A. HOLT WHITE.

May I venture to observe, in confirmation of ARUN'S suggestion as to the

origin of this term, that the bell appears to have been a constant

attribute of St. Anthony, although I have tried in vain to discover any

allusion to it in his legend?

Frederick von Schlegel, in describing a famous picture by Bramante

d'Urbino (_Æsthetic and Miscellaneous Works_, p. 78.), mentions St.

Anthony as "carrying the hermit's little bell;" and Lord Lindsay, in the

Introduction to his _Letters on Christian Art_ (vol. i. p. 192.), says

that St. Anthony is known by "the bell and staff, denoting mendicancy."

If this be the case, the bell at Kimbolton was doubtless intended

originally to announce the presence of some wayfarer or mendicant.

Tanthony is a common contraction for St. Anthony, as in the term "a

Tanthony pig;" and a similar system of contraction was in use amongst

the troubadours, who put _Na_ for _Donna_; as _Nalombarda_ for _Donna

Lombarda_.

The bell carried by St. Anthony is sometimes thought to have reference

to his Temptations; bells being, in the words of Durandus, "the trumpets

of the eternal king," on hearing which the devils "flee away, as through

fear." I think, however, that these words apply rather to church bells.

Notes and Queries, Vol. III, Number 83, May 31, 1851 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 66 / 126 题