CAINE'S ASSOCIATION WITH ROSSETTI.

Till the age of twenty-four he remained in Liverpool, earning his

living in a builder's office, lecturing, starting societies, working

as secretary of the Society for the Protection of Ancient Buildings,

and writing for the papers. His lectures on Shakespeare attracted the

attention of Lord Houghton, who expressed a desire to meet him. A

meeting was arranged at the house of Henry Bright (the H.A.B, of

Hawthorne); and the first thing that Lord Houghton, the biographer of

Keats, said when Hall Caine came into the room was: "You have the head

of Keats." He predicted that the young author would become a great

critic. Another of Hall Caine's lectures, delivered during this

period, "The Supernatural in Poetry," brought a long letter of eulogy

from Matthew Arnold. His lecture on Rossetti won him the friendship of

this great man, a correspondence ensued, and when Caine was

twenty-five years old, Rossetti wrote and asked him to come up to

London to see him. Caine went and was received most cordially.

[Illustration: BISHOP'S COURT, WHERE DAN MYLREA IN "THE DREMSTER" WAS

REARED.]

[Illustration: SIR W.L. DRINKWATER, THE PRESENT FIRST DREMSTER OF THE

ISLE OF MAN.

From a photograph by J. E. Bruton, Douglas, Isle of Man.]

"He met me on the threshold of his house," he relates, "with both

hands outstretched, and drew me into his studio. That night he read me

'The King's Tragedy.'"

During the evening Rossetti asked him to remove to London and invited

him to his house; at the same time--it may be to prepare him for their

common life--he showed him, to Caine's horror, what a slave he had

become to the chloral habit.

It was not until many months later that Hall Caine determined to

accept Rossetti's invitation, and went to share his monastic seclusion

in his gloomy London house. In the meanwhile, and in this Rossetti had

helped him by correspondence, he had edited for Elliot Stock an

anthology of English sonnets, which was published under the title of

"Sonnets of Three Centuries." For his work in connection with this

volume Hall Caine received no remuneration. Indeed, at this period in

his career the earnings of the writer who can to-day command the

highest prices in the market, were very small indeed. His average

income was two hundred and sixty pounds (thirteen hundred dollars),

and of this two hundred pounds was earned as a draughtsman. When he

went to live with Rossetti he had about fifty pounds (two hundred and

fifty dollars) of money saved, to which he was afterwards able to add

a sum of one hundred pounds, which Rossetti insisted on his accepting

as his commission on the sale of Rossetti's picture, "Dante's Dream."

It may be mentioned, to dispel certain misstatements, that this was

the only financial transaction which took place between the two

friends. His life in Rossetti's house was the life of a monk, seeing

nobody except Burne-Jones (whom, as Ruskin will have it, he resembles

closely), going nowhere and doing little. "I used to get up at noon,"

he says, "and usually spent my afternoon in walking about in the

garden. I did not see Rossetti till dinner-time, but from that hour

till three or four in the morning we were inseparable." It has been

stated that Caine owed much of his success in literature to Rossetti.

This is only partly true. His introduction to literary society in

London under Rossetti's wing was harmful rather than advantageous to

him, for it prejudiced people against him; and his connection with

Rossetti, which was that of a spiritual son with a spiritual father,

was misrepresented. He was spoken of as Rossetti's secretary, even as

Rossetti's valet. On the other hand, so young a man could not but

derive benefit from the society of so refined an artist, who had no

thought nor ambition outside his art. And, in a practical way,

Rossetti also benefited him. When he first came to Rossetti's house he

was under an engagement to deliver twenty-four lectures on "Prose

Fiction" in Liverpool, and in preparation of these lectures began

studying the English novelists.

[Illustration: KIRK MAUGHOLD, WHICH FIGURES IN "THE BONDMAN" AND "THE

MANXMAN."]

"One day Rossetti suggested that, instead of reading these novels

alone, I should read them aloud to him. From that day on, night after

night, for months and months, I used to read to him. I read Fielding

and Smollett, Richardson, Radcliffe, 'Monk' Lewis, Thackeray, and

Dickens, under a running fire of comment and criticism from Rossetti.

It was terrible labor, this reading for hours night after night, till

dawn came and I could drag myself wearily upstairs to bed. But it was

a very useful study, and this is indeed the debt which I owe to

Rossetti."

Rossetti died on Easter Day, 1882, at the seashore, near Margate, in

Hall Caine's arms. It shows the extent of their friendship that, the

bungalow being crowded that night, Caine readily offered to sleep in

the death-chamber. "It is Rossetti," he said.

McClure's Magazine December, 1895 · 第 42 / 84 题