CHAPTER III

THE OLD TOWN OF ABINGDON

As a headquarters for boating, for those who want to dawdle and

explore odd corners and have no desire to rush through as many locks

as possible in a day, Abingdon makes a good centre. It is within

easy reach of the part lying below the woods at Nuneham, and in the

other direction is the Sutton Courtney backwater, which, Wargrave

notwithstanding, is not to be beaten on the Thames. Further down

again is Clifton Hampden, which attracts many people, and the river

at Abingdon itself is by no means to be despised. The bridge, called

Burford Bridge, is a real delight. It is old and irregular, with

straggling arches, some rounded, some pointed; and all, even the

highest, comparatively low down over the water, framing cool, dark

shadows within the embrace of the mighty piers. The bridge cannot be

seen in the glance of an eye. It is very long, and rests partly on an

island. Standing on this, the Nag's Head Inn projects from one side

of the bridge, and from it stretches out a small garden with several

orchard trees. The red tiles and creamy tint of the hotel walls show

well in contrast with the grey stone of the bridge, and when the hotel

is seen from the river above the bridge, with the tall spire of St.

Helen's Church rising behind it, it is worth noticing.

[Illustration: ABINGDON]

There are bits of old wall lining the bank on the town side, and ivy

grows freely over them. Many of the houses stand back from the water;

a part of the ruined abbey and the long range of the abbot's residence

can be seen between masses of blossom. The great exterior chimney

of the abbey buildings should particularly be noticed. The blossom

at Abingdon is a great feature, and one not to be found everywhere.

Horse-chestnuts and holm oaks dip their boughs in the water, and

from the branches arises a perfect chorus of birds. Abingdon has its

chimneys, of course, as well as hideous buildings suited to modern

requirements of business, but in the general view these things are lost

sight of.

Burford is a corruption of Borough-ford, and before the building of the

bridge in the fifteenth century, the ferry at Culham was the main means

of communication with the other side of the river.

The range of Nuneham, below which runs the backwater called the Old

River, can be seen to the south-east. If this ever was the main stream

it must have been very long ago, for the memory of it is not recorded

in any document now extant. The Old River is crossed by another bridge,

and the two are linked by a straight road, made by Geoffrey Barbour

at the same time as the building of the bridges. There is a picture of

Barbour in the almshouses, and this shows the bridge being built in the

background; while an illuminated copy of verses tells us:

King Herry the Fyft, in his fourthe yere,

He hath i-founde for his folke a brige in Berkschire,

For cartis with cariage may go and come clere,

That many wynters afore were mareed in the myre.

Culham hithe [_wharf or landing_] hath caused many a curse,

I-blessed be our helpers we have a better waye,

Without any peny for cart and for horse.

Below Burford Bridge, the great bur-reeds grow near the islands.

There is one delightful old house, formerly a malt house, with all

sorts of odd angles and corners. It encloses a small terraced court,

from which steps lead down to the water. It stands on the site of St.

Helen's nunnery, founded about 690. Further on are some of the newer

almshouses--a blot on the scene; and then a glimpse may be had of the

wooden cloister of the old almshouses, which, in their way, are as

pretty as those at Bray.

Christ's Hospital, as the almshouses are called, was founded in the

reign of Edward VI. out of lands belonging to a dissolved Guild of

the Holy Cross. The central hall dates, however, from 1400. It has a

stone mullioned window and panelled walls; in the ceiling is a dome or

cupola. Once a week eighty loaves of bread are here distributed among

the poor people of the town, and when the loaves, with their crisp,

flaky, yellow crust, stand in piles on the polished oak table, and the

poor old people gather for their share, there is an old-world touch

in the picture such as one does not often see nowadays. The cloister

or arcade of dark wood outside is decorated with texts and proverbs

on its inner wall. The newer almshouses, built in 1797, lack all the

homeliness and interest of the older ones. The church of St. Helen's,

which has a very tall spire, is close to the almshouses and the river,

and is well worthy of its position. It has been much restored, but is

mainly of sixteenth century work.

[Illustration: THE MILL AT ABINGDON]

Of course there was an abbey at Abingdon, though whether the name

of the town arose from that fact or from a proper name Aben or Æbba

is doubtful. The earliest name of the town was the unpronounceable

one of Seovechesham, and it was then a royal residence. The abbey

was founded by Cissa about 675. It was destroyed by the Danes and

reconstructed long before most places on the river had begun to have

any history at all. The abbey rose to great importance and wealth. It

held manors innumerable, and its abbot was a person to reckon with.

Even at the date of Domesday Book the abbey held no less than thirty

manors. But its power did not save it, and it suffered the common fate

at the Dissolution. A gateway of about the fourteenth century and some

ruins, which show where the dwellings of the monks stood, are all that

remain, beside the guest-chamber--a large, barn-like building--and

the almoner's residence. The latter has a magnificent fireplace and

chimney. The ceiling of the room below is groined, and looks like

that of a crypt, but this is said to have been the kitchen. The chief

feature of interest is the huge chimney, which is like a room, and

has little windows on each side; its size is best appreciated from the

exterior view. The church has quite disappeared, for the little ancient

church near the gateway was not the abbey church, but is supposed to

have been at first a chapel of ease. In this there is some Norman work,

including the west doorway, and it is probably of quite as ancient

lineage as anything now remaining of the abbey.

Henry I. was sent by his father, as a lad of twelve, to be educated

at Abingdon Abbey, and the learning by which he gained the name of

Beauclerc shows that there must have been some able men here. The town

hall in the market place at Abingdon is really a fine bit of work. It

has been attributed to Inigo Jones, and stands over an open arcade,

according to the style of town halls of the seventeenth century. The

lock is a good way above Abingdon, and from it the millstream, as usual

a pleasant backwater, flows right back to the town, enclosing a large

island.

[Illustration: SUTTON COURTNEY BACKWATER]

The lock at Culham is one of the least interesting on the river, and of

the hundreds who pass through it only a few know that they are close

to the very prettiest backwater on the Thames, namely Sutton Pool.

There is one backwater at Sutton Courtney which can be reached from

above Culham Lock. This leads to the mill, now disused, and runs along

the top of the numerous weirs that pour into Sutton Pool itself. It

is pretty also, and it is pleasant to see the meadows where the cows

stand knee-deep in flowering plants, and the little square tower of

the church peeping through the trees. This backwater is the best for

landing to go to the village. Along the top of the weirs runs a path--a

public right-of-way--which leads across the fields to Culham Lock, and

anyone may land here and look down upon the pool; but to get right into

it the lock must be passed, and some way further, after going under

the bridge, we can turn the corner of a large island and retrace our

way upstream until we come into the great pool, with its miniature

bays and tumbling water. The weirs are high, and the streams come down

with force, making a restless heave and swell when the river is full.

The little tongues of land that divide one bay from another are shaded

by willows, and the lush green grass grows here and there around tiny

beaches of white sand. In spring, masses of hawthorn, "all frosted"

with flowers, bend down from above, and the wild hyacinths break up

between the blades of grass. Tall reeds form tiny islets, and perhaps a

little moorhen flaps out. It is in secluded places like this that the

dainty nest of the reed-warbler may be seen, swinging so lightly upon

its supports that it is extraordinary to think that so large a bird as

the cuckoo should dare to deposit its egg there. Yet reed-warblers and

sedge-warblers are both among the cuckoo's victims. Unfortunately, in

this little paradise landing is everywhere strictly forbidden, but no

one can forbid enjoyment of the beauties which appeal to sight.

[Illustration: CLIFTON HAMPDEN FROM THE BRIDGE]

The village of Sutton Courtney is certainly worth visiting. The village

green, with its tall chestnuts, limes, and elms, is the very picture of

what a green should be. The church is particularly interesting, for it

is that rarity an unrestored building, with the old red-tiled floor and

the rudeness of the original--so often smoothed away behind stencilling

and paint--still left untouched. There is a shelf of chained books,

a fine carved screen, and an altar-tomb of some interest. The manor

house, which is not far off, is in a medley of styles, ranging from

Norman to Jacobean. Malefactors are said to have been hanged from the

stout oak beam which is still in good preservation. One wing is of

perfect Jacobean work, with an overhanging storey decorated with carved

pendants. A fine old building, half-way up the village, is called the

Hall of Justice; this, however, may have a meaning less obvious than

supposed at first sight, as the family of Justice held the manor for

some generations.

In it there is a fine old Norman doorway. The owner has furnished the

interior with tapestry hangings, etc., somewhat in accordance with what

it may have looked like originally when in use. It certainly gives one

an idea of the old Saxon or Norman style of dwelling before even the

upper chamber or _solar_ came into fashion.

The river at Clifton Hampden is not a couple of miles from the river

at Nuneham Courtney, so great is the loop by Abingdon. It may be noted

that the name Courtney, though spelt differently, is derived from the

ownership of the Courtenays, Earls of Exeter, in both the instances

above. Clifton Hampden is a great favourite with artists, for the

church, with its little, pointed spire, stands on a cliff which has

in parts broken away, showing the rich yellow ochre of the soil. This

makes up well in a "composition." The river sweeps round beneath it

in a sort of little bay, and when white ducks dabble in the water and

blue-pinafored children play beneath the yellow-ochre cliff, there is

much to be said for it. The houses, too, are not without points. They

are mostly thatched, and have their share of plants and creepers. The

bridge is of red brick, and, with a little toning by weather, will

make a capital accessory. But to my mind Clifton Hampden lacks that

indefinable quality of charm found in such abundance elsewhere.

[Illustration: CLIFTON HAMPDEN]

[Illustration]

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