CHAPTER VI

OF TRIBADS

THE tribads, also called frictionists[116] from the Greek ****, I rub,

are women, with whom that part of the genital apparatus which is called

the clitoris, attains such proportions, that they can use it as a

mentula, either for fornication or pedication. The clitoris,[117] which

is a very sensitive caruncle (a small fleshy cone), capable of movement

and resembling the verge, gets into erection with all women, not only

during the coitus, the delights of which it is said to enhance immensely

by increased titillation, but also in consequence of mere amorous

longing; with tribads, either by a freak of nature or in consequence of

frequent use, it attains immoderate dimensions[118]. The tribad can get

it in erection, enter a vulva or anus, enjoy a delicious voluptuousness,

and procure if not a complete realization of cohabitation, at least

something very near to it, to the woman who plays the passive part. What

more is there to say? She plays the man’s part with the omission of the

ejaculation of the semen, not that this sort of coitus is an altogether

dry affair, as women are in the habit of emitting their liquid during

the joys of love[119].

This depravity of voluptuousness, whether caused by the warmth of the

climate, or by a peculiarity of the soil or waters, or other reasons

unknown to us, was especially common with the women of Lesbos; this is

attested by all the old writers. Lucian, in his “Dialogues of

courtesans,” No. V. (Works, vol. VII., p. 349.): “This is one of those

tribads, as they are to be found in Lesbos, who will have nothing to do

with men, and do the men’s business with women.” If such things were an

every day occurrence with the Lesbian women, we must believe that they

were pushed to them by natural instigation[120], and to allay an

intolerable pruriency. Who has not heard of that most celebrated queen

of all tribads, Sappho, herself a Lesbian? Some authors, Maximum of Tyre

the first among them, have with the best intention tried to exonerate

her from his infamous vice; but hear her in Ovid (and he represents the

Ancients in sentiment and feeling), repudiating her would be apologists,

_Heroides_, XV., 15-20:

“Neither the maidens of Pyrrha, nor those of Methymna[121], nor all

the host of Lesbian beauties please me. Vile to me seems Anactoria,

vile the fair Cydno, Atthis is no more so dear to my eyes as once

she was, nor yet a hundred others I loved not innocently[122].

Villain! yours is now what belonged to many women....”

and verse 201:

“Lesbian women, beloved, who made me infamous!”

Sappho speaks first in general of those that have submitted to her

caresses, the maidens of Pyrrha and Methymna; then she mentions by name

Anactoria, Cydno and Atthis,—to whom Suidas adds Telesippa and Megara:

“Her favorites, whom she loved well, were three in number, Atthis,

Telesippa, Megara, and for those she burnt in impure passion.”

These passages from the Ancients are clear enough, and do not admit of

any doubt; they even assist us in explaining other sentences, which

otherwise seem obscure or ambiguous; for instance the “masculine Sappho”

of Horace (_Epistles_ I., XIX., 28); “making plaint against the maids of

her country” (_Odes_ II., XIII., 25); also Ovid, _Art of Love_, III.,

331.

“Sappho should be well known, too; what more wanton than she?”

_Tristia_, II., 363:

“What was the lore Lesbian Sappho taught, but to love maids?”

and Martial, VII., 68[123].

“Sappho, the amorous, praised our poetess; the latter was more pure,

the former not more perfect in art.”

Lucian’s witty and licentious pen has made famous another tribad,

Megilla, in the above quoted Dialogue. This Dialogue is not outrageously

obscene, for it breaks off just at the moment when things would have had

to be said very plainly; nevertheless, the virginal modesty of our

Wieland has not dared to translate it into German. The philosopher of

Samosata brings Leaena upon the scene, and makes her disclose by what

artifices Megilla gained her consent. Leaena asks Megilla:

“Are you then made like a man, and do with Demonassa (whom Megilla used

after the manner of tribads), as men do?” “I have not got exactly all

that, my Leaena,” answers Megilla, “but I am not entirely without it.

However, you will see me at work, and in a very pleasant manner. I have

been born like all of you, but I have the tastes, the desires and

something else of a man. Let me do it to you, if you do not believe me,

and you will see that I have everything that men have. Give me leave to

work you, and you will see.” Leaena confesses that she at last

consented, moved by her solicitations and promises, and no doubt also by

the novelty of the thing. “I let her have her way,” she says, “yielding

to her entreaties, seconded by a magnificent necklet and a robe of fine

linen. I took her in my arms like a man; she went to work caressing me,

panting with excitement and evidently experiencing the extreme of

pleasure.” Clonarion asks her inquisitively:

“But what did she do to you Leaena, and how did she manage?” But Leaena

eludes the question. “Do not ask me anything more; these are nasty

doings; by Urania, I shall not breathe a word more!” she answers, to the

great regret of the reader, who would like to penetrate further this

mystery.

Amongst the tribads is still to be named Philaenis, the same, no doubt,

who according to Lucian (_Amores_, ch. 28—Works vol. V., p. 88), wrote

about erotic postures: “Let our women’s apartments be filled by women

like Philaenis, dishonored by androgynic[124] loves!”—Sophoclidisca in

Plautus, to whom Paegnion says: “Do not caress me, subagitatrix!”

(_Persa_, act II., 41);—and Folia of Ariminum, who according to Horace

(_Epodes_, V., 41) was “of masculine lubricity.” However writers as a

rule touch upon these points more lightly than is agreeable to the

curiosity of the reader. For the same reason the too great reserve of

Seneca (_Controversia_, II) is to be regretted, where he says at the

end:

“Hybreas having to plead in favor of a man who had surprised and

killed a tribad, described the grief of the husband; on such a

subject one must not ask for a too particular investigation.”

Much more complete, full and explicit is our good friend of Bilbilis

(Martial). Hear him! he is disclosing the tribadic doings of Balba, so

clearly that it could not be done better; I., 91:

“As no one, Bassa, ever saw you go with men; as rumor never assigned

you a lover, as every office about you was fulfilled by a troop of

women, no man ever coming nigh you, you seemed to us, I admit, a

very Lucretia. But, oh! shame on you, Bassa, you were a fornicator

all the time! You dare to conjoin the private parts of two women

together, and your monstrous organ of love feigns the absent male.

You have contrived a miracle to match the Thebian riddle: that where

no man is, there adultery should be!”

Surely it is clear enough what Bassa did, in conjoining the privates of

two women together. By no means! There are expounders, and very good

ones, too, who have quite misunderstood this very easy passage, and have

imagined that Bassa misused women by introducing into their vagina a

leathern contrivance, an olisbos, a _godemiche_; we shall speak at the

end of this chapter of this kind of pleasure, but it was quite unknown

to Bassa, who simulated the man in her own person.

Nothing could be more monstrous than the libertine passion of Philaenis;

she did not content herself with introducing her stiff clitoris in the

vulva of tribads, Martial, VII., 69:

“Tribad of tribads, you, Philaenis, you are well justified in

calling her your mistress whom you work;” or in those of other young

girls, and to get a dozen of them under her in a day; but she even

pedicated boys; Martial, VII., 67:

“Philaenis the tribad pedicates boys[125], and stiffer than a man in

one day works eleven girls.”

In order to leave nothing untasted in the way of virile lusts she was

also a _cunnilingue_; same epigram, at the end:

“After all that, when she is in good feather,—she does not suck,

that is too feminine; she devours right out girls’ middle parts. May

all the gods confound you, Philaenis, who think it manly work to

lick the vulva.”

Philaenis, when overmuch in rut, caused herself also to be served by

_cunnilingues_; this is clear enough from Martial, IX., 41:

“When Diodorus, wanting the Tarpeian crowns, left Pharos behind and

sailed for Rome, Philaenis vowed that to celebrate her mate’s return

an innocent maid should lick her, such a one as the chaste Sabine

women still cherish.”

She vowed if her husband returned to have her vulva licked by a young

girl, well-known for her innocence and chastity; to have it done by

prostitutes was for Philaenis nothing new; she wanted on that occasion

to experiment with a virgin, exactly like men, who always want something

new and strange to spur their lust. How rare it was for women to use

other women for that purpose appears from Juvenal II., 47-49:

“... There will no other instance be found so abominable in our sex;

Taedia does not lick Cluvia, nor Flora Catulla.”

But what could you find stronger, more energetic and plainer to

enlighten the reader completely on this subject than the following

verses in _Satire_ VI., 308-333, where Juvenal’s ire against the

tribadic orgies in Rome breaks out in words of fire?

“At night they stop their litters here, make water here, and flood

with long syphons the Goddess’ statue, and ride turn and turn about

and go through the motions under the eye of the conscious moon; then

they make for home. When the morning light returns, you walk through

your wife’s piss, to visit your great friends. Known are the secret

rites of the _Bona Dea_, when the flute excite their wanton loins,

when drunk with music and with wine they rush along, whirling their

locks and howling, these Maenads of Priapus! How they yearn for

instant copulation! how their voice trembles with passionate

longing! what floods of old wine gush down their dripping thighs! A

prize is offered, and Laufeia challenges the brothel-master’s girls,

and wins the first place for nimble hips; while herself is mad for

the pleasure Medullina’s artful movements give her. Amongst these

dames merit carries off the palm from noble blood. There nothing

must be feigned, all must be done in very truth and deed,—enough to

set on fire, however chilled with age, Laomedon’s son and old Nestor

with his rupture! Then is seen mere lust that will brook not a

moment’s more delay, women in her bare brutality, while from every

corner of the subterranean hall rises the reiterated cry: “The hour

is come, admit the men.” Is the lover asleep? she bids the first

young man to hand snatch up his hood and come at once. Is none to be

found? resort is had to slaves. No hope of slaves? a water-carrier

will be hired to come. If he comes not, and men there are none, she

will not wait an instant more but get an ass to mount her from

behind.”

The tribadic orgies were divided into two kinds; in one of them the

Roman dames, giving free course to their lust, defiled the altar of

chastity; in the other they celebrated the mysteries of the _Bona Dea_.

You see in the first place the tribads go at night in litters to the

altar of chastity, there pass their water[126] against the statue of the

Goddess, and having perhaps spirted their urine up to her face[127] they

at all events wet the area all about, (their husbands walking right

through it in the morning, when they go to see their patrons), and then

they ride or allow themselves to be ridden alternately; here we have

more than one Philaenis, tribad of tribads! Other ladies go to celebrate

the mysteries of the _Bona Dea_, well known to the public since the

adventures of Clodius[128]. You observe them rousing themselves with the

sounds of flutes and trumpets, as also with fumes of wine, to undergo

valiantly the jousts of mutual love; you see their amorous frenzy, their

hair flying in the wind; you note their sighs of longing, and how they

piss with excitement. A prize is set, as in the feast of Pope Alexander

VI., to be given to the most intrepid tribad: Laufeia calls upon the

brothel-girls to let her ride them, and carries off the crown[129];

there is none there of better heart than Medullina, expert in plying her

loins and buttocks; there all etiquette ceases, mistresses and servants

alike contest for the palm of obscenity; there is no sham, all is

tribadic reality[130]; but, after all, finally nature got the upper hand

again, the tribad disappeared, and the woman became again a woman,

leaving alone tribadism, as a phantom only of pleasure, and not

satisfying them; from all parts a cry is raised: “Now is the time for

the men to come in: go and find young men; if you cannot find any, then

slaves will do; if they are lacking, bring the first men you can find in

the streets.” And if all fails, in their shameless wantonness, they will

offer their buttocks to an ass[131]. On the origin of tribads[132]

Phaedrus has a fable, IV., 14:

“Another asked the reason why tribads and cinedes were created. The

old man thus explained: The same Prometheus, modeller of the human

clay, that if it knock against Fortune is shivered in pieces, once

when he had been fashioning all day long separately those parts that

modesty keeps hidden beneath a garment, to fit them presently to the

bodies he had made, was unexpectedly invited to supper by Bacchus.

There he imbibed the nectar in large drafts, and returned late home

with unsteady foot; then what with fumes of wine and sleepiness, he

joined the female parts to male bodies, and fixed male members on to

the women. Thus it is we find lust indulging in depraved pleasures.”

The masculine member applied to women is evidently that clitoris of such

proportions in erection, that the tribads can use it like a penis; the

female apparatus fitted on to man is nothing else but the posterior

orifice, which itches in the case of cinedes, just as the vulva

titillates women. Tribads were not wanting in the times of Tertullian;

he calls them frictrices. _De Pallio_, ch. 4:

“Look at those she-wolves who make their bread by the general

incontinence; amongst themselves they are also frictrices.”

The same author says in the _De Resurrectione Carnis_, ch. 16: “I do not

call a cup poisoned which has received the last sigh of a dying man; I

give that name to one that has been infected by the breath of a

frictrix, of a high-priest of Cybelé, of a gladiator, of an executioner,

and I ask if you will not refuse it as you would such persons’ actual

kisses.”

Nor was the trade of tribad out of date in the time of Aloysia Sigaea:

“Nay! do not think me”, says Tullia, Dialogue II., “worse than

others. This taste is spread almost over the universe. Italians,

Spaniards, French, are all alike as to the tribadism of their women;

if they were not ashamed, they would always be rutting in each

other’s arms.”

More, she quotes herself some examples of the hot transports of tribads,

Dialogue VII.:

“Enemunda, the sister of Fernando Porcio, was very beautiful, and

not less so was a friend of hers, Francisca Bellina. They frequently

slept together in Fernando’s house. Fernando laid secret snares for

Francisca; the latter knew that he desired to have her, and was

proud of it. One morning the young man, stung by his desires, rose

with the sun, and stepped out upon the balcony to cool his hot

blood. He heard the bed of his sister in the next room cracking and

shaking. The door stood open; Venus had been kind to him and had

made the girls careless. He enters; they do not see him, blinded and

deafened by pleasure. Francisca was riding Enemunda, both naked,

full gallop. ‘The noblest and most powerful mentulas are every day

after my maidenhead,’ said Francisca, ‘I should select the finest,

dear, but for you; so fain am I to gratify your tastes and mine.’

Whilst speaking she was jogging her vigorously. Fernando threw

himself naked into the bed; the two girls, almost frightened to

death, dared not stir. He draws Francisca, exhausted by her ride,

into his arms and kisses her: ‘How dare you, abandoned girl,’ he

says, ‘violate my sister, who is so pure and chaste? You shall pay

me for this; I will revenge the injury done to our house; answer now

to my flames as she has answered to yours.’ ‘My brother! my

brother!’ cries Enemunda, ‘pardon two lovers, and do not betray us

to slander!’ ‘No one shall know anything,’ he answered, ‘let

Francisca make me a present of her treasure, and I will make you

both a present of my silence.’”

The conversation of Ottavia with Tullia, acting as tribad, in the same

work (Dialogue II) is still bolder and more to the point:

TULLIA: Pray do not draw back; open your thighs.

OTTAVIA: Very well! Now you cover me entirely, your mouth against mine,

your breast against mine, your belly against mine; I will clasp you as

you are clasping me.

TULLIA: Raise your legs, cross your thighs over mine, I will show you a

new Venus; to you quite new. How nicely you obey! I wish I could command

as well as you execute!

OTTAVIA: Ah! ah! my dear Tullia, my queen! how you push! how you

wriggle! I wish those candles were out; I am ashamed there should be

light to see how submissive I am.

TULLIA: Now mind what you are doing! when I push, do you rise to meet

me; move your buttocks vigorously, as I move mine, and lift up as high

as ever you can! Is your breath coming short?

OTTAVIA: You dislocate me with your violent pushing; you stifle me; I

would not do it for any one but you.

TULLIA: Press me tightly, Ottavia, take ... there! I am all melting and

burning, ah! ah! ah!

OTTAVIA: Your affair is setting fire to mine—draw back!

TULLIA: At last, my darling, I have served you as a husband; you are my

wife now!

OTTAVIA: I wish to heaven you were my husband! What a loving wife I

should make! What a husband I should have! But you have inundated my

garden; I am all bedewed! What have you been doing, Tullia?

TULLIA: I have done everything up to the end, and from the dark recesses

of my vessel love in blind transports has shot the liquor of Venus into

your maiden barque.

Leo Africanus, in his _Description of Africa_, p. 336 (edition Elzevir,

of 1632), mentions the tribads of Fez:

“But those who have more common sense, call these women (he is

speaking of witches) “Sahacat,” a word which corresponds with the

Latin _fricatrices_, because they take their pleasure with each

other. I cannot speak more plainly without offending decency. When

good-looking women visit them, these witches fall at once in hot

love with them, not less hot than the love of young men for girls,

and they ask them in the guise of the devil to pay them by suffering

their embraces. So it happens that very often when they think they

have been obeying the behests of demons, they have really only had

to do with witches. Many, too, pleased with the game they have

played, seek of their own impulse to enjoy intercourse again with

the witches, and under pretence of being ill, summon one of them or

send their unfortunate husbands to fetch her. Then the witches,

seeing how matters stand, asseverate that the wife is possessed by a

demon, and can only be liberated by joining their association.”

You ask whether tribads are still to be found in our days? If there are

none now, there certainly were some in existence in Paris only a short

time before the Great Revolution, if we are to trust the author of

_Gynaeology_, III., p. 428. There was a veritable college of tribads in

Paris, who went by the names of Vestals, holding regular meetings in

particular localities. There were a great many members, and of the

highest classes; they had their statutes with respect to admission; the

affiliated were divided into three degrees: aspirants, postulants, the

initiated. Before the postulant could be admitted to the secret of the

order, she had to undergo for three days a difficult probation: shut up

in a cell tapestried with lewd pictures, and ornamented with carved

Priapi of magnificent proportions, she had to keep up a fire with I do

not know how many ingredients, and arranged in such a manner that it

would go out if there was taken too much or too little of any of the

materials; on the four altars of the temple, which was adorned with

statues of Sappho, of the Lesbians she had loved, and of the Chevalier

d’Eon, who for so many years successfully dissimulated his sex, and with

splendid hangings, perpetual fires were burning. Kept English women,

too, did not recoil at tribadism, as the same author states, III., p.

394. He affirms that not long before the close of the last century,

confederacies of tribads, called Alexandrine confederacies, were still

in existence in London, though in a small number only.

Enough now of those who are, strictly speaking, included under the name

of tribads; but the word has a more extended signification. The term is

also applied to those women who in default of a real mentula, make use

of their finger or of a leathern contrivance, which they introduce into

their vulva, and so attain a fictitious enjoyment. Germany, I have

lately heard, has been ringing with complaints about this abuse. As

regards the leathern engine[133], called by the Greeks olisbos, the

women of Miletus, above all others, made it their instrument of

pleasure. Aristophanes, in the _Lysistrata_, 108-110:

“For since the day the Milesians left us in the lurch, not an

olisbos have I set eyes on, eight inches long,—that might give us

its leathern aid....”

Suidas under the word “****”:

“A virile member made of leather which was used by Milesian women,

as being tribads and immodest. It was also made use of by widows.”

The same author under the word “****”:

“Cratinus also says on this head: _Lewd_ women will be using the

olisbos.”

Hesychius quotes the same passage.

If you ask whether modern women, who have suffered the wrong of seeing

their beauty slighted, actually have recourse to this leathern

substitute, Aloysia Sigaea (Dialogue II) shall answer you:

“The Milesian women made for themselves imitations in leather, eight

inches long and thick in proportion. Aristophanes tells us that the

women of his day habitually made use of such. And to this very day

Italian, Spanish and Asiatic women honor this instrument with a

place in their toilet apparatus; it is their most precious

possession, and one very highly appreciated.”

It is an undoubted fact that the Roman matrons cherished a species of

inoffensive snake[134], the cold skin of which served as a refrigerator

in summer, Martial, VII., 86:

“If Glacilla winds an icy serpent round her neck....”

Lucian _Alexander_ (Works, vol. IV., p. 259):

“In that country one sees serpents of an enormous size, but so quiet

and mild that they are fondled by women, sleep with the children, do

not get angry on being trodden on or handled, and suck the nipples

of the breast like a nursling.”

This being so, our eminent Bottiger was probably right, when he wrote

page 454 of his _Sabina_[135] a profoundly scientific work in German,

that very likely snakes were used as instruments to satisfy the

lubricity of amorous women. You may understand now what happened, or

what might have happened to Atia, the mother of Augustus, of whom

Suetonius (_Augustus_, ch. 94) wrote:

“I read in the treatise of Asclepiades of Mendé called the

_Theologumena_, how Atia the mother of Augustus, having gone at

midnight to the temple of Apollo, to assist at a solemn sacrifice,

fell asleep, and so did the other women present; how a serpent

suddenly glided close to her, and after some little time withdrew

again, and how on waking she purified herself, as though she had

left the arms of her husband.”

There would be nothing surprising in the fact that a serpent of that

sort should have investigated even without incitation on Atia’s part, a

certain locality which was well known to it by the lubricity of other

women, and that Atia felt on awakening the very same sensation as though

she had undergone a real coitus.

FOOTNOTES - OF TRIBADS

-----

Footnote 116:

They were also called hetairistriae:—Hesychius: “Hetairistriae

tribads”—and likewise dietairistriae, according to the same author:

“Dietairistriae, women who go after prostitutes (hetairae) for carnal

intercourse, just as men do; same as tribads.”

Footnote 117:

Aloysia Sigaea, Dialogue III.: “But I forgot (Tullia speaking) to tell

you of the clitoris. This is a membranous body, situated at the bottom

of the pubis, and representing in a reduced form the virile verge. As

is the case with the verge, the amorous desire excites it to erection,

and in certain women of an ardent temperament it inflames them with

pruriency to such a degree that by the mere caressing of it with the

hand they very often discharge their fluid without the help of a rider

at all.”

Footnote 118:

If that woman whom Plater saw, according to Venette in his _Tableau de

l’amour conjugal_, vol. I., ch. 1, 3, was not a tribad, she might well

have been one; her clitoris, which with other women attains in its

utmost erection the length of the half of the little finger or

thereabouts, was as long as the neck of a goose. Is it surprising that

women furnished with such an implement should wish to get rid of it?

Amputation is however dangerous. Plater did not venture to finish an

amputation which he had commenced, and Rodohamides, an Egyptian

physician of the XIth century, had not courage to even undertake one,

although commanded by a queen to perform the operation (Venette, IV.,

2). Those whom Adramytes, the king of the Lydians, order to castrate

women, were they more courageous? Athenæus, XII., 2: “Xanthus states

in the second book of his Lydiacs, that Adramytes, king of the

Lydians, was the first to have women castrated and employ them as

eunuchs.” However that may be, these female eunuchs have very much

exercised the commentators. Some suppose that straps and buckles did

in their case the same service as the chastity-belts, which, it is

said, Spaniards and Italians to this day compel their wives to wear if

they think they have reason to be jealous: others believe that it was

a question of suture, as is the case with the natives of Angola and

the Congo, who stitch the vulvas of young girls for the protection of

their maidenheads; but I believe that nobody knows anything certain in

this respect. Nor does it appear that these women had to submit to an

operation, which is certainly practised upon the young girls by the

Arabs, Copts, Ethiopians, in some parts of Persia and Nigritia, and

which consists in cutting off the prepuce of the clitoris; this is

proved by abundant evidence, and reported in the Encyclopedia of Ersch

and Gruber under the word: “Beschneidung” (Circumcision); how indeed

could Athenæus describe as _Eunuchize_ that which is calculated to

increase the fecundity of women. I thought first that these women were

tribads changed into eunuchs by the removal of their immoderately

large clitoris; I am now inclined to believe that the king caused that

to be done to these women, which according to Aristotle, _Nat. Hist._

IX., 50, was done to sows: “Sows are castrated, so that they shall no

longer desire the coitus and get quickly fattened. They are castrated,

suspended by their hind legs, after fasting two days, by an incision

in that place where with a man the testicles are situated, in fact in

the female matrix.” Pliny, _Nat. Hist._, VIII., 51: “Sows are

castrated in the same way as female camels, after a fast of two days,

suspended by their hind legs, by an incision in the vulva; they thus

fatten much quicker.” Columella, VII., IX. 5: “Sows are also castrated

by incision in the vulva; the wounds cicatrics, and they cannot

conceive any more.” This practice has by no means disappeared;

Schneider notes it in the passage of Columella; sows, cows, mares,

sheep, are still castrated by excising their ovarium. Why should we

not believe that Adramytes wanted the same process to be applied to

the fair sex, in order to make women sterile? However the ancient

Egyptians, who (see Strabo, book XVII., p. 824) undoubtedly

circumcized themselves, and also their women, appear to me to have had

in view not so much ovariotomy as the circumcision of the prepuce of

the clitoris, a practice still in use with them, as stated above;

cutting the female parts being thus something like circumcision, it is

to be assumed that a similar operation was intended rather than any

other one.

Footnote 119:

Let us consult again Aloysia Sigæa, Dialogue III.: “It has happened

sometimes to myself (Tullia), when Callias tries on me his

lubricities, when he tickles me and excites me. Then I sometimes water

his too libertine hands with an abundant dew from my pleasure grounds.

And that gives him an opportunity for letting off a whole sheaf of

sarcasms and jokes. But what can I do? I begin to laugh, and so does

he; I tell him he is too impudent, he tells me I am too lewd; we call

each other names right and left, and in the midst of our mutual

recrimination he will throw himself upon me, turn me on my back, and

force me to submit to his assault, saying he will give me his dewdrops

for those he has drawn from me, so that I may not be a loser.” Further

on, Dial., IV.: “Callias, pressing me more closely to him, buried his

weapon deeper into my belly, almost as though he were trying to get

himself in altogether. Soon a delicious stream spirted into me, and at

the same time I felt my liquid boiling over, causing me such delight

that I forgot all reticence, and myself excited Callias more and more,

pressing him against me and begging him to quicken his pace. Thus we

expired both together with our muscles relaxing at one and the same

instant.” You will understand by this the meaning of the epigram to

Sosipator in the _Analecta_ of Brunck, I., p. 504:

“Until the white liquor ran over with both of them, and Doras

unwound her wearied limbs.”

Reiske thought the “white liquor” in this passage meant drops of

perspiration. Nonsense! it means the virus secreted by both sexes, and

liberated in the last spasms of lust. Aloysia Sigæa, Dialogue IV.: “As

I finished speaking” (it is still Tullia that speaks), “he got upon

me, and collecting all his strength he pushed the arrow into me, he

filled my womb with his fecundating dew, and I also shed the rivulet

of white liquid. Incapable of enduring any longer so intense a

voluptuous feeling, we sank back exhausted in each other’s arms.” We

have quoted besides on different occasions extracts from the rich

treasures of Aloysia Sigæa, on this subject.

Footnote 120:

Women, whose clitoris is too prominent, are thus prevented from having

intercourse with men, so that when they are seized with amorous

designs they cannot well find any other way of satisfying their

desires than by playing tribadism. (Venette IV., ii, 4.)

Footnote 121:

Pyrrha and Methymna are towns in Lesbos. Pomponius Mela, II., 7: “In

the Troad is Lesbos, and in Lesbos there were formerly five cities,

viz.: Antissa, Pyrrha, Eresos, Methymna, Mytilene.”

Footnote 122:

Not innocently, or rather, “not without crime”; some read “which I

loved not without crime” others, “which I loved here without crime,”

but the difference is not great. If you prefer “which I loved here,”

the excuse itself is a confession. All we want is the admission that

the tribad-tastes of Sappho are no modern invention, but originated,

how we know not, and prevailed in very early times. The love of woman

for woman was never known under any other name than the notorious one

of tribadism.

Footnote 123:

See whether it is with good reason or no that the succeeding epigram,

no. 69, calls Philaenis the tribad of tribads.

Footnote 124:

To make yourselves quite sure about what the author means by

androgynic loves, look at the passage as a whole: “Come, you man of

the new age, you lawgiver of unknown amours, if you open out new ways

to the lubricity of men, you may grant to the women equal license. Let

them cohabit together as the men do; let woman lie with woman, and

simulate with their lascivious organs conjunctions, sterile though

they be, as man lies with man! Let the word one hears so very rarely,

and which I am ashamed to pronounce, let the lubricity of our tribads

triumph without blushing.” Observe in the first place how tribads were

seldom spoken of, and that they kept themselves in the dark; in the

second place how the immoderate clitoris of the tribad is said to

simulate lascivious organs in conjunction. Seneca, _Controversia

Secunda_, in a similar sense, calls such a monstrosity *****, an

_artificial man_; lastly the epithet “sterile” is applied to the

clitoris, and points to the dry unproductiveness of the tribadic

coitus.

Footnote 125:

Instead of “pedicating boys,” Martial might have said, if the metre

had allowed it, “entering boys.” Seneca’s expression (Letter XCV),

“_viros ineunt_,” which was a source of great trouble to the great

Justus Lipsius, signifies nothing else: “The women will contest for

the crown of lubricity with the men. May the gods confound them! one

of their refined lubricities reverses the laws of Nature: they have

connection with men!” There you have in plain words the turpitude

which Justus Lipsius considered worthy of the infernal regions:

tribads pedicating.

Footnote 126:

When women are in rut they pass their water, nature wills it so,

Juvenal, VI., 63-65: “Let lewd Bathyllus dance the pantomime of Leda”

(representing Leda receiving Jupiter in a dance with wanton gestures:

“Tuscia cannot command her bladder, Appula is sighing as if in

amorous trance....”)

The same XI., 166-168:

“The other sex however feels more pleasure, is much sooner fired,

and lets the water off, excited through eyes and ears.”

(What Juvenal says here as to this greater enjoyment on the part of

the opposite sex is connected with his general opinion that women

experience more pleasure in Love than men do. So his words in VI.,

254: “For how insignificant is our pleasure!” Tiresias, called upon to

arbitrate on this point in Lucian (_Amores_, p. 85), declared women’s

enjoyment to be double that of men: “Unless indeed we are to agree

with Tiresias’ arbitrement, that the woman’s pleasure is twice that of

the man”).

Martial, XI., 17:

“How often will your rigid nerve lift up your tunic, though you be

as stern as Curius or Fabricius! You too have to read our pages,

be they ever so lascivious, young maiden, though you come from

Padua.”

Footnote 127:

There is some ambiguity about the “long syphons.” They are rivulets of

urine passed near the statue, or perhaps Juvenal means, to use the

expression of Grangé, “Urine spirted right up into the Goddess’ face,

which may be done by impudent women compressing with the hands their

parts, and thus retaining for some time the water; thus collected it

will spurt out with greater force.”

Footnote 128:

Verse 335-339.

“But all the Moors and Indians well know the flute-girl who showed

a bigger penis than great Caesar’s two anti-Catos, in that place

from which a rat will fly, conscious of possessing testicles....”

Footnote 129:

The “nimble hips” are those of the tribad, who is riding another in

the posture of Apuleius’ Fotis, _Metamorph._ II., p. 122, when she

gratified Lucius with the joys of a superincumbent Venus.

Footnote 130:

All this was actually represented in Paris, 1791, on the stage of a

theatre, where, according to the author of the _Gynaeology_ III., 423,

a man completely naked had connection with a woman as naked as

himself, both representing savages, accompanied by the plaudits of

both sexes. There is however nothing new under the sun. With the

Romans it had long been customary, after the public games were

finished, to bring prostitutes into the arena, and set them to work,

so that the spectators might have an opportunity to perform what they

had been looking at with greedy eyes; a herald proclaimed what was to

come. Tertullian, _De Spectaculis_, ch. 17: “Prostitutes, the victims

of public incontinence, are brought upon the stage, shamefaced with

respect to the women only; to the men they were known; they are

exposed to the laughter of all, high and low; their dwellings, their

prices, even their recommendations were proclaimed by the crier.”

Isidorus, _Origines_, XVIII., 42: “The theatre is like a brothel; when

the games are over, public women are prostituted there.” The rape of

the Sabines described in Livy (II., 18) would seem to have been a not

dissimilar form of amusement: “In this year young Sabines in Rome

having, in the midst of the games, abducted some prostitutes, the

tumult ensuing thereupon degenerated into a riot, in fact nearly into

a battle.”

Footnote 131:

Observe the subtlety of the expression adopted by the poet: “offers

her buttocks to an ass to get on them.” Juvenal knows that a woman has

no chance to have an ass’s mentula in her except by turning her back

to the beast.

Footnote 132:

Plato, _Symposium_ (Works, Zweibrücken edition, vol. X., p. 205)

imagines another origin; in the passage where he relates the

celebrated fable, according to which Jupiter had cut the men in

halves, he says: “As to those women who are halves of women, they are

not much harassed by desires after men; but are much more given to

amuse themselves with women; the hetairistriae descend from their

category.”

Footnote 133:

Another use of these leathern engines has been noted in ch. II.

Footnote 134:

This sort of snake served also to amuse men. Suetonius, _Tiberius_,

ch. 72: “He kept for amusement a snake; one day, when he went as usual

to feed it, he found it devoured entirely by ants, which he took as a

warning to guard against being attacked by a mob.” Pliny, _Nat. Hist._

XXIX., ch. 4: “The Aesculapian serpent was brought to Rome from

Epidaurus; it was kept in the public edifices, and also in private

houses.” Seneca, in the _De Ira_, II., ch. 31, speaks of: “Those

snakes that glide harmlessly amid the cups and into the bosoms of the

guests.” They were not of a small size; this appears from what

Philostratus says in his _Heroics_, VIII., 1: “Ajax had a tame snake

of five cubits length, which kept close to him, guided him on his way,

and followed him about like a dog.” This kind of snake was very common

at Pella, in Macedonia, as Lucian says in a passage quoted in the

text: “There are many such in their country.” They are still to be

found in Italy, according to Justus Lipsius in his Notes to Seneca.

Footnote 135:

“Sabina, or the Morning Toilette of a Roman Lady at the end of the

First Century,” translated into French by Clapier, 1813, 8vo.

------------------------------------------------------------------------

Manual of Classical Erotology (De figuris Veneris) · 第 6 / 8 章