THE STORY OF FIVE HEADS.

In this story some liberty is taken with the Kaffir marriage

ceremonies, a description of which will serve as a key to much that is

contained in several of these tales. The whole of the ceremonies are

included in the term umdudo, a word derived from the verb ukududa,

which means to dance by springing up and down, as ukuxentsa means to

dance by moving the upper part of the body. The dance at a marriage is

considered of more importance than any of the others, and is therefore

frequently practised until skill in its performance is attained.

The marriage of a young Kaffir woman is arranged by her father or

guardian, and she is not legally supposed to be consulted in the choice

of a husband. In point of fact, however, matches arising from mutual

love are not uncommon. In such cases, if any difficulties are raised by

the guardians on either side, the young people do not scruple to run

away together, after which their relatives usually come to an

arrangement. Yet instances are not wanting of girls being compelled

against their wishes to marry old men, who have already perhaps five or

six wives. Kaffir ideas of some kinds of morality are very low. The

custom is general for a married woman to have a lover who is not her

husband, and little or no disgrace attaches to her on this account. The

lover is legally subject to a fine of no great amount, and the husband

may give the woman a beating, but that finishes the penalty.

That which makes a Kaffir marriage binding in their estimation, is not

the performance of a ceremony, but the transfer of a certain number of

cattle, as agreed upon, from the husband or his friends to the father

or guardian of the woman. In practice the umdudo is often deferred to a

convenient season, yet the woman is considered not less a wife, and her

children not less legal, provided always that the transfer of cattle

has taken place according to agreement. This system of transfer of

cattle is of great advantage to a Kaffir female. It protects her from

gross ill-treatment by her husband, as violence gives a woman’s

relatives a right to claim her divorce without restoring the cattle. It

creates protectors for herself and her children in the persons of all

the individuals among whom the cattle are shared. And lastly, it gives

her the status of a married woman in the estimation of her people,

whereas, if no cattle are transferred, she is not regarded by them as

having the rank of a wife.

Marriages are absolutely prohibited between people of the same family

title. This peculiarity seems to indicate that the tribes and clans of

the present day are combinations of others that were dispersed before

their traditional history commenced. A man may marry a woman of the

same clan that he belongs to, provided she is not a blood relative; but

he may not marry a woman whose father’s family title is the same as his

own, even though no relationship can be traced between them, and the

one may belong to the Xosa and the other to the Pondo tribe. As an

instance, we will take a man who belongs to, say, the Dushane clan of

the Xosa tribe, and whose family title is the Amanywabe. Among the

Tembus, the Pondos, the Zulus, and many other tribes, are people with

this same family title. They cannot trace any relationship with each

other, but wherever they are found they have ceremonies peculiar to

themselves. Thus the customs observed at the birth of a child are

exactly the same in every part of the country among people of the same

family title, though they may never have heard of each other, while

neighbours of the same clan, but of different family titles, have these

customs altogether dissimilar. All the children take the family title

of the father, and can thus marry people of the same family title as

the mother, provided they are not closely related in blood.

Marriage proposals may come from the father or guardian of the young

woman, or they may first be made by the man himself or the relatives of

the man who wishes to take a wife. The father of a young man frequently

selects a bride for him, and intimates his wish by sending a messenger

to make proposals to the girl’s father or guardian. In this case the

messenger takes some cattle with him, when, if the advances are

favourably received, an assagai is sent back, after which the relatives

of the young people discuss and finally arrange the terms of the

marriage. If the proposal comes from the girl’s father, he sends an

assagai, which is accepted if the suit is agreeable, or returned if it

is not.

When the preliminary arrangements are concluded, a bridal procession is

formed at the young woman’s kraal, to escort her to her future home. It

consists of her relatives and all the young people of both sexes who

can get away. It leaves at such a time as to arrive at its destination

after dark, and endeavours to reach the place without attracting

notice. The bridal party takes with it a cow, given by the bride’s

father or guardian to confer fortune upon her, and hence called the

Inqakwe. This cow is afterwards well taken care of by the husband. The

party has also an ox provided by the same person, as his contribution

towards the marriage feast. On the following morning at daylight the ox

is killed, when a portion of the meat is taken by the bride’s party,

and the remainder is left for the people of the kraal. The bridegroom’s

friends then send messengers to invite the people of the neighbourhood

to the feast, and as soon as these arrive the dancing commences.

In the dance the men stand in lines three, four, or more rows in depth,

according to their number, and at a little distance behind the women

stand in the same order, that is, they are ranged as follows:—

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LINES

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OF

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MEN.

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Kaffir folk-lore · 第 38 / 54 题