RECOGNITION OF BEAUTY DEPENDS ON PRELIMINARY INTERIOR BEAUTY.

Further, the cause of beauty must be either ugly, beautiful or

indifferent. If it were ugly, it could not produce its opposite. If it

were indifferent, it would have no more reason to produce that which is

beautiful, than that which is ugly. Therefore nature which produces so

many beautiful objects must in herself possess a very superior beauty.

But as we do not have the habit of seeing the interior of things, which

remains unknown, we attach ourselves only to their exterior, forgetting

that which moves us hides itself within them; and (in this habit of

ours) we resemble (Narcissus[206]), who, on seeing his image, and not

knowing whence it came, would try to catch it. It is not the mass of

an object that constitutes its attractiveness for us, for it is not in

mass that beauty inheres.[207] This is revealed by the beauty found

in the sciences, in the virtues, and in general in the souls, where

it shines more truly and brilliantly on contemplation and admiration

of its inherent wisdom. Then we do not regard the countenance, which

may be ugly; we leave aside the form of the body, to attach ourselves

exclusively to interior beauty. If, carried away by the emotion that

such a spectacle should cause, you should not proclaim its beauty; and

if, on directing your gaze within yourself, you should not experience

all the charm of beauty,[208] then you search for intelligible beauty,

by such a method, would be vain; for you would seek it only with what

is impure and ugly.[209] That is why these discussions are not intended

for all men. But if you have recognized beauty within yourself they you

may rise to the reminiscence (of intelligible beauty).

Plotinos: Complete Works, v. 2 In Chronological Order, Grouped in Four Periods · 第 307 / 381 题