THE FATALITY OF SELF-SEEKING IN EDITORS AND AUTHORS[19]

It only remains to me to speak more especially of my own vocation--the

editor's--which bears much the same relation to the author's that the

bellows-blower's bears to the organist's, the player's to the

dramatist's, Julian or Liszt to Weber or Beethoven. The editor, from

the absolute necessity of the case, can not speak deliberately; he

must write to-day of to-day's incidents and aspects, tho these may be

completely overlaid and transformed by the incidents and aspects of

to-morrow. He must write and strive in the full consciousness that

whatever honor or distinction he may acquire must perish with the

generation that bestowed them--with the thunders of applause that

greeted Kemble or Jenny Lind, with the ruffianism that expelled

Macready, or the cheerful laugh that erewhile rewarded the sallies of

Burton or Placide.[20]

[Footnote 19: Printed with the "Miscellanies" In the "Recollections of

a Busy Life."]

[Footnote 20: Henry Placide, an American actor born in Charleston, who

excelled in the parts of Sir Peter Teazle and Sir Anthony Absolute.]

No other public teacher lives so wholly in the present as the editor;

and the noblest affirmations of unpopular truth--the most

self-sacrificing defiance of a base and selfish public sentiment that

regards only the most sordid ends, and values every utterance solely

as it tends to preserve quiet and contentment, while the dollars fall

jingling into the merchant's drawer, the land-jobber's vault, and the

miser's bag--can but be noted in their day, and with their day

forgotten. It is his cue to utter silken and smooth sayings--to

condemn vice so as not to interfere with the pleasures or alarm the

conscience of the vicious--to praise and champion liberty so as not to

give annoyance or offense to slavery, and to commend and glorify labor

without attempting to expose or repress any of the gainful

contrivances by which labor is plundered and degraded. Thus sidling

dextrously between somewhere and nowhere, the able editor of the

nineteenth century may glide through life respectable and in good

ease, and lie down to his long rest with the non-achievements of his

life emblazoned on the very whitest marble, surmounting and glorifying

his dust.

There is a different and sterner path--I know not whether there be any

now qualified to tread it--I am not sure that even one has ever

followed it implicitly, in view of the certain meagerness of its

temporal rewards and the haste wherewith any fame acquired in a sphere

so thoroughly ephemeral as the editor's must be shrouded by the dark

waters of oblivion. This path demands an ear ever open to the plaints

of the wronged and the suffering, tho they can never repay advocacy,

and those who mainly support newspapers will be annoyed and often

exposed by it; a heart as sensitive to oppression and degradation in

the next street as if they were practised in Brazil or Japan; a pen as

ready to expose and reprove the crimes whereby wealth is amassed and

luxury enjoyed in our own country at this hour as if they had only

been committed by Turks or pagans in Asia some centuries ago.

Such an editor, could one be found or trained, need not expect to lead

an easy, indolent, or wholly joyous life--to be blest by archbishops

or followed by the approving shouts of ascendent majorities; but he

might find some recompense for their loss in the calm verdict of an

approving conscience; and the tears of the despised and the

friendless, preserved from utter despair by his efforts and

remonstrances, might freshen for a season the daisies that bloomed

above his grave.

Literature is a noble calling, but only when the call obeyed by the

aspirant issues from a world to be enlightened and blest, not from a

void stomach clamoring to be gratified and filled. Authorship is a

royal priesthood; but wo to him who rashly lays unhallowed hands on

the ark or the altar, professing a zeal for the welfare of the race

only that he may secure the confidence and sympathies of others, and

use them for his own selfish ends! If a man have no heroism in his

soul--no animating purpose beyond living easily and faring

sumptuously--I can imagine no greater mistake on his part than that of

resorting to authorship as a vocation. That such a one may achieve

what he regards as success I do not deny; but, if so, he does it at

greater risk and by greater exertion than would have been required to

win it in any other pursuit. No; it can not be wise in a selfish, or

sordid, or sensual man to devote himself to literature; the fearful

self-exposure incident to this way of life--the dire necessity which

constrains the author to stamp his own essential portrait on every

volume of his works, no matter how carefully he may fancy he has

erased, or how artfully he may suppose he has concealed it--this

should repel from the vestibule of the temple of fame the foot of

every profane or mocking worshiper.

But if you are sure that your impulse is not personal nor sinister,

but a desire to serve and ennoble your race, rather than to dazzle and

be served by it; that you are ready joyfully to "scorn delights, and

live laborious days," so that thereby the well-being of mankind may be

promoted--then I pray you not to believe that the world is too wise to

need further enlightenment, nor that it would be impossible for one so

humble as yourself to say aught whereby error may be dispelled or good

be diffused. Sell not your integrity; barter not your independence;

beg of no man the privilege of earning a livelihood by authorship;

since that is to degrade your faculty, and very probably to corrupt

it; but seeing through your own clear eyes, and uttering the impulses

of your own honest heart, speak or write as truth and love shall

dictate, asking no material recompense, but living by the labor of

your hands, until recompense shall be voluntarily tendered to secure

your service, and you may frankly accept it without a compromise of

your integrity or a peril to your freedom. Soldier in the long warfare

for man's rescue from darkness and evil, choose not your place on the

battle-field, but joyfully accept that assigned you; asking not

whether there be higher or lower, but only whether it is here that you

can most surely do your proper work, and meet your full share of the

responsibility and the danger.

Believe not that the heroic age is no more; since to that age is only

requisite the heroic purpose and the heroic soul. So long as ignorance

and evil shall exist so long there will be work for the devoted, and

so long will there be room in the ranks of those who, defying obloquy,

misapprehension, bigotry, and interested craft, struggle and dare for

the redemption of the world. "Of making many books there is no end,"

tho there is happily a speedy end of most books after they are made;

but he who by voice or pen strikes his best blow at the impostures and

vices whereby our race is debased and paralyzed may close his eyes in

death, consoled and cheered by the reflection that he has done what he

could for the emancipation and elevation of his kind.

The Best of the World's Classics, Restricted to Prose, Vol. X (of X) - America - II, Index · 第 44 / 110 题