III

“I NEVER liked her,” said the Old Maid; “I always knew she was

heartless.”

“To my thinking,” said the Minor Poet, “she has shown herself a true

woman.”

“Really,” said the Woman of the World, laughing, “I shall have to

nickname you Dr. Johnson Redivivus. I believe, were the subject under

discussion, you would admire the coiffure of the Furies. It would occur

to you that it must have been naturally curly.”

“It is the Irish blood flowing in his veins,” I told them. “He must

always be ‘agin the Government.’”

“We ought to be grateful to him,” remarked the Philosopher. “What can be

more uninteresting than an agreeable conversation I mean, a

conversation—where everybody is in agreement? Disagreement, on the other

hand, is stimulating.”

“Maybe that is the reason,” I suggested, “why modern society is so

tiresome an affair. By tabooing all difference of opinion we have

eliminated all zest from our intercourse. Religion, sex, politics—any

subject on which man really thinks, is scrupulously excluded from all

polite gatherings. Conversation has become a chorus; or, as a writer

wittily expressed it, the pursuit of the obvious to no conclusion. When

not occupied with mumbling, ‘I quite agree with you’—‘As you say’—‘That

is precisely my opinion’—we sit about and ask each other riddles: ‘What

did the Pro-Boer?’ ‘Why did Julius Cæsar?’”

“Fashion has succeeded where Force for centuries has failed,” added the

Philosopher. “One notices the tendency even in public affairs. It is

bad form nowadays to belong to the Opposition. The chief aim of the

Church is to bring itself into line with worldly opinion. The

Nonconformist Conscience grows every day a still smaller voice.”

“I believe,” said the Woman of the World, “that was the reason why Emily

never got on with poor dear George. He agreed with her in everything.

She used to say it made her feel such a fool.”

“Man is a fighting animal,” explained the Philosopher. “An officer who

had been through the South African War was telling me only the other day:

he was with a column, and news came in that a small commando was moving

in the neighbourhood. The column set off in the highest of spirits, and

after three days’ trying work through a difficult country came up with,

as they thought, the enemy. As a matter of fact, it was not the enemy,

but a troop of Imperial Yeomanry that had lost its way. My friend

informs me that the language with which his column greeted those

unfortunate Yeomen—their fellow countrymen, men of their own blood—was

most unsympathetic.”

“Myself, I should hate a man who agreed with me,” said the Girton Girl.

“My dear,” replied the Woman of the World, “I don’t think any would.”

“Why not?” demanded the Girton Girl.

“I was thinking more of you, dear,” replied the Woman of the World.

“I am glad you all concur with me,” murmured the Minor Poet. “I have

always myself regarded the Devil’s Advocate as the most useful officer in

the Court of Truth.”

“I remember being present one evening,” I observed, “at a dinner-party

where an eminent judge met an equally eminent K. C.; whose client the

judge that very afternoon had condemned to be hanged. ‘It is always a

satisfaction,’ remarked to him genially the judge, ‘condemning any

prisoner defended by you. One feels so absolutely certain he was

guilty.’ The K. C. responded that he should always remember the judge’s

words with pride.”

“Who was it,” asked the Philosopher, “who said: ‘Before you can attack a

lie, you must strip it of its truth’?”

“It sounds like Emerson,” I ventured.

“Very possibly,” assented the Philosopher; “very possibly not. There is

much in reputation. Most poetry gets attributed to Shakespeare.”

“I entered a certain drawing-room about a week ago,” I said. “‘We were

just speaking about you,’ exclaimed my hostess. ‘Is not this yours?’

She pointed to an article in a certain magazine lying open on the table.

‘No,’ I replied; ‘one or two people have asked me that same question. It

seems to me rather an absurd article,’ I added. ‘I cannot say I thought

very much of it,’ agreed my hostess.”

“I can’t help it,” said the Old Maid. “I shall always dislike a girl who

deliberately sells herself for money.”

“But what else is there to sell herself for?” asked the Minor Poet.

“She should not sell herself at all,” retorted the Old Maid, with warmth.

“She should give herself, for love.”

“Are we not in danger of drifting into a difference of opinion concerning

the meaning of words merely?” replied the Minor Poet. “We have all of

us, I suppose, heard the story of the Jew clothier remonstrated with by

the Rabbi for doing business on the Sabbath. ‘Doing bithness!’ retorted

the accused with indignation; ‘you call thelling a thuit like that for

eighteen shillings doing bithness! By, ith’s tharity!’ This ‘love’ for

which the maiden gives herself—let us be a little more exact—does it not

include, as a matter of course, material more tangible? Would not the

adored one look somewhat astonished on discovering that, having given

herself for ‘love,’ love was all that her lover proposed to give for her.

Would she not naturally exclaim: ‘But where’s the house, to say nothing

of the fittings? And what are we to live on’?”

“It is you now who are playing with words,” asserted the Old Maid. “The

greater includes the less. Loving her, he would naturally desire—”

“With all his worldly goods her to endow,” completed for her the Minor

Poet. “In other words, he pays a price for her. So far as love is

concerned, they are quits. In marriage, the man gives himself to the

woman as the woman gives herself to the man. Man has claimed, I am

aware, greater liberty for himself; but the claim has always been

vehemently repudiated by woman. She has won her case. Legally and

morally now husband and wife are bound by the same laws. This being so,

her contention that she gives herself falls to the ground. She exchanges

herself. Over and above, she alone of the twain claims a price.”

“Say a living wage,” corrected the Philosopher. “Lazy rubbish lolls in

petticoats, and idle stupidity struts in trousers. But, class for class,

woman does her share of the world’s work. Among the poor, of the two it

is she who labours the longer. There is a many-versed ballad popular in

country districts. Often I have heard it sung in shrill, piping voice at

harvest supper or barn dance. The chorus runs—

A man’s work ’tis till set of sun,

But a woman’s work is never done!

[Picture: A man’s work ’tis till set of sun . . .]

“My housekeeper came to me a few months ago,” said the Woman of the

World, “to tell me that my cook had given notice. ‘I am sorry to hear

it,’ I answered; ‘has she found a better place?’ ‘I am not so sure about

that,’ answered Markham; ‘she’s going as general servant.’ ‘As general

servant!’ I exclaimed. ‘To old Hudson, at the coal wharf,’ answered

Markham. ‘His wife died last year, if you remember. He’s got seven

children, poor man, and no one to look after them.’ ‘I suppose you

mean,’ I said, ‘that she’s marrying him.’ ‘Well, that’s the way she puts

it,’ laughed Markham. ‘What I tell her is, she’s giving up a good home

and fifty pounds a year, to be a general servant on nothing a week. But

they never see it.’”

“I recollect her,” answered the Minor Poet, “a somewhat depressing lady.

Let me take another case. You possess a remarkably pretty

housemaid—Edith, if I have it rightly.”

“I have noticed her,” remarked the Philosopher. “Her manners strike me

as really quite exceptional.”

“I never could stand any one about me with carroty hair,” remarked the

Girton Girl.

“I should hardly call it carroty,” contended the Philosopher. “There is

a golden tint of much richness underlying, when you look closely.”

“She is a very good girl,” agreed the Woman of the World; “but I am

afraid I shall have to get rid of her. The other woman servants don’t

get on with her.”

“Do you know whether she is engaged or not?” demanded the Minor Poet.

“At the present moment,” answered the Woman of the World, “she is walking

out, I believe, with the eldest son of the ‘Blue Lion.’ But she is never

adverse to a change. If you are really in earnest about the matter—”

“I was not thinking of myself,” said the Minor Poet. “But suppose some

young gentleman of personal attractions equal to those of the ‘Blue

Lion,’ or even not quite equal, possessed of two or three thousand a

year, were to enter the lists, do you think the ‘Blue Lion’ would stand

much chance?”

“Among the Upper Classes,” continued the Minor Poet, “opportunity for

observing female instinct hardly exists. The girl’s choice is confined

to lovers able to pay the price demanded, if not by the beloved herself,

by those acting on her behalf. But would a daughter of the Working

Classes ever hesitate, other things being equal, between Mayfair and

Seven Dials?”

“Let me ask you one,” chimed in the Girton Girl. “Would a bricklayer

hesitate any longer between a duchess and a scullery-maid?”

“But duchesses don’t fall in love with bricklayers,” returned the Minor

Poet. “Now, why not? The stockbroker flirts with the barmaid—cases have

been known; often he marries her. Does the lady out shopping ever fall

in love with the waiter at the bun-shop? Hardly ever. Lordlings marry

ballet girls, but ladies rarely put their heart and fortune at the feet

of the Lion Comique. Manly beauty and virtue are not confined to the

House of Lords and its dependencies. How do you account for the fact

that while it is common enough for the man to look beneath him, the woman

will almost invariably prefer her social superior, and certainly never

tolerate her inferior? Why should King Cophetua and the Beggar Maid

appear to us a beautiful legend, while Queen Cophetua and the Tramp would

be ridiculous?”

[Picture: Does the lady out shopping ever fall in love with the waiter at

the bun-shop?]

“The simple explanation is,” expounded the Girton Girl, “woman is so

immeasurably man’s superior that only by weighting him more or less

heavily with worldly advantages can any semblance of balance be

obtained.”

“Then,” answered the Minor Poet, “you surely agree with me that woman is

justified in demanding this ‘make-weight.’ The woman gives her love, if

you will. It is the art treasure, the gilded vase thrown in with the

pound of tea; but the tea has to be paid for.”

“It all sounds very clever,” commented the Old Maid; “yet I fail to see

what good comes of ridiculing a thing one’s heart tells one is sacred.”

“Do not be so sure I am wishful to ridicule,” answered the Minor Poet.

“Love is a wondrous statue God carved with His own hands and placed in

the Garden of Life, long ago. And man, knowing not sin, worshipped her,

seeing her beautiful. Till the time came when man learnt evil; then saw

that the statue was naked, and was ashamed of it. Since when he has been

busy, draping it, now in the fashion of this age, now in the fashion of

that. We have shod her in dainty bottines, regretting the size of her

feet. We employ the best artistes to design for her cunning robes that

shall disguise her shape. Each season we fix fresh millinery upon her

changeless head. We hang around her robes of woven words. Only the

promise of her ample breasts we cannot altogether hide, shocking us not a

little; only that remains to tell us that beneath the tawdry tissues

still stands the changeless statue God carved with His own hands.”

“I like you better when you talk like that,” said the Old Maid; “but I

never feel quite sure of you. All I mean, of course, is that money

should not be her first consideration. Marriage for money—it is not

marriage; one cannot speak of it. Of course, one must be reasonable.”

“You mean,” persisted the Minor Poet, “you would have her think also of

her dinner, of her clothes, her necessities, luxuries.”

“It is not only for herself,” answered the Old Maid.

“For whom?” demanded the Minor Poet.

The white hands of the Old Maid fluttered on her lap, revealing her

trouble; for of the old school is this sweet friend of mine.

“There are the children to be considered,” I explained. “A woman feels

it even without knowing. It is her instinct.”

The Old Maid smiled on me her thanks.

“It is where I was leading,” said the Minor Poet. “Woman has been

appointed by Nature the trustee of the children. It is her duty to think

of them, to plan for them. If in marriage she does not take the future

into consideration, she is untrue to her trust.”

[Picture: Woman has been appointed by Nature the trustee of the children]

“Before you go further,” interrupted the Philosopher, “there is an

important point to be considered. Are children better or worse for a

pampered upbringing? Is not poverty often the best school?”

“It is what I always tell George,” remarked the Woman of the World, “when

he grumbles at the tradesmen’s books. If Papa could only have seen his

way to being a poor man, I feel I should have been a better wife.”

“Please don’t suggest the possibility,” I begged the Woman of the World;

“the thought is too bewildering.”

“You were never imaginative,” replied the Woman of the World.

“Not to that extent,” I admitted.

“‘The best mothers make the worst children,’” quoted the Girton Girl. “I

intend to bear that in mind.”

“Your mother was a very beautiful character—one of the most beautiful I

ever knew,” remarked the Old Maid.

“There is some truth in the saying,” agreed the Minor Poet, “but only

because it is the exception; and Nature invariably puts forth all her

powers to counteract the result of deviation from her laws. Were it the

rule, then the bad mother would be the good mother and the good mother

the bad mother. And—”

“Please don’t go on,” said the Woman of the World. “I was up late last

night.”

“I was merely going to show,” explained the Minor Poet, “that all roads

lead to the law that the good mother is the best mother. Her duty is to

her children, to guard their infancy, to take thought for their

equipment.”

“Do you seriously ask us to believe,” demanded the Old Maid, “that the

type of woman who does marry for money considers for a single moment any

human being but herself?”

“Not consciously, perhaps,” admitted the Minor Poet. “Our instincts,

that they may guide us easily, are purposely made selfish. The flower

secretes honey for its own purposes, not with any sense of charity

towards the bee. Man works, as he thinks, for beer and baccy; in

reality, for the benefit of unborn generations. The woman, in acting

selfishly, is assisting Nature’s plans. In olden days she chose her mate

for his strength. She, possibly enough, thought only of herself; he

could best provide for her then simple wants, best guard her from the

disagreeable accidents of nomadic life. But Nature, unseen, directing

her, was thinking of the savage brood needing still more a bold

protector. Wealth now is the substitute for strength. The rich man is

the strong man. The woman’s heart unconsciously goes out to him.”

“Do men never marry for money?” inquired the Girton Girl. “I ask merely

for information. Maybe I have been misinformed, but I have heard of

countries where the _dot_ is considered of almost more importance than

the bride.”

“The German officer,” I ventured to strike in, “is literally on sale.

Young lieutenants are most expensive, and even an elderly colonel costs a

girl a hundred thousand marks.”

“You mean,” corrected the Minor Poet, “costs her father. The Continental

husband demands a dowry with his wife, and sees that he gets it. He in

his turn has to save and scrape for years to provide each of his

daughters with the necessary _dot_. It comes to the same thing

precisely. Your argument could only apply were woman equally with man a

wealth producer. As it is, a woman’s wealth is invariably the result of

a marriage, either her own or that of some shrewd ancestress. And as

regards the heiress, the principle of sale and purchase, if I may be

forgiven the employment of common terms, is still more religiously

enforced. It is not often that the heiress is given away; stolen she may

be occasionally, much to the indignation of Lord Chancellors and other

guardians of such property; the thief is very properly

punished—imprisoned, if need be. If handed over legitimately, her price

is strictly exacted, not always in money—that she possesses herself,

maybe in sufficiency; it enables her to bargain for other advantages no

less serviceable to her children—for title, place, position. In the same

way the Neolithic woman, herself of exceptional strength and ferocity,

may have been enabled to bestow a thought upon her savage lover’s beauty,

his prehistoric charm of manner; thus in other directions no less

necessary assisting the development of the race.”

“I cannot argue with you,” said the Old Maid. “I know one case. They

were both poor; it would have made no difference to her, but it did to

him. Maybe I am wrong, but it seems to me that, as you say, our

instincts are given us to guide us. I do not know. The future is not in

our hands; it does not belong to us. Perhaps it were wiser to listen to

the voices that are sent to us.”

“I remember a case, also,” said the Woman of the World. She had risen to

prepare the tea, and was standing with her back to us. “Like the woman

you speak of, she was poor, but one of the sweetest creatures I have ever

known. I cannot help thinking it would have been good for the world had

she been a mother.”

“My dear lady,” cried the Minor Poet, “you help me!”

“I always do, according to you,” laughed the Woman of the World. “I

appear to resemble the bull that tossed the small boy high into the

apple-tree he had been trying all the afternoon to climb.”

“It is very kind of you,” answered the Minor Poet. “My argument is that

woman is justified in regarding marriage as the end of her existence, the

particular man as but a means. The woman you speak of acted selfishly,

rejecting the crown of womanhood because not tendered to her by hands she

had chosen.”

“You would have us marry without love?” asked the Girton Girl.

“With love, if possible,” answered the Minor Poet; “without, rather than

not at all. It is the fulfilment of the woman’s law.”

“You would make of us goods and chattels,” cried the Girton Girl.

“I would make of you what you are,” returned the Minor Poet, “the

priestesses of Nature’s temple, leading man to the worship of her

mysteries. An American humorist has described marriage as the craving of

some young man to pay for some young woman’s board and lodging. There is

no escaping from this definition; let us accept it. It is beautiful—so

far as the young man is concerned. He sacrifices himself, deprives

himself, that he may give. That is love. But from the woman’s point of

view? If she accept thinking only of herself, then it is a sordid

bargain on her part. To understand her, to be just to her, we must look

deeper. Not sexual, but maternal love is her kingdom. She gives herself

not to her lover, but through her lover to the great Goddess of the

Myriad Breasts that shadows ever with her guardian wings Life from the

outstretched hand of Death.”

“She may be a nice enough girl from Nature’s point of view,” said the Old

Maid; “personally, I shall never like her.”

Tea-Table Talk · 第 4 / 7 题