THE POET AS PROPHET[35]

Poets are the forerunners and prophets of changes in the moral world.

Driven by their fine nature to search into and reverently contemplate

the universal laws of the soul, they find some fragment of the broken

tables of God's law, and interpret it, half-conscious of its mighty

import. While philosophers are wrangling, and politicians playing at

snapdragon with, the destinies of millions, the poet, in the silent

deeps of his soul, listens to those mysterious pulses which, from one

central heart, send life and beauty through the finest veins of the

universe, and utters truths to be sneered at, perchance, by

contemporaries, but which become religion to posterity. Not unwisely

ordered is that eternal destiny which renders the seer despised of

men, since thereby he is but the more surely taught to lay his head

meekly upon the mother-breast of Nature, and harken to the musical

soft beating of her bounteous heart.

[Footnote 35: From an essay contributed to _The Pioneer_ in 1843.

Lowell was the founder and editor of _The Pioneer_, Robert Carter

being his associate. The magazine lived only three months. Charles

Eliot Norton, the editor of Lowell's "Letters," says it "left its

projectors burdened with a considerable debt." "I am deeply in debt,"

wrote Lowell afterward, when hesitating to undertake a journey, "and

feel a twinge for every cent I spend."]

That Poesy, save as she can soar nearer to the blissful throne of the

Supreme Beauty, is of no more use than all other beautiful things are,

we are fain to grant. That she does not add to the outward wealth of

the body, and that she is only so much more excellent than any bodily

gift as spirit is more excellent than matter, we must also yield. But,

inasmuch as all beautiful things are direct messages and revelations

of himself, given us by our Father, and as Poesy is the searcher out

and interpreter of all these, tracing by her inborn sympathy the

invisible nerves which bind them harmoniously together, she is to be

revered and cherished. The poet has a fresher memory of Eden, and of

the path leading back thereto, than other men; so that we might almost

deem him to have been conceived, at least, if not borne and nursed,

beneath the ambrosial shadow of those dimly remembered bowers, and to

have had his infant ears filled with the divine converse of angels,

who then talked face to face with his sires, as with beloved younger

brethren, and of whose golden words only the music remained to him,

vibrating forever in his soul, and making him yearn to have all sounds

of earth harmonize therewith. In the poet's lofty heart Truth hangs

her aerie, and there Love flowers, scattering thence her winged seeds

over all the earth with every wind of heaven. In all ages the poet's

fiery words have goaded men to remember and regain their ancient

freedom, and, when they had regained it, have tempered it with a love

of beauty, so as that it should accord with the freedom of nature, and

be as unmovably eternal as that. The dreams of poets are morning

dreams, coming to them in the early dawn and daybreaking of great

truths, and are surely fulfilled at last. They repeat them, as

children do, and all Christendom, if it be not too busy with

quarreling about the meaning of creeds, which have no meaning at all,

listens with a shrug of the shoulders and a smile of pitying

incredulity; for reformers are always madmen in their own age, and

infallible saints in the next.

We love to go back to the writings of our old poets, for we find in

them the tender germs of many a thought which now stands like a huge

oak in the inward world, an ornament and a shelter. We can not help

reading with awful interest what has been written or rudely scrawled

upon the walls of this our earthly prison house, by former dwellers

therein. From that which centuries have established, too, we may draw

true principles of judgment for the poetry of our own day. A right

knowledge and apprehension of the past teaches humbleness and

self-sustainment to the present. Showing us what has been, it also

reveals what can be done. Progress is Janus-faced, looking to the

bygone as well as to the coming; and radicalism should not so much

busy itself with lopping off the dead or seeming dead limbs, as with

clearing away that poisonous rottenness around the roots, from which

the tree has drawn the principle of death into its sap. A love of the

beautiful and harmonious, which must be the guide and forerunner to

every onward movement of humanity, is created and cherished more

surely by pointing out what beauty dwells in anything, even the most

deformed (for there is something in that also, else it could not even

be), than by searching out and railing at all the foulnesses in

nature.

Not till we have patiently studied beauty can we safely venture to

look at defects, for not till then can we do it in that spirit of

earnest love, which gives more than it takes away. Exultingly as we

hail all signs of progress, we venerate the past also. The tendrils of

the heart, like those of ivy, cling but the more closely to what they

have clung to long, and even when that which they entwine crumbles

beneath them, they still run greenly over the ruin, and beautify those

defects which they can not hide. The past as well as the present,

molds the future, and the features of some remote progenitor will

revive again freshly in the latest offspring of the womb of time. Our

earth hangs well-nigh silent now, amid the chorus of her sister orbs,

and not till past and present move harmoniously together will music

once more vibrate on this long silent chord in the symphony of the

universe.

The Best of the World's Classics, Restricted to Prose, Vol. X (of X) - America - II, Index · 第 61 / 110 题