MAY 26, 1900

That Nature is cruel is not to be denied; the evidences of that cruelty

are written out large and red in every woodland, under every hedgerow.

That she can be also unaccountably pitiful, or at all events take pains

to appear so, is fortunately equally true, and it is a truth that at

times comes very near to the heart. This morning at a very early hour

there was a tenderness, a kind of hovering serenity over everything,

that appealed to one like a benediction. The air itself seemed changed;

sanctified. The familiar little paths one walked along were like the

approaches to some as yet invisible Temple.

There are certain pictures of Jean Francois Millet’s in which this

quality of sanctity is the first thing that strikes one, the more so

that the obviously religious element is conspicuously absent from them.

His “Angelus” has always seemed to me a poorer composition in this

respect than some others. When one sees a man standing with his hat off

in the middle of a field, in the company of a woman, who clasps her

hands, and looks down, one knows what one is expected to feel. When on

the other hand one sees only a childish-looking farm-drudge knitting, a

number of greedy sheep feeding, and a rough dog watching them, where,

one asks oneself in perplexity, does the religious element come in? That

it is to be found in the “Bergère” is however, unmistakable, and equally

unmistakably was it to be found in the copse this morning, though how it

got there, or who implanted it, I were rash were I to attempt to

explain.

Assuredly man is by nature a devotional creature, however little of the

dogmatic may mingle with his devotions. He may avert his ear from the

church-going bell, he may refuse to label himself with the label of any

particular denomination, but it is only to be overtaken with awe in the

heart of a forest, and to fall on his knees, as it were, in some green

secluded spot of the wilderness. The sense of something benignant close

at hand, of some pitying eye surveying one, is so vivid at certain

moments of one’s life that it actually needs a rough conscious effort if

one would shake it off. Even the sense of the vastness of that arena

upon which our poor little drama is being played out, even this habitual

impression becomes less grimly crushing at such moments than usual. What

if it is colossal, one says to oneself, and what if, as compared to it,

ourselves and our troubles are infinitesimal? what if they count no more

in the scheme of things than do the afflictions of a broken-legged

mouse, or of a crushed beetle? Very well; be it so. The mouse and the

beetle have, after all, each their allotted place in that scheme. Nay

for aught we know to the contrary, each may have its own incalculable

hour; each may be susceptible of the same profound, if intangible,

consolation.

A Garden Diary, September 1899—September 1900 · 第 49 / 68 题