Schuyler took the papers, drawing them to him.

"That's all," he said, curtly. "You may go."

"But--"

"I said you might go."

Parks still hesitated. Schuyler looked at him angrily.

"I merely wished to say," Parks spoke deferentially, even soothingly, and

possibly a bit reluctantly, "that there is a lady--"

Schuyler interrupted, quickly.

Parks nodded.

"Yes, sir. The lady."

Schuyler said, eyes closing a little:

"A lady."

"Well, send her--" Then, as Parks started to go: "No, tell her I'm not

here."

"Very well, sir."

Again Parks started to leave the room; again Schuyler stopped him.

"Wait. I've changed my mind. I'll see her."

He reached for the decanter of brandy, and poured into one of the glasses

an even inch of the amber liquor. He raised the glass to his lips; but

set it down again untasted; for Parks had started to speak again.

"Also there's a van here for your wife's--pardon me, for Mrs. Schuyler's

furniture and trunks."

Schuyler's brows contracted; there was the slightest suggestion of a

quiver at lip-ends. Then, after a long, long pause, he replied:

"Well, let them take all that she selected.... And Parks."

"Yes, sir?"

"I won't see the lady after all."

Parks nodded, and quietly withdrew. Left alone, Schuyler for some moments

sat silent and motionless before his desk. But nowadays, he could not sit

motionless for long. There was that inside his brain--inside his soul--

which would not let him. It kept him moving--moving--moving, without

rest, without cessation; even as he had paced the deck of the liner, on

that other morning, almost until the day had come to claim again from the

night that which was its own.

Of a sudden he rose from his chair. Swift strides took him across the

room. Quickly, nervously, he drew back the curtain from the window.... He

could see, beneath him in the street, the van that had come for the

belongings of his wife--of the woman who had borne him his child--the

child which he had not seen since, upon the dock, she had waved him

farewell.

John Schuyler had wandered into the Unknown. Unwillingly, knowing full

well what he was doing, but powerless to help--powerless to prevent--he

had gone.... Sometimes it did not seem real to him. It was a nightmare--

a horrid, horrible, awful, grewsome, rotten dream, a dream that brought

to his nostrils a stench--to his soul a coldness unutterable--a coldness

beside which that of death might seem a grateful warmth.... He would wake

sometimes from his dreams, a cold sweat enveloping him like a pall, a

scream upon his lips.... And then, again--He did not understand. He could

not understand. It was hopeless, utterly, utterly hopeless.... Why should

such things be? How could such things be? There was a God, presumably.

Presumably, that God was good.... There was no logic in it--no reason in

it.... What did it all mean? "Why?" he asked himself, again and again,

and yet again. "Why?" ... There had been no answer....

He watched the van load. He watched the heavy horses throw themselves

into the traces, as the whip fell across their flanks. He watched the van

slowly gather momentum. He watched it rumble heavily down the sodden

asphalt.... At length it turned the corner....

John Schuyler swung on his heel. And then he laughed; it was a laugh

that, God grant, you may never laugh, nor I!

[Illustration]

CHAPTER TWENTY-SIX.

THE RED ROSE.

He did not see her enter. He did not hear her enter. Yet he knew that

she was there, although he had left her across an ocean.... Another

sense, it seemed, there was within him.... He knew that she had crossed

the room; that she was leaning, rounded arms all bare, across the back of

the great chair, by the window. He did not know; he had not looked; yet

he could see her, beautiful, gloriously beautiful in her strange, weird,

dark beauty; head poised like a tiger lily upon its stalk; great masses

of dead black hair coiled in the disorder that, of her, was order above

the low, white forehead; vivid lips parted to reveal the gleam of shining

teeth; long, lithe limbs in the easy relaxation that is of the panther,

or the leopard.

At length he turned.... She was there. She was as he, unseeing, had seen;

as he had known that he should see.... He had ceased to wonder. The

Unknown had taught him so much that of the things it had not taught, he

had ceased to wonder....

He looked; and looked away. She laughed, a little, lightly. She turned a

little, lissomely. He could see the muscles of her straight, slender

shape ripple beneath the shimmering black gown.

At length he spoke, roughly, gruffly:

"Well?"

Almost caressingly, she answered:

"Well?"

"So you've come to gaze upon the ruin you have wrought, eh?"

Again she laughed.

"Upon the ruin _we_ have wrought, My Fool," she corrected.

"Don't call me that," he muttered. "It hurts. It hurts because it's

true."

"Most truths hurt," she remarked, smilingly.

"Now," he mumbled, "yes...." And then: "You're satisfied, I hope. She's

gone."

"Gone?" It was a pretty inflection--the rising inflection of great

surprise. Her eyes, glowing of merriment, belied her lips.

"Gone," he repeated, doggedly. "Gone, and taken the child--my child--our

child--with her."

She glided across to where he sat; she leaned over him.

"And you're sorry, I suppose," she asked, mockingly. "Heart-broken!"

"Yes, by God! I am!" he cried, from the soul.

There came from her lips a peal of merry, musical laughter.

"The man of it! Every man wants two women--one to love, and one to

respect; one to caress, the other to honor; one to please himself, the

other to please his friends. And you're no different from the rest that I

have known."

He looked up at her, eye laden of hate, and scorn.

"The rest that you have known!" he retorted, with bitterness, with

meaning.

"The rest that I have known," she returned, evenly, lightly.

"Young Parmalee, and Rogers, and Seward Van Dam--and God knows how many

more!"

She laughed.

"Jealous, eh? That is as it should be, My Fool." She laid her hand

lightly on his shoulder. Roughly he took it, casting it from him.

"Damn you!" he cried. "Let me alone!"

She drew up, stiffly, but speaking softly, said,

"So?"

"I--I didn't mean it that way," he apologized.

"I wonder if you ever spoke that way to her--the other.... You didn't,"

came from her slowly.

He shook his head.

"No," he replied.

The Woman seated herself upon the arm of his chair, lithely.

"And do you know why?"

Again he shook his head.

"Because you never loved her as you love me. A man is as rough sometimes

to the woman he loves as at other times he is sweet." She plucked a

scarlet rose from the great cluster that she wore at her breast, dangling

it in one white hand, lazily, sensuously.

"You know well of men, don't you," Schuyler remarked, bitterly,

"Well enough" she replied, lightly. "And that is why, when you said,

'Damn you, let me alone!' that I didn't say, 'Damn you!'" she struck him

lightly across the face with the scarlet blossom, "and go." Then, with

abrupt transition: "That and because I love you."

He laughed, mirthlessly.

"Because you love me!" he cried, his voice all scorn. "Because you love

me! Does love then bring disgrace, and ruin, and dishonor upon the object

of its lavishment? Does it? Does it?"

She had sunk upon the floor at his feet. Her legs were drawn beneath her;

she poised herself upon her supple white arms, looking up at him.

"Sometimes," she returned, evenly. "Even as it brings joy, and ecstasy

and happiness untold.... And it does bring that," she purred, sibilantly.

"Doesn't it, My Fool?"

He leaned forward, drawing her to him.

"You know it," he cried.... "You know it!"

She saw beginning to glow in the leaden eyes the light that she alone

knew how to kindle.... It pleased her.... It pleased her also to blight

it at her will. She laughed. She knew as well how to blight as how to

kindle. She knew also how to twist a soul in torment; and how to swirl it

to the false heaven of unreal joys. For she, of the Unknown, knew much--

more, perhaps, than of the known. She said, laughing janglingly:

"But did you ever think, My Fool, that there are different loves?"

He sunk back into his chair. The eyes again were leaden. His head bent.

She leaned forward, taking from a vase on the table a nodding white

blossom.

"One love," she went on, "is like the white rose--pallid, pale, wistful,

weak--a lifeless thing that lies dead against the hand that holds it--

that wearies the eye and chills the soul.... The other love is like the

red rose--rich, rare, glowing, glorious--that thrills the heart with the

joy of living and quickens the blood in the veins until the very soul

cries out in the frenzy of its fragrance--a pulsing, throbbing love of

body and soul and heart and head, that rushes upon one like a storm at

sea, dashing one hither and thither, impotent in its tearing, tossing

grip.... That is our love--the Red Love--and it is sweet, is it not, My

Fool?"

She bent over him, watching the light again leap to the heavy eyes as he

answered:

"Sweet? Sweet as Paradise--a false Paradise, perhaps; but still Paradise!

Those days on the Mediterranean, the sea no bluer than the sky that held

it in its sunlit hand--and Venice--Venice, with the great, round moon

overhead, and the mysterious semi-darkness all about--the splashing of

soft waters there beside us and the silent whisper of the lazy oar--and

just you and I--alone amid all the glories--side by side--heart in heart--

soul in soul." With a great choking sob: "It was sweet, Lady Fair!

Sweet!"

The Woman continued:

"And there are two roads through life even as there are two roses. The

one is a rough road and weary, and on it happiness seldom treads. It is a

plodding road, flat and long; and there you walk with stale and barren

people, through a stale and barren land, until you come to an ending yet

more stale and more barren than are road or people. That is the road of

the White Rose. But the Road of the Red Rose! That's different! On the

Road of the Red Rose there is laughter and light, and happiness and joy!

Flowers bloom; birds sing. There come the soft wash of the sea--the

silent whisper of the breeze--the call of Love!"

She rose lithely to her feet. In one hand she held the bending white

blossom; in the other the crimson. Suddenly she thrust them toward him,

body bent, lips parted, and cried, sibilantly:

"Which rose do you choose, My Fool? Which Road?"

Roughly he struck from her hand the drooping flower of white. That of red

was crushed between them as he seized her in his arms and drew her to

him.

"The red rose!" he cried. "And the Red Road! And we'll travel to the end,

and beyond!"

[Illustration]

CHAPTER TWENTY-SEVEN.

THE RED ROAD.

From across the table she was laughing at him, brightly, merrily--

laughing to see the havoc that she had wrought in the soul of a man. He

turned to her, almost savagely.

"You do love me, Lady Fair, don't you?" he almost pleaded. "You must love

me, knowing as you do all that I have given up for you." He pointed to a

heap of carelessly-tossed letters upon desk-top. "Do you see those?" he

demanded. "The first from Washington--the President--demanding my

resignation. Following that, curt requests that I withdraw from positions

of trust that I held. My wife crushed--my child disgraced--my friends

gone--! God in heaven! What haven't I given you, Lady Fair!"

"I thank you," she responded, most graciously, bending low, "And I have

given you what? Myself. Is that less than a fair exchange?"

"Not if I may keep that self mine, and mine alone, for all time. But may

I?"

"Can you doubt it?" she queried, with a lifting of arched brows.

"There was Parmalee--"

"A silly boy. I never cared for him!"

"And Rogers--"

"Interesting--only interesting--and only at first. Then tiresome!"

"And Seward Van Dam."

"Next to you, a man," she cried. "But like you, insanely jealous, and

unreasonable."

"And in the end, perhaps," he said slowly, very slowly, "I shall be like

him." He sat for a moment, silent. At length he continued: "But if it

were to be I, I alone, for all time, could it last--this Red Love of

ours? Could it? ... Could it?"

She leaned forward.

"Why not?" she asked, lightly. "Why not?"

Leaden eyes were gazing out into nothingness.

"Age comes," he said. His voice was low, and deep, and dead. "The body

withers. The brain grows dull. The blood becomes thin. The soul gets

weary. And the power to live as once we lived is taken from us. We sit

white-haired, blue-veined, drinking in the sun through shrivelled pores

to drive the chill from our shrunken frames. It will come to you--to me--

to all of us. And neither man, nor God may stop it."

There had come to her face an expression as of a great fear. This man who

knew so little, was teaching of that little to her, who knew so much....

At length she swept that fear from her, as one might brush aside the ugly

web of a sullen spider.... Again she was the woman who did not know the

Known, but only the Unknown.

She asked, lightly:

"Why worry over the years to come when the days that are are ours....

There is happiness in the days that are?"

Her voice was very soft. Again dull eyes gleamed; he exclaimed:

"Happiness! I did not dream there could be a happiness like this!"

Her slender arm was about his neck; he could feel the glow of its warmth.

Her voice was soothing--infinitely soothing, and musical beyond the

telling.

"Then keep a-dreaming, My Fool," she purred, softly. It was almost a

whisper. "Keep a-dreaming."

"Would to God I could!" he cried, earnestly. "Would to God I could,

forever! The memories of a thousand joys are with me always. Love? What

is this love? A golden leaf of happiness floating on the summer seas of

life. A silver star of utter joy set in the soft heavens of eternity. A

dream that is a reality; a reality that is a dream.... But the storm

comes upon the sea. Black clouds blot out the stars. And there can be no

dream from which there is no awakening."

"Yet," she cajoled, "while the sea smiles--while the star shines--while

we dream--there is happiness to pay for all."

"To pay for all, and more!" Again he turned upon her, swiftly. "Yet in

the golden aura of that happiness, there always stand three sodden souls

pointing stark fingers at me in ghoulish glee.... Parmalee--Rogers--

VanDam.... If I thought--if I for one moment thought--that I should be as

they, I'd--"

She stopped him, quickly:

"You'd what, My Fool?"

"I'd kill you where you stand!" he replied, savagely.

She laughed, gaily, clapping soft palms.

"That's the way I love you best, My Fool. It shows spirit, and manhood,

and good, red blood--red, like our roses!" She plucked from her breast a

handful of scarlet petals, casting them above her head. They fell about

them both, a glowing shower. She went on: "How for a moment you could

have imagined that you love the woman you call wife--a soft, silly,

namby-pamby--"

He was on his feet now, fierce, primal, brutal--all the manhood that was

left of him straight and rigid.

"Stop!" he commanded. "Don't you dare say one word against her, or by

God, I'll--"

She interrupted, rising haughtily before him, and said coldly,

incisively:

"You forget yourself. You humiliate yourself. You insult me. I'll say

what I please of whom I please."

"You'll keep your tongue off her, and off the little one!"

"I'll not if I choose not!"

"You will!"

She laughed. He stood for a moment, poised in anger. Then the momentary

flash of righteous wrath was gone. He turned, slowly, from her.

She remarked, lightly, scornfully:

"The man of it, and again the fool of it. You would protect her who has

scorned, and flouted, and humiliated you."

"The fault was mine," he flashed. "And you know it; and I know it."

"Then why did you do it?"

He shook his head, eyes again leaden.

"God knows," he whispered.

She stood for a moment; then again laughter rippled from the red lips.

"But why should we quarrel?" she asked, gently. "There are things in life

more sweet." She went to him, leaning toward him, beautiful arms

extended, lissome body bent.

"A kiss, My Fool," she whispered.

He turned from her.

"No," he cried.

She smiled.

"I said, 'A kiss, My Fool!'" she repeated.

"I heard."

Her eyes were on him.... Slowly he turned.... The set jaw relaxed; the

straight limned lips weakened.... He looked at her.

Her lips now were almost upon his own; her eyes were very close to his.

Again she whispered; softly, sibilantly, caressingly:

"A kiss, My Fool!"

* * * * *

He thrust her from him.

"You devil!" he cried. "I love you--and I hate you! You are beautiful--

and you're ugly! You are sweeter than the last of life--and more bitter

than the sodden shame of a secret sin!"

She replied, lightly, arranging the masses of her hair with deft, slender

fingers:

"All of which is quite as it should be, My Fool; for the hate makes the

love but the more poignant; the ugliness is but a fair setting for the

beauty; and sweetness in bitterness is far more sweet than sweetness

alone."

Her mood was different now. He had sunk into the great chair. She seated

herself upon its arm; her head sunk to his; her cheek against his.... And

again he kissed her, on the lips.

[Illustration]

CHAPTER TWENTY-EIGHT.

THE BATTLE.

The car stopped before the porte-cochere. Blake alighted. He knew well

the way. He did not ring; for the door was unlocked--ajar. Jaw close set--

lips but a thin straight line, he made his way down the great, dark,

silent hall. He had come to do that which it were hard to do. When one

has been the friend of such a man as John Schuyler was--when one has felt

toward a man as such a man as John Schuyler must be felt toward--when one

has known that man to do the things that he has done--when one has seen

the misery--the suffering unutterable that he has caused--the shame

beyond depth, the grief beyond measurement--and when she upon whom has

been heaped this shame and grief and misery and suffering unutterable is

the woman one loves--then it becomes not a little thing to go to that man

without murder in one's heart and vengeance in one's soul.

Blake knew where he was most likely to find the man that had been his

friend. There he went, thrusting open the broad door. He paused upon the

threshold....

The woman, lifted her head.... She moved away from Schuyler, arranging

the dead black masses of her hair.... She laughed a little.

Schuyler turned. Eyes again leaden saw Blake.

"You!" he cried.

Blake said no word.

Schuyler laughed, raucously.

"So you, of all, have not decided to flee from the leper."

Blake, looking at him, said, slowly:

"No; I stay behind and stand the stench for the sake of him who was my

friend."

"Is the stench then so great that it precludes the common courtesy of

announcing your presence?"

Blake made no answer to this.

"I wish to see you alone," he said, simply.

Schuyler half swung from him.

"You may see me as I am." he returned, doggedly.

"And a most damnably unpleasant sight it is."

Schuyler wheeled.

"You go too far," he said, threateningly.

"Too far?" repeated Blake. "Impossible.... I wish to see you alone--if

you, and this woman--dare."

She, smiling, bowed, graciously.

"By all means," she agreed, easily.

"No!" cried Schuyler. "Stay where you are."

She shook her head.

"Pray pardon me. I'll wait in the morning room."

Alone, Blake turned and looked at Schuyler. Could it be that this was the

man that had been his friend? ... It must be; and yet how could it be?

There was in his heart a great bitterness. He could not understand....

Schuyler had turned to him.

"Look here, Tom," he began, doggedly, "before you begin, I wish to tell

you that it is useless. Nothing that you can say will change me in the

slightest. I've made up my mind; and my decision is unalterable."

"Irrevocable, is the word."

"As you will.... I'm sorry if the course I choose doesn't seem right to

you--to the world--sometimes even to myself--and I'll confess to you that

it doesn't--But, right, or wrong, it's the only one for me, and I must

take it--must, whether I will or not. So, if you've come for a cigar and

a chat, well and good. But if for anything else, go and avoid trouble."

"I'm looking for trouble," returned Blake, quietly. He advanced to the

table and leaned against it. "Jack," he exclaimed, "you're a damned fool.

There was some excuse for the others. Parmalee was a kid--Rogers an old

fool--Van Dam--well, absinthe and asininity account for him. And they

fell to their fooldom without warning to guard them or precedent to

shield them. But you--open-eyed, knowing everything--forewarned and

forearmed,--walk fatuously to your doom as one sheep follows another over

a precipice. I swear I can't even yet believe that it isn't all a dream.

I keep pinching myself and saying to myself that in the morning I'll wake

up and go around and tell old Jack all about it as being a good joke.

It's an uncanny, filthy sort of a nightmare as it stands, however." He

turned to the other; Schuyler was striding up and down the room. "Old

man," he pleaded, quietly, "what's the answer?"

Schuyler stopped in his walk. Looking at Blake, he remarked:

"You've never loved. You couldn't know."

"Never loved!" cried Blake, scornfully. "Couldn't know! Hell! You make me

tired! What do you mean by debauching and degrading a good, pure word

like love by applying it to this snaky, bestial fascination of yours.

You're a fool!"

Schuyler advanced upon him, threateningly.

"Don't you call me that, too," he said, tensely.

Blake paid no heed.

"Love!" he cried, disgustedly. "This sordid, sodden passion of yours

love! Love lives only where there is sympathy, and respect, and mutual

understanding. Do you mean to tell me that you have any respect for this

woman? You know well you haven't a bit more respect for her than she has

for you, and that's none. Do you mean to tell me there's any sympathy

between you? No more than there is between a snake and a bird. And you

aren't capable of understanding her any more than she is of understanding

you. Love! It's lust! And you know it!"

Schuyler had dropped into a chair. Blake finished. He swung toward him.

"Go on!" he almost hissed, through clenched teeth. "Go on! If you can

tell me anything that I haven't told myself, I'd like to hear it. Tell me

what you think. Tell me what everyone thinks. Put into words the scorn

and contempt that I see in every eye that looks into mine--in every

mirror that I look into. Go on! Tell me something else! But let me tell

you one thing! When Destiny can't get a man any other way, she sends a

woman for him.... And the woman gets him."

Blake looked at him.

"'A fool there was';" he quoted. Schuyler interrupted.

"Stop!" he commanded. "Don't you suppose I know that thing by heart--

every syllable--every letter of it? Don't you suppose I know what it

means--all that it means--better than you can ever know?" He struck his

forehead with clenched fist. "Tell me the things that lie here!" his

voice was almost a scream. "The things that lie here, and burn, and burn,

and burn! Tell me the things that lie here!" He struck his forehead

again.

"I'll tell you this," said Blake, voice cold, and ringing. "It was

written for you by a man who knew you; and you'll listen."

"No!" protested Schuyler. He started to rise from his chair. But Blake,

catching him by the shoulders, thrust him back, holding him pinioned.

"You fool," he remarked, bitterly. "You poor, pitiful, puling fool!

'Honor, and faith, and a sure intent'--a wife, a child, a reputation, a

character. 'Stripped to his foolish hide,' the poem reads. But you're

stripped to your naked, sodden skeleton. If I weren't so sorry for you, I

could cut your throat. When I think of the little girl--calling you

daddy--honoring you--loving you--and of what you've done for her! When I

think of your wife--of the woman who went through the pains of childbirth

for you--who held you sacred in that great, loving, glorious heart of

hers--who gave, and gave, and gave asking only that there might be the

more to give--You say that maybe I don't know what love is. Well, maybe I

don't--and maybe I do. There are some things that a man may not tell his

best friend--there are some things that a man may not even tell himself.

But I'm different from you, thank God, and I love differently."

He moved back. Schuyler remained seated. Leaden eyes had in them now a

new light--the light of suffering refined. Blake commanded:

"Stand up. Look me in the eye, as man to man--if you can."

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