MAGIC OCCURS BY LOVE WORKING AS SYMPATHY.

40. But how shall we explain the enchantments of magic? By the sympathy

that things have for each other, the accord of those that are similar,

the struggle of those that are contrary, the variety of the powers

of the various beings which contribute to the formation of a single

organism; for many things are attracted towards each other and are

mutually enchanted, without the intervention of a magician. The real

magic is the Love that reigns in the universe, with its contrary of

Hate. The first magician, him whom men consult to act by the means of

his philtres and enchantments, is Love; for it is from the natural

mutual love of all things, and from the natural power they have to

compel each others' love, that is derived the efficaciousness of

the art of inspiring love by employing enchantments. By this art,

magicians bring together the natures which have an innate love for

each other; they unite one soul to another as one cross-fertilizes

distant plants; by employing (symbolic) figures which possess special

virtues; by themselves taking certain attitudes, they noiselessly

attract the powers of other beings, and induce them to conspire to

unity so much the easier as they themselves are in unity. A being

of the same disposition, but located outside of the universe, could

neither by magic attractions fascinate, nor by his influence enchain

any of the things contained in the world; on the contrary, from the

moment that he is not a stranger to the world, he can attract towards

himself other beings, knowing their mutual relations and attractions

within the universal organism. There are indeed invocations, songs,

words, (symbolic) figures, and, for instance, certain sad attitudes

and plaintive tones which exert a natural attraction. Their influence

extends even to the soul--I mean, the irrational soul; for neither

the will nor the reason permit themselves to be subdued by the charms

of music. This magic of music does not arouse any astonishment;

nevertheless those who play or sing, charm and inspire love

unintentionally. Nor does the virtue of prayers depend on their being

heard by Beings that make free decisions; for these invocations do not

address themselves to free-will. Thus[160] when a man is fascinated

by a serpent, he neither feels nor understands the influence exerted

on him; he perceives what he has felt only after having experienced

it--the governing part of the soul cannot anyway experience anything of

the kind. Consequently when an invocation is addressed to a Being, some

thing results; either for him who makes this invocation, or for some

other person.

Plotinos: Complete Works, v. 2 In Chronological Order, Grouped in Four Periods · 第 255 / 381 题