THE STARS' MOTIONS COMPARED TO A PREARRANGED DANCE.

33. As the circular movement of the world has nothing fortuitous,

inasmuch as it is produced conformably to the reason of this great

animal, a perfect symphonic (co-operation) between what "acts" and

what "reacts" must exist within it; and there must also have been an

order which would co-ordinate things one with another, so that at

each of the phases of the circular movement of the world there might

be a correspondence between the various beings subject to it, as if,

in a varied choric ballet the dancers formed a single figure. As to

our own modern dances, it is easy to explain the eternal things which

contribute thereto, and which differ for every motion, like the sounds

of the flute, the songs, and the other circumstances which are thereto

related. It is not however as easy to conceive the motions of a person

who conforms himself strictly to each figure, who accompanies, who

raises one limb, or lowers another, who moves this limb, or holds

the other limb motionless in a different attitude. The dancer's eyes

are doubtless fixed on some further aim while his limbs are still

responding to the motions inspired by the music, by co-operating in

expressing them, and in completing them symmetrically. Likewise, a man

learned in the art of dancing could explain the reason that, in such a

figure, such a limb is raised, such a limb is bent, while others are

hidden or lowered; not indeed that the dancer deliberates about these

different attitudes, but because in the general movement of his body he

considers such a posture suitable to such a limb to fulfil its proper

part in the dance. Likewise do the stars produce certain facts, and

announce other ones. The entire world realizes its universal life by

causing the motion of the greater parts it comprises, by ceaselessly

changing the figures, so that the different positions of the parts,

and their mutual relations may determine the rest, and that things may

occur as in a movement executed by a single moving living organism.

Thus such a state is produced by such an attitude, such positions,

such figures; while some other state is produced by some other kind

of figures, and so forth. Consequently, the real authors of what is

occurring do not seem to be those who carry out the figures, but He who

commands them; and He who plans the figures does not do one thing while

busying Himself with another, because He is not acting on something

different from Himself; He himself is all the things that are done;

He here is the figures (formed by the universal movement), He himself

there is the resultant passions in the animal so moved and constituted

by nature, simultaneously "active" and "passive" as the result of

necessary laws.

Plotinos: Complete Works, v. 2 In Chronological Order, Grouped in Four Periods · 第 243 / 381 题