DEAR MR. EDITOR,

The great success that has attended the production of _L'Enfant Prodigue_

at the Prince of Wales's Theatre has encouraged me to make a suggestion in

the cause of English Art. Why not SHAKSPEARE in dumb show? The Bard himself

introduced it in "The Play Scene." Allow me to suggest it thus:--

SCENE--_A more remote part of the Platform in Elsinore Castle. Enter_

GHOST; _then_ HAMLET.

_Hamlet_ (_in dumb show_). "Where wilt thou lead me? Speak!" (_In dumb

show._) "I'll go no further."

_Ghost, by kissing his hand towards the horizon, shows that his hour is

almost come, when he is bound to render himself to sulphurous and

tormenting flames. The latter part of his description is composed of his

shrinking about the stage, as if suffering from intense heat._

_Hamlet buries his face in his hands, and sobs pitifully, expressing_

"Alas, poor Ghost!"

_Ghost repudiates compassion by turning up his nose, and throwing forward

his hands; and then, by pointing from his mouth to his ear, demands_

HAMLET'S _serious attention._

_Hamlet touches his own lips, points to_ GHOST, _slaps his heart, and bows,

intimating that the_ GHOST _is to_ "Speak!" _and he is_ "bound to hear."

_Ghost explains that he is his father's spirit by stroking_ HAMLET'S _face,

and then his own, and then shrinks about the stage to weird music,

descriptive of his prison-house. He concludes by appealing to_ HAMLET'S

_love for him by pressing his clasped hands to his own heart, and then

pointing towards the left-hand side of his son._

_Hamlet jerks his hands passionately upwards, as if saying_, "Oh Heaven!"

_Ghost then asks for revenge by touching his dagger, and pointing towards

the sky. He acts the murder in the garden, showing the serpent who stung

him by gliding about the stage on his chest, like the boneless man. He

shows his murderer to be of his own blood by walking up and down as

himself, and then in the same way, but with a slight limp, as if he were

his brother._

_Hamlet might here exhibit_ "_Zadkiel's Almanack" as_ "prophetic," _and

slap the sole of his shoe for_ "soul;" _for_ "my Uncle" _it would be

sufficient to produce a pawnbroker's ticket_:--"Oh my prophetic soul! Mine

Uncle!"

_Then the Ghost in great detail acts the murder in the orchard, imitating

the apples and the singing birds, the setting sun, &c., &c. He shows the

composition of the poison after its plucking from a bush, and its arrival

in the laboratory. He represents the actual pouring of the poison in his

ear. He hints too (by suggesting the action of the bell-ringer) that he was

never really mourned, and concludes a most spirited Ballet d'Action by a

rapid sketch of the paling of the ineffectual fires of the glow-worm. As he

leaves to the music of_ "Then you'll Remember Me," HAMLET _imitates

cockcrow, which brings the entertainment to an appropriate termination._

Surely this would be an improvement upon the conventional reading? In this

case where speech is silvern, silence would be golden.

Trusting some Manager will take the matter up,

Punch, or the London Charivari, Volume 100, April 25, 1891 · 第 15 / 29 题