918. _At-after_, after; as in F. 302.

938. _Aurelius._ Tyrwhitt remarks that 'this name, though of Roman origin,

was common, we may presume, among the Britons. One of the princes mentioned

by Gildas was called _Aurelius Conanus_. Another British king is called

_Aurelius Ambrosius_ by Geoffrey of Monmouth.' See Fabyan's History, pt. 1.

capp. 93, 108.

942. _With-outen coppe_, without a cup. This expression means that he drank

his penance in full measure, not by small quantities [390] at a time. It

occurs again in the Prologue to the Tale of Beryn, ll. 306, 460.

948. Chaucer wrote such things himself; see Leg. of Good Women, 423, and

the note. See also, in his Minor Poems, the Complaint of Mars, the roundel

in the Parl. of Foules, 680; and the exquisite triple roundel called

Merciles Beautè.

950. The syllables _as a fu-_ form the third foot. Some MSS. have _fuyre_,

i. e. fire (see the footnote); but hell is not the place where fire was

supposed to languish. The reading _furye_, i. e. fury, also presents some

difficulty, but we must take _languish_ to mean 'endure continual pain.'

This precisely agrees with Chaucer's language in Troilus, iv. 22-24.

We have already had a confusion between _fury_ and _fire_ in A. 2684. The

reading _furie_ is perfectly established by help of F. 448 (this _furial_

pyne of _helle_), and by further comparing l. 1101 below.

951. _Ekko_, Echo. So in the Book of the Duch. 735. Chaucer probably took

this from Le Rom. de la Rose, 1447; see the English version, ll. 1469-1538.

But he had learnt, by this time, that the true original was Ovid

(Metamorph. iii. 407). Hence the side-note in MS.

E.--'Methamorposios'--(_sic_).

Chaucer's Works, Volume 5 — Notes to the Canterbury Tales · 第 644 / 960 题