1059. Fr. 'au regart de la peine d'enfer.'

1067. _surquidrie_, too great confidence; see 403 above, and the note.

1069. From S. Gregorii Moralium lib. xxxiv. cap. xix. § 36 (ed. Migne, vol.

76, col. 738):--'Ad districti ergo iudicis iustitiam pertinet, ut nunquam

careant supplicio, quorum mens in hac uita nunquam uoluit carere peccato.'

1073. There is here a sad oversight. For 'the _seconde_ wanhope,' we should

read 'the _same_ wanhope.' The _second_ kind of despair is discussed in

1074. All the MSS. have this mistake.

1080. _poverte espirituel_; this refers to the 'poor in spirit'; Matt. v.

3. _lowenesse_, i. e. meekness; Matt. v. 5. _hunger_; Matt. v. 6.

_travaille_; Matt. v. 4, 10, 11. _lyf_; Rom. viii. 13. This concluding

passage may be compared with the concluding passage of the Ayenbite, p.

261. [475]

1081. This final paragraph is variously headed in the MSS. E. has: 'Here

taketh the makere of this book his leue.' So also Cm. So also Pt., preceded

by 'Explicit fabula Rectoris.' Hl. has: 'Preces de Chauceres.' The words

'this litel tretis' refer, of course, to the Persones Tale _as originally

written_, so that some part of this concluding address was certainly added

afterwards. The interpolation (due to Chaucer himself, if we may trust the

evidence) probably extends (as Tyrwhitt suggested) from the words _and

namely_ in 1085 to the words _salvacioun of my soule_ in 1090. This

accounts for the unusual length of the sentence in 1084-1092. The addition

was made at the time of revision, when Chaucer had made up his mind that

the Persones Tale was to be the last; and he took the opportunity of

writing the _conclusion_ of the work before it was, in reality, completed.

This accounts for the whole matter.

1083. Alluding to Rom. xv. 4.

1085. _I revoke in my retracciouns_, I recall by retracting what I may have

said amiss. There is no need to lay an undue stress on this expression, as

if the author had been compelled to denounce and retract most of his works.

We may fairly understand the expression 'thilke that sownen into sinne' as

applicable to _all_ the works, and not to the Tales alone. Whilst thanking

God for his devotional works, it was not out of place for him to 'recall'

his more secular ones; for this expression seems to mean no more than that

he could not claim that they were written in God's service. To 'revoke'

cannot here mean 'to withdraw,' because the poems named were _not_

withdrawn, nor was there any way in which such a result could have been

brought about. Cf. vol. iii. p. 503.

1086. _The book of the xix. Ladies_ is, of course, the Legend of Good

Women. For _xix._, most MSS. have 'xxv.'; MS. Harl. 1758 has '25'; MS. Ln.

has 'xv.'; and MS. Hl. has '29'; but we know, from the Poem itself, that

'xix.' is correct. Numbers, as the various readings shew, easily went

wrong; see note to 565 above.

'The book of seint Valentynes day of the Parlement of Briddes' is all one

title; the poem itself is well known.

1087. 'The book of the Lion' is now lost; most likely, as Tyrwhitt

suggests, it was a translation from, or adaptation of, Le Dit du Lione, a

poem by G. de Machault, composed in the year 1342. It is printed among

Machault's poems. Lydgate, in his Prologue to the Falls of Princes,

ascribes this work to Chaucer in the words:--

'And of the Lyon a boke he did wryte.'

But it is probable that Lydgate is merely quoting from the present passage,

and knew no more of the matter than we do.

I may here note that Tyrwhitt expresses his astonishment that Chaucer does

not expressly 'revoke' his translation of the Romaunt of the Rose; but it

is sufficiently indicated by the words 'and namely [i. e. _especially_] of

my _translacions_'; see 1085. [476]

1088. _Boece_, i. e. his translation of Boethius. _Legendes_, i. e. the

Legend of St. Cecilia and the Legend of the boy-saint in the Prioresses

Tale. _Omelies_, homilies; such as the Parson's Tale and the Tale of

Melibeus. _moralitee and devocioun_; such as Chaucer's A B C, and his

Balades on Fortune, Truth, Gentilesse, and Lack of Steadfastness; also the

Monkes Tale, which is expressly called 'a Tragedie.' The Pardoneres Tale,

moreover, is called 'an honest thing'; and even of the Nonnes Prestes Tale

we are bidden, at the end, to 'take the moralitee.'

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