood haunted such cathedral shades as a King's scholar,

and yet kept ruddy with much cricket in misty meadows by the Severn.

On the third morning we betook ourselves to Lockley Park, having

learned that the greater part of it was open to visitors, and that,

indeed, on application, the house was occasionally shown.

Within its broad enclosure many a declining spur of the great hills

melted into parklike slopes and dells. A long avenue wound and circled

from the outermost gate through an untrimmed woodland, whence you

glanced at further slopes and glades and copses and bosky recesses--at

everything except the limits of the place. It was as free and wild and

untended as the villa of an Italian prince; and I have never seen the

stern English fact of property put on such an air of innocence. The

weather had just become perfect; it was one of the dozen exquisite

days of the English year--days stamped with a refinement of purity

unknown in more liberal climes. It was as if the mellow brightness, as

tender as that of the primroses which starred the dark waysides like

petals wind-scattered over beds of moss, had been meted out to us by

the cubic foot--tempered, refined, recorded!

The Best of the World's Classics, Restricted to Prose, Vol. X (of X) - America - II, Index · 第 106 / 110 题