HENRY.

* * * * *

"I am sorry to have to say that this statement is a ------, and if

any of my readers have any doubt as to whether I used that strong

term without just reason, I invite them to communicate with the

Ministry of Shipping on the subject."--_Letter in "The Observer."_

We respect our contemporary's discretion, but we _should_ like to know

what was the "strong term".

* * * * *

"The Literary Class has grown beyond all expectations, the numbers

attending the last few meetings averaging nearly 100. Papers have

been read and discussed on Dickens' Works, _Tess, Tale of Two

Cities_."

_The Highway_.

Flushed with success, the Literary Class is expected next to tackle

HARDY; _Jude the Obscure_ and _The Mystery of Edwin Drood_ being the

first objectives.

* * * * *

_NOUVELLES DE PARIS._

_Paris, March 3rd, 1919._

DEAREST POPPY,--You know, don't you, that I write for the

Press? You _must_ write, _ma chère_, if you want to be _dans le

mouvement_ nowadays. It's getting to be almost as big a craze as

jazzing and is quite as exciting. It has its difficulties, of

course, but so has the jazz roll. And if you've got a title or

have been mixed up in a _cause célèbre_ you can write on anything

_sans aucune connaissance spéciale_. Camilla Blythely says she

just sends in her photo and signature and those obliging newspaper

people do the rest--which is most helpful to a busy person. But

then we can't all be as notorious as dear Camilla.

I hope it isn't getting just a little overdone. But I hear that

lots of papers are offering only three guineas a column now for

quite important signatures, while others actually insist on

contributors writing their own articles.

_Quant à moi_, I'm writing up the light side of the Peace

Conference. I do those snappy pars about LLOYD GEORGE'S ties and

CLEMENCEAU'S gloves and all those little domestic touches that

people would much rather read about than such remote things as

Czecho-Slovaks and Jugo-Slavs. I did a most _thrilling_ three

columns about the hats of the delegates, from the bowler of Mr.

BONAR LAW to the "coffieh" and "igal" headdress of EMIR FAISUL,

the Arab Prince. (It's always so effective if you can stick in a

word or two like that that nobody understands. You never need get

them right).

Talking of odd words, the latest _boutade_ over here is to find

new names and epithets for our dress materials--some of them quite

weird. If you want a silk _tricot_ you ask for "_djersador_,"

while a coarser texture is "_djersacier_"; "_mousseux_" now

describes velvet as well as champagne; _ninon_ is known as

"_vapoureuse"_; while to make one of the newest Spring dresses you

require only three-and-a-half yards of "_Salomé_." Some of the

_couturiers_ in the Rue de la Paix are issuing fashion-pronouncing

handbooks, while others have their own interpreters to assist

customers.

The theatres over here are getting extremely--well, what our

grandparents termed "_risqués_," but it really goes further than

that. And the worst of it is my countrypeople seem to think

it's the smart thing to go to them, which they do most

indiscriminately. _Heureusement_ they don't understand the stuff.

Whenever I see a most circumspect and highly proper British matron

entering one of the Boulevard theatres nowadays I think what

a mercy it is that we as a nation rely so much on pronouncing

phrase-books for acquiring foreign languages. It keeps one so

single-minded in the midst of a wicked world.

But, after all, propriety is a _question de localité_. Else why

do people do things here which would badly shock us at home? _Par

exemple_, dancing between the courses of a meal is our latest

_caprice_ here; but I was _un peu étonnée_, the other evening, to

see the Duchess of Mintford, at a restaurant of the most _chic_,

jazzing off the effects of the turbot with light-hearted

_abandon_.

Unfortunately a waiter carrying a tray darted across the track

at the very moment when she was involved in that step so

_embrouillant_, the side-roll.

It took quite a long time to collect, and put in their proper

order, the waiter, the contents of the tray, her Grace and all the

other jazzers who were coming up behind.

But, _après tout_, little comment was roused because most of the

onlookers thought the incident was just part of the dance.

So long, old thing.

_Bien à vous_,

Punch, or the London Charivari, Volume 156, March 5, 1919 · 第 25 / 38 题