APRIL 2, 1900

At last we are in April. The winter corner is turned, and a new era

entered upon. But April this year is an incongruous sort of an April,

though the incongruity is possibly only in one’s own fancy. We are apt

to fashion our notions of the becoming, and to expect Nature to conform

to them. A desperately dry April it certainly is. The days are hard, and

cold, parched, and nipping; at night the wind howls, but with no

accompaniment of desirable drops. The garden cries to the sky for rain,

but no rain falls upon it, yet the only days I have spent in London were

days of unceasing downpour. Such favouring of the Metropolis at the

expense of the country is manifestly unjust.

April is such a lovely word, that it ought also to be always a lovely

thing. If one imagines it--or rather her--as she might appear to us in

dreams, or an allegory, we should deck her out of course in the

tenderest green. Floating gossamers would hover around her; small pink

buds would bend down to kiss her small pink feet. So encompassed she

would come to meet us along the wood paths, a vision of grace and

maidenly beauty; the traditional smile on her lips, the equally

traditional tear in her eye. She would look up in our faces with an

appealing glance, and then begin suddenly to weep, she herself knew not

why. A maiden with the most maidenly of dreams, enclosing a whole

enchanted world of visionary hopes, fears, delights, anticipations,

which it would be the dull business of Experience to dissipate as the

year rolled on.

But April, as she presents herself before us this year, is not that sort

of maiden at all. She is a remarkably uncompromising sort of young

woman, with hardly any visible green about her costume. She does not

care for the colour apparently, but prefers drabs, and greys, and

browns. As for tears she is not nearly as much given to them as we could

desire. She thinks poorly of them evidently, and considers them out of

date. Her smiles too are doled out in the same penurious fashion as her

tears. She gives us what no doubt she considers our due of both, but

nothing to spare. Her impulses are all dull, decorous, mechanical; as

for her feet, far from being bare, they are clad in warm winter shoes

and stockings, which indeed they have every reason to be.

Doubtless I am old-fashioned, but I cannot admire such sedate damsels.

Give me a little more spontaneity; a little more youthful impetuosity

and dash--

“Robes loosely flowing, hair as free;

Such sweet neglect more taketh me.”

To drop metaphor, which has a tendency to drop itself, we are in despair

over this dryness, and as a consequence have had to resort already to

the aid of our watering-pots. Now in April the watering-pot ought in my

opinion to be still reposing in its tool shed, with the early spider

weaving his first web across its spout. So strongly is this impressed

upon my mind that I feel as if there were something illicit, something I

might almost go so far as to call unprincipled, in resorting to its

assistance thus prematurely. After all though, a gardener’s first

virtue, I reflect, is to save his plants, and unless we promptly take

some step of the kind, ours for a surety will for the most part die.

A Garden Diary, September 1899—September 1900 · 第 41 / 68 题