The musical box clicked. "Salve Dimora."

"Do you feel better?" he asked her.

She nodded.

"I bought it in Naples."

He lifted the box in his strong brown hands, and held it nearer to her.

Nothing in his face betrayed any suspicion that she could be amused in

an ironical sense. It was obvious that he supposed her to be as happily

impressed as he was.

"You hear it better now."

She nodded again. Then:

"Hold it close to my ear," she said, in a whisper, keeping her eyes upon

him.

He obeyed. Once his hand touched her ear, and she felt its warm dryness,

and she sighed.

"Salve Dimora" ceased.

"Another!" she said.

And she said, "Another!" and "Another!" until the box's repertoire was

finished, and then she made him turn on once more, "Come o'er the

Moonlit Sea!"

Her gloves lay on the divan beside her, and she did not draw them on

again. She did not even pick them up till the heat of the sun's rays was

declining, and the musical box had long been silent.

"I must go," she said at last.

She put her hands up to her disordered hair.

"Indeed I must."

She looked at her watch and started up.

"It's horribly late. Where is Ibrahim?"

Ibrahim's smiling face was seen at the window.

"The donkey, Ibrahim! I want the donkey at once!"

"All what you want you must have."

He nodded his head, as if agreeing passively with himself, and looked on

the ground.

"Hamza he ready. Hamza very good donkey-boy."

"That's right. I am coming," she said.

Ibrahim saluted, still smiling, and disappeared. Mrs. Armine walked to

the window and looked out.

It was already the time of sunset, and the unearthly radiance of the

magical hour in this land of atmospheric magic began to fall upon the

little isolated house, upon the great garden of oranges by which it was

encircled. The dry earth of the alleys glowed gently; the narrow trunks

of the trees became delicately mysterious; the leaves and the treasure

they guarded seemed, in their perfect stillness, to be full of secret

promises. Still the birds that dwelled among them were singing to each

other softly the praises of God.

Mrs. Armine looked out, listened to the birds, while the sun went down

in the west she could not see. And now Magrib was over, and the first

time of the Moslem's prayer was come.

She wished she need not go, wished it so keenly, so fiercely, that she

was startled by her own desire almost as if it had been a spectre rising

suddenly to confront her. She longed to remain in this lodge in the

wilderness, to be overtaken by the night of the African stars in the

Villa of the Night of Gold. Now she heard again the far-away voice of

the fellah by the shaduf, warning her surely to go. Or was it not,

perhaps, telling her to stay? It was strange how that old, dead passion,

which had metamorphosed her life, returned to her mind in this land. In

its shackles at first she had struggled. But at last she had abandoned

herself, she had become its prisoner. She had become its slave. Then she

was young. She was able to realize how far more terrible must be the

fate of such a slave who is young no longer. Again the fellah cried to

her from the Nile, and now it seemed to her that his voice was certainly

warning her that she must withdraw herself, while yet there was time,

from the hands of El-Islam--while yet there was time!

She had been so concentrated upon herself and her own fears and desires

that, though part of her had been surely thinking of Baroudi, part of

her had forgotten his existence near her. As a factor in her life she

had been, perhaps, considering him, but not as a man in the room behind

her. The outside world, with its garden of dreaming trees, its gleaming

and dying lights, its voices of birds, and more distant voice from the

Nile, had subtly possessed her, though it had not given her peace. For

when passion, even of no high and ideal kind, begins to stir in a

nature, it rouses not only the bodily powers, but powers more strange

and remote--powers perhaps seldom used, or for long quite disregarded;

faculties connected with beauty that is not of man; with odours, with

lights, and with voices that have no yearning for man, but that man

takes to his inner sanctuary, as his special possession, in those

moments when he is most completely alive.

But now into this outer world came an intruder to break a spell, yet to

heighten for the watcher at the window fascination and terror. As the

fellah's voice died away, and Mrs. Armine moved, with an intention

surely of flight from dangerous and inexorable hands, Hamza appeared at

a short distance from her among the orange-trees. He spread a garment

upon the earth, folded his hands before him, then placed them upon his

thighs, inclined himself, and prayed. And as he made his first

inclination of humble worship in the little room behind her Mrs. Armine

heard a low murmuring, almost like the sound of bees in sultry weather.

She turned, and saw Baroudi praying, on a prayer-rug with a niche woven

in it, which was duly set towards Mecca.

She, the unbeliever, was encompassed by prayer. And something within her

told her that the moment for flight already lay behind her, that she had

let it go by unheeded, that the hands which already had touched her

would not relax their grasp until--what?

She did not answer that question.

But when the fellah cried out once more in the distance, it seemed to

her that she heard a savage triumph in his voice.

Bella Donna: A Novel · 第 30 / 58 题