CHAPTER XIX

Weddings in Town and Country

Filipino Brides, Their Weddings and Wedding Suppers--River Trip

to a Rural Wedding--Our Late Arrival Delays the Ceremony Until Next

Morning--The Ball--We Tramp Across the Fields to the Church--After

the Marriage, Feasting and Dancing.

The composure with which a Filipino girl enters matrimony

is astounding. There are no tears, no self-conscious blushes,

none of the charming shyness that encompasses an American girl as

a garment. It is a contradictory state of affairs, I must admit,

for this same American girl is a self-reliant creature, accustomed

to the widest range of action and liberty, while the matter-of-fact,

self-possessed Filipina has been reared to find it impossible to step

across the street without attendance. But the free, liberty-loving

American yields shyly to her captor, while the sedateness of the

prospective matron has already taken possession of the dusky sister.

Filipino marriages, among the upper class, are accompanied

by receptions and feasts like our own, but differ greatly in

the comparatively insignificant part played by the contracting

parties. Whereas, in an American wedding, the whole object of calling

all these people together seems to be a desire to silhouette the

bride and groom against the festive background, one comes away from

a Filipino celebration with a feeling that an excuse was needed

for assembling a multitude and permitting them to enjoy themselves,

and that the bridal pair unselfishly lent themselves to the occasion.

Most weddings take place about half-past six or seven in the evening;

and immediately after the religious ceremony in the church, all the

invited guests adjourn to the home of a relative (usually, but not

necessarily, the nearest kinsman of the bride), where supper is served

and is followed by a ball.

On these occasions, except for the candles on the altar, the church is

unlighted, and in its cavernous darkness the footfalls of a gathering

crowd ring on the stone floor, and the hum of voices rolls up into

the arching gloom of the roof.

There are no pews, but two rows of benches, facing each other, up the

middle length of the edifice, offer seats to the upper-class people,

who seem chiefly interested in preserving the spotlessness of their

gala attire. No attempt at exclusiveness is made, and a horde of

babbling, gesticulating, lower-class natives surges to and fro at

the rear, awaiting the bride.

Presently, to the clangor of half a dozen huge bells, she sweeps in,

accompanied by her _madrina_, or chief witness. They take station

at the back between the baptismal fonts and just in front of the

overhanging choir gallery. Instantly they are hemmed in, mobbed,

by that swarm of _pobres_, some speculating on the motive of the

match and its probable outcome. Meanwhile the bridegroom is smoking a

cigarette at one side, and chatting with a group of bachelor friends

who are faithful to the last.

Just as one begins to wonder how much longer these unfortunate women

can endure the position, the barefooted acolytes shuffle in, bearing

six-foot silver candlesticks, and preceding the padre, who is carrying

his illumination with him--or rather, having it carried in front of

him. The bridegroom throws away his cigarette, and shouldering his way

through the press, takes his position at the side of the bride. The

mob closes in again, not infrequently incommoding the padre, who is

peering at his half-lighted missal. The aristocrats on the benches

pay no attention and continue to guard their _ropa_ and converse on

chance topics.

To one standing on the edge of that wriggling throng with the yellow

flare just lighting the impassive countenances of its chief personages,

and hearing a low monotone, broken only by the clink of metal as gold

pieces fall into the plate, it is difficult to believe that this is

a wedding, just like those pictured and tableau effects that one is

treated to at home.

At last the voice stops, the mob and the smoky candles surge forward

to the altar, where the benediction is said. Another impeded progress

to the rear (everybody gets up without waiting for the bride and

bridegroom to pass), the sorely tried couple step into a waiting

victoria, and we troop after them, getting our felicitations ready.

On arriving at the house we are received by the groom and some female

relative of his, or, perchance, the bride's papa. No opportunity

of formally congratulating the young couple is offered. The bride

retires into an inner room, where she removes her veil, and receives

such of her lady friends as desire to kiss her on both cheeks. But

by and by she comes out, self-possessed and unsmiling, to distribute

the fragments of her artificial orange blossom wreath to her aspiring

girl friends. This is a parallel to the distribution of wedding cake,

which the American girl puts under her pillow and dreams upon.

By this time the orchestra has arrived and is playing triumphantly

under the windows. Though engaged beforehand, it always

accomplishes its appearance with a casual and unpremeditated air. The

musicians are then (per contract) invited to enter, and strike up a

rigadon. Generally, but not always, the most important man present

invites the bride for this dance. But I have known brides to sit it

out, for lack of a partner. The bridegroom chooseth as he listeth;

when American women are present, the fathers of the bride and groom

usually request the honor of leading them out.

After this first dance supper is served. If an important native

official be present, it is a point of etiquette that he take the

bride. Only a few men of high rank sit at the first table, which is

given over to women. The service is not left to servants, but all

male relatives of the family vie with each other in anticipating the

wants of the guests.

It is a feast of solid and satisfying excellence. It begins usually

with vermicelli soup (made from a lard stock) which is more than likely

to have been dished a half-hour and to be stone cold. But Filipinos

are not critical in this regard; and Americans, in view of all that

is coming, may dispense with this one dish.

Then follow meats innumerable, each with its own garnish, but without

separate vegetables. There is goat's flesh stewed with garbanzos,

onions, potatoes, and peppers; chicken minced with garlic, and green

peas; chicken boned and made to look and taste like breaded cutlet;

boiled ham; a fat capon, boned, stuffed, and seasoned with garlic,

his erstwhile proud head rolling in scarified humility; breaded pork

chops; roast pork, with unlimited crackling; cold turkey; baked duck,

and several kinds of fish.

There are no salads, but plenty of relishes, including the canned

red peppers of Spain; olives, pickles, cheese, and green mango

pickles. At intervals along the table are alluring glass dishes,

filled with crystallized fruits.

After this come the sweets. There is no cake, as we know it, but

meringues (French kisses), baked custard coated with caramel sauce,

which they call _flaon_; a kind of cocoanut macaroon, the little

gelatinous seeds of the nipa palm, boiled in sugar syrup, and half

a dozen kinds of preserves and candied fruits. Tinto accompanies the

supper, and possibly champagne.

As two or three hundred people are served on such an occasion, the

intermission for supper is a long one, and dancing is not resumed

till half-past nine or ten o'clock. It may then continue till

midnight or dawn, just as the actions of a few important guests may

determine. Filipinos are very quick to follow a lead; and if, owing

perhaps to a concurrence of events which may be perfectly foreign to

the occasion, a number of prominent people leave early, the rest soon

take flight.

In one of the later years of my stay my good fortune led me to

witness a wedding of another type, which differed from the class I

have described as the simple rural gathering at home differs from the

exotic atmosphere of a fashionable reception. It was just after my

return from vacation that one morning a group of my pupils burst in,

accompanying a middle-aged Filipina who hesitatingly made known her

errand. Her niece, who lived some five or six miles up the river,

was to be married that night, and a large number of people from town

were going up. Could I accompany them, and would I act as one of the

three _madrinas_ for the occasion? As the bride was of an insurrecto

family, whose name was familiar through bygone military acquaintances,

I snapped at an opportunity to view the insurrecto upon his own

(pacified) hearth, and after consuming a hasty lunch and packing a

valise, I set out for the river bank where we were to rendezvous.

Our craft, a catamaran made by securing three barotos side by

side and flooring them with bamboo, was the centre of great public

excitement. It had a walk dutrigged at each side for the men who were

to punt, or pole us up the river. It was roofed with a framework

of bamboo, which was covered with palm, leaves and wreathed in

_bonoc-bonoc_ vines, and from this green bower were suspended the

fruits of the season.--bananas, the scarlet _sagin-sagin_, and even

succulent ears of sweet corn.

Cane stools were provided for a few, but many of the young people sat

flat on the floor. When we were embarked, to the number of about forty,

the barotos were so deep in the water that the swirling current was

within an inch of their gunwales. A tilt to one side or a wave in

the river would have sunk us.

The baggage and a few supernumerary young men and a mandolin orchestra

were loaded into an enormous baroto, and ten sturdy brown backs bent

forward as the boatmen pushed with all their strength against the great

bamboo poles, which looked as if they would snap under the strain.

The river was swollen with three days' tropical downpour and running

out resistlessly in the teeth of a high tide. As we slipped out of the

shallow water at the bank, the current caught us and hurled us fifty

feet down stream. The baroto left apparently for the port, which was

four miles away. Our valiant punters were useless against the river;

but amid a hubbub in which every man, woman, and babe aboard, except

one American man and myself, appeared to be giving orders, we got

back to the bank and shipped an additional crew. This consumed time,

because the spectators, who had seen what work it was going to be,

were coy of enlisting. But at last we got away, eight men to a side,

and the water perceptibly nearer the gunwales, and with infinite labor

we succeeded in poling around a bend and leaving the town behind us.

But there we stuck again in a swift reach, and there were time and

opportunity to marvel at the impenetrable green and silence of the nipa

swamps. The banks--or rather limits of the current--were thickets of

water grass six feet high, its roots sunk in ooze. Here and there a

rise of ground betrayed itself in a few cocoanuts, the ragged fans of

tall bouri palms, or a plume-like clump of bamboo and the hospitable

shade of a magnificent mango tree.

The atmosphere was close and muggy, and now and then a shower pattered

down on us. Suddenly, through the strange desolation of this alien

landscape, the familiar thump of guitars and mandolins assailed the

stillness. The music carried me back to half-forgotten experiences--red

sunsets between the cathedral bluffs of the Mississippi, and sad-eyed

negroes twanging the strings on the forward deck of a nosing steamboat;

crisp July afternoons on the Straits of Mackinac when the wind swept

in from froth-capped blue Huron, and the little excursion steamer

from St. Ignace rollicked her way homeward to the cottage-crowned

heights of the island.

I shut my eyes and tried to "make believe" that they would open on

far-off, familiar scenes. Nothing could have been more weird and

incongruous than the American air with this alien soil and people. It

was "Hiawatha," and to the inspiring strains of "Let the women do

the work, let the men take it easy," our forgotten baroto swept into

sight in the easy water under the opposite bank. We made a herculean

effort, inspired by envy, and got away. Space forbids me to enumerate

the hairbreadth escapes of that journey. We put men ashore when the

banks permitted and were towed like a canal boat. Once we were swept

into mid-stream, where the poles were useless on account of the great

depth, and had to drift back till the water shoaled again. In late

afternoon we took on a supply of sugar cane, and chewed affably all

the rest of the way.

At first I had been nervous, but my native friends were quite

unconcerned. So remembering that Heaven protects the insane and the

imbecile, and regarding them as the former and myself as the latter,

I ceased to speculate on the probabilities of another incarnation.

We consumed six hours in a journey normally accomplished in two, and

night overtook us in a labyrinth of water lanes above whose forested

swamps the outlines of a stern old church were magnified in the

gloom. One by one the stars sprang mysteriously into view in the soft

void overhead, and somehow--marvellously--we found our destination. A

group of friends and servants flared their torches on the bank, and we

dragged our stiffened limbs to them. It was too dark to see where we

were going, until we stumbled almost into a lighted doorway and found

the company awaiting us. Owing to the delay in our arrival, the wedding

was deferred till the next morning, but the ball was about to open.

Food was given us, and after a freshening up and a change of raiment

we joined the reunion, which was in full swing. The prospective

husband and wife were enjoying their usual state of effacement, but

I discovered them finally. I talked with the insurrecto and found

him a man of ability.

I left the ball, exhausted, at one o'clock, but those indefatigable

people kept it up all night. I awoke at dawn to find the floor

occupied by about twenty yawning maidens who were merely resting,

for there was no time for a nap. We dressed in the cool dawn breeze

and went out in time to see the morning mists rise from a broad oval

of rice and maize fields, and hang themselves in ever-changing folds

on the sides of the purple mountains beyond.

But for the character of the vegetation that rimmed the arable land,

and the bare green shoulders of the hills, streaked here and there

with pink clayey ravines, it might have been a peaceful sunrise in

middle America. The homelike atmosphere was accentuated by the roofs

of a town and by a church spire, still silvered with mist, half a mile

away. We tramped across the fields to our objective point. As madrina,

I walked with the bride, but conversation did not thrive because she

spoke little Spanish, and I less Visayan.

Carabaos sniffed at us as we passed, and people crowded their windows

to look. We crossed a slough upon a bridge of quaint and ancient

architecture on the thither side of which were a grassy plaza and

the stern lines of the church. The wedding bells broke forth in a

furious joy and flung their notes to the distant hill flanks, which

in turn flung them back to the blue, sparkling sea.

The church was tiled in black and white marble, and inhabited by

a lusty family of goats. Their innate perversity and an apparent

curiosity led them to resent exclusion; but after a lively pursuit

they were ejected, and the bride and I sat on a bench to rest. The

bridegroom took a last smoke, and the strangers deciphered obituary

notices on the mural tombstones.

The padre came along finally, smelling of a matutinal appetizer,

and they distributed pillows and candles to the _madrinas_ and

_padrinos_. As evidence of change of heart in the late insurrecto,

the pillows were some of red, some of white, and some of blue cloth.

It was over at last, when I was stiff with kneeling and had ornamented

myself with much candle grease. I went up to congratulate the bride,

but felt that the handshake was not coming off properly. Finally I

discovered that I was resisting an effort on her part to bring my

hand to her lips. So I succumbed and submitted to the distinction,

and she then proceeded to salute the other madrinas.

There was nothing coy or sentimental about that bride. She needed

no support, moral or other. Sweet sixteen, "plump as a partridge,"

she gathered up her white silk skirt with its blue ribbons and struck

out for home. Her husband made no attempt to follow her. She beat

us all home by a quarter of a mile. When we arrived, she had changed

her gown and was supervising breakfast preparations.

I was tired, and when a native sled drawn by a carabao came along,

was glad enough to seat myself on its flat bottom, together with one or

two wearied maidens, and be drawn back in slow dignity. We intercepted

a boy with roasting ears, and the wedding guests sat about, nibbling

like rodents while we waited breakfast.

After that meal dancing began again and continued until dinner. Once

the floor was cleared, and the bridal pair danced one waltz

together. They did not glance once at each other, and seemed bored.

Dinner was another feast, and afterwards we sought our state barge and

the perils of the return journey. The newly married couple came down to

see us off, still bearing themselves with a preoccupied and listless

air. The orchestra remained until the next day, and we threaded the

water lanes in quiet, emerging at last on the full-breasted river. The

home journey consumed only three hours, and was comparatively

uneventful. The wife of the Presidente gathered her family about her

and artlessly searched their raven pates for inhabitants which pay

no taxes, and most of the young people drooped with weariness. We

rounded the bend at five o'clock; and thankful I was to put foot on

_terra firma_ once more. I was tired, but glad that I had gone.

A Woman's Impression of the Philippines · 第 19 / 22 章