CHAPTER XVII

It was about five months later that Cecil Reeve wrote his long reply

to a dozen letters from Clive Bailey which heretofore had remained

unanswered and neglected:

"--For Heaven's sake, do you think I've nothing to do except

to write you letters? I _never_ write letters; and here's the

exception to prove it. And if I were not at the Geyser Club,

and if I had not dined incautiously, I would not write this!

"But first permit me the indiscretion of asking you why an

engaged man is so charitably interested in the welfare of a

young girl who is not engaged to him? And if he is

interested, why doesn't he write to her himself and find out

how she is? Or has she turned you down?

"But you need not incriminate and degrade yourself by

answering this question.

"Seriously, Clive, you'd better get all thoughts of Athalie

Greensleeve out of your head as long as you intend to get

married. I knew, of course, that you'd been hard hit.

Everybody was gossiping last winter. But this is rather raw,

isn't it?--asking me to find out how Athalie is and what she

is doing; and to write you in detail? Well anyway I'll tell

you once for all what I hear and know about her and her

family--her family first, as I happen to have had dealings

with them. And hereafter you can do your own philanthropic

news gathering.

"Doris and Catharine were in a rotten show I backed. And when

I couldn't afford to back it any longer Doris was ungrateful

enough to marry a man who cultivated dates, figs, and pecan

nuts out in lower California, and Catharine has just written

me a most impertinent letter saying that real men grew only

west of the Mississippi, and that she is about to marry one

of them who knows more in half a minute than anybody could

ever learn during a lifetime in New York, meaning me and

Hargrave. I guess she meant me; and I guess it's so--about

Hargrave. Except for myself, we certainly are a bunch of

boobs in this out-of-date old town.

"Now about Athalie,--she dropped out of sight after you went

abroad. Nobody seemed to know where she was or what she was

doing. Nobody ever saw her at restaurants or theatres except

during the first few weeks after your departure. And then she

was usually with that Dane chap--you know--the explorer. I

wrote to her sisters making inquiries in behalf of myself and

Francis Hargrave; but they either didn't know or wouldn't

tell us where she was living. Neither would Dane. I didn't

suppose he knew at the time; but he did.

"Well, what do you think has happened? Athalie Greensleeve is

the most talked about girl in town! She has become the

fashion, Clive. You hear her discussed at dinners, at dances,

everywhere.

"Some bespectacled guy from Columbia University had an

article about her in one of the recent magazines. Every paper

has had something to say concerning her. They all disagree

except on one point,--that Athalie Greensleeve is the most

beautiful woman in New York. How does that hit you, Clive?

"Well, here's the key to the box of tricks. I'll hand it to

you now. Athalie has turned into a regular, genuine, out and

out clairvoyant, trade-marked patented. And society with a

big _S_ and science with a little _s_ are fighting to take

her up and make a plaything of her. And the girl is making

all kinds of money.

"Of course her beauty and pretty manners are doing most of it

for her, but here's another point: rumour has it that she's

perfectly sincere and honest in her business.

"How can she be, Clive? I ask you. Also I hand it to her

press-agent. He's got every simp in town on the run. He knows

his public.

"Well, the first time I met her she was dining with Dane

again at the Arabesque. She seemed really glad to see me.

There's a girl who remains unaffected and apparently

unspoiled by her success. And she certainly has delightful

manners. Dane glowered at me but Athalie made me sit down for

a few minutes. Gad! I was that flattered to be seen with such

a looker!

"She told me how it began--she couldn't secure a decent

position, and all her money was gone, when in came an old guy

who had patronised the medium whose rooms she was living in.

"That started it. The doddering old rube insisted that

Athalie take a crack at the crystal business; she took one,

and landed him. And when he went out he left a hundred bones

in his wake and a puddle of tears on the rug.

"She didn't tell it to me like this: she really fell for the

old gentleman. But I could size him up for a come-on. The

rural districts crawl with that species. Now what gets me,

Clive, is this: Athalie seems to me to be one of the

straightest ever. Of course she has changed a lot. She's

cleverer, livelier, gayer, more engaging and bewitching than

ever--and believe me she's some flirt, in a sweet,

bewildering sort of way--so that you'd give your head to know

how much is innocence and how much is art of a most

delicious--and, sometimes, malicious kind.

"That's the girl. And that's all she is, just a girl, with

all the softness and freshness and fragrance of youth still

clinging to her. She's some peach-blossom, take it from

uncle! And she is straight; or I'm a million miles away in

the lockup.

"And now, granted she's morally straight, how _can_ she be

square in business? Do you get me? It's past me. All I can

think of is that, being straight, the girl feels herself that

she's also square.

"Yet, if that is so, how can she fool others so neatly?

"Listen, Clive: I was at a dance at the Faithorn's;

tremendous excitement among pin-heads and débutantes! Athalie

was expected, professionally. And sure enough, just before

supper, in strolls a radiant, wonderful young thing making

them all look like badly faded guinea-hens--and somehow I get

the impression that she is receiving her hostess instead of

the contrary. Talk about self-possession and absolute

simplicity! She had 'em all on the bench. Happening to catch

my eye she held out her hand with one of those smiles she can

be guilty of--just plain assassination, Clive!--and I stuck

to her until the pin-heads crowded me out, and the rubbering

women got my shoulders all over paint. And now here's where

she gets 'em. There's no curtained corner, no pasteboard

trophies, no gipsy shawls and bangles, no lowering of lights,

no closed doors, no whispers.

"Whoever asks her anything spooky she answers in a sweet and

natural voice, as though replying to an ordinary question.

She makes no mystery of it. Sometimes she can't answer, and

she says so without any excuse or embarrassment. Sometimes

her replies are vague or involved or even apparently

meaningless. She admits very frankly that she is not always

able to understand what her reply means.

"However she says enough--tells, reveals, discovers, offers

sound enough advice--to make her _the_ plaything of the

season.

"And it's a cinch that she scores more bull's eyes than

blanks. I had a séance with her. Never mind what she told me.

Anyway it was devilish clever,--and true as far as I knew.

And I suppose the chances are good that the whole business

will happen to me. Watch me.

"I think Athalie must have cleared a lot of money already.

Mrs. Faithorn told me she gave her a cheque for five hundred

that evening. And Athalie's private business must be pretty

good because all the afternoon until five o'clock carriages

and motors are coming and going. And you ought to see who's

in 'em. Your prospective father-in-law was in one! Perhaps he

wanted inside information about Dominion Fuel--that damn

stock which has done a few things to me since I monkeyed with

it.

"But you should see the old dragons and dowagers and

death-heads, and frumps who go to see Athalie! And the

younger married bunch, too. I understand one has to ask for

an appointment a week ahead.

"So she must be making every sort of money. And yet she lives

simply enough--sky floor of a new office-apartment building

on Long Acre--hoisted way up in the air above everything. You

look out and see nothing but city and river and bay and haze

on every side as far as the horizon's circle. At night it's

just an endless waste of electric lights. There's very little

sound from the street roar below. It's still up there in the

sky, and sunny; silent and snowy; quiet and rainy; noiseless

and dark--according to the hours, seasons, and meteorological

conditions, my son. And it's some joint, believe me, with the

dark old mahogany trim and furniture and the dull rich

effects in azure and gold; and the Beluch carpets full of

sombre purple and dusky fire, and the white cat on the

window-sill watching you put of its sapphire blue eyes.

"And Athalie! curled up on her deep, soft divan, nibbling

sweetmeats and listening to a dozen men--for there are

usually as many as that who drop in at one time or another

after business is over, and during the evening, unless

Athalie is dining out, which she often does, damn it!

"Business hours for her begin at two o'clock in the

afternoon; and last until five. She could make a lot more

money than she does if she opened earlier. I told her this,

once, but she said that she was determined to educate

herself.

"And it seems that she studies French, Italian, German, piano

and vocal music; and has some down-and-out old hen read with

her. I believe her ambition is to take the regular Harvard

course as nearly as possible. Some nerve! What?

"Well, that's how her mornings go; and now I've given you, I

think, a fair schedule of the life she leads. That fellow

Dane hangs about a lot. So do Hargrave and Faithorn and young

Allys and Arthur Ensart. And so do I, Clive; and a lot of

others. Why, I don't know. I don't suppose we'd marry her;

and yet it would not surprise me if any one of us asked her.

My suspicions are that the majority of the men who go there

_have_ asked her. We're a fine lot, we men. So damn

fastidious. And then we go to sentimental pieces when we at

last get it into our bone-heads that there is no other way

that leads to Athalie except by marrying her. And we ask her.

And _then_ we get turned down!

"Clive, _that_ girl ought to be easy. To look at her you'd

say she was made of wax, easily moulded, and fashioned to be

loved, and to love. But, by God, I don't think it's in her to

love.... For, if it were--good night. She'd have raised the

devil in this world long ago. And some of us would have done

murder before now.

"If I had not dined so copiously and so rashly I wouldn't

write you all this. I'd write a page or two and lie to you,

politely. And so I'll say this: I really do believe that it

is in Athalie to love some man. And I believe, if she did

love him, she'd love him in any way he asked her. He hasn't

come along yet; that's all. But Oh! how he will be hated when

he does--unless he is the marrying kind. And anyway he'll be

hated. Because, however he does it, he'll get one of the

loveliest girls this town ever set eyes on. And the rest of

us will realise it then, and there will be some

teeth-gnashing, believe me!--and some squirming. Because the

worm that never dieth will continue to chew us one and all,

and never, never let us forget that the girl no man of our

sort could really condescend to marry, had been asked by

every one of us in turn to marry him; and had declined.

"And I'll add this for my own satisfaction: the man who gets

her, and doesn't marry her, will ultimately experience a

biting from that same worm which will make our lacerations

resemble the agreeable tickling of a feather.

"We're a rotten lot of cowards. And what hypocrites we are!

"I saw Fontaine sending flowers to his wife. He'd been at

Athalie's all the evening. There are only two occasions on

which a man sends flowers to his wife; one of them is when

he's in love with her.

"Aren't we the last word in scuts? Custom-ridden,

habit-cursed, afraid, eternally afraid of something--of our

own sort always, and of their opinions. And that offering of

flowers when the man who sends them hopes to do something of

which he is ashamed, or has already done it!

"How I do run on! In _vino veritas_--there's some class to

pickled truth! Here are olives for thought, red peppers for

honesty, onions for logic--and cauliflower for constancy--and

fifty-seven other varieties, Clive--all absent in the canned

make-up of the modern man.

"'When you and I behind the veil have passed'--but they don't

wear veils now; and now is our chance.

"We'll never take it. Hall-marks are our only guide. When

absent we merely become vicious. We know what we want; we

know what we ought to have; but we're too cowardly to go

after it. And so are you. And so am I.

"Yours--

"REEVE."

Athalie · 第 17 / 30 章