"Annabella"; translation of Novalis; Maeterlinck's dramatic theories;
the doctrine of "correspondences"; influence of Emerson; "The Treasure
of the Humble"; influence of Carlyle; the doctrine of silence; dramatic
possibilities of same; "the soul's awakening"; "les avertis";
woman-worship; fatalism; Maeterlinck and Christianity; "interior
beauty"; "Aglavaine and Selysette"; the problem of marriage; "Douze
Chansons"