CHAPTER I

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FANNY LAMBERT

A Novel

BY

HENRY DE VERE STACPOOLE

AUTHOR OF "THE CRIMSON AZALEAS"

"THE BLUE LAGOON" ETC., ETC.

[Illustration: Decoration]

R. F. FENNO & COMPANY

18 East 17th Street, New York

T. FISHER UNWIN, LONDON

CONTENTS

PART I

CHAP. PAGE

I. MR LEAVESLEY 1

II. A LOST TYPE 4

III. A COUNCIL OF THREE 12

IV. HANCOCK & HANCOCK 26

V. OMENS 31

VI. LAMBERT _v._ BEVAN 36

VII. THE BEVAN TEMPER 41

VIII. AT "THE LAURELS" 48

IX. "WHAT TALES ARE THESE?" 62

X. ASPARAGUS AND CATS 76

PART II

I. A REVELATION 86

II. THE GOD FROM THE MACHINE 113

III. TRIBULATIONS OF AN AUNT 125

IV. THE DAISY CHAIN 131

PART III

I. AN ASSIGNATION 141

II. THE EMOTIONS OF MR BRIDGEWATER 150

III. AN OLD MAN'S OUTING 159

IV. A MEETING 169

V. THE ADVENTURES OF BRIDGEWATER 171

VI. A CONFESSION 176

VII. IN GORDON SQUARE 185

PART IV

I. "THE ROOST" 194

II. MISS MORGAN 207

III. A CURE FOR BLINDNESS 223

IV. TIC-DOULOUREUX 235

V. THE AMBASSADOR 245

VI. A SURPRISE VISIT 251

VII. THE UNEXPLAINED 263

VIII. RETURN OF THE AMBASSADOR 269

PART V

I. GOUT 274

II. THE RESULT 283

III. THE RESULT (_continued_) 299

IV. "JOURNEY'S END" 301

FANNY LAMBERT

_PART I_

CHAPTER I

MR LEAVESLEY

"You may take away the things, Belinda," said Mr Leavesley, lighting his

pipe and taking his seat at the easel. "Nobody called this morning, I

suppose?"

"Only the Capting, sir," replied Belinda, piling the tray. "He called at

seven to borry your umbrella."

"Did you give it him?"

"No, sir, Mr Verneede's got it; you lent it to him the night before

last, and he hasn't brought it back."

"Ah, so I did," said Mr Leavesley, squeezing Naples yellow from an

utterly exhausted looking tube. "So I did, so I did; that's the

fifteenth umbrella or so that Verneede has annexed of mine: what does he

_do_ with them, do you think, Belinda?"

"I'm sure _I_ don't know, sir," replied the maid-of-all-work, looking

round the studio as if in search of inspiration, "unless he spouts

them."

"That will do, Belinda," said the owner of the lost umbrellas, turning

to his work, and the servant-maid departed.

It was a large, pleasant studio, furnished with very little affectation,

and its owner was a slight, pleasant-faced youth, happy-go-lucky

looking, with a glitter in his grey eyes suggesting a touch of genius or

insanity in their owner.

He was an orphan blessed with a small competency. His income, to use his

own formula, consisted of a hundred a year and an uncle. During the

first four months or so of the year he spent the hundred pounds, during

the rest of the year he squandered his uncle; that is to say he would

have squandered him only for the fact that Mr James Hancock, of the firm

of Hancock & Hancock, solicitors, was a person most difficult to

"negotiate."

Art, however, was looking up. He had sold several pictures lately. The

morning mists on the road to success were clearing away, leaving to the

view in a prospect distant tremulous and golden the mysterious city of

attainment.

He would have whistled as he worked only that he was smoking.

Through the open windows came the pulse-like sound of the omnibuses in

the King's Road, the sleigh bells of the hansoms, the rattle of the

coster's barrow, and voices.

As he painted, the sounds outside brought before him the vision of the

King's Road, Chelsea, where flaming June was also at work with her

golden brush and palette of violet colours.

He saw in imagination the scarlet pyramids of strawberries in the shops.

The blazing barrow of flowers all a-growing and a-blowing, the late-June

morning crowd, and through the crowd wending its way the figure of a

girl.

He was in love.

In the breast-pocket of his coat (on the heart side) lay a letter he had

received by the early morning post. The handwriting was large and

generous and careless, for no man living could tell the "m's" from the

"w's," or the "t's" from the "l's." It ran somewhat to this effect:

"THE LAURELS, HIGHGATE.

"Father is worrying dreadfully, and I want your advice. I think I

will be in the King's Road to-morrow, and will call on you. Excuse

this scrawl.--In wild haste,

"FANNY LAMBERT.

"How's the picture?"

Occasionally as he painted he touched his coat where the letter lay, as

if to make sure of its presence.

Suddenly he ceased working. There was a step on the stairs, a knock at

the door. Could it be?----

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