THE LIGHTING OF THE CHRISTMAS TREE

SCENE: _The living-room of_ LOFDALA, _a Swedish manor house. It

is the afternoon before Christmas and the room has an atmosphere

of comfort and warmth; outside it is snowing. To the left is a

large Swedish fireplace, with its hanging black chimney-hood,

crane and shining kettles. A high wooden bench, a table and

armchair are drawn close to the fire. A heavy, iron-hinged door

opens outdoors at the center back. On either side are windows. At

the left a door leads into the kitchen, and at the right a flight

of stairs leads to the bedrooms. By the stairs stands a Christmas

tree as yet unlighted. There is a music cabinet against the back

wall, left; and an oblong table at the right; a carved wooden

chest stands beside the fireplace._

TIME: _about 1890_.

OLGA _is discovered arranging candles on the tree. She

is slender and moderately tall, with large eyes and rich dark

hair braided about her head. She wears Swedish holiday dress._

(_Enter_ OSWALD _and_ SIGURD, _running downstairs with their

hands full of cotton. They are six and four years old_, OSWALD

_being a little the taller. They are bright-faced, tow-headed

little boys, and are dressed in their embroidered holiday

suits._ OSWALD _stops halfway down, and leaning over the

banisters drops bits of cotton on the tree_.)

OSWALD. See, Mother, it’s snowing.

SIGURD. Look, Mother--it’s snowing. (_Turns at the foot of the stairs

and runs back to_ OSWALD.)

OSWALD. Don’t make such big flakes, Sigurd.

SIGURD. But I’m making it snow hard.

OSWALD. Oh, look, that fell on a candle.

OLGA. We need some more snow over here. Come down and make it snow on

these branches.

OSWALD. But, Mother, we need some most on this side--like this.

SIGURD. Where is Father?

OLGA. He has gone out with Torstein in the sledge to gather green

boughs to make the house look like Christmas.

SIGURD. It’ll soon be Christmas, Mother. When can we light the candles?

OLGA. When Father comes home. Have we used up all the snow, Oswald?

OSWALD. Yes, I will get some more. (_Starts upstairs._) Oh! (_Draws

back as he discovers_ RUSTER, _who has just entered and is standing on

the landing. He is unkempt and his shabby, black coat is buttoned up

to his chin. His eyes are small and blurred and his dark hair stands

out like a cloud about his head. But he is not wholly unattractive. His

features are well-formed and his black mustache is twirled at a proud

angle. He carries his music pen and manuscript. His voice is cracked

and harsh._)

OLGA. (_Looking up_) Why, Ruster!

RUSTER. (_Shivering_) I thought you might be having punch. My bones

are frozen working up in that cold room. It would take a taste of

hell-fire to warm me up. (_Drinking from his flask._)

OLGA. (_Turning toward the boys--raising her hand as if to silence_

RUSTER) The punch has not been made yet, Ruster. Children, have you

forgotten your Christmas cookies? Halla will help you make them if you

run out to her.

OSWALD. Oh, I know what I want to make.

SIGURD. What, Oswald?--What?

OSWALD. I want a raisin in mine. (_Pushing open the door._) Can I,

Halla?

(_Exeunt to kitchen._ OLGA _crosses to_ RUSTER.)

OLGA. If you are cold, Ruster, why not stay here by the fire and copy

your music? Is there much more to do?

RUSTER. (_Seating himself and arranging pages_) Liljekrona says there

is no hurry. When will he be home?

OLGA. As soon as he has filled the sledge with boughs, for he knows we

need him here on Christmas Eve. (_She goes to the window. Sleighbells

are heard._) There they are, coming up the drive. We must have some

place to put the branches. (_She spreads a cloth on the floor._ RUSTER

_steals a drink from his flask. The door opens. Enter_ LILJEKRONA. _He

is a tall, finely erect man, clad in a heavy fur coat that is covered

with snow. As he takes off his cap, he discloses a mass of light hair

brushed back from an unusually high forehead. His face is at once

sensitive and strong. He carries a load of boughs._) Well, what an

armful you have!

LILJEKRONA. (_Gaily_) Tell the children I have brought home the whole

forest for our Christmas.

OLGA. Put down your forest over here. Was it very cold?

LILJEKRONA. There has been a fine flurry all morning. (OLGA _helps him

off with his coat_.) But the fire feels good!

RUSTER. This is the warmest place in the house.

LILJEKRONA. How is it going? (_Looking over_ RUSTER’S _shoulder_.) You

haven’t forgotten how a page ought to look, have you, Ruster?

RUSTER. No, I can copy, but I cannot play. I have almost forgotten the

sound of my flute. Nobody wants a flute-player nowadays! They do not

care for music any more in Varmland and they do not want to learn.

LILJEKRONA. Yes, Varmland is not like Ekeby when we knew it.

RUSTER. It’s a pity we ever left there, Liljekrona! We have never had

such playing since--you with your violin and I with my flute. Old

Torwaldson waving his angry stick! By Heaven, he called the souls out

of us!

LILJEKRONA. Yes, the violins sobbing--then the horns, the winds, the

basses--each breaking over the other in thundering waves.

RUSTER. Holy Mother!--that was living!

LILJEKRONA. And from one patron off on the road to another, and along

the way, what gay evenings in the tent and at the inn when a man was

free from care!

RUSTER. How you could play then! Shall I forget that night in Olaf’s

garden? You made your fiddle sing as though your heart were in tune

with its strings. But now, Christ’s blood! you never play like that.

OLGA. He plays more beautifully now than he ever did at Ekeby.

LILJEKRONA. No, there is not so much time for practice here.

RUSTER. And the old spirit has gone out of you.

LILJEKRONA. I sometimes think so myself. It is hard to settle down

after a life of wandering. Something wild keeps crying in my soul,

bidding me be off again.

OLGA. Why is not home the place for music, Liljekrona? Surely those who

love you most care most to hear. Must you seek your inspiration from

strangers?

LILJEKRONA. No, Olga, you are more to me than a world of strangers. It

is you alone who hold me here.

RUSTER. Yes--you have a warm fire and a full cellar to keep you at

home. (LILJEKRONA _shrugs and turns away impatiently_.) But what about

the man who has not money enough to fill his flask? (_Bitterly._) My

horse, and carriole, and fur coat--they’re all gone! (_Drinks, then

laughs boisterously._) But still I have friends--lots of friends in

Varmland, and they’re always glad to see me and give me a cup of cheer!

(_He drains his flask and wipes his mustache with the back of his

hand._ LILJEKRONA _rises disgustedly and crosses the room_.)

OLGA. (_Pointedly_) Have you more copying to do still, Ruster?

RUSTER. (_Blinking at her_) The “Folksong” is almost finished. I was

thinking, Liljekrona--that when that is done, there are two others you

showed me yesterday, that would go well with this.

LILJEKRONA. It is better alone.

RUSTER. But those two shepherd songs. I took the book to my room. Wait

till I bring it down. (_He rises unsteadily. Exit._)

OLGA. (_Going to_ LILJEKRONA) Liljekrona, don’t give him more copying,

or we shall be obliged to keep him over Christmas.

LILJEKRONA. He must be somewhere.

OLGA. Our Christmas is spoiled if he stays. He is so dirty and he

drinks so. And think how bad it is for the children.

LILJEKRONA. But he is an old friend.

OLGA. Yet on Christmas Eve--we have kept thinking how happy we should

be, telling stories and dancing about the tree. And you would play

our favorite tunes. (_She looks wistfully about the partly decorated

room._) But now all the pleasure is gone if Ruster stays!

LILJEKRONA. Formerly you were glad to see him.

OLGA. Yes--we all were. But not since he has become a drunkard. And,

Liljekrona, I am afraid----

LILJEKRONA. Afraid of what, dear?

OLGA. (_Impetuously_) Let him go somewhere else for Christmas.

LILJEKRONA. How can we send him away? It would be inhospitable. Nobody

wants him any more than we do.

OLGA. But the children, Liljekrona.

(_Enter_ RUSTER _with book_.)

The lighting of the Christmas tree · 第 12 / 18 题