CHAPTER II.

OF THE ROMAN NOSE.

CLASS I.—THE ROMAN, or Aquiline Nose, is rather convex, but

undulating, as its name aquiline imports. It is usually rugose and

coarse; but when otherwise it approaches the Greek Nose, and the

character is materially altered.

It indicates great Decision, considerable Energy, Firmness, Absence of

refinement, and Disregard for the _bienséances_ of life.

Numerous portraits, both in marble and on coins, demonstrate that this

Nose was very frequent among the Romans, and peculiarly characteristic

of that nation. Hence its name. The persevering energy, stern

determination, and unflinching firmness of the conquerors of the world;

their rough, unrefined character, which, notwithstanding the example of

Greece, never acquired the polish of that country, all indicate the

accuracy of the mental habit attributed to the owner of this Nose.

Sufficient stress has never been laid by historians on national

characteristics. The peculiar psychonomy of nations is an element which

is never taken into account, when the historical critic endeavours to

elucidate the causes and consequences of events. He judges of all

nations by the standard of his own, regardless of age, climate,

physiognomy, and psychonomy. This is as absurd as the fashion the Greeks

had of deducing foreign names and titles from the Greek, a practice

which Cicero wittily ridicules. In this ridicule we willingly join; yet

we are equally open to it, when we interpret the actions of foreign

nations by our own national standard.

It was the psychonomic difference between the Romans and the Greeks,

which prevented the former from benefiting so efficiently from the

lessons in art and philosophy of the latter, as they would have done had

their minds been congenial.

The refinement which Rome received from Greece, was converted in the

transfer into a refinement of coarse sensual luxury. Rome, after the

conquest of Greece, filled its forums and halls with Greek workmanship,

and its schools with Greek learning; nevertheless Roman mind advanced

not one step beyond its original coarseness.

At the period when Rome possessed itself by conquest of the principal

works of Grecian art, her citizens only regarded them as household

furniture of but little value. Polybius narrates that, after the siege

of Corinth, he saw some Roman soldiers playing at dice upon a picture of

Bacchus, by Aristides; a picture esteemed one of the finest in the

world. When King Attalus offered 600,000 sesterces (£4,845 15_s._) for

this picture, Mummius, the Roman Consul, thinking there must be some

magic property in it, to make it worth such an enormous sum, refused to

sell it, and hung it up in the Temple of Ceres at Rome. So little were

the Romans conscious of the real value of the treasures of Greek art,

that Mummius covenanted with the masters of the ships, hired to convey

the spoils of Corinth to Rome, that if any of the exquisite paintings

and statuary should be lost, _they should replace them with new

ones_![8]

It is not surprising, therefore, that Rome, although possessed of

infinitely greater wealth, a larger population, and the splendid

examples of Greece, not only produced no artist of merit, but receded

far from the high standard which Greece, notwithstanding its internal

divisions, its comparative poverty, small extent, and unassisted genius,

had established. There is no way of accounting for these facts, but by

the difference in their psychonomy. The genius of Rome was of a very

different nature from that of Greece, and was incompetent to advance the

great work which the latter had commenced.

This is an example which, with numerous others that occur in the world’s

history, might teach those who, in modern phrase, assert that the

uniform order of the world is _progress_, that retrogression has

ofttimes been the apparent order, and that it is a foolish

short-sightedness to judge of the order of the world from a few hundred

years in its history. The Greek who remembered the magnificent works of

his country, and looked upon the degenerate splendor of Rome, no doubt

equally dogmatically asserted that the world was in its dotage, that it

had retrograded, and would never be regenerated.

The ancient Hindoo, who, in ages too remote for history to record, wept

over the fallen splendor and lost power, the ruined wealth and

degenerate arts of his country; the Egyptian who, in ante-Mosaic

periods, beheld the fierce and barbarous Shepherd-Kings trampling with

haughty contempt and hostile fanaticism on the wonderful works which

still astonish the _progressed_ world; the Assyrian, who, a century

before the foundation of Rome, witnessed the downfall of his country’s

magnificence and extensive empire,—all equally thought that these

glories would never be resuscitated, and that the best ages of the world

were past away; and if any of them had been told, that in other lands

and other climes they would, in far-distant ages, be outvied, he would

have turned with incredulity from the prospect, and have demanded what

race was to surpass the glorious achievements of his own.

But the modern dogmatist tries to take his case out of the argument, by

pretending that Christianity will protect the world from again

retrograding. This is the mere pride of the Pharisee, who flatters

himself that he is not as other men are, that his Christianity is too

pure to fall, and his knowledge too vast to be blasted. Or else he

forgets that the pure Christianity of the first disciples and martyrs

failed to preserve succeeding generations from the inroads of sin and

darkness more overwhelming than had ever blackened the face of Europe

since the commencement of the historical period. The dogmatist of those

days sighed over the world’s degeneracy, and saw not through the

surrounding gloom any hopeful gleam of light; just as the modern

dogmatist rejoices over the world’s advance, without perceiving any

overhanging shadow of darkness.

Both judge of the world by their own time and circumstances, just as we

are too apt to judge of each other by ourselves.

A due regard to the psychonomy of nations would throw much light upon

many abstruse points of history, and often serve to corroborate

narrations which appear marvellous and incredible to us. Thus, as we

have, for the most part,[9] left off eating human flesh in these islands

for some thousand years or more, historians reject as utterly incredible

that our forefathers were cannibals; and some still more tender-hearted

philanthropists even venture to assert that cannibalism has not and

never had an existence anywhere. Whereas, if they would compare the

evidence with the psychonomy of the nations of whom the circumstance is

narrated, instead of with our own, they would instantly perceive in it

nothing unnatural nor incredible. Thus also infidel writers, unable to

comprehend the fervent and assured hope of a blessed immortality which

supported the martyrs, deny, as repugnant to human nature, the patient

sufferings of the early Christians. And thus again commentators on the

Bible, both infidel and credent, have made sad havoc of many texts, by

endeavoring to interpret them by European manners and habits. This

inattention to national psychonomy is, moreover, a fertile cause of the

mal-administration of colonies, and was the root of nine-tenths of the

errors in Indian affairs during the last century.

Seeing, then, the importance of fully understanding the psychonomy of

nations before criticizing their records, we should reject no probable

key to that requisite knowledge; and if physiognomy would furnish such a

key, it should be hailed as an important element in historical

criticism. This consideration has induced us to complete our system by a

few remarks on National Noses. For no part of the physiognomy is more

needful to be comprehended than the Nose, if Nasology be correct;

because the mental faculties which it pourtrays are more important than

those revealed in the other features; and because, being immovable and

permanent in its outline, the artist gives us its national or individual

form, without the distortion which the action or passion exhibited may

make it necessary to throw over the other more pliant features.

Reserving, then, till a future chapter, any further observations on

National Noses, we will now consider a few individual instances of the

Roman Nose.

This Nose is common to all great conquerors and warriors, and other

persons who have exhibited vast energy and perseverance in overcoming

great obstacles without regard to personal ease, or the welfare of their

fellow-men.

The following have pure, or very nearly pure, Roman Noses:—

Rameses II (Sesostris).

Julius Cæsar.

Henri Quatre.

Charles V. of Spain.

Duke of Wellington.

Canute.

Gonzalo de Cordova (the Great Captain).

William III.

Sir W. Wallace.

Condé (the Great).

Robert Bruce.

Queen Elizabeth.

Edward I.

Columbus.

Sir Francis Drake.

Cortez.

Pizarro.

Washington.

Henry VII.

Cato the Censor.

Earl of Chatham.

Ignatius Loyola.

The well-known, because (as their Noses likewise attest) strongly

marked, characters of these persons render it unnecessary to allude even

briefly to their biographies. Their names are sufficient to bring at

once before the mind their energetic, persevering, and determined

characters. They were persons whom no hardships could deter, no fears

daunt, no affections turn aside from any purpose which they had

undertaken: that purpose being (from the absence of the Cogitative)

always of a physical character; and (from the absence of the Greek)

always pursued with a stern and reckless disregard of their own and

others’ physical ease and welfare. Their successes were attained by

energy and perseverance, not by forethought and deep scheming. They were

not the men of the closet, but of the field. Physical action, not mental

activity, was their adopted road to success. For this reason, and

because history is little more than a chronicle of physical action, wars

and bloodshed, the owners of Roman Noses occupy the largest portion of

their fellow-men’s thoughts and of the historical page.

The ancients acknowledged the foregoing Nasal Classification, for they

represented Jupiter, Hercules, Minerva, Bellatrix, and other energetic

Deities with Roman Noses, which Plato designates, from its being

indicative of Power and Energy, ‘the Royal Nose,’—while they gave pure

Greek Noses to the more refined Apollo, Bacchus, Juno, Venus, &c. The

debased and unintellectual Fawn and Satyr they pourtrayed with Snub or

Celestial Noses; thus imparting to their countenances the low cunning or

bestial inanity appropriate to those mythological inventions.

It must not, however, be inferred from the majority of warriors’ names

in the above list, that the Roman Nose necessarily indicates a warrior.

These names are only selected because they afford well-known and easily

verifiable instances, requiring neither pictorial nor biographical

illustration. Energy may be equally conspicuous in any other department

of life, and display itself as fully in the civilian as in the warrior.

Two of the individuals adduced are striking instances of this:—Cato the

Censor, and the Earl of Chatham. They were men of remarkable parallelism

of character, and, though differing in other facial features, their

Noses were very similar.

[Illustration:

CATO THE CENSOR.

(_From a gem in the Florentine Museum._)

]

The events of their early life—those events which always bear most

clearly the impress of the mind, because actuated by choice, and not by

present or future consequences—were almost identical. They both entered

the army in youth, and both quitted it for the Senate. Here each

displayed those powers of eloquence which raised them to the highest

eminence, and will transmit their names to the latest posterity. Its

peculiar feature was that energetic, powerful, and determined vehemence

of language, which takes the mind prisoner, and carries the judgment

with it by storm. It was irresistible. Before it all minds of less

power, though of greater intellect and activity, recoiled. The orations

of Cato are unhappily lost. But Cicero, a master of eloquence, and well

enabled to compare them with similar compositions, passes upon them the

highest eulogiums. The eloquence of Cato has been compared, for its

force and energy, to the eloquence of that Demosthenes before whom

Philip of Macedon quailed, and whose tremendous orations have given the

name of Philippics to all sarcastic and vehement invectives. Of

Chatham’s eloquence, it has been said by Wilkes: “Nothing could

withstand the force of that contagion. The fluent Murray has faltered,

and even Fox shrunk back appalled from an adversary ‘fraught with fire

unquenchable,’ if I may borrow the expression of our great Milton. He

had not the correctness of language so striking in the great Roman

orator; but he had the _verba ardentia_, the bold, glowing words.”

Cato led victorious armies into the field, and proved himself an able

general; for in Rome the functions of the general and the statesman were

united in the person of the Consul.

It became not, however, the Secretary of State to lead armies in person;

but while Chatham administered the affairs of this country, “victory

crowned the British arms wherever they appeared, both on sea and land;

and the four years of the second administration of Mr. Pitt are four of

the most glorious years in the history of the eighteenth century.”[10]

In their retirement they were alike; for neither regarded with

complacency the pursuits of literature: they required some physical

activity in their very idleness, and gardening was the favourite

occupation of both. Cato displayed his disregard and even hatred for

literary refinement by advising the Senate to dismiss the Grecian

Ambassador Carneades promptly, lest his eloquence should corrupt the

Roman youth with a love for Greek learning and philosophy.

He cultivated his farm and garden with great skill, and wrote a work on

the subject, entitled “_De Rustica_.” Chatham was a landscape-gardener

of no mean pretensions. He assisted Lord Lyttelton in laying out the

celebrated park and grounds at Hagley; and Bishop Warburton eulogizes

his skill in gardening as inimitable, and far superior to that of the

professor Capability Brown. Not even obedience to the king’s mandate

could draw Chatham from his country retirement at Hayes.

Neither ever thought he had done serving his country while life lasted,

even when bodily health and strength were gone. At eighty-four years of

age Cato went on an embassy to Carthage; and Chatham, worn out by the

gout and wrapped in flannels, never neglected to take his seat in the

House and electrify it with his eloquence when any important question

affecting the interests of the country or the liberty of the subject

arose.

Notwithstanding their many virtues, they were both coarse-minded,

violent men; proud, self-willed, and regardless of the common

courtesies, and even decencies, of society. Both were perhaps indebted

for some of their fame to the successful practice of the vice which has

been happily designated as the deference paid to virtue.

It is not, therefore, only in the peculiar circumstances of his death,

that Chatham resembles Cato, with whom he has therein been frequently

compared.

It will be remembered that after Cato’s return from Carthage (the

inveterate enemy and most powerful rival of Rome), Cato, then in the

eighty-fifth year of his age, and the last year of his life, never spoke

in the Senate without expressing his conviction of the dangerous power

of Carthage, and concluding with the celebrated words “_Delenda est

Carthago_.” Chatham, when peace with America was proposed on terms which

he thought dishonourable to his country, expended his last strength in

opposing it, and fell, to survive but a few days, senseless on the floor

of the House of Lords.

Those who attribute to the founder of the Jesuits the characteristics of

that powerful Order, both over-estimate and calumniate the man, IGNATIUS

LOYOLA. He foresaw none of the power and eminence which his successors

would attain; he contemplated neither their conquests, their influence,

wealth, nor extensive domination.

The wounded soldier on his miserable pallet devising conquests over

Satan, composing his _Spiritual Exercises_, and framing his

celebrated _Constitutions_, contemplated for himself and his

followers a scene of action wholly different from that into which

they were finally—accidentally or Providentially, who shall

say?—determined. His ambition contemplated no worldly fame; he

sought not riches nor the applause of men. He proposed only to carry

the Christian warfare into the country of the infidel, and in

poverty and “perfect obedience to the Holy See” to rescue souls from

perdition. The original object of his Order was the noble one of

preaching the Gospel among the Mahometans, especially in the Holy

Land; and for this specific object, his _Spiritual Exercises_ and

his _Constitutions_ were composed, and his Order founded. It was for

this purpose that the Pope sanctioned the formation of the Society,

and its members were on the point of departure for Asia when war

broke out between the Turks and the Christians.

This unexpected event rendered their journey physically impossible, and

compelled the newly-sworn aspirants to fulfil their vows of perfect

obedience in some other direction, to be enjoined by the Head of the

Church. Thenceforth they remained in Europe, where the Reformation

afforded ample scope for their exertions, and where they only too

successfully combated with the new heresy instead of with the old

apostacy. The mind of Ignatius Loyola was swayed by none of the

characteristics of Jesuitism. His character was open, direct, fearless.

Physically active and wonderfully energetic, to conceive was to

determine; to determine was to act.

When his broken leg was set awry he only said, “Break it again and set

it straight;” still the bone protruded and threatened to spoil the shape

of his boot: “Cut off the projection and stretch the limb in an iron

jack,” was a command which showed the unflinching determination of the

man.

Confined to his bed, the “Lives of the Saints” is brought to him for his

amusement. He is struck with their sufferings for the faith, and, on the

instant, determines to do likewise. Thenceforth his whole soul has but

one ambition, to suffer for the faith; and this ambition actuated the

remainder of his life. To run through the life of Ignatius, to pourtray

his fearful sufferings; his degrading servitude in misery, in beggary,

and rags; his unwearying perseverance in acquiring a knowledge of

language and divinity; his journeyings; his rebuffs; his trials; his

successes—would be to exhibit what can be effected by mere perseverance

and physical energy, without the gift of great mental powers.

But the peculiarly remarkable physical bias of Ignatius’s mind is still

more strikingly developed in his writings. Other men have been equally

active and persevering—other men have equalled him in mere bodily

activity and suffering; but to Ignatius alone belongs the discovery of

exercising the mind by converting his thoughts into actual realities,

and rendering the creations of the imagination true existences.

Herein appears the peculiarly physical tone of his mind, which could not

rest content with mere spiritual contemplation, but must actually, as it

were, see, feel, smell, taste, and hear the objects contemplated. The

_Spiritual Exercises_ enjoin that the exercitant must, in his gloomiest

hours, not only think upon, but actually _behold_, the vast

conflagration of Hell; he must _hear_ its wailings, shrieks, and

blasphemies; he must _smell_ its smoky brimstone, and the horrid stench

of its filth and rottenness; he must _taste_ the saltness of the tears

of penitence, and the bitterness of the rancour of the heart, and the

loathsomeness of the worm of conscience; and he must _touch_ the very

fire by which the souls of the reprobate are scorched. Thus each

meditation must be, not mere thinking-on, or contemplation, but must be

instinct with life—must be continued until the senses seem actually to

see, taste, and feel the objects contemplated.

So, in contemplating the passion of our Lord, the horrors of his death

must be visibly present; we must _hear_ his last words; we must _listen_

to the shoutings of the populace; we must _watch_ the agony of the

virgin-mother beholding the infamy of her blessed son; we must _see_ his

quivering limbs, his death-like paleness, his tottering weakness under

the burden of the cross, his bleeding side and pierced extremities.

Merely to see these things in contemplation is trivial and inessential;

we must, with certain interior senses, actually see, hear, taste, and

smell, not only the personages and scenes on which the mind is dwelling,

but the emotions which the scenes are calculated to excite. So again, we

must taste and relish the suavity and lusciousness of the pious soul,

and by a like internal sense of touch we must actually feel and kiss the

very garments, places, and footsteps of the personages whose acts our

minds dwell upon.

This is justly called “the application of the senses” to the soul.

It consists, in fact, in reducing to _quasi_-materialisms the visions of

the mind; in giving to the exercitant’s thoughts, every reality short of

such an actual-material existence as would render them visible to

others—as they are, indeed, visible to himself.

In this remarkable system for exciting the soul appears the utter

incapacity of the mind of Ignatius to appreciate mere metaphysical

activity. His soul could not apprehend the unseen, and dwell on the

absent or far distant. It was necessary to his frame of mind that

everything should be present, visible, tangible, real.

The soul of the founder of the Jesuits was, therefore, strikingly

accordant with the revelation of his physiognomy; although, were it

true, that he was—in the vulgar sense—a Jesuit, the Greek Nose and

generally a more delicate caste of countenance, would more correctly

have pourtrayed his inner man.

But the founder of the Jesuits was no Jesuit, and had his original

_Constitutions_ been adhered to, the Order would never have achieved the

bad eminence which it so rapidly attained, so long held, so quickly

lost, and so tenaciously still aspires after.

As by far the majority of persons have compound Noses, and as their

consideration will therefore throw additional light upon the system, we

shall add a few observations upon some of them.

The Roman Nose may be compounded with Classes II and III, rarely with

IV; seldom or never with V and VI.[11]

Compound I⁄II,—the Romano-Greek Nose.[12]

The following are instances of Noses of this sub-class:—

Alexander the Great.

Constantine.

Wolsey.

Richelieu.

Ximenes.

Lorenzo de’ Medici.

Frederick II. of Prussia.

Alfred.

Sir W. Raleigh.

Sir P. Sidney.

Napoleon.

Associated with much physical energy (I), these persons all exhibited

much refinement of mind, a love for Arts and Letters, considerable

astuteness and capacity of scheming; (II) they saw far and quickly,

though deficient in deep philosophical powers of thought.

A rather more extended notice of some of the members of the sub-classes

will be requisite; as, of course, their characters were less developed,

and therefore less known, than those of the pure classes; but

principally in order to point out the more minute touches, and,

apparently, inconsistencies of character which illustrate the compound

form of Nose.

[Illustration:

CONSTANTINE.

(_From a gem in the Florentine Museum._)

]

CONSTANTINE, having by a felicitous union of enterprise and cunning

procured his elevation to the Imperial throne, and having defeated the

last of his rivals to that splendid dignity, directed his attention to

the concentration rather than the extension of his enormous empire, and

sought, by building Constantinople, to divert the minds of the people

from foreign war and intestine discord; while he at the same time

fostered and encouraged the arts by the magnificent decoration of the

new capital, to which he brought from Asia and Greece some of their most

splendid productions.

Vigorous in war and active in peace, Constantine united all the

characteristics of the Roman and the Greek. In war he successfully

opposed both civil and foreign enemies, and made himself master of the

most extended empire Rome had ever designated by her name. While in the

vigour of his age, he moved with slow dignity, or with active vigilance,

according to the various exigencies of peace and war, along the

frontiers of his extensive dominions, and was always prepared to take

the field either against a foreign or a domestic enemy.

But when he had gradually reached the summit of prosperity and the

decline of life, he became sensible of the ambition of founding a city

which might perpetuate the glory of his name, and he then exhibited all

the capacities for the enjoyment of the luxuries of peace which had

hitherto lain dormant in his mind. The mere building and fortifying a

city, which would have satisfied the ambition of the coarser-minded

Roman, was not his ambition only. He desired to decorate it with the

highest efforts of human genius, and make it not only a monument of his

military prowess, but also of his taste and refinement. For this purpose

he founded schools of architecture to supply the disparity which his

fine taste detected between the degenerate artists of his time and those

of early Greece. The immortal productions of Phidias and Lysippus were

dragged from other countries to adorn his capital; and, unmindful of the

injustice, he despoiled the cities of Greece and Asia of their most

valuable ornaments. The trophies of memorable wars, the objects of

religious veneration, the most finished statues of the gods and heroes,

of the sages and poets of ancient times, contributed to the splendid

triumph of Constantinople.[13]

The character of WOLSEY was very similar to that of Constantine. We

might almost venture to assert that had he been placed in the same

situation he would have pursued the same course. Yet the only part of

their physiognomies which assimilates are their Noses. One remarkable

circumstance in the early life of each identifies the two men, and

exhibits in them the union of energy with acute tact. Constantine, half

assured of his elevation to the Imperial throne, if he could join his

father’s army and be present with him in case of his death, and having

with difficulty obtained permission to visit his father from Galerius,

(who dreaded the same event, and delayed the permission, until he

believed it would be impossible for him to accomplish his object),

travelled post through Bithynia, Dacia, Thracia, Pannonia, Italy and

Gaul, with such speed that he reached Boulogne in the very moment when

his father was preparing to embark for Britain, accompanied him, and

finally, by military election, succeeded to his share of the Empire.

When Henry VII was looking out in his old age for a rich wife, he

despatched Wolsey, to whom the vista of future eminence was just

opening, to Flanders, to treat for the hand of a Princess of the Empire.

Wolsey, conscious that in such affairs old age brooks no delay, started

on his journey and had returned before the King knew that he was gone.

By similar energy and shrewd scheming in pursuit of his own

aggrandizement, very analogous to that by which Constantine secured the

purple, Wolsey elevated himself to the highest subordinate station in

his country, and then directed his mind rather to the extension of

learning, the encouragement of art, the erection of splendid buildings,

and the increase of domestic magnificence, than to an imitation of the

warlike pursuits of the ancestors of his monarch; although the

disposition of the latter strongly tended in that more physically

energetic direction. The noble hall and chapel at Hampton Court and the

remains of the colleges which Wolsey founded, still attest his

magnificence, his taste, his liberality, and his respect for learning.

RICHELIEU was another Wolsey. It is a remarkable fact that the point of

identity in actively seeking their own aggrandizement, which has been

noticed between Wolsey and Constantine, occurs also in the early life of

Richelieu. Having, from interested motives, abandoned the army (for

which he was originally destined) for the Church, and the Pope having

refused, on account of his extreme youth, to sanction his elevation to

the Bishopric for the sake of which he had taken orders, he resolved to

overcome this difficulty in person; and setting off for Rome, gave the

Pontiff such convincing proofs of his talents, that he was consecrated

Bishop forthwith, at twenty-two years of age, and thus laid the

foundation of his future eminence.

He conducted in person the siege of Rochelle, and baffled the finest

military geniuses of Europe; he out-intrigued the ablest diplomatists;

he nourished arts and commerce, and for the better promotion of learning

he founded the French Academy.

In the union of energy of character and refinement of tastes the three

celebrated Cardinal-ministers of England, France, and Spain, strongly

assimilated.

The anecdotes which have been related of the energetic carving-out of

their own fortunes by Constantine, Wolsey, and Richelieu, find also

their parallel in the early career of XIMENES. The son of noble parents,

but without wealth or patronage, he had nothing but his talents and the

energy of his character to carry him successfully through life. He began

as a student at Salamanca; but finding that sphere too limited for his

ambition, he undertook a journey to Rome, where he soon distinguished

himself as an advocate, but preferring the church, took holy orders.

Sixtus IV had bestowed upon him the reversionary grant of the first

benefice which should fall vacant in Spain. This proved to be Uceda;

and, on the demise of the incumbent, he produced his letters, and took

possession with such promptitude and despatch that he baffled the

Archbishop of Toledo, who considered the benefice to be in his gift, and

had promised it to one of his dependents.

Like Richelieu he took the field in person, and in spite of the jealousy

of the King, the dissensions of the generals, and the mutiny of the

soldiers, he succeeded in taking the town of Oran on the coast of

Barbary; the first success of any moment which the Spanish army could

boast in a campaign of four years’ duration.

He devoted himself, in after-life, to the encouragement of popular

education and the advancement of higher learning in no less degree than

his brother Cardinals before named. He founded a school for the

education of the daughters of the poorer nobility, and subsequently

provided them with marriage-portions.

He established the University of Alcala, richly endowed it, and filled

its professorial chairs with the most distinguished learned men of

Europe. Here he undertook the magnificent work, known as the

Complutensian Bible. It was the first Polyglott Bible ever published,

and as such affords a striking contrast to the otherwise undeviating

opposition which Spain has offered to the spread of true Christianity

and the circulation of the Scriptures.

It should, however, be remembered that even this was a sealed book to

the laity, since it did not comprise a version in the vernacular. It

contained the Old Testament in the Hebrew, the Septuagint, the Vulgate

of St. Jerome, and the Chaldee Paraphrase with Latin translations, and

the New Testament in the Greek and Vulgate.

It was the work of fifteen years, and when the last volume was brought

to Ximenes, shortly before his death, he exclaimed: “Many high and

difficult matters have I carried on for the state, yet is there nothing

which I have done, that deserves higher congratulations than this

edition of the Scriptures—the fountain-head of our holy religion, whence

may flow purer streams of theology than those which have been turned off

from it.” The whole cost of the work, fifty thousand gold crowns, was

defrayed by Ximenes.

In LORENZO DE’ MEDICI we meet with another of those characters, frequent

among men eminent in public affairs, which unite refinement of taste

with physical energy. To live in the world’s eye with success, it is

necessary to exhibit something _ad captandum vulgus_. There must either

be the intense energy of the Roman, or the more moderate energy with the

taste and magnificence of the Romano-Greek. Hence, while the former

class of Nose prevails among those who have won fame and honours by arms

merely, the latter is frequent among those who are chiefly celebrated

for their statesmanship. But both energy and statesmanship were

necessary to him who would secure a world’s fame as ruler of a petty

Italian state. The head of a state too weak to be feared in war, and too

turbulent to be governed in calm tranquillity, required some other

qualities beside energy, in order to be respected and honoured by his

contemporaries. These qualities were happily united in Lorenzo de’

Medici. Firm in danger, prompt in action, lavish in expenditure, refined

in taste, accomplished in learning, expert in art, he was every way

formed to win laurels in an age which boasted the greatest statesmen,

the best artists, and the most profound scholars. The vigour and

promptitude with which he repelled the celebrated conspiracy of the

Pazzi family, hanged an Archbishop on the spot in full canonicals, and

punished the conspirators, alone attest his energy. The title of

Magnificent, which he earned in an age celebrated for its magnificence,

demonstrates his lavish liberality; while his love for antiquities, his

patronage of the arts of sculpture and painting, his studious devotion

to learning and the writings of the ancients, bespeak the refinement of

his mind. Among other institutions he founded a school for the study of

antiquities, and furnished it with the finest specimens of ancient

workmanship. “To this institution, more than to any other circumstance,

we may, without any hesitation, ascribe the sudden and astonishing

proficiency, which, towards the close of the fifteenth century, was

evidently made in the arts, and which, commencing at Florence, extended

itself to the rest of Europe.”

“‘It is highly deserving of notice,’ says Vasari, ‘that all those who

studied in the gardens of the Medici, and were favoured by Lorenzo,

became most excellent artists, which can only be attributed to the

exquisite judgment of this great patron of their studies.’”[14]

FREDERICK II is another example of the union of refined tastes with

vigorous energy. It is not so much for his military genius that he is to

be remembered and respected, as for the impulse he gave to Prussian

intellect, and thence generally to German mind.

It is true this was hardly perceptible till the present century, for

until the peace of 1815, Germany had been the seat of almost incessant

warfare, and was, therefore, disabled from pursuing the arts of peace

with success. But thirty years’ peace has enabled her to perform great

things, and to justify a pretty sure hope of yet greater. We ought to be

far in advance of her, for where she now is we were exactly two hundred

and fifty years and upwards ago. Till the reign of Elizabeth, England

had been, like Germany till 1815, the seat of perpetual war or religious

discord. At the end of the sixteenth century in England, and at the

beginning of the nineteenth in Germany, the Teutonic mind began to

develope itself with effect. The same deep investigations in history,

the same subtle disquisitions in metaphysics, the same love of

philological criticism that distinguished English literature in the

early part of the seventeenth century, belong to German literature in

the nineteenth, and are combined with the same coarseness of manners

that marked our ancestors. The Germans still delight in those rude,

indecent productions, called Miracle-plays or Mysteries,[15] which

amused the predecessors of Shakspere: a written character, ugly,

uncouth, and elsewhere obsolete; the recent adoption of the vernacular

in literary composition;[16] legalized wager of battle; semi-feudalism;

masques of fools dancing in a gigantic beer-barrel and chanting the

praises of beer; deer-battues; perpetual duelling and beer-swigging;

feasts of horse-flesh; millions pilgrimaging to the Coat of Treves; the

implicit reception of sham miracles, all mark a state of society little

removed from that magnificent barbarism which stained the rush-strewn

court of the ear-boxing and swearing Elizabeth.

In refinement, and that wealth which springs from Science, we have

advanced far beyond Germany; but in that wealth which emanates from Mind

we are only on a par with her. The causes of this will be considered

more fully hereafter, when we treat, under Class III, of the causes of

the decline of Wisdom.

The impulse given to German Mind may in a great measure be attributed to

the pains which Frederick II took to civilise and educate his people.

For this purpose he founded numerous popular schools, it is said as many

as sixty in one year. He instituted an Academy of Sciences and fostered

Universities. He patronized Commerce and the Arts, and by his wise

administration as much as by his military talents raised Prussia to the

rank of a second-rate European State. The military success of the

correspondent of Voltaire, it is unnecessary to do more than refer to.

Machiavellism formed a strikingly distinctive feature in the characters

of all the foregoing personages. They all possessed more of the wisdom

of the serpent, than of the innocence of the dove. It may be thought,

however, that we employ too strong a term in calling this Machiavellism.

A less strict morality would only call it policy, worldly wisdom. In men

of strong conscientiousness, astuteness may be little or nothing more;

but where the moral sense is weak, it easily passes into duplicity and

dishonest craft.

The shrewd policy and worldly wisdom by which the great ALFRED civilized

a barbarous people, and tamed to quietude a nation of turbulent robbers,

has never been accused of departing from a strict morality. It may be

that he is somewhat indebted to the partiality of the monkish historians

for the very flattering pictures of him handed down to us. The prompt

and energetic manner in which, from time to time, he fell upon and

defeated the Danes who ravaged the country is too well known to need

mention, and the prudent means by which he endeavoured to incite his

people to educate themselves has been often the subject of praise. In a

remarkably illiterate age, he alone courted literature, and, conscious

of its power to civilize his people, urged them to follow his example.

Nevertheless, he did not forget the more arduous duties of a King. While

devoting a large part of his time to learning, he never neglected the

interests of his country; nor suffered her liberties to be trampled upon

by invaders while he was cultivating the arts of peace. His biographer,

quaintly and somewhat poetically, describes the King’s studious mind and

gubernatorial talents. “Like a most productive bee, he flew here and

there asking questions as he went, until he had eagerly and unceasingly

collected many various flowers of Divine Scripture, with which he

thickly stored the cells of his mind. His friends would voluntarily

sustain little or no toil, though it was for the common necessity of the

kingdom; but he alone, sustained by the divine aid, like a skilful

pilot, strove to steer his ship laden with much wealth, into the safe

and much-desired harbour of his country though almost all his crew were

tired, and suffered them not to faint or hesitate, though sailing among

the manifold waves and eddies of this present life.”[17]

The circumstances in which men are involuntarily placed marvellously

affect their actions. Crowd together a number of young trees in one

small plot, and how slowly they grow, how stunted they become! Remove

them to separate stations, where their roots may spread, their branches

expand, and their leaves drink freely of the sun and air, and how soon

they take their place among the giants of the forest. So it is with men.

Crowded in cities, undistinguished by birth, and unassisted by

patronage, many a hero dies unseen and unnoticed—

“Some village Hampden, that with dauntless breast,

The little tyrant of his fields withstood;

Some mute inglorious Milton here may rest,

Some Cromwell, guiltless of his country’s blood.”

Let it not, therefore, be imagined, from the foregoing instances, that

every Greco-Roman Nose indicates an energetic statesman, or a literary

monarch; or that the same actions are to be predicated from the same

form of Nose in different men under different circumstances.

Energy and refinement may exist in every department of life. The peasant

may furnish as illustrious an example of either as the Prince. But what

a King has, these heroes want; and so they die unhonoured for lack of a

record. The illustrations are, therefore, necessarily drawn from the

high and mighty of various spheres.

Stars of lesser magnitude, however, present themselves to shed a further

light upon the subject.

SIR WALTER RALEIGH and SIR PHILIP SIDNEY were two men whose characters

exhibited many points of identity.

In any arduous enterprize which promised fame and honour, Sir Walter

Raleigh was always prominent. Eager to support the Reformation, he

served in the Protestant army as a volunteer during the civil wars in

France, and afterwards tendered his services to the Netherlands in their

contest with Spain for civil and religious liberty. One of the most

attractive enterprizes of the reign of Elizabeth to men of energy and

forethought was, however, that presented by the recently-opened field of

American discovery. Into this Raleigh threw himself heart and soul. With

his half-brother, Sir Humphrey Gilbert, he made the then perilous voyage

to the New World, but failed to establish a firm footing on its shores.

Still he was not to be thus foiled. After a careful consideration of the

best authorities, he came to the just conclusion that there was land

north of the Gulf of Florida, a tract then wholly unexplored. Having

obtained from the Queen the inexpensive grant of all he might discover,

be it sea or be it land, be it inhabited or be it void, he fitted out

vessels of discovery; and, though not permitted by the wary Queen to

accompany them himself, they verified his predictions by discovering the

country now called Virginia—a name which the virgin Queen herself

bestowed upon it.

But it was not by his energy that Raleigh alone distinguished himself.

The young Protestant volunteer, and the American adventurer would long

since have been forgotten among a host of compeers, had not he presented

far higher claims to the notice of posterity. “Raleigh was one of those

rare men who seem qualified to excel in all pursuits alike; and his

talents were set off by an extraordinary _laboriousness_, and _capacity_

of application. (I⁄II). As a navigator, soldier, statesman, and

historian, his name is intimately and honourably linked with one of the

most brilliant periods of British history.”[18]

Sir Walter Raleigh occupies a distinguished place in literature, both as

a poet and an historian. It is probable that only a small portion of his

poetry has come down to us. He seems to have regarded it but lightly

himself, and many very beautiful pieces, which there is no reason to

doubt owe their origin to his creative brain, are without name, and only

preserved in some obscure miscellaneous collections, under the modest

signature ‘Ignoto.’ One of these, sometimes entitled “The Lie,” and

sometimes “The Soul’s Errand,” is as beautiful, as Christian, and as

philosophic a poem as any in the language; yet so little pains did he

take to secure to himself the literary fame of the words with which he

had relieved his labouring soul, that it has been attributed to divers

poetasters, and, among others, to that most wretched inharmonious

scribe, Joshua Sylvester.

Spenser eulogizes Raleigh’s poetic powers as those of one

“... as skilful in that art as any.”[19]

He likewise entitles him ‘the summer’s nightingale,’ and hints that he

had in store a poem on Queen Elizabeth, which might rival “The Faerie

Queene:”—

“To taste the streames, that like a golden showre,

Flow from thy fruitful head, of thy Love’s praise—

Fitter perhaps to thunder martial stowre—

When so thee list thy lofty Muse to raise;

_Yet till that thou thy poem wilt make known_,

Let thy faire Cynthia’s praises be thus rudely shown.”

But poetic effusions are not the only contributions of Raleigh to

literature. During his long confinement in the Tower, on charge of

treason, he relieved his solitude by compiling a “History of the World;”

an undertaking sufficient to appal the most active and learned man under

the most favourable circumstances, but which appears something

superhuman when attempted and almost accomplished by a wretched prisoner

lying under an unjust sentence of death.

This History commences at the Creation, and descends as far as the end

of the second Macedonian War; when, in consequence of the death of

Prince Henry, for whose instruction it was intended, he ceased from his

arduous labours. The work displays a vast extent of reading in history,

philosophy, theology, and Rabbinical learning.

Like Raleigh, Sir Philip Sidney combined the characters of the warrior

and the author. His Arcadia was a work of poetic prose, better suited to

the time in which he lived than to any subsequent period, and is almost

forgotten; and the stiffness and hard formality of his poetry has almost

sunk it in like oblivion. A writer who is not an author for all time,

may be a very useful and agreeable one in his day, but lacks power and

thoughtfulness. It is only those who have the “one touch of Nature”

which “makes the whole world kin,” that are independent of time, and

live with the kindred spirits of all ages.

Time puts out the lesser lights which burn only to light some small

apartment and corner of the world, but cannot extinguish the suns which

are formed to illuminate the whole earth.

Sir Philip Sidney was rather a discerning patron of letters than a man

of letters. He was the first patron and friend of Spenser, whom he

introduced to the Queen, and their friendship endured till Sidney’s

lamented death. Perhaps in the whole range of literary history, there is

no incident so beautiful as the mutual friendship and familiar

intercourse of Raleigh, Spenser, and Sidney. This pleasing friendship is

frequently alluded to by Spenser. The ‘Faerie Queene’ is dedicated to

Raleigh, whose return from his Western Expedition is celebrated in the

Pastoral, entitled, “Colin Clout’s come home again;” from which we learn

that it was their custom to recline

“... amongst the coolly shade

Of the green alders by the Mulla’s shore,”

and recite to each other their poetic effusions.

How beautiful a picture of the simplicity of great minds! It strikes us

as a more lovely picture than the much-admired one of Chaucer, solitary

among the daisies of the Woodstock meadows.

Sidney inspired Spenser with no mere mercenary friendship, the affection

of the client for his patron’s substantial marks of favour. When death

smote Sidney on the sad field of Zutphen, Spenser invoked every Muse to

weep over his untimely fall, and celebrated his virtues in the beautiful

elegy “The Tears of the Muses for Astrophel.” It will perhaps relieve

the dryness of our subject, to observe that the first poetical use of

the Forget-me-not, (_Myosotis palustris_) as a symbol of faithfulness,

occurs in this poem, and the English reader may there find a more

fitting reason to esteem this little flower than the absurd German

legend of a drowning knight throwing a spray of it to his ladye-love.

The Astrophel of the following lines from Spenser’s Elegy, is Sidney;

Stella is the name by which Sidney addressed his Mistress, who, it is

feigned, was unable to survive his loss, and,

“... followed her mute, like turtle chaste,

To prove that death their hearts cannot divide,

Which, living, were in love so firmly tied.

The Gods which all things see, this same beheld;

And pittying this paire of lovers trew,

Transformed them, there lying on the field,

Into one flowre, that is both red and blew.

It first growes red, and then to blew doth fade,

Like Astrophel, which thereinto was made.

And in the midst thereof a starre appeares,

As fairly formed as any starre in skyes,

Resembling Stella in her freshest yeeres,

Forth darting beames of beautie from her eyes

And all the day it standeth full of deow,

Which is the teares, that from her eyes did flow.

That hearb of some, Starlight is call’d by name,

Of others, Penthia, though not so well;

But thou, whenever thou dost find the same,

From this day forth doe call it Astrophel.

And whensoever thou it up doost take,

Doe pluck it softly for that shepheard’s sake.”

May the injunction of the last lines never be forgotten by any one who

knows that the Forget-me-not is associated with the friendship of two

such noble-minded men!

It is hardly necessary to say that Sir Philip Sidney fell gallantly

fighting at the battle of Zutphen, or to narrate the interesting

anecdote of his refusing a drink of cold water till a wounded soldier

had partaken of it, saying, “Thy necessity is yet greater than mine;”

thus nobly displaying both firm endurance (I.) and sensitive humanity

(II.)

The other instances, ALEXANDER THE GREAT, and NAPOLEON, may be best

treated of by contrasting them with their opposites; and we shall thus

be enabled to illustrate, at the same time, both the Roman and the Greek

Noses more fully. Moreover, while the contrast will clearly demonstrate

the distinctive characteristics of those Noses, it will also evince how

important it is to attend to compound forms, and how materially the

character is affected by the intermixture of classes.

Of all the conquerors whose wild ambition has stained with blood the

page of History, Alexander and Napoleon alone fought from a high

romantic motive—the desire of eternal fame. By virtue of a large share

of the Roman Nose, they pursued their favourite and chosen career with

determined energy and a reckless disregard for the lives of others;

nevertheless, being strongly gifted with the Greek, they might in some

other sphere have been high artists of some class; but having the sword

in their hands, they pursued intellectual fame by its means.

It is difficult to say whether the Roman or the Greek form predominates

in their Noses; for they are perhaps as much Greco-Roman as

Romano-Greek; but as they were warriors, we place them here because it

will be advantageous to draw an illustrative contrast between their

characters and Noses, and the characters and Noses of too many other

mere conquerors, whose Noses have been purely Roman.

Let us briefly contrast Julius Cæsar and Alexander. They were both, in

the prime of life, placed at the head of a large empire, firmly seated,

with a large army and all the world open to their grasp. Their Noses

alone differed. Alexander, while pursuing everlasting fame by his arms,

and earning what was then deemed the highest glory, steadily devoted

himself to the extension of scientific knowledge. Under his revered

master Aristotle, he acquired much learning, and, when he ascended his

father’s throne, devoted his arms as much to the conquest of the then

unknown realms of science as of the kingdoms of the earth. His army was

always accompanied by learned men, whose sole duty it was to investigate

the history, religion, and arts of the countries he passed through, to

collect rare animals and plants, statues, coins, and objects of art or

curiosity to be transmitted to Greece for the study of his master

Aristotle. It has been well said, “If there had been no Alexander, there

would have been no Aristotle.” We do not laud the man who sought glory

by the destruction of others, but merely assert that, as these acts

prove, his motive to arms was a high intellectual one, and consistent

with the compound character of his Nose.

[Illustration:

JULIUS CÆSAR.

]

[Illustration:

ALEXANDER THE GREAT.

]

(_From gems in the Florentine Museum._)

Look at Julius Cæsar on the other hand. Under similar circumstances,

what was his ambition? To make himself imperial master of Rome, and to

subject his fellow-citizens for his own personal aggrandizement. His

thoughts never extended beyond his own immediate existence. Posterity

never entered into his calculations. Unlike his successor

Augustus—though he had greater facilities if he had been less sensually

ambitious—he patronised no art—literary or scientific. His one idea was

self, without one refinement or softening alloy. Granted that

Alexander’s ambition was also selfish, there was yet this difference

between them; the one (Cæsar) sought only his _present personal_ and

_sensuous_ profit; the other (Alexander) laboured to earn “a name on

History’s page to make him ‘GREAT.’” The one was the common prose, the

other the epic poem. The one sacrificed his fame to himself, the other

himself to his fame; and the world has recognized and recorded this

distinction: for while the one is remembered as “the enslaver of his

country,” the other is immortalized as “the Great.”

A similar contrast may be drawn between the characters and noses of the

two modern heroes, Napoleon and Wellington. Like Alexander and Cæsar,

the only point in which their characters assimilate is their warrior,

physical energy; and this exhibits itself in whatever is Roman in their

Noses. In all other respects they are diametrically opposite; the Nose

of Wellington being purely (almost in excess) Roman; while Napoleon’s

partakes largely of the refining qualities of the Greek.

To describe the character of Napoleon would be to repeat what we have

said of Alexander; for whether the similarity was accidental, or arose

from mental conformity (their Noses were remarkably alike), or was

intentionally imitative on the part of the former,[20] it is certainly

most striking.

Ambition of future fame was far more the ruling passion of Napoleon than

lust of present power. His mind, with all its imperfections and

meannesses (as whose is without?), was too noble to be satisfied with

mere personal aggrandizement.

All the great mistakes of his life were occasioned by his obedience to

the passion for future fame. When swayed by the mere desire of power,

all his acts were successful. But when he saw all Europe (except one

little pugnacious island) lying helpless at his feet, he began to

revolve schemes which could not enhance, but might risk, his personal

power. Then he attempted to realize his long-cherished dream of Eastern

conquest—a conquest not to be held, but to be overrun; a conquest like

that of Alexander, Nadir Shah, or Zinghis Khan. Often did he exclaim,

“the seat of all fame is the east.” To realize this empty fame, he took

the false step of invading Egypt. Foiled there, he still hoped to

penetrate Asia by land, and gathered all his strength to overwhelm

Russia, his last and greatest error. They greatly err who think these

were mere schemes to keep France embroiled, lest peace should annihilate

his power. They equally err who ridicule and attribute to a childish

vanity his ambition to link himself by marriage with the imperial

families of Europe. It was no childish vanity, but a politic endeavour

to found a dynasty, which should hand down his name as its founder to

the latest ages. They again who can see nothing better in the melancholy

spectacle of Napoleon at St. Helena, engaged in falsifying records and

altering figures to deceive the world, than a drivelling vanity, utterly

miscomprehend the man. Fame, fame to the utmost limits of human

duration, was to his last moment his highest ambition. Foiled in

everything else, he yet hoped to secure fame. He knew that under his

name the most eventful page in the History of Europe, since the fall of

Rome, must be written, and he naturally desired

“To be among the worthies of renown,

And so sit fair with fame, with glory bright.”

DANIEL.

To describe the character of Wellington, is to reverse that of Napoleon.

Napoleon was shrewd, artful, and deceitful; Wellington open-hearted,

strong-sensed, candid, and sincere. Napoleon a clever statesman;

Wellington obtuse in politics. Napoleon a great strategist; Wellington

short-sighted, though daring in the field. Napoleon a lover and patron

of arts; Wellington a despiser of them. Napoleon said to be personally

timid; Wellington constitutionally brave. Napoleon’s cruelties were acts

of cool calculation and state-policy; Wellington’s of military fury.

Napoleon poisoned his sick troops because he did not know what else to

do with them, and murdered the Duke d’Enghien to produce “an effect” in

Europe; Wellington’s cruelties were the necessary consequences of war

energetically carried on, and were never the result of cold-blooded

predetermination.[21]

Before closing this section, we would request the reader’s attention

to the strong proof of the truth of the hypothesis derivable from

the fact that like Noses, with like circumstances (_cæteris

paribus_, as the phrenologists say), produce like characters: for

instance, Wolsey, Richelieu, Ximenes, Lorenzo di Medici,

Alfred:—Sidney, Raleigh:—Alexander, Napoleon.

Notes on Noses · 第 2 / 9 章