Sharon's Choice

Under Providence, a man may achieve the making of many things--ships,

books, fortunes, himself even, quite often enough to encourage

others; but let him beware of creating a town. Towns mostly happen. No

real-estate operator decided that Rome should be. Sharon was an intended

town; a one man's piece of deliberate manufacture; his whim, his pet,

his monument, his device for immortally continuing above ground. He

planned its avenues, gave it his middle name, fed it with his railroad.

But he had reckoned without the inhabitants (to say nothing of nature),

and one day they displeased him. Whenever you wish, you can see Sharon

and what it has come to as I saw it when, as a visitor without local

prejudices, they asked me to serve with the telegraph-operator and the

ticket-agent and the hotel-manager on the literary committee of

judges at the school festival. There would be a stage, and flags,

and elocution, and parents assembled, and afterwards ice-cream with

strawberries from El Paso.

“Have you ever awarded prizes for school speaking?” inquired the

telegraph-operator, Stuart.

“Yes,” I told him. “At Concord in New Hampshire.”

“Ever have a chat afterwards with a mother whose girl did not get the

prize?”

“It was boys,” I replied. “And parents had no say in it.”

“It's boys and girls in Sharon,” said he. “Parents have no say in it

here, either. But that don't seem to occur to them at the moment. We'll

all stick together, of course.”

“I think I had best resign.” said I. “You would find me no hand at

pacifying a mother.”

“There are fathers also,” said Stuart. “But individual parents are small

trouble compared with a big split in public opinion. We've missed that

so far, though.”

“Then why have judges? Why not a popular vote?” I inquired.

“Don't go back on us,” said Stuart. “We are so few here. And you know

education can't be democratic or where will good taste find itself?

Eastman knows that much, at least.” And Stuart explained that Eastman

was the head of the school and chairman of our committee. “He is from

Massachusetts, and his taste is good, but he is total abstinence. Won't

allow any literature with the least smell of a drink in it, not even

in the singing-class. Would not have 'Here's a health to King Charles'

inside the door. Narrowing, that; as many of the finest classics speak

of wine freely. Eastman is useful, but a crank. Now take 'Lochinvar.'

We are to have it on strawberry night; but say! Eastman kicked about it.

Told the kid to speak something else. Kid came to me, and I--”

A smile lurked for one instant in the corner of Stuart's eye, and

disappeared again. Then he drew his arm through mine as we walked.

“You have never seen anything in your days like Sharon,” said he. “You

could not sit down by yourself and make such a thing up. Shakespeare

might have, but he would have strained himself doing it. Well, Eastman

says 'Lochinvar' will go in my expurgated version. Too bad Sir Walter

cannot know. Ever read his Familiar Letters, Great grief! but he was a

good man. Eastman stuck about that mention of wine. Remember?

'So now am I come with this lost love of mine

To lead but one measure, drink one cup of wine.'

'Well,' thought I, 'Eastman would agree to water. Water and daughter

would go, but is frequently used, and spoils the meter.' So I fiddled

with my pencil down in the telegraph office, and I fixed the thing up.

How's this?

'So now am I come with this beautiful maid

To lead but one measure, drink one lemonade.'

Eastman accepts that. Says it's purer. Oh, it's not all sadness here!”

“How did you come to be in Sharon?” I asked my exotic acquaintance.

“Ah, how did I? How did all our crowd at the railroad? Somebody has got

to sell tickets, somebody has got to run that hotel, and telegraphs have

got to exist here. That's how we foreigners came. Many travellers change

cars here, and one train usually misses the other, because the two

companies do not love each other. You hear lots of language, especially

in December. Eastern consumptives bound for southern California get left

here, and drummers are also thick. Remarks range from 'How provoking!'

to things I would not even say myself. So that big hotel and depot has

to be kept running, and we fellows get a laugh now and then. Our lot is

better than these people's.” He made a general gesture at Sharon.

“I should have thought it was worse,” said I. “No, for we'll be

transferred some day. These poor folks are shipwrecked. Though it is

their own foolishness, all this.”

Again my eye followed as he indicated the town with a sweep of his hand;

and from the town I looked to the four quarters of heaven. I may have

seen across into Old Mexico. No sign labels the boundary; the vacuum

of continent goes on, you might think, to Patagonia. Symptoms of

neighboring Mexico basked on the sand heaps along Sharon's spacious

avenues--little torpid, indecent gnomes in sashes and open rags, with

crowning-steeple straw hats, and murder dozing in their small black

eyes. They might have crawled from holes in the sand, or hatched out

of brown cracked pods on some weeds that trailed through the broken

bottles, the old shoes, and the wire fences. Outside these ramparts

began the vacuum, white, gray, indigo, florescent, where all the year

the sun shines. Not the semblance of any tree dances in the heat; only

rocks and lumps of higher sand waver and dissolve and reappear in the

shaking crystal of mirage. Not the scar of any river-bed furrows the

void. A river there is, flowing somewhere out of the shiny violet

mountains to the north, but it dies subterraneously on its way to

Sharon, misses the town, and emerges thirty miles south across the

sunlight in a shallow, futile lake, a cienaga, called Las Palomas. Then

it evaporates into the ceaseless blue sky.

The water you get in Sharon is dragged by a herd of wind-wheels from

the bowels of the sand. Over the town they turn and turn--Sharon's upper

story--a filmy colony of slats. In some of the homes beneath them you

may go up-stairs--in the American homes, not in the adobe Mexican

caves of song, woman, and knives; and brick and stone edifices occur.

Monuments of perished trade, these rise among their flatter neighbors

cubical and stark; under-shirts, fire-arms, and groceries for sale

in the ground-floor, blind dust-windows above. Most of the mansions,

however, squat ephemerally upon the soil, no cellar to them, and no

staircase, the total fragile box ready to bounce and caracole should the

wind drive hard enough. Inside them, eating, mending, the newspaper, and

more babies, eke out the twelvemonth; outside, the citizens loiter to

their errands along the brief wide avenues of Sharon that empty into

space. Men, women, and children move about in the town, sparse and

casual, and over their heads in a white tribe the wind-wheels on their

rudders veer to the breeze and indolently revolve above the gaping

obsoleteness. Through the dumb town the locomotive bell tolls

pervadingly when a train of freight or passengers trundles in from the

horizon or out along the dwindling fence of telegraph poles. No matter

where you are, you can hear it come and go, leaving Sharon behind, an

airy carcass, bleached and ventilated, sitting on the sand, with the sun

and the hot wind pouring through its bones.

This town was the magnate's child, the thing that was to keep his memory

green; and as I took it in on that first walk of discovery, Stuart told

me its story: how the magnate had decreed the railroad shops should be

here; how, at that, corner lots grew in a night; how horsemen galloped

the streets, shooting for joy, and the hasty tents rose while the

houses were hammered together; how they had song, dance, cards, whiskey,

license, murder, marriage, opera--the whole usual thing--regular as the

clock in our West, in Australia, in Africa, in every virgin corner

of the world where the Anglo-Saxon rushes to spend his animal

spirits--regular as the clock, and in Sharon's case about fifteen

minutes long. For they became greedy, the corner-lot people. They ran

up prices for land which the railroad, the breath of their nostrils,

wanted. They grew ugly, forgetting they were dealing with a magnate, and

that a railroad from ocean to ocean can take its shops somewhere else

with appalling ease. Thus did the corner lots become sand again in a

night. “And in the words of the poet,” concluded Stuart, “Sharon has an

immense future behind it.”

Our talk was changed by the sight of a lady leaning and calling over a

fence.

“Mrs. Jeffries,” said she. “Oh, Mrs. Jeffries!”

“Well?” called a voice next door.

“I want to send Leola and Arvasita into your yard.”

“Well?” the voice repeated.

“Our tool-house blew over into your yard last night. It's jammed behind

your tank.”

“Oh, indeed!”

A window in the next house was opened, a head put out, and this

occasioned my presentation to both ladies. They were Mrs. Mattern

and Mrs. Jeffries, and they fell instantly into a stiff caution of

deportment; but they speedily found I was not worth being cautious

over. Stuart whispered to me that they were widows of high standing, and

mothers of competing favorites for the elocution prize; and I hastened

to court their esteem. Mrs. Mattern was in body more ample, standing

high and yellow and fluffy; but Mrs. Jeffries was smooth and small, and

behind her spectacles she had an eye.

“You must not let us interrupt you, ladies,” said I, after some

civilities. “Did I understand that something was to be carried

somewhere?”

“You did,” said Mrs. Jeffries (she had come out of her house); “and I am

pleased to notice no damage has been done to our fence--this time.”

“It would have been fixed right up at my expense, as always, Mrs.

Jeffries,” retorted her neighbor, and started to keep abreast of Mrs.

Jeffries as that lady walked and inspected the fence. Thus the two

marched parallel along the frontier to the rear of their respective

territories.

“You'll not resign?” said Stuart to me. “It is 'yours till death,' ain't

it?”

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