Shakspere's contemporaries were not over careful as regards

style. 'With the additions played by the Kings Maiesties Servants,

written by John Webster,' means that the additions, in which

the servants of His Majesty, in the 'Induction,' are brought on the

stage, were written by John Webster.

Read the 'Extempore Prologue' which Sly speaks at the conclusion of

the Induction--a shameless travesty of the Epilogue in _As You

Like It_. Read the beginning of act iii. sc. 2 of _The Malcontent_,

where Malevole ('in some freeze gown') burlesques the splendid

monologue in King Henry the Fourth (Part 11. act iv. sc. I). Read

act iii. sc. 3 of _The Malcontent_, where Marston sneers at the scene

in act iv. of _King Richard the Second_ when Richard says:--

Now is this golden crown like a deep well,

That owes two buckets filling one another.

50: Is it imaginable that Shakspere could have allowed his own

most beautiful productions to be thus leered at, and mocked,

in his own theatre? Our feeling rebels against the thought.

Beniamini Jonsonio

Poetae Elegantissimo Gravissimo

Amico Suo Candido et Cordato

Johannes Marston, Musarum Alumnus,

Asperam Hanc Suam Thaliam DD.

51: Who else can be meant by the 'Frenchman's Helicon' than

Montaigne? He is satirically called 'Helicon,' as he is taken down

from his height in 'Hamlet.'

52: In meaning alike to Jonson's: 'Counting all old doctrine heresie.'

53: Act i. sc.2.

54: Act iv. sc. 5.

55: Act i. sc. 4.

56: Act i. sc. 7.

57: Act i. sc. 6.

58: Act iii. sc. 2.

59: Act ii. sc. 5.

60: Act i. Sc. 5 in _Hamlet_; _Malcontent_, act iii. sc. 3.

61: Perhaps an allusion to the conclusion of _Hamlet_, when the

State falls into the hands of a soldier (Fortinbras).

--Soldaten-Religion, keine Religion ('a soldier's religion, no

religion'), as the old German saying is.

62: Rochelle-Churchman--that is, Huguenot.

63: See Bacon's Essay, _Of Atheism_: 'All that impugn a received

religion or superstition are by the adverse part branded with the

name of Atheists.'

64: Sonnet lxvi. lxxxv.

65: xc. xci. xcii.

66: In _Eastward Hoe_, his most delicate poetical production,

Ophelia, is most abominably parodied--'rudely strumpeted.'

Shakspere and Montaigne An Endeavour to Explain the Tendency of 'Hamlet' from Allusions in Contemporary Works · 第 13 / 13 段