200. _goon_, i. e. move, go about, have motion.

201. _of Fairye_, of fairy origin, magical. I do not subscribe to Warton's

opinion (Obs. on Faerie Queene, p. 86) that this necessarily means that it

was 'the work of the devil.' Cf. the same expression in Piers Pl. B. prol.

6.

203. Compare the Latin proverb--'quot homines, tot sententiae.' See

Hazlitt's Eng. Proverbs, pp. 340, 437. A good epigram on this proverb is

given in Camden's Remaines concerning Britaine, ed. 1657, sig. Gg.

'So many heads, so many wits--fie, fie!

Is't not a shame for Proverbs thus to lie?

My selfe, though my acquaintance be but small,

Know many heads that have _no wit at all_.'

207. _the Pegasee_, Pegasus. In the margin of MSS. E. Hn. Hl. is written

'i. equs Pegaseus,' meaning 'id est, equus Pegaseus'; shewing that Chaucer

was thinking of the adjective _Pegaseus_ rather than of the sb. _Pegasus_,

the name of the celebrated winged horse of Bellerophon and of the Muses.

Cf. Lydgate's Complaint of the Black Knight, l. 92.

209. 'Or else it was the horse of the Greek named Sinon.' This very

singular-looking construction is really common in Middle English; yet the

scribe of the Harleian MS. actually writes 'the Grekissch hors Synon,'

which makes Sinon the _name of the horse_; and this odd blunder is retained

in the editions by Wright, Bell, and Morris. The best way of clearing up

the difficulty is by noting similar examples; a few of which are here

appended:--

'The kinges meting Pharao';

i. e. the dream of King Pharaoh; Book of the Duchesse, l. 282.

'The erles wif Alein';

i. e. the wife of earl Alein; Rob. of Gloucester, in Spec. of Eng., ed.

Morris and Skeat, p. 11, l. 303.

'Themperours moder william,'

i. e. the mother of the Emperor named William; Will. of Palerne, l. 5437.

'Pieres pardon þe plowman';

i. e. the pardon of Piers the Plowman; P. Pl. B. xix. 182.

'In Piers berne þe plowman';

i. e. in the barn of Piers the Plowman; id. xix. 354.

'For Piers loue þe plowman';

i. e. for love of Piers the Plowman; id. xx. 76. Chaucer again alludes

[377] to Sinon in the House of Fame, i. 152, and in the Legend of Good

Women, Dido, 8; which shews that he took that legend partly from Vergil,

Aen. ii. 195. But note that Chaucer here compares a horse of _brass_ to the

Trojan horse; this is because the latter was also said to have been of

brass, not by Vergil, but by Guido delle Colonne; see note to l. 211. This

is why Gower, in his Confess. Amant. bk. i., and Caxton, in his Recuyell of

the Historyes of Troy, both speak of the Trojan horse as a 'horse of

brass'; see Spec. of English, 1394-1579, ed. Skeat, p. 91, l. 67.

211. _olde gestes_, old accounts. The account of the taking of Troy most

valued in the middle ages was not that by Vergil or Homer, but the Latin

prose story written in 1287 by Guido delle Colonne, who obtained a great

reputation very cheaply, since he borrowed his work almost entirely from an

old French _Roman de Troie_, written by Benoit de Sainte-Maure. See the

preface to The Gest Hystoriale of the Destruction of Troy, ed. Panton and

Donaldson (Early English Text Society). And see vol. ii. p. lxi.

219. _Iogelours_, jugglers. See the quotation from Marco Polo, i. 340, in

vol. iii. p. 473; and cf. The Franklin's Tale, F. 1140-1151, and the notes.

223. _comprehende_; so in the MSS. But read _comprende_; see Troil. iii.

1687; and pronounce _lew-ed-nes_ fully.

Chaucer's Works, Volume 5 — Notes to the Canterbury Tales · 第 608 / 960 题