STELLA'S BIRTH-DAY.[1] 1719-20

WRITTEN A.D. 1720-21.--_Stella_.

All travellers at first incline

Where'er they see the fairest sign

And if they find the chambers neat,

And like the liquor and the meat,

Will call again, and recommend

The Angel Inn to every friend.

And though the painting grows decay'd,

The house will never lose its trade:

Nay, though the treach'rous tapster,[2] Thomas,

Hangs a new Angel two doors from us,

As fine as daubers' hands can make it,

In hopes that strangers may mistake it,

We[3] think it both a shame and sin

To quit the true old Angel Inn.

Now this is Stella's case in fact,

An angel's face a little crack'd.

(Could poets or could painters fix

How angels look at thirty-six:)

This drew us in at first to find

In such a form an angel's mind;

And every virtue now supplies

The fainting rays of Stella's eyes.

See, at her levee crowding swains,

Whom Stella freely entertains

With breeding, humour, wit, and sense,

And puts them to so small expense;

Their minds so plentifully fills,

And makes such reasonable bills,

So little gets for what she gives,

We really wonder how she lives!

And had her stock been less, no doubt

She must have long ago run out.

Then, who can think we'll quit the place,

When Doll hangs out a newer face?

Nail'd to her window full in sight

All Christian people to invite.

Or stop and light at Chloe's head,

With scraps and leavings to be fed?

Then, Chloe, still go on to prate

Of thirty-six and thirty-eight;

Pursue your trade of scandal-picking,

Your hints that Stella is no chicken;

Your innuendoes, when you tell us,

That Stella loves to talk with fellows:

But let me warn you to believe

A truth, for which your soul should grieve;

That should you live to see the day,

When Stella's locks must all be gray,

When age must print a furrow'd trace

On every feature of her face;

Though you, and all your senseless tribe,

Could Art, or Time, or Nature bribe,

To make you look like Beauty's Queen,

And hold for ever at fifteen;

No bloom of youth can ever blind

The cracks and wrinkles of your mind:

All men of sense will pass your door,

And crowd to Stella's at four-score.

[Footnote 1: Collated with Stella's own copy transcribed in her

volume.--_Forster_.]

[Footnote 2: Rascal.--_Stella_.]

[Footnote 3: They.--_Stella_.]

TO STELLA, WHO COLLECTED AND TRANSCRIBED HIS POEMS

1720

As, when a lofty pile is raised,

We never hear the workmen praised,

Who bring the lime, or place the stones.

But all admire Inigo Jones:

So, if this pile of scatter'd rhymes

Should be approved in aftertimes;

If it both pleases and endures,

The merit and the praise are yours.

Thou, Stella, wert no longer young,

When first for thee my harp was strung,

Without one word of Cupid's darts,

Of killing eyes, or bleeding hearts;

With friendship and esteem possest,

I ne'er admitted Love a guest.

In all the habitudes of life,

The friend, the mistress, and the wife,

Variety we still pursue,

In pleasure seek for something new;

Or else, comparing with the rest,

Take comfort that our own is best;

The best we value by the worst,

As tradesmen show their trash at first;

But his pursuits are at an end,

Whom Stella chooses for a friend.

A poet starving in a garret,

Conning all topics like a parrot,

Invokes his mistress and his Muse,

And stays at home for want of shoes:

Should but his Muse descending drop

A slice of bread and mutton-chop;

Or kindly, when his credit's out,

Surprise him with a pint of stout;

Or patch his broken stocking soles;

Or send him in a peck of coals;

Exalted in his mighty mind,

He flies and leaves the stars behind;

Counts all his labours amply paid,

Adores her for the timely aid.

Or, should a porter make inquiries

For Chloe, Sylvia, Phillis, Iris;

Be told the lodging, lane, and sign,

The bowers that hold those nymphs divine;

Fair Chloe would perhaps be found

With footmen tippling under ground;

The charming Sylvia beating flax,

Her shoulders mark'd with bloody tracks;[1]

Bright Phillis mending ragged smocks:

And radiant Iris in the pox.

These are the goddesses enroll'd

In Curll's collection, new and old,

Whose scoundrel fathers would not know 'em,

If they should meet them in a poem.

True poets can depress and raise,

Are lords of infamy and praise;

They are not scurrilous in satire,

Nor will in panegyric flatter.

Unjustly poets we asperse;

Truth shines the brighter clad in verse,

And all the fictions they pursue

Do but insinuate what is true.

Now, should my praises owe their truth

To beauty, dress, or paint, or youth,

What stoics call without our power,

They could not be ensured an hour;

'Twere grafting on an annual stock,

That must our expectation mock,

And, making one luxuriant shoot,

Die the next year for want of root:

Before I could my verses bring,

Perhaps you're quite another thing.

So Mævius, when he drain'd his skull

To celebrate some suburb trull,

His similes in order set,

And every crambo[2] he could get;

Had gone through all the common-places

Worn out by wits, who rhyme on faces;

Before he could his poem close,

The lovely nymph had lost her nose.

Your virtues safely I commend;

They on no accidents depend:

Let malice look with all her eyes,

She dares not say the poet lies.

Stella, when you these lines transcribe,

Lest you should take them for a bribe,

Resolved to mortify your pride,

I'll here expose your weaker side.

Your spirits kindle to a flame,

Moved by the lightest touch of blame;

And when a friend in kindness tries

To show you where your error lies,

Conviction does but more incense;

Perverseness is your whole defence;

Truth, judgment, wit, give place to spite,

Regardless both of wrong and right;

Your virtues all suspended wait,

Till time has open'd reason's gate;

And, what is worse, your passion bends

Its force against your nearest friends,

Which manners, decency, and pride,

Have taught from you the world to hide;

In vain; for see, your friend has brought

To public light your only fault;

And yet a fault we often find

Mix'd in a noble, generous mind:

And may compare to Ætna's fire,

Which, though with trembling, all admire;

The heat that makes the summit glow,

Enriching all the vales below.

Those who, in warmer climes, complain

From Phoebus' rays they suffer pain,

Must own that pain is largely paid

By generous wines beneath a shade.

Yet, when I find your passions rise,

And anger sparkling in your eyes,

I grieve those spirits should be spent,

For nobler ends by nature meant.

One passion, with a different turn,

Makes wit inflame, or anger burn:

So the sun's heat, with different powers,

Ripens the grape, the liquor sours:

Thus Ajax, when with rage possest,

By Pallas breathed into his breast,

His valour would no more employ,

Which might alone have conquer'd Troy;

But, blinded by resentment, seeks

For vengeance on his friends the Greeks.

You think this turbulence of blood

From stagnating preserves the flood,

Which, thus fermenting by degrees,

Exalts the spirits, sinks the lees.

Stella, for once you reason wrong;

For, should this ferment last too long,

By time subsiding, you may find

Nothing but acid left behind;

From passion you may then be freed,

When peevishness and spleen succeed.

Say, Stella, when you copy next,

Will you keep strictly to the text?

Dare you let these reproaches stand,

And to your failing set your hand?

Or, if these lines your anger fire,

Shall they in baser flames expire?

Whene'er they burn, if burn they must,

They'll prove my accusation just.

[Footnote 1: At Bridewell; see vol. i, "A Beautiful Young Nymph," at

p. 201.--_W. E. B_.]

[Footnote 3: A cant word for a rhyme.--_W. E. B._]

TO STELLA VISITING ME IN MY SICKNESS

1720

Pallas, observing Stella's wit

Was more than for her sex was fit,

And that her beauty, soon or late,

Might breed confusion in the state,

In high concern for human kind,

Fix'd honour in her infant mind.

But (not in wrangling to engage

With such a stupid, vicious age)

If honour I would here define,

It answers faith in things divine.

As natural life the body warms,

And, scholars teach, the soul informs,

So honour animates the whole,

And is the spirit of the soul.

Those numerous virtues which the tribe

Of tedious moralists describe,

And by such various titles call,

True honour comprehends them all.

Let melancholy rule supreme,

Choler preside, or blood, or phlegm,

It makes no difference in the case,

Nor is complexion honour's place.

But, lest we should for honour take

The drunken quarrels of a rake:

Or think it seated in a scar,

Or on a proud triumphal car;

Or in the payment of a debt

We lose with sharpers at piquet;

Or when a whore, in her vocation,

Keeps punctual to an assignation;

Or that on which his lordship swears,

When vulgar knaves would lose their ears;

Let Stella's fair example preach

A lesson she alone can teach.

In points of honour to be tried,

All passions must be laid aside:

Ask no advice, but think alone;

Suppose the question not your own.

How shall I act, is not the case;

But how would Brutus in my place?

In such a case would Cato bleed?

And how would Socrates proceed?

Drive all objections from your mind,

Else you relapse to human kind:

Ambition, avarice, and lust,

A factious rage, and breach of trust,

And flattery tipt with nauseous fleer,

And guilty shame, and servile fear,

Envy, and cruelty, and pride,

Will in your tainted heart preside.

Heroes and heroines of old,

By honour only were enroll'd

Among their brethren in the skies,

To which (though late) shall Stella rise.

Ten thousand oaths upon record

Are not so sacred as her word:

The world shall in its atoms end,

Ere Stella can deceive a friend.

By honour seated in her breast

She still determines what is best:

What indignation in her mind

Against enslavers of mankind!

Base kings, and ministers of state,

Eternal objects of her hate!

She thinks that nature ne'er design'd

Courage to man alone confined.

Can cowardice her sex adorn,

Which most exposes ours to scorn?

She wonders where the charm appears

In Florimel's affected fears;

For Stella never learn'd the art

At proper times to scream and start;

Nor calls up all the house at night,

And swears she saw a thing in white.

Doll never flies to cut her lace,

Or throw cold water in her face,

Because she heard a sudden drum,

Or found an earwig in a plum.

Her hearers are amazed from whence

Proceeds that fund of wit and sense;

Which, though her modesty would shroud,

Breaks like the sun behind a cloud;

While gracefulness its art conceals,

And yet through every motion steals.

Say, Stella, was Prometheus blind,

And, forming you, mistook your kind?

No; 'twas for you alone he stole

The fire that forms a manly soul;

Then, to complete it every way,

He moulded it with female clay:

To that you owe the nobler flame,

To this the beauty of your frame.

How would Ingratitude delight,

And how would Censure glut her spite,

If I should Stella's kindness hide

In silence, or forget with pride!

When on my sickly couch I lay,

Impatient both of night and day,

Lamenting in unmanly strains,

Call'd every power to ease my pains;

Then Stella ran to my relief,

With cheerful face and inward grief;

And, though by Heaven's severe decree

She suffers hourly more than me,

No cruel master could require,

From slaves employ'd for daily hire,

What Stella, by her friendship warm'd

With vigour and delight perform'd:

My sinking spirits now supplies

With cordials in her hands and eyes:

Now with a soft and silent tread

Unheard she moves about my bed.

I see her taste each nauseous draught,

And so obligingly am caught;

I bless the hand from whence they came,

Nor dare distort my face for shame.

Best pattern of true friends! beware;

You pay too dearly for your care,

If, while your tenderness secures

My life, it must endanger yours;

For such a fool was never found,

Who pull'd a palace to the ground,

Only to have the ruins made

Materials for a house decay'd.

The Poems of Jonathan Swift, D.D., Volume 2 · 第 18 / 310 题