Gerrit free--

Perhaps.

She had no shrinking from the act itself, nothing that might have been

called pity, a few more or less years in a single life were beneath

serious consideration; it was the lives to come, the lingering doubt of

which power led her on, which restrained and filled her mind. A flicker

of rage darted through her calm questioning; her mental processes again

faded. With her right arm across the supine body and enveloping the face

in her left sleeve a single twist and Nettie Vollar would choke in a

cloud of thick satin made gay with unfading flowers and the embroidered

symbol of long life. She felt her body grow rigid with purpose when the

sound of a footfall below held her motionless in an unreasoning dread.

It was not heavy, yet she was certain that it was not the woman's. A blur

of voices drifted up to her, the dejected feminine tone and a thin

querulous demand, surprise. Taou Yuen turned cold as stone: the sensation

of oppressive danger increased until it seemed as if she, and not Nettie

Vollar, were strangling. There was a profound stillness, then a shuffling

tread on the stair, and Edward Dunsack entered, entered but stood without

advancing, his back against a closed door.

Even since yesterday he had noticeably wasted, there were muscles of his

face that twitched continuously; his hands, it seemed to her, writhed

like worms. He said nothing, but stared at her with a fixed glittering

vision; all his one time worship--it had been so much--was devoured in

the hatred born in the Ammidon library. Frozen with apprehension she sat

without movement; her face, she felt, as still as a lacquered mask.

To her astonishment--she had forgotten Nettie Vollar's existence--a

shaken voice from the bed demanded:

"Uncle Edward, what's come over you! Don't you see Mrs. Ammidon! Oh--"

her speech rose in a choked exclamation. Edward Dunsack had turned the

key and was crossing the room with a dark twisted face, his eyes stark

and demented. Taou Yuen, swung round toward the advancing figure, heard a

long fluttering breath behind her. Perhaps Nettie Vollar had died of

fright. The terror in her own brain dried up before an overwhelming

realization--she had betrayed herself to the principle of evil. She was

lost. Her thoughts were at once incredibly rapid and entirely vivid,

logical: Edward Dunsack, ruined, in China; herself blinded, confused,

destroyed in America. Yesterday she had held him powerless with the mere

potency of her righteousness; but now she had no strength.

There was a loathsome murmur from his dusty lips. He intended to kill

her, to mar and spoil her throat, a degradation forbidden by Confucius,

an eternal disfigurement. This filled her with a renewed energy of

horror.... Here there was none but a feeble woman to hear her if she

called. She rose mechanically, a hand on the table; Taou Yuen saw Nettie

Vollar's deathly pallid face rolled awkwardly from the pillow, and the

bowl of opium. There were twenty or more pills. Without hesitation, even

with a sense of relief, she swept the contents of the bowl into her palm.

The effort of swallowing so many hard particles was almost convulsive and

followed with a nauseous spasm.

Exhausted by mental effort she sank into a chair and a dullness like

smoke settled over her. The figure of Edward Dunsack retreated to an

infinite distance. The smoke moved in a great steady volume--the eternal

and changeless Tao, without labor or desires, without.... Hatred requited

with virtue ... attracting all honor--mounting higher and higher from the

consuming passions, the seething black lives of her immeasurable fall.

X

Although the late afternoon was at an hour when Derby Street should have

been filled by a half-idle throng in the slackening of the day's

waterside employments Roger Brevard found it noticeably empty. In this he

suddenly recognized that the street was like the countingroom of the

Mongolian Marine Insurance Company, the heart of Salem's greatness--they

were weaker, stilled in a decline that yet was not evident in the

impressive body of the town.

When he had first taken charge of this branch both Salem and it had been

of sufficient moment to attract him from New York; the company was

insuring Boston and New York vessels; the captains had thronged its broad

window commanding St. Peters and Essex Streets. Now only an occasional

shipmaster, holding the old traditions and habits or else retired, sat in

the comfortable armchairs with leather cushions drawn up at the coal

hearth or expansive in white through the summer.

His mind shifted to a consideration of these facts in relation to

himself--whether the same thing overtaking the place and marine insurance

had not settled upon him too--as he made his way from Central Wharf,

where he had vainly gone for prospective business. His inquiry was

reaching a depressing certainty when, passing and gazing down Hardy

Street, he saw the Ammidon barouche standing in front of the Dunsacks'.

Roger Brevard stopped: the Ammidon men, he knew, seldom drove about

Salem. He had heard of Nettie Vollar's accident and came to the

conclusion that Rhoda was within. If this were so, her visit, limited to

a charitable impulse, would be short; and thinking of the pleasure of

driving with her he turned into the side way. As he approached, the

coachman met him with an evident impatience.

"No, sir," he replied to Brevard's inquiry. "But we were to get Mrs.

Ammidon at the bookstore. Mrs. Captain Gerrit called here for her, but

she went inside unexpected. All of an hour ago. I don't like to ask for

the lady, but what may be said later I can't think."

He had scarcely finished speaking when a woman whom Brevard recognized

as Kate Vollar appeared at the door. "Oh, Mr. Brevard!" she exclaimed

with an unnaturally pallid and apprehensive face. "I'm glad to find

you. Please come upstairs with me. Why I don't know but I'm all in a

tremble. Mrs. Ammidon went to see Nettie, then Edward came in, and when

he heard who was there he acted as if he were struck dumb and went up

like a person afflicted. I waited the longest while and then followed

them and knocked. Why the door was shut I'd never tell you. But they

didn't answer, any of them," she declared with clasped straining hands.

"Three in the room and not a sound. Please--" her voice was suddenly

suffocated by dread.

"Certainly. Quarles," he addressed the coachman, "I'll get you to come

along. If there is a lock to break it will need a heavier shoulder

than mine."

Mounting the narrow somber stair, followed by the man and Kate Vollar, he

wondered vainly what might have happened. Obscurely some of the woman's

fear was communicated to him. Brevard knocked abruptly on the door

indicated but there was no answering voice or movement. He tried the

latch: as Nettie's mother had found, it was fastened.

"Quarles," Roger Brevard said curtly.

The coachman stepped forward, braced himself for the shove he directed

against the wooden barrier, and the door swept splintering inward. Roger

advanced first and a grim confusion touched him with cold horror. Taou

Yuen was half seated and half lying across a table beside the bed; he

couldn't see her face, but her body was utterly lax. Nettie Vollar, too,

was in a dreadful waxen similitude of death, with lead colored lips and

fixed sightless eyes. A slight extraordinary sound rose behind him, and

whirling, Brevard discovered that it was Edward Dunsack giggling. He was

silent immediately under the other's scrutiny, and an expression of

stubborn and malicious caution pinched his wasted sardonic countenance.

Brevard turned to the greater necessity of the women, and moved Taou Yuen

so that he could see her features. It was evident that she was not, as he

had first thought, dead; her breathing was slow and deep and harsh, her

pulse deliberate and full; she was warm, too, but her face was suffused

by an unnatural blueness and the pupils of her inert eyes were barely

discernible. He shook her with an unceremonious vigor, but there was no

answering energy; she fell across his arm in a sheer weight of

satin-covered body. He moved back in a momentary uncontrollable repulsion

when Kate Vollar threw herself past him onto the bed. "Nettie!" she

cried, "Nettie! Nettie!" Brevard was chilled by the possibility of an

unutterable tragedy, when with a faint suffusion of color the girl gave a

gasping sigh. Her voice stirred in a terror shaken whisper:

"Uncle Edward, don't! Why--don't. Oh!" She pressed her face with a long

shudder into the pillow. "Whatever was it--?" her mother began wildly.

Brevard caught her shoulder. "Not now," he directed; "you'll come

downstairs with me. We must have help at once and your daughter quiet."

However he was in a quandary--he couldn't trust the woman here, he would

have to go immediately for assistance, and yet it was impossible to leave

Nettie Vollar and Gerrit's wife alone. "You will have to wait in the

room," he decided, turning to Quarles.

Edward Dunsack was wavering against a wall; Brevard went swiftly up to

him. "We'll need you," he said shortly. Dunsack maintained his silence

and air of stubborn cunning; but, when the other man clasped his

incredibly thin arm, he went willingly followed by Kate Vollar below.

There he sat obediently, his judicious detachment broken by a repetition

of the thin shocking snigger.

"You must be responsible for your brother," Roger Brevard told the

quivering woman. "I'll be back immediately. Now that you know Nettie's

safe you must control yourself. No one should go up--keep everybody

out--till you hear from me or the doctor or Captain Ammidon."

What an inexplicable accident or crime, he thought, hurriedly approaching

the countinghouse of Ammidon, Ammidon and Saltonstone, the first and

nearest of the places to which he must go. He could remember no mark of

what had overcome Taou Yuen. How was Dunsack, who was now clearly

demented, implicated? What racking thing had Nettie Vollar seen?

In the subsequent exclamatory rush, even on the following morning when

Roger Brevard learned that--poisoned by opium undoubtedly taken by

herself--Gerrit Ammidon's wife had died without regaining consciousness,

the greater part of the tragedy became little clearer. No statement could

be had from Edward Dunsack other than a meaningless array of

precautionary phrases; and returning in a sliding gait toward Hardy

Street he was put under a temporary restraint.

Nettie Vollar, Brevard heard, had relapsed from her injury into a second

critical collapse. Yet, he told himself, entering the room that was his

home in Mrs. Cane's large square house on Chestnut Street, that the

Manchu still absorbed his speculations.

It was a pleasant room and a pleasant house with a dignified portico; and

his tall windows, back on the right of the second floor, opened on the

length of the Napiers' garden. Brevard sat looking out over a dim

leafiness of evening and tried to discipline his thoughts into order and

coherence. Any dignity of death had been soiled by the ugly mystery of

the aspects surrounding the end of Taou Yuen.

He had liked her extremely well, agreeing with Rhoda Ammidon that,

probably, they had never been permitted to know a more aristocratic

breeding or greater degrees of purely worldly and mental and personal

charm than those of Gerrit's wife.

His mind grew more philosophical and a perception, yet without base in

facts, convinced him that Taou Yuen had been killed by America. It was a

fantastic thought, and he attempted to dismiss it, waiting for more

secure knowledge, but it persisted. She had been killed by unfamiliar

circumstances, tradition, emotions. In some manner, but how he was unable

to disentangle from the pressures of mere curiosity and conjecture,

Nettie Vollar--or rather Gerrit's old passing affair with Nettie--had

entered into the unhappy occurrence. After an hour's vain search he gave

up all effort to pierce the darkness until he had actual knowledge--if he

ever had, he was forced to add silently. It was possible that the secret

might be entirely guarded from the public, even from the closer part he

had played and his familiarity with the Ammidon family.

He was an inmate of their inner garden with its lilac trees and hedged

roses in season, the pungent beds of flowers and box, the moonshade of

the poplars. Roger Brevard turned from the consideration of Taou Yuen to

the even more insistent claim of his increasing affection for Sidsall. He

stopped again both to lament and delight in her youth--another year and

he would have unhesitatingly announced his feeling as love to them all.

It was that, he admitted to himself almost shyly. The obvious thing was

for him to wait through the year or more until the Ammidons would hear of

a proposal and then urge his desire.... He could see her quite often

meanwhile.

Yes, that was the sensible course, even in the face of his own

multiplying years. They were twenty-five more than Sidsall's; yet, he

added in self-extenuation, he was not definitely snared in middle age; he

was still elastic in body and youthful, but for graying hair, in

appearance. His birth was eligible from every social consideration; and,

though he was not rich, he had enough independently to assure the safety

of his wife's future. This did not come entirely, or now even in the

larger part, from the Mongolian Marine Insurance Company, but took the

form of a comparatively small but secure private income.

He paused to wonder if it had not been that latter fact which had

prevented his being successful--successful, that was, in William

Ammidon's meaning of the word. He had not made money nor a position of

importance among men of affairs. Such safety, he decided, was a dangerous

possession judged by the standards he was now considering. A few thousand

a year for life struck at the root of activity. It induced a critical

detached attitude toward life, overemphasized the importance of the cut

of a trouser and the validity of pedigree. It was a mistake to dance

noticeably well.

Drifting, together with almost everyone else, he had reached his

present position, past forty, by imperceptible degrees, obscurely

influenced by the play of what he intrinsically was on circumstances or

accident or fate.

Although he had never done so before, he compared himself with Gerrit

Ammidon. The other's refusal to accept a partnership in the family firm

or command a California clipper was known. Gerrit and himself were

alike in that they apprehended the values of life more clearly than did

the ordinary mind or heart. But, in retaliation, the world they

differed from curtly brushed them aside. Roger Brevard could not see

that they had made the least mark on the callous normal cruelty or the

aesthetic and spiritual blindness of the existence they shared. But it

was always possible that something bigger than their grasp of justice

or beauty was afoot.

He turned from the darkened prospect of the window and his thoughts to

the room. Without a light he removed his formal street clothes, hanging

the coat and waistcoat, folding the trousers in a drawer, with exact

care; changing his light boots for fiber slippers he set the former in

the row of footgear drawn up like a military review against the wall.

Though it was quite obscure now, and no one would see him, he paused to

brush his slightly disarranged hair, before--tying the cord of his

chamber robe--he resumed his seat.

The year, he reverted to Sidsall, would pass; but, try as he might, he

had no feeling of security in the future, however near. It was the

present, this Sidsall, that filled him with a tyrannical and bitter

longing. She was unbelievably beautiful now. Against the faintness of his

hope, his patience, he saw the whole slow process of the disintegration

of marine insurance, and with it his own fatuous insensibility to the

decline: that decline with its exact counterpart in himself. Salem and he

were getting dusty together.

He straightened up vigorously in his chair--this would never do. He must

wind up his affairs here and return to New York. The tranquil backwater

had overpowered him for a time; but, again awake, he would strike out

strongly... with Sidsall. Endless doubt and hope fluctuated within him.

Voices rose from the Napier garden, and from a tree sounded the whirring

of the first locust he had noticed that summer.

On a noon following he saw the passage of the three or four carriages

that constituted the funeral cortège of Taou Yuen's entirely private

interment. She would be buried of course by Christian service: here were

none of the elaborate Confucian rites and ceremonial; yet--from what Taou

Yuen had occasionally indicated--Confucius, Lao-tze, the Buddha, were all

more alike than different; they all vainly preached humility, purity, the

subjugation of the flesh. He stopped later in the Charter Street cemetery

and found her grave, the headstone marked:

TAOU YUEN

A MANCHURIAN LADY

THE WIFE

OF

GERRIT AMMIDON, ESQ.

and the dates.

He saw, naturally, but little of the Ammidons--a glimpse of Rhoda in the

carriage and William on Charter Street; the _Nautilus_, ready for sea,

continued in her berth at Phillips' Wharf. Fragments of news came to him

quoted and re-quoted, grotesquely exaggerated and even malicious reports

of the tragedy at the Dunsacks'. Standing at his high desk in the

countingroom of the Mongolian Marine Insurance Company, Taou Yuen's

glittering passage through Salem already seemed to him a fable, a dream.

Even Sidsall, robustly near by, had an aspect of unreality in the tender

fabric of his visions. Captain Rendell, his spade beard at the verge of

filmed old eyes, who was seated at the window, rose with difficulty. For

a moment he swayed on insecure legs, then, barely gathering the necessary

power, moved out into the street.

Later, when Roger Brevard was turning the key on the insurance company

for the day, Lacy Saltonstone stopped to speak in her charming slow

manner: "Mother of course is in a whirl, with Captain Ammidon about to

marry that Nettie Vollar, since she is recovering after all, and our

moving to Boston.... You see I'm there so often it will make really very

little difference to me. Sidsall is the lucky one, though you'd never

know it from seeing her.... I thought you'd have heard--why, to Lausanne,

a tremendously impressive school for a year. They have promised her

London afterward. I would call that a promise, but actually, Sidsall--."

"Doesn't she want to go?" he asked mechanically, all the emotions that

had chimed through his being suddenly clashing in a discordant misery. He

bowed absently, and hastening to his room softly closed the door and sat

without supper, late into the evening, lost in a bitterness that

continually poisoned the resolutions formed out of his overwhelming need.

He was aghast at the inner violence that destroyed the long tranquility

of his existence, the clenched hands and spoken words lost in the shadows

over the Napiers' garden. He wanted Sidsall with a breathless tyranny

infinitely sharper than any pang of youth: she was life itself.

She didn't want to go, Lacy had made that clear; and he told himself that

her reluctance could only, must, proceed from one cause--that she cared

for him. As he dwelt on this, the one alleviating possibility, he became

certain of its truth. He would find her at once and in spite of Rhoda and

William Ammidon explain that his whole hope lay in marrying her. With an

utter contempt at all the small orderly habits which, he now saw, were

the expression of a confirmed dry preciseness, he left his clothes in a

disorderly heap. Such a feeling as Sidsall's and his, he repeated from

the oppressive expanse of his black walnut bed, was above ordinary

precautions and observance. Then, unable to dismiss the thought of how

crumpled his trousers would be in the morning, oppressed by the picture

of the tumbled garments, he finally rose and, in the dark, relaid them in

the familiar smooth array.

In the morning his disturbance resolved into what seemed a very decided

and reasonable attitude: He would see Rhoda that day and explain his

feeling and establish what rights and agreement he could. He was willing

to admit that Sidsall was, perhaps, too young for an immediate decision

so wide in results. The ache, the hunger for happiness sharpened by vague

premonitions of mischance, began again to pound in his heart.

At the Ammidons' it was clear immediately that Rhoda's manner toward him

had changed: it had become more social, even voluble, and restrained. She

conversed brightly about trivial happenings, while he sat listening,

gravely silent. But it was evident that she soon became aware of his

difference, and her voice grew sharper, almost antagonistic. They were in

the formal parlor, a significant detail in itself, and Roger Brevard saw

William pass the door. Well, he would soon have to go, he must speak

about Sidsall now. It promised to be unexpectedly difficult; but the

words were forming when she came into the room.

There were faint shadows under her eyes, the unmistakable marks of tears.

An overwhelming passion for her choked at his throat. She came directly

up to him, ignoring her mother. "Did you hear that they want me to go

away?" she asked. He nodded, "It's that I came to see your mother about."

"They know I don't want to," she continued; "I've explained it to them

very carefully."

"My dear Sidsall," Rhoda Ammidon cut in; "we can't have this. What Roger

has to say must be for me and your father." The girl smiled at her and

turned again to Roger Brevard. "Do you want me to go?"

"No!" he cried, all his planning lost in uncontrollable rebellion.

"Then I don't think I shall."

William entered and stood at his wife's shoulder. "You won't insist,"

Sidsall faced them quietly. "Ridiculous," her father replied. Brevard

realized that he must support the girl's bravery of spirit. How

adorable she was! But, before the overwhelming superior position of the

elder Ammidons, their weight of propriety and authority, his

determination wavered.

"To be quite frank," the other man proceeded, "since it has been forced

on us, Sidsall imagines herself in love with you, Brevard. I don't need

to remind you how unsuitable and preposterous that is. She's too young to

know the meaning of love. Besides, my dear fellow, you're a quarter

century her elder. We want Sidsall to go to London like her mother, have

her cotillions, before she settles into marriage."

"They can't understand, Roger," Sidsall touched his hand. "We're sorry to

disappoint them--"

"You ought to be made to leave the room," William fumed.

"That isn't necessary," Rhoda told him. "I am sure Roger understands

perfectly how impossible it is. You mustn't be hurt," she turned to him,

"if I admit that we have very different plans... at least a man nearer

Sidsall's age."

The girl lifted a confident face to him. "You want to marry me, don't

you?" she asked. More than any other conceivable joy. But he said this

silently. His courage slowly ebbed before the parental displeasure

viewing him coldly. "Then--" Sidsall paused expectantly, a touch of

impatience even invaded her manner. "Please tell them, Roger."

"Why I have to put up with this is beyond me," William Ammidon

expostulated with his wife. "It's shameless."

Roger Brevard winced. He tried to say something about hope and the

future, but it was so weak, a palpable retreat, leaving Sidsall alone and

unsupported, that the words perished unfinished. The girl studied him,

suddenly startled, and her confidence ebbed. He turned away, crushed by

convention, filled with shame and a sense of self-betrayal.

A stillness followed of unendurable length, in which he found his

attention resting on the diversified shapes of the East India money in a

corner cabinet. It was Sidsall who finally spoke, slowly and clearly:

"Forgive me."

He recognized that she was addressing her mother and father. From a

whisper of skirts he realized that she was leaving the room. Without the

will necessary for a last glimpse he stood with his head bowed by an

appalling sensation of weariness and years.

In a flash of self-comprehension, Roger Brevard knew that he would never,

as he had hoped, leave Salem. He was an abstemious man, one of a family

of long lives, and he would linger here, increasingly unimportant, for a

great while, an old man in new epochs, isolated among strange people and

prejudices. Whatever the cause--the small safety or an inward flaw--he

had never been part of the corporate sweating humanity where, in the war

of spirit and flesh, the vital rewards and accomplishments were found.

Soon after he passed Gerrit and Nettie Vollar driving in the direction of

the harbor; she was lying back wanly in the Ammidon barouche, but her

companion's face was set directly ahead, his expression of general

disdain strongly marked. A vigorous hand, Roger noted, was clasped about

Nettie's supine palm. She saw him standing on the sidewalk and bowed

slightly, but the shipmaster plainly overlooked him together with the

rest of Salem.

The end of summer was imminent in a whirl of yellow leaves and chill gray

wind. There was a ringing of bugles through the morning, the strains of

military quicksteps, rhythmic tramping feet and the irregular fulmination

of salutes. That it was already the day of the annual Fall Review seemed

incredible to Roger Brevard. He was indifferent to the activities of the

Common; but when he heard that the _Nautilus_ was sailing in the middle

of the afternoon he left his inconsequential affairs for Phillips' Wharf.

A small number were waiting on the solid rock-filled reach, the

wharfinger's office at its head and a stone warehouse blocking the end,

where the _Nautilus_ lay with her high-steeved bowsprit pointing outward.

The harbor was slaty, cold, and there was a continuous slapping of small

waves on the shore. Darkening clouds hung low in the west, out of which

the wind cut in flaws across the open. The town, so lately folded in lush

greenery, showed a dun lift of roofs and stripping branches tossing

against an ashy sky.

Close beside Roger stood Barzil Dunsack, his beard blowing, with Kate

Vollar in a bright red shawl, her skirts whipping uneasily against her

father's legs. Beyond were the Ammidons--William, and Rhoda in a deep

furred wrap, and their daughters. Rhoda waved for him to join them, but

he declined with a gesture of acknowledgment.

The deck of the _Nautilus_ was above his vision but he could see most of

the stir of departure. The peremptory voice of the mate rose from the

bow, minor directions were issued by the second mate aft, a seaman was

aloft on the main-royal yard and another stood at the stage rising

sharply from the wharf. Gerrit and his wife had not yet arrived, and the

pilot, making a leisurely appearance, stopped to exchange remarks with

the Ammidons. He climbed on board the ship and Roger could see his head

and shoulders moving toward the poop and mounting the ladder.

The wind grew higher, shriller, every moment; it was thrashing among the

stays and braces; the man aloft, a small movement against the clouds,

swayed in its force. There was a faint clatter of hoofs from Derby

Street, Brevard had a fleeting glimpse of an arriving carriage, and

Gerrit, supporting Nettie Ammidon, advanced over the wharf. The

shipmaster walked slowly, the woman clinging, almost dragging, at his

erect strength. They went close by Roger: Nettie's pale face, her large

shining dark eyes, were filled with placid surrender. Her companion spoke

in a low grave tone, and she looked up at him in a tired and happy

acquiescence.

The two families joined, and there was a confused determined gayety of

farewell and good wishes. Out of it finally emerged the captain of the

_Nautilus_ and the slight figure upon his arm. He wore a beaver hat, and,

as they mounted the stage, he was forced to hold it on with his free

hand. When the quarter-deck was reached they disappeared into the cabin.

"Mr. Broadrick," the pilot called, "you can get in those bow fasts. Send

a hawser to the end of the wharf; I'm going to warp out." There was a

harsh answering clatter as the mooring chain that held the bow of the

_Nautilus_ was secured, and a group of sailors went smartly forward with

a hemp cable to the end of the wharf's seaward thrust. The _Nautilus_ lay

on the eastern side, with the wind beating over the starboard quarter,

and there was little difficulty in getting under way. Strain was kept on

the stern and breast fasts while the mate directed:

"Ship your capstan bars."

The capstan turned and the _Nautilus_ moved forward to the beat of song.

"Low lands, low lands, hurrah, my John,

I thought I heard the old man say.

Low lands, low lands, hurrah, my John,

We'll get some rum ...

... Hurrah, my John.

Then shake her--"

"Vast heaving," Mr. Broadrick shouted.

The intimate spectators on Phillips' Wharf moved

out with the ship. Gerrit Ammidon was now visible on the quarter-deck

with the pilot. He walked to the port railing aft and stood gazing

somberly back at Salem. The stovepipe hat was not yet discarded, and the

hand firmly holding its brim resembled a final gesture of contempt. The

pilot approached him, there was a brief exchange of words, and the former

sharply ordered:

"Stand by to run up your jib and fore-topmast staysail, Mr. Broadrick.

Put two good men at the sheets and see that those sails don't slat to

pieces.

"On the wharf there--take that stern fast out to the last ringbolt. Mr.

Second Mate... get your fenders aboard." The wind increased in a violence

tipped with stinging rain. "Give her the jib and stay-sail." She heeled

slightly and gathered steerage way. Roger Brevard involuntarily waved a

parting salutation. An extraordinary emotion swept over him: a ship bound

to the East always stirred his imagination and sense of beauty, but the

departure of the _Nautilus_ had a special significance. It was the

beginning, yes, and the end, of almost the whole sweep of human suffering

and despair, of longing and hope and passion, and a reward.

"Let go the stern fast. Steady your helm there."

"Steady, sir."

A mere gust of song was distinguishable against the blast of storm. Under

the lee of the stone warehouse, on the solidity of the wharf, the land,

Roger Brevard watched the _Nautilus_ while one by one the topsails were

sheeted home and the yards mastheaded. "A gale by night," somebody

said. The ship, driving with surprising speed toward the open sea, was

now apparently no more than a fragile shell on the immensity of the stark

horizon.

The light faded: the days were growing shorter. Alone Brevard followed

the others moving away. Kate Vollar's red shawl suddenly streamed out and

was secured by a wasted hand. Just that way, he thought, the color and

vividness of his existence had been withdrawn.

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