THE FILM IN AMERICAN SCHOOLS.

The use of films in American schools is already an accomplished fact

and is generally recognised as a great educational asset.

The American Red Cross during the War found it extremely useful in

aiding its work, and it was decided, in view of the coming of peace, to

extend this work and build it upon a solid and permanent base. A Bureau

of Pictures was established and an important branch was the origin of a

sister Bureau for Europe, its headquarters being in Paris; the aim in

view being the formation of a library of films, demonstrating to the

New World how the Old World lived and how it had suffered during the

War.

The incentive for the development of this idea by the Red Cross was

created by urgent representations made by thousands of schools and

churches throughout the length and breadth of the United States, a

stirring appeal which could not be ignored.

A popular feature in the early days of the educational curriculum

was the extensive use of the magic-lantern hour, in which inanimate

pictures were thrown upon a screen. This was capital as far as it went,

but obviously the cinema could be utilised with a far greater effect

and satisfaction. From the commercial standpoint it was found that the

monetary return from the exhibition of “educational films” was not

satisfactory. One film featuring Mary Pickford would produce greater

profits than a perfect and complete library of educational films!

The churches wishing to give film entertainments on Sunday found the

ordinary films not suitable to their needs and sought outside aid. The

American Red Cross bridged the gap. Thousands of schools and churches

are now in touch with this Picture Bureau, whose work is administered

through fourteen divisions by which this movement is governed, and

every independent division is building up its own library of specially

selected films. The aim and object is to procure films of educational,

scenic, hygienic, and industrial interest. It also endeavours to cement

the allied friendship and cordial international relations between the

two great Anglo-Saxon peoples.

This Bureau is equipped with a large and efficient staff of expert

photographers, and when a film is taken this is duplicated and a copy

is dispatched to every division, accompanied by a list of subjects

which are at the service of the schools, and if a certain demand is

shown for special films, this demand is supplied.

The range of subjects when this project has matured will be

illimitable, and it will be possible to co-ordinate them so that they

can be absorbed into the recognised curriculum. It has been proved that

children are interested even by isolated subjects, contradicting any

contention that a child does not remember a lesson which it receives by

means of the “movies.” This film lesson provides a welcome break in the

text-book grind, and is the most popular and eagerly sought feature in

the school.

From an international aspect, the value of the film is undoubted. All

the American children will by this means be able to visualize the

marvels of Europe, and, in addition, form an idea of the surroundings

in which many of their fathers and brothers made the supreme sacrifice

in the defence of humanity.

These Red Cross films seen in their schools will convey to them exactly

what is being done, and in this way the film will take its place as an

ambassador of perfect understanding, cementing the already friendly

relations existing between the two countries. Over 6,000 schools in

America have cinema rooms and practically every new school being

erected in America is equipped with an up-to-date cinema-operating room

and theatre.

It behoves England to make greater strides if she is to keep abreast

of the times. The question is asked: “What are we waiting for before

taking the plunge into this educative speculation?” Possibly the

deterrent is the belated appearance of the completed inquiries of the

“Cinema Commission.” If it is truthfully said that England is ten years

behind the American in dentistry, the same period applies as regards

the possibilities of the cinema in relation to the school.

A conference of well-known educationists recently assembled at Columbia

University, U.S.A., to examine a number of film subjects on geography,

biology, industry, and popular astronomy, collected for the purpose by

the National Committee for Better Films. The affiliated Committee for

Better Films has asked for suggestions and criticisms regarding safety

precautions, methods of furnishing pictures in large quantities and

other matters.

The Federation of Child Study in conjunction with the Women’s City

Club, the National Committee for Better Films and the Juvenile Motion

Picture League, have formulated a scheme by which entertainments

suitable for young people are given in the various picture theatres on

Fridays and Saturdays, for which the Committee select the films to be

shown and guarantee an audience. The University of the State of New

York are making every endeavour to promote “visual education.” The town

of Wellesley, Massachusetts, has “municipal movies” two days a week.

The State censorship is strongly opposed on the ground that what is

required is selection and not censorship.

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