_Stevenson’s Samoa--What happened when it rained--Life in a Native
Village--The Albino Chief--A Samoan “Bee”--The Tyranny of Time--Fishing
at Midnight--Throwing the Presents--My Friend Fangati--The Taupo
Dances--Down the sliding Rock--“Good-bye, my Flennie!”_
WHEN I woke up in the morning, the ship was still, and the familiar
chatter of island tongues, and splashing of island paddles, audible
outside the ports, told that we had reached Apia.
Dressing is always a rush, under such circumstances. I hurried out on
the deck in even quicker time than usual, and hastened to enjoy a good
look at the little island that has been made famous the wide world over,
by the genius of the great writer who passed his latest years in exile
among those palmy hills.
Upolu, Stevenson’s island, is the second largest in the Samoan Group,
being forty miles by eight. Savaii is a little wider. Tutuila is
smaller. The six other islands are of little importance.
Apia and Stevenson’s home have been written about and described, by
almost every tourist who ever passed through on the way to Sydney. There
is little therefore to say that has not been said before. Every one
knows that Apia is a fair-sized, highly civilised place, with hotels
and shops and band promenades, and that Vailima, Stevenson’s villa, is
a mile or two outside. Every one has heard of the beautiful harbour of
Apia itself, with the blue overhanging hills, and the dark wooded peak
rising above all, on the summit of which the famous Scotsman’s tomb
gleams out like a tiny pearl--“under the wide and starry sky.” Since
the disturbances of 1899, most people have been aware that England
has absolutely relinquished any rights she had in Samoa, and that the
islands are now divided between Germany and America--Upolu being among
the possessions of the former.
Perhaps some people have forgotten that Samoa is a fairly recent
discovery, having been first sighted by Bougainville in 1768. It is
supposed that the natives originally came from Sumatra. During the last
six hundred years, they were frequently at war with the Tongans
and Fijians, and from the latter learned the horrible practice of
cannibalism--which, however, they abandoned of their own accord a good
while before the coming of the first missionaries in 1833.
They are a singularly beautiful race, and most amiable in character.
They are all Christianised, and a great number can read and write.
Tourists have done their best to spoil them, but outside the towns there
is much of the ancient simplicity and patriarchal character still to be
found.
About two dozen Samoan gentlemen--I call them gentlemen, because in
manners and demeanour they really deserved the name, and many were
actual chiefs--had come on board the steamer, and were walking about the
deck when I came out. The air was like hot water, and there was not a
breath of wind. All the same, the Samoan gentlemen were quite cool, for
they wore nothing at all but a British bath-towel with red edges, tied
round the waist in the universal kilt style of the Pacific. In the Cook
Group, the garment is called a pareo, and is made of figured cotton.
In Tonga, it is a vala, and is usually cashmere. In Samoa the name
is changed to lava-lava, and the thing may be either a piece of plain
coloured cotton, or the bath-towel above mentioned, which is considered
a good deal smarter--but the costume itself is the same all through.
Most of the men had their short-cut hair plastered snow-white with
lime, because it was Saturday. Almost every Samoan limes his hair on
Saturdays, partly to keep up the yellow colour produced by previous
applications, partly for hygienic reasons that had better be left to the
imagination.
[Illustration: 0404]
All the visitors displayed an incomparable self-possession and dignity
of bearing, not at all like the “Tongan swagger,” but much more akin to
the manner of what is known in society as “really good people.” Coupled
to the almost complete absence of clothes, and the copper skins, it was
enough to make one perfectly giddy at first. But afterwards, one grew
used to it, and even came to compare the average white man’s manner
disadvantageously with the unsurpassable self-possession and calm of the
unclothed native.
Then came boats and landing and hotels, and the usual one-sided South
Sea town, with little green parrakeets tweedling cheerfully among the
scarlet flowers of the flamboyant trees, and looking very much as if
they had escaped from somewhere. And behold, as we were making our way
to the hotel, a heavy waterspout of hot-season rain came on, whereupon
the street immediately became a transformation scene of the most
startling character.
The roadway had been full of natives in their best clothes, come down
to see the passengers--some in bath-towels, like the visitors to the
steamer, but many in the cleanest of shirts and cotton tunics, and
scores of pretty Samoan girls in civilised gowns of starched and laced
muslin, trimmed hats, and gay silk ribbons. The rain began to spout, as
only tropical rain can, and immediately things commenced to happen
that made me wonder if I were really awake. Under the eaves of houses,
beneath umbrellas, out in the street without any shelter at all,
the Samoans rapidly began undressing. Smart white shirts, frilled
petticoats, lacy dresses, all came off in a twinkling, and were rolled
up into tight bundles, and stowed away under their owners’ arms, to
protect the precious garments from the rain. Then down the street, with
bare brown legs twinkling as they ran, and bodies covered merely by the
“lava-lava,” scurried the bronze ladies and gentlemen who had looked
so smart and dressy a few brief seconds before. Some of the girls, who
could not get an inch of shelter under which to undress, merely pulled
their fine frocks up under their arms, and ran down the street looking
like very gay but draggled tulips set on two long brown stalks. It was
the oddest transformation scene that I had ever been privileged to look
on at, and it sent the passengers of the ship into such screaming fits
of laughter that they forgot all about keeping themselves dry, and
landed in the hotel in the condition of wet seaweed tossed up by the
waves. So we arrived in Samoa.
There is no use in relating at length how I drove out to see Stevenson’s
much described villa at Vailima--now in the possession of a wealthy
German merchant, and much altered and spoiled--and how I did _not_ climb
the two thousand feet up to his tomb above the harbour, and was sorry
ever after. Rather let me tell how, tired of the civilised section of
the island, I took ship one day in an ugly little oil-_launch_, and
sailed away to see the life of a native village, down at Falepunu.
There is not much real native life now to be seen in the capital; for,
although the “faa Samoa” (ancient Samoan custom) is very strong all over
the islands, in Apia it is at a minimum, and the influence of the white
man has much increased since Stevenson’s day. Besides, how can one study
native customs, dining at a _table d’hôte_ and living in a great gilt
and glass hotel, situated in the midst of a busy street?
So it was very gladly that I saw the wide blue harbour of Apia open out
before me, and melt into the great Pacific, the “league long rollers”
tossing our little cockle shell about remorselessly as we headed out
beyond the reef, and began to slant along the coast, Upolu’s rich blue
and green mountains unfolding in a splendid panorama of tropic glory,
as we crept along against the wind towards Falefa, our destined port,
nearly twenty miles away. Here and there, white threads of falling water
gleamed out against the dark mountain steeps; and the nearer hills,
smooth and rich and palmy, and green as a basket of moss, parted now
and then in unexpected gateways, to show brief glimpses of the wildly
tumbled lilac peaks of far-away, rugged inner ranges. A day of gold
and glitter, of steady, smiting heat, of beauty that was almost^ too
beautiful, as hour after hour went by, and found the glorious panorama
still unrolling before eyes that were well-nigh wearied, and bodies that
wanted shelter and food.
But even a little oil-launch cannot take all day to cover twenty miles;
so it was still early in the afternoon when we glided into the harbour
of Falefa, and came to a stop in the very heart of Paradise.
How to picture Falefa, to the dwellers in the far grey north! how to
paint the jewel-green of the water, the snow white of the sand, the
overhanging palms that lean all day to look at their own loveliness in
the unruffled mirror below; the emerald peaks above, the hyacinth peaks
beyond, the strangely fashioned out-rigged canoes, with their merry
brown rowers, skimming like long-limbed water-flies about the bay;
the far-away sweetness and stillness and unlikeness of it all! And the
waterfall, dropping down seventy feet of black precipitous rock right
into the sea’s blue bosom--and the winding, shady fiords, where the
water is glass-green with reflections of shimmering leaves--and the
little secluded brown houses, domed and pillared after the Samoan
fashion, that ramble about among the long avenues of palm--surely, even
in all the lovely South Sea Islands, there never was a lovelier spot
than this harbour of Falefa!
We three--a half-caste Samoan lady, a New Zealand girl, and
myself--landed on the beach and gave over our things to a native boy, to
carry up to the great guesthouse at Falepunu, a mile further on. Every
Samoan village has its guest-house, for the free accommodation of
passing travellers, but few have anything that can compare with the
house where we were to stay--my companions for the night only, myself
for a week.
A Samoan house, owing to the heat of the climate, is a roof and nothing
more, the walls being omitted, save for the posts necessary to support
the great dome of the roof. It is worth well looking at and admiring all
the same. Fine ribs made of strong flexible branches run diagonally from
eaves to crown, only an inch or two apart, and curved with exquisite
skill to form the arching dome. Over these, at an acute angle, are laid
similar ribs in a second layer, forming a strong, flexible ‘lattice. At
just the right intervals, narrow, curved beams cross behind these, and
hold them firm. The centre of the house displays three splendid pillars,
made from the trunks of three tall trees; these support the roof-tree,
and are connected with the sides of the dome by several tiers of slender
beams, beautifully graded in size and length. The guest-house of
Falepunu belongs to a high chief, and is in consequence exceptionally
handsome. Its roof-tree is fifty feet from the floor, and the width of
the house, on the floor-level, is the same. Forty wooden pillars, each
seven feet high, support this handsome dome, every inch of which is
laced and latticed and tied together with the finest of plaited cocoanut
fibre, stained black, red, and yellow, and woven into pattern like
elaborate chip carving.
There is not a nail used in the construction of the house. One wet
afternoon I attempted to count the number of thousand yards of sinnet
(plaited cocoanut fibre) that must have been used in this colossal work,
and gave it up in despair. The number of the mats used in forming
the blinds was more calculable. Each opening between the pillars was
surmounted by seven plaited cocoanut-leaf mats, fastened up under the
eaves into a neat little packet. These could be dropped like a Venetian
blind, whenever rain or wind proved troublesome. The total number of
mats was two hundred and seventy-three.
The floor of a Samoan house consists of a circular terrace, raised some
two feet above the level of the ground. It is surrounded by a shallow
ditch, and it is made of large and small stones, closely fitted
together, and covered with a final layer of small white coral pebbles
from the beach. This forms the carpet of the house, and is known as
“Samoan feathers,” from the fact that it also forms everybody’s bed at
night, covered with a mat or two.
The chief, Pula-Ulu, and his wife, Iva, who were in charge of the
guest-house, in the absence of its owner, received us joyfully, and
proceeded to make a feast for us at once. Fowls were killed, baked
bread-fruit and taro brought from the ovens outside (which were simply
pits dug in the ground, and filled with hot stones), and oranges and
pineapples plucked from the nearest grove. We sat crosslegged on the
mats, and ate till we could eat no more; then, “faa Samoa,” we lay down
where we were to rest and doze away the hot hours, of the afternoon.
In the evening, Iva lit a big ship’s hurricane lamp, and set it on the
floor; and half Falepunu came in to call. In rows and rows they sat on
the floor-mats, their brown, handsome faces lit up with interest and
excitement, fanning themselves ceaselessly as they sat, and asking
endless questions of the half-caste lady, who interpreted for the
others. I, as coming from London, was the heroine of the hour, for the
Samoans are all greatly interested in “Beritania” (Britain) and, in
spite of the German annexation, still prefer the English to any other
nation.
The inevitable question: “Where was my husband?” followed by: “Why had I
not got one?”--in a tone of reproachful astonishment--was put by almost
every new-comer. The half-caste visitor explained volubly; but the
villagers still looked a little puzzled. The Samoans have in almost
every village a “taupo” or “Maid of the Village,” whose office it is to
receive guests, and take a prominent part in all public ceremonies and
festivals. But she only holds office for a very few years, until she
marries, and she is always surrounded, when travelling, by a train of
elderly attendants. An unmarried woman who had money of her own, who
wandered about alone, who held office in no village, here or at home,
this was decidedly a puzzle to the Falepunu folk, whose own women all
marry at about fourteen. They had seen white women; travelling with
their husbands, but never one who had ventured from Beritania all alone!
There was evidently some difficulty, at first, in “placing” me according
to Samoan etiquette, which is both complex and peculiar. A white women
with her husband presents no difficulty, since the “faa Samoa” always
gives the superior honour to the man, and therefore the woman must only
receive second-class ceremony. In my case, the question was solved later
on, by classing me as a male chief! I was addressed as “Tamaite” (lady),
but officially considered as a man; therefore I was always offered kava
(the national drink of Samoa, never given to their own women, and not
usually to white women), and the young chiefs of the district came
almost every evening to call upon me in due form, sitting in formal
rows, and conversing, through an interpreter, in a well-bred, gracious
manner, that was oddly reminiscent of a London drawing-room. The women
did not visit me officially, although I had many a pleasant bathing and
fishing excursion in their company.
On the first evening the callers stayed a long time--so long, that we
all grew very weary, and yearned for sleep. But they kept on coming, one
after another; and by-and-by half-a-dozen young men appeared, dressed in
kilts of coloured bark-strips; adorned with necklaces of scarlet berries
and red hibiscus flowers, and liberally cocoanut-oiled. In the centre
of the group was the most extraordinary figure I had ever seen--a white
man, his skin burned to an unwholesome pink by exposure, his hair pure
gold, extremely fine and silky, and so thick as to make a huge halo
round his face when shaken out. His eyes were weak, and half shut, and I
was not surprised to hear that he was not really of white descent, being
simply a Samoan albino, born of brown parents. This man, being the son
of a chief, took the principal figure in the dance that was now got
up for our amusement. The seven men danced on the floor-mats,
close together, the albino in the centre, all performing figures of
extraordinary agility, and not a little grace. The music was furnished
by the other spectators, who rolled up a mat or two, and beat time on
these improvised drums, others clapping their hands, and chanting a
loud, sonorous, measured song.
At the end of the dance the performers, streaming with perspiration (for
the night was very hot) and all out of breath, paused for our applause.
We gave it liberally, and added a tin or two of salmon, which was
joyfully received, and eaten at once. All Samoans love tinned salmon,
which, by an odd perversion, they call “peasoupo.” No doubt the first
tinned goods seen in the islands were simply tinned peasoup. This would
account for the extraordinary confusion of names mentioned above.
By this time we were so utterly weary that we lay down on the mats where
we were, and almost slept. Iva, seeing this, chased most of the callers
out with small ceremony, and got up the calico mosquito curtain that was
to shelter the slumbers of all three travellers. It enclosed a space of
some eight feet by six. Within, plaited pandanus-leaf mats were laid,
two thick, upon the white pebble floor, and Samoan pillows offered us.
A Samoan pillow is just like a large fire-dog, being simply a length of
bamboo supported on two small pairs of legs. If you are a Samoan, you
lay your cheek on this neck-breaking arrangement, and sleep without
moving till the daylight. We preferred our cloaks rolled up under our
heads.
The invaluable little mosquito tent served as dressing-room to all
of us, and very glad we were of it, for there were still a good many
visitors, dotted about the floor of the great guest-house, smoking
and chattering; and none of them had any idea that a white woman
could object to performing her evening toilet in public, any more than
a-Samoan girl, who simply takes her “pillow” down from the rafters,
spreads her mat, and lies down just, as she is.
No-bed-clothes were needed, for the heat was severe. We fidgeted about
on our stony couch, elbowed each other a good deal, slept occasionally,
and woke again to hear the eternal chatter still going on outside
our tent, and see the light still glowing through the calico. It was
exactly, like going to bed in the-middle of a bazaar, after making a
couch out of one of the stalls.
At last, however, the light went out; Iva, Pula-Ulu, and their saucy
little handmaiden and relative, Kafi, got under their mosquito curtains,
quite, a little walk away, at the other side of the dome, all the guests
departed, and there was peace.
Next, morning my friends went away and I was left to study the fife of
a Samoan village alone, with only such aid as old Iva’s very few English
words could give me, since I did not know above half-a-dozen; sentences
of the Samoan tongue. There were no great feasts, no ceremonies or
festivals while I was in Falepunu, only the ordinary, everyday fife of
the village, which has changed extremely little since the coming of the
white men, although that event is three generations old.
Perhaps the greatest change is in the native treatment of guests.
Hospitable, polite and pleasant the Samoans have always been and still
are; but in these days, when a white visitor stays in a native house, he
is expected to give presents when parting, that fully cover the value of
his stay. This is contrary to the original Samoan laws of hospitality,
which still hold good in the case of natives. No Samoan ever thinks of
paying for accommodation in another’s house, no matter how long his stay
may be; nor is there the least hesitation in taking or giving whatever
food a traveller may want on his way. But the white visitors who have
stayed in Samoa have been so liberal with their gifts, that the native
now expects presents as a right. He would still scorn to take money for
his hospitality, but money’s worth is quite another matter.
Otherwise, the “faa Samoa” holds with astonishing completeness. Natives
who have boxes full of trade prints, bought from the lonely little
European store that every island owns, will dress themselves on
ceremonial occasions in finely plaited mats, or silky brown tappa cloth.
Houses on the verge of Apia, the European capital, are built precisely
as houses were in the days of Captain Cook; though perhaps an
incongruous bicycle or sewing-machine, standing up against the central
pillars, may strike a jarring note. Men and women who have been to
school, and can tell you the geographical boundaries of Montenegro, and
why Charles I.’s head was cut off--who know all about the Russo-Japanese
war, wear full European dress when you ask them to your house, and sing
“In the Gloaming” or “Sail away” to your piano--will take part in a
native “si va” or dancing festival, dressed in a necklace, a kilt, and
unlimited cocoanut-oil, and may be heard of, when the chiefs are
out fighting, roaming round the mountains potting their enemies with
illegally acquired Winchesters, and cutting off the victims’ heads
afterwards. The “faa Samoa” holds the Samoan, old and young, educated or
primitive, through life and to death.
[Illustration: 0392]
Uneventful, yet very happy, was the little week that time allowed me
among the pleasant folk of Falepunu. When the low, yellow rays of
the rising sun hot under the wide eaves of the great guest-house,
and striped the white coral floor with gold, and the little green
parrakeets began to twitter in the trees outside, and the long sleepy
murmur of the surf on the reef, blown landward by the sunrise wind,
swelled to a deep-throated choral song--then, I used to slip into my
clothes, come out from my mosquito tent, and see the beauty of the new
young day. Dawn on a South Sea Island! The rainbow fancies of childhood
painted out in real--the
Dreams of youth come back again,
Dropping on the ripened grain
As once upon the flower.
Iva, Pula-Ulu, and Kafi would be awake also, and moving about. No minute
of daylight is ever wasted in these tropical islands; where all the year
round the dawn lingers till after five, and the dark comes down long
before seven. None of my house-mates had much toilet to make. They
simply got up from their mats, hung up the pillows, put the mosquito
nets away, and walked forth; clad in the cotton lava-lavas of yesterday,
which they had not taken off when they lay down. Taking soap and bundles
of cocoanut fibre off the ever useful rafters they went to bathe in the
nearest river. Before long they came back, fresh and clean, and wearing
a new lava-lava, yesterday’s hanging limp and wet from their hands--the
Samoan generally washes his garments at the same time as himself. Then
Iva boiled water for my tea, and produced cold baked bread-fruit and
stewed fish, and I breakfasted, taking care to leave a good share of
tea, butter, and any tinned food I might open, for the family to enjoy
afterwards. It is a positive crime in Samoa to eat up any delicacy all
by yourself--an offence indeed, which produces about the same impression
on the Samoan mind as cheating at cards does upon the well-bred
European. The natives themselves usually eat twice a day, about noon,
and some time in the evening; but a Samoan is always ready to eat at any
hour, provided there is something nice to be got. Good old Iva enjoyed
my tea and tinned milk extremely, and so did her pet cronies. They used
to call in now and then, in the hope of getting some--a hope liberally
fulfilled by Iva, who distributed my goods among them with charming
courtesy, and a total innocence of any possible objection on my part,
which disarmed all criticism. I might have taken anything she had, from
her Sunday lava-lava to her fattest fowl, and kept it or given it away;
equally without remonstrance. Such is the “faa Samoa.” That any one
continues to retain anything worth having; under such circumstances,
speaks well for the natural unselfishness of the people. They may be a
little greedy with the whites--much as we ourselves should no doubt be
greedy if half-a-dozen millionaires were to quarter themselves in
our modest mansions, or come to stay in our quiet suburbs--but among
themselves they are wonderfully self-’ restrained, and at the same time
faultlessly generous.
After my breakfast, following the agreeable Samoan custom, I lay down
on a mat and dozed a little, to feel the wind blowing over my face from
the sea, as I wandered half in and half out of the lands of dreams,
and saw with semi-closed eyes the sun of the hot morning hours turn the
green of the bush into a girdle of burning emerald-gold, clasped round
the pleasant gloom of the dark over-circling roof. Pula-Ulu was out on
“ploys” of his own; Kafi had gone to fish, or to flirt; Iva, pulling a
fly-cover over her body, slept like a sheeted corpse on her own mat,
off the other side of the central pillars.
After an hour or two--there was never any time in Falepunu--I would
rise, and call for Kafi, and we would walk slowly through the smiting
sun, to a fairylike spot in the lovely bay of Falefa--a terrace of grey
rock clothed with ferns, and shaded by thick-growing palms and chestnut
and mango trees. The great white waterfall, cool as nothing else is cool
in this burning land, thundered within fifty yards of us, turning the
salt waters of the bay to brackish freshness, and spraying the hot air
with its own delicious cold. Here we swam and dived for hours at a time,
getting an old canoe sometimes, and paddling it up under the very spray
of the fall--upsetting it perhaps, and tumbling out While Kafi yelled as
if she could not swim a stroke, and anticipated immediate death (being,
of course, absolutely amphibious). A pretty little minx was Kafi, small
and black-eyed and piquante, always with a scarlet hibiscus bloom, or a
yellow and white frangipani flower, stuck behind her ear; always tossing
her head, and swaying her beautiful olive arms, and patting her small
arched foot on the ground, when she stood waiting for me under the
palms, as if she could not keep her elastic little frame, from dancing
of itself. Pretty, saucy, mischievous little Kafi, she gave me many a
bad moment wickedly calling out, “S’ark!” when we were swimming far from
land, in places where it was just conceivable that a shark might be; but
I forgive her everything, for the sake of that unique and charming small
personality of hers. Not even Fangati, the languorous sweet-eyed Taupo
of Apia, can compete with her in my memories of fascinating island girls
and pleasant companions.
One morning--it must have been somewhere near the middle of the day--Iva
and Kafi and I were walking back from Falefa, tired out and very hungry
(at least, I will answer for myself), when we were hailed from the house
of a chief, and asked to come in. We did so, all saying, as we bowed our
heads to step under the low eaves: “Talofa!” (my love to you), and being
answered with a loud chorus: “Talofa, tamaite! (lady); Talofa, I va;
Talofa, Kafi.” I took my seat cross-legged on the mats, and looked about
me. All round the house in a Circle were seated a number of men, about
a dozen, each with a bundle of cleaned and carded cocoanut husk fibre,
called sinnet, beside him, and a slender plait of sinnet in his hand, to
which every minute added on an inch or so of length. It was evidently
a “bee” for making sinnet plait, and it solved a problem that had
perplexed me a good deal--namely, how all the thousands of sinnet
used instead of nails in building Samoan houses, were ever obtained.
Afterwards I learned that Samoan men occupy much of their unlimited
leisure time in plaiting sinnet. The bundle of husk and the-neat-little
coil of plait are to a Samoan man what her needle and stockings are to
a Scotch housewife; he works away mechanically with them in many an odd
moment, all going to swell the big roll that is gradually widening and
fattening up among the rafters; Some of the sinnet thus made is as fine
as fine twine, yet enormously strong....
My hosts, it seemed, were just going to knock, off work for the
present, and have some kava, and I was not sorry to join them, for kava
is a wonderfully refreshing drink, among these tropical islands, and
wholesome besides. It was made Tongan fashion, by pounding the dry
woody’ root with stones, pouring water over the crushed fragments,
and straining the latter out with a wisp of hibiscus fibre. A handsome
wooden bowl was used, circular in form, and supported on; a number of
legs--the whole being carved out of one solid block of wood. The ancient
Samoan way of preparation was to chew the kava root, and deposit the
chewed, lamps in, the bowl, afterwards pouring on the water; but this
practice has died out, in many parts of Samoa, though in some of the
islands it is still kept up.
My kava On this occasion was not chewed, and I was thankful, as it is
unmannerly to refuse it under any circumstances.
The kava made, the highest chief present called the names, according, to
etiquette, as in Tonga, in a loud resounding voice. I answered to my
own (which came first, as a foreign, chief) by clapping my hands, in the
correct fashion, and drained the cocoanut bowl that was handed me. Kava,
as I had already learned, quenches thirst; removes fatigue, clears the
brain, and is exceedingly cooling. If drunk in excess it produces a
temporary paralysis of the legs, without affecting the head; but very
few natives and hardly any whites do drink more than is good for them.
After the kava, two young men came running in from the bush, carrying
between them an immense black wooden bowl, spoon-shaped, three-legged,
and filled with something exactly like bread-and-milk, which they had
been concocting at the cooking-pits. It was raining now, and the thrifty
youths had taken off their clothes, for fear of spoiling them, yet
they were dressed with perfect decency, and much picturesqueness. Their
attire consisted of thick fringed kilts, made of pieces of green banana
leaves (a banana leaf is often nine or ten feet long, and two or three
wide), and something like a feather boa, hung round the neck, of the
same material. Clad in these rain-proof garments, they ran laughing
through the downpour, their bowl covered with another leaf, and
deposited it on the floor, safe and hot.
A section of banana-leaf was now placed on the mat beside each person,
also a skewer, made from the midrib of the cocoanut leaf. Then the
servers dipped both hands generously into the food, and filled each leaf
with the bread-and-milk, or “tafolo,” which turned out to be lumps of
bread-fruit stewed in thick white cream expressed from the meat of
the cocoanut. Better eating no epicure could desire; and the food is
exceedingly nourishing. We ate with the cocoanut skewers, on which
each creamy lump was speared; and when all was done we folded the
leaf-plates into a cone, and drank the remaining cream. Afterwards, Iva
and Kafi and I took our leave, and I hurried back to Falepunu, feeling
that my hunger and fatigue had been magically removed, and that I
was ready for anything more in the way of exercise that the day might
produce.
I had no watch or clock with me, and this was certainly an advantage,
since it compelled me to measure time in the pleasant island fashion,
which simply marks out the day vaguely by hot hours and cool hours, and
the recurring calls of hunger. No one who has not tried it can conceive
the limitless freedom and leisure that comes of this custom. Time is
simply wiped out. One discovers-all of a sudden, that one has been
groaning under an unbearable and unnecessary tyranny all one’s
life--whence all the hurry-scurry of civilisation? why do people rush
to catch trains and omnibuses, and hasten to make and keep appointments,
and have meals at rigidly fixed times, whether they are hungry or not?
These are the things that make life short. It is inimitably long, and
curiously sweet and simple, in the island world. At first one finds it
hard to realise that no one is ever waiting for dinner, or wanting to go
to bed--that eating and sleeping are the-impulse of a moment, and not a
set task--but once realised, the sense of emancipation is exquisite and
complete.
The Samoan does what he wants, when he wishes, and if he does not wish a
thing, does not do it at all. According, to the theology of our youthful
days, he ought in consequence to become a fiend in human shape; but he
does nothing of the kind. He is the most amiable creature on earth’s
round ball. Angry voices, loud tones even, are never heard in a Samoan
house. Husbands never come home drunk in the evening and ill-use their
wives; wives never nag at their husbands; no one screams at children, or
snaps at house-mates and neighbours. Houses are never dirty; clothes are
always kept clean; nothing is untidy, nothing superfluous or ugly.
There is therefore no striking ground for ill-temper or peevishness;
and amiability and courtesy reign supreme. The Samoan has his
faults--sensuality, indolence, a certain bluntness of perception as to
the white man’s laws of property--but they are slight indeed compared
with the faults of the ordinary European. And, concerning the tendency
to exploit the latter person, which has been already mentioned, it must
not be forgotten that if a white man is known to be destitute and in
want, the very people who would have eagerly sought for presents from
him while he was thought to be rich, will take him in, feed and-lodge
him; without a thought of payment, and will never turn him out if he
does not choose to go.
Sometimes, in the long, lazy, golden afternoons, a woman or two would
drop in, and bring with her some little dainty as a present for the
stranger. “Palusani” was the favourite, made, as in Niué, of taro-tops
and cocoanut; the cook grating down the meat of the nuts, and straining
water through the oily mass thus produced. The cream is very cleverly
wrapped up inside the leaves, and these are again enveloped in larger
and tougher leaves. While baking, the cream thickens and condenses, and
permeates the taro-tops completely. The resulting dish is a spinachlike
mixture of dark green and white, odd to look at, but very rich and
dainty to eat.
Another present was a sort of sweetmeat, also made from cocoanut cream,
which was baked into small brown balls like chocolates, each containing
a lump of thickened cream inside. These were generally brought tied up
in tiny square packets of green banana leaf. Small dumpy round puddings,
made of native arrowroot, bananas, cocoanut, and sugar-cane juice, used
also to be brought, tied up in the inevitable banana-leaf; and
baked wild pigeon, tender and juicy, was another offering not at all
unacceptable. As a typical millionaire, possessed of several dresses,
change for some sovereigns, and countless tins of salmon, I was expected
to give an occasional _quid pro quo_, which usually took the form of
tinned fish or meat, and was much appreciated.
I do not know how late it was, one night--the moon had been up for many
hours, but no one seemed to want to go to bed--when I heard a sound of
splashing and laughing from the brightly silvered lagoon beyond the belt
of palms. I went out, and saw thirty or forty of the native women wading
about in the shallow water inside the reef, catching fish. It looked
interesting, so I shed an outer skirt or two, kilted up what remained,
and ran down the white shelving beach, all pencilled with the feathery
shadows of tossing palms, into the glassy knee-deep water. How warm it
was! as hot as a tepid bath at home--how the gorgeous moonlight flashed
back from the still lagoon, as from a huge silver shield! The whole
place was as light as day; not as a Samoan day, which is too like the
glare from an open furnace to be pleasant at all times, but at least,
as light as a grey English afternoon.
The girls, wearing only a small lava-lava, were wading in the water,
some carrying a big, wide net made out of fine fibres beaten from the
bark of a Samoan tree; others trailing two long fringes of plaited palm
leaves, about a yard deep, and twenty or thirty yards long. These were
drawn through the water about twenty yards apart, the girls walking
along for a few minutes in two parallel rows, and then quickly bringing
the ends of the palm fringes together in an open V shape. The net was
placed across the narrow end of the V, and from the wide end two or
three splashed noisily down the enclosed space, driving before them into
the net all the little silvery fish who had been gathered together by
the sudden closing in of the palm-leaf fringes. Then there was laughing
and crying out,-and the moon shone down on a cluster of beautiful
gold-bronze figures, graceful as statues, stretching out their small
pretty hands and wild curly heads, diamond-gemmed with scattered drops
of water, over the gathered-in net, now sparkling and quivering with
imprisoned life. The captured fish were dropped into a plaited palm-leaf
basket; and then the two lines of girls separated once more, and marched
on through the warm silvery water, singing as they went.
I think, though I do not know, that this simple sport (which was, after
all, a necessary task as well) went on nearly all the night. The Samoan
is not easily bored, and no one minds losing a night’s rest, when there
is all the hot day to doze on the mats. I gave up an hour or so, and
returned to the guest-house, loaded with presents of fish. It was quite
absurd, but I wanted to go to bed, silly inferior white person that I
was! so I crept under my calico tent, and “turned in,” feeling amid the
stir and chatter, the singing and wandering to and fro, of those moonlit
small hours, exceedingly like a child that has to follow nurse and go to
sleep, while all the grown-ups are still enjoying themselves downstairs.
The night before I left for Apia once more, I bought my farewell
presents at the solitary little store that was marooned away down on
the beach at Falefa, and bore on its house front the mysterious
legend--“MISIMOA”--all in one word--translatable as “Mr. Moore!” Advised
by the trader’s native wife, I got several lava-lavas for the old chief
and his wife, also a “Sunday frock” piece of white muslin, and some
lace, for Iva herself. Poor old Iva! she could not afford herself many
clothes, being only a caretaker in the great house; and I had felt sorry
for her when I saw her missionary-meeting frock--only an old blue print.
All the Samoan women love to turn out in trade finery on Sundays, and a
white muslin, with lace, made exactly like a British nightdress, is the
height of elegance and good form. I gave Pula-Ulu, furthermore, a yellow
shirt spotted with red horses; and as a final gift for Iva, I selected a
large white English bath-towel, with crimson stripes and edge. This last
I knew would certainly be Iva’s best week-day visiting costume for some
time to come.
All these splendours I tied up in a brown paper parcel, and left on
my portmanteau. Samoan etiquette is very strict about the giving and
receiving of presents, and prescribes absolute ignorance, on the part
of the recipient, of any such intention being about; but Iva could not
resist pinching the parcel, and whispering--“Misi! what ‘sat?”
“Ki-ki, Iva,” (food), I answered.
“You lie!” said Iva delightedly, poking me in the ribs. She had no idea
that she was not expressing herself with the most perfect elegance and
courtesy; the Samoan tongue has no really rude words, and Samoans often
do not realise the quality of our verbal unpolitenesses.
Next morning, however, when my “solofanua” (animal that runs along the
ground-->horse) was standing out under the bread-fruit trees, and all my
goods had been tied about the saddle, till the venerable animal
looked like nothing on earth but the White Knight’s own horse--Iva and
Pula-Ulu, bidding me good-bye with the utmost dignity, did not even
glance at the parcels which I threw across the house, at their heads,
narrowly escaping hitting their old grey hair. This was etiquette. In
Samoa, a formal gift must be thrown high in the air at the recipient, so
as to fall at his feet; and he must not pick it up at once, but simply
say “Fafekai” (thank you) with a cold and unmoved accent, waiting until
the giver is gone to examine the present. The inner meaning of the
custom is the supposed worthlessness of the gift, when compared with
the recipient’s merits--it is mere rubbish, to be cast away--and the
demeanour of the recipient himself is intended to suggest that in any
case he is not eager for gifts.
A long, hot ride of twenty miles back to Apia and civilisation filled up
the day. The pendulum of Time, held back for a whole dreamy, lazy week,
had begun to swing once more; and all day I worried about the hour I
should get in. I was late for _table d’hote_; I was met by a “little
bill”; and the mail had come in since I left. Thus Apia welcomed me; and
thus I “took up the white man’s burden” once again.
*****
“Talofa!” says a gentle yet insistent voice.
It is only half-past six, and I am exceedingly sleepy, so I bury my face
in the pillow, and try not to hear.
“Talofa!” (How do you do?), repeats the voice, a little louder, and my
basket armchair creaks to the sudden drop of a substantial weight. I
open my eyes, and see, through the dim mist of the mosquito-curtains,
the taupo, Fangati, sitting beside my bed.
Fangati is my “flennie,” and that means a good deal more in Samoa than
the cold English word “friend,” from which if is derived. She attached
herself to me upon my arrival in Apia, some weeks ago, and has ever
since continued to indicate, in the gentle Samoan way, that she prefers
my company to that of any other white woman on the island. There is
nothing contrary to Samoan etiquette in her calling upon me at 6.30
a.m., for Samoa knows not times or seasons, save such as are pleasing to
itself for the moment. If I were suffering from sleeplessness and went
to call on Fangati at midnight, she would certainly awake, get up off
her mat, take a fan in her hands, sit down cross-legged on the floor,
ready to talk or yarn for the rest of the night--without the smallest
surprise or discomposure. So, aspiring after the ideal of Samoan
politeness, I feel bound to shake myself awake, and talk.
Fangati is very much “got up” this morning. She is a chief’s daughter,
of high rank, and her wardrobe is an extensive one. To-day she has a
short tunic of tappa (native cloth, beaten out of the bark of a paper
mulberry tree), satiny brown in colour, and immensely pinked and
fringed. This is worn over a lava-lava, or kilt, of purple trade print,
reaching a little below her knees. Her beautiful pale brown arms (all
Samoan women have exquisitely shaped arms) and small arched brown feet
are bare. In her thick, wavy hair she has placed one large scarlet
hibiscus flower, and there are three or four long necklaces round her
neck, made of the crimson rind of a big scented berry, cut into curly
strips. One of these, as a matter of common courtesy, she flings over
my nightdress as we talk, and smiles sweetly at the brilliant effect
achieved.
“Ni--ice!” says Fangati. She can speak quite a good deal of English, but
she smooths and trims it prettily to suit her own taste, and the harsh
language of the black North loses all its roughness on her lips.
She has come to tell me that there will be dancing at the village of
Mulinuu this afternoon, as it is the German Emperor’s birthday, and a
great many kegs of salt beef and boxes of biscuit have been given to the
villages by the Government, to celebrate the day. (Not such a bad method
of encouraging loyalty in a newly acquired colony, either.) There
are to be some taupo dances, and Fangati will take a leading part.
Therefore I must be certain to come and see my “flennie” perform. This
matter settled, Fangati gets up and drifts to the washstand, tastes my
cold cream and makes a face over it, points to a jug of cold tea and
says “You give?” shares the luxury with her ancient chaperon, who is
sitting on the doormat, and then melts away down the verandah, dreamily
smoking a native-made cigarette.
It is now time to explain what a taupo is, and why the dances to-day
will be especially attractive. .
Most Samoan villages possess a taupo, or mistress of the ceremonies,
who has many duties, and many privileges as well. She is always young,
pretty, and well-born, being usually the daughter of a high chief. She
remains unmarried during her term of office, which may last for many
years, or for only a few months. The propriety of her conduct is
guaranteed by the constant presence of certain old women, who always
accompany her on visits or journeys. Sometimes her train is increased by
the addition of a dwarf or a cripple, who seems to act a part somewhat
similar to that of a mediaeval court fool. Her duties oblige her to
receive and entertain all guests or travellers who pass through her
village; to make kava (the universal drink of the Pacific islands) for
them, welcome them to the guest-house, which is a part of every Samoan
settlement, and dance for their amusement. She is treated with royal
honours by the villagers, always handsomely clothed, and luxuriously fed
on pig and chicken, and never required to do any hard work, while the
other girls have to be content with taro-root and bread-fruit, and are
obliged to work in the fields, carry water, and fish on the reef in the
burning tropic sun. When there is a festival, she takes the principal
part in the dances; and when the tribes are at war (as occasionally
happens even to-day) the taupo, dressed as a warrior, marches out with
the ceremonial parade of the troops, and acts as a _vivandière_ during
the fight, carrying water to the soldiers, and bringing ammunition when
required. This duty is not one of the safest, for, although no Samoan
warrior knowingly fires on any woman, much less on a taupo, stray
bullets take no account of persons, and many a beautiful young “Maid of
the Village,” in times past, has justified her warrior dress by meeting
with a soldier’s death.
Well-mannered as all Samoan women are, the taupo is especially noted for
the elegance of her demeanour. My “flennie’s” bearing reminds me oddly
at times of the manner of a London great lady, accustomed to constant
receiving, and become in consequence almost mechanically “gracious.”
She never moves abruptly; her speech is calm and self-possessed, and her
accent soft and _traînant_. There are, however, taupos and taupos. Vao,
who lives just across the way, is by way of being an “advanced woman.”
She plays native cricket in a man’s singlet and a kilt, dances a knife
dance that tries the nerves of every one that looks on, wears her hair
short and is exceedingly independent, and a little scornful. Vao does
not want to marry she says; but I have an idea, all the same, that
if just the right sort of young chief came along, with just the
irresistible number of baskets of food (these take the place of bouquets
and chocolate boxes among Samoan wooers), Vao would renounce her dignity
of taupo just as readily as other Maids of the Village have done when
Mr. Right appeared. On her wedding day she would dance her last dance
for the villagers, according to immemorial custom, and thenceforward
live the quiet home-life of the Samoan wife and mother, all the
footlights out, all the admiring audience gone, and only the little
coral-carpeted, brown-roofed cottage with its small home duties and
quiet home affections left.
Then there is the taupo Fuamoa--but of her more anon, as the Victorian
novelist used to say.
Early in the afternoon, when the sun was at its very hottest--and what
that heat can be, at 130 south, in the height of the hot season, let
Pacific travellers say--I made my way down to Mulinuu under a big
umbrella, and took my place on the mats laid to accommodate the
spectators. The dancing was in full swing. A long row of young men,
dressed in short kilts of many-coloured bark strips--red, pink, green,
yellow, purple--and decked out with anklets of green creepers and
necklaces of big scarlet berries, which looked just like enormous coral
beads, were twirling and pirouetting, retreating, advancing, and waving
their arms, in wonderfully perfect time. The Samoan, man or woman, is
born with a metronome concealed somewhere in his or her works, to all
appearance. Certainly the exquisite sense of time and movement displayed
in children’s games, grown-up dances, and all the songs of the people,
seems almost supernatural, as the result of unaided impulse.
The arms and hands play a remarkable part in the dance. Every finger is
made a means of expression, and the simultaneous fluttering and waving
of the arms of an entire _corps-de-ballet_ can be compared to nothing
but the petals of a bed of flowers, sent hither and thither by a
capricious wind.
There is no instrumental music, for the Samoans--strange to say, for a
music-loving people--have no instruments at all, unless one may count
the occasional British mouth-organ. But the sonorous, full-voiced
chanting of the chorus that sits cross-legged on the grass at a little
distance, leaves nothing to be desired in the way of orchestra. A
favourite tune, which one is sure to hear at every Samoan dance-meeting
or “siva” is the following, commenced with a loud “Ai, ai!”
It is first sung very slowly, and gradually increased in speed until the
dancers give up in despair.’ ‘The faster they have danced before giving
in, the louder is the applause.
[Illustration: 0312]
By-and-by the men conclude their dance, and retire, loudly clapped,
and followed by cries of “Malo! malo!” (well done). A short interval
follows. The many-coloured crowd seated on the grass fans itself, smokes
cigarettes, and chatters; the dry palm-fronds rustle in the burning sky
overhead, harshly mimicking the cool whisper of forest leaves in gentler
climes. Suddenly six handsome young men, splendidly decorated, their
brown skins satiny with’ rubbing of perfumed cocoanut-oil, rush into
the middle of the green, and in the midst comes a seventh, smaller,
slighter, and handsomer than the rest. What a beautiful youth! almost
too young, one would have thought, for the smart black moustache that
curves above his upper lip--wonderfully active, supple, and alive in
every movement--a skin like brown Lyons silk, limbs---- Why, it is
a girl! the taupo Fuâmoa, dressed (or rather undressed) as a Samoan
warrior, and full to the brim of mischief, sparkle, and fun. She wears
a fringe of coloured bark-strips round her waist, and a very big kilt
of scarlet and white striped cotton underneath. The rest of her attire
consists of a necklace of whale’s teeth inestimably valuable, a
string of red berries, and a tall helmet, or busby, apparently made of
brilliant yellow fur. Her exquisitely moulded figure is as Nature made
it, save for a rubbing of cocoanut-oil, that only serves to bring out
the full beauty of every curving line. Strange to say, the black-painted
moustache is wonderfully becoming, so too is the imposing helmet;
and does not Fuamoa know it? and is not she saucy, and dainty, and
kitten-like, as she frisks and plays in the centre of the dance, making
the prettiest of eyes at the audience, and flashing her white teeth
delightedly under the wicked little black moustache? She is a celebrated
dancer, being only surpassed on the island by one other taupo--Vao, who
is not appearing to-day. You would never think, as her little brown feet
twinkle over the grass, and her statuesque brown arms wave above her
head, while the merry smile ceaselessly comes and goes, that Fuamoa is
suffering positive agonies all the time, from the splendid war-helmet
that adorns her head; yet that is the truth. One must indeed suffer to
be beautiful, as a Samoan taupo. Before the helmet is put on, the girl’s
long thick hair is drawn up to the top of her head, and twisted as
tightly as strong arms can twist it, so that her very eyebrows are
pulled out of place, and every hair is a separate torture. Then the
great helmet is fastened on as firmly as a rock, with countless tight
cords, and the dancer is ready for her part, with a scalp on fire and
a torturing headache, which will certainly last until she can take the
cruel decoration off.
[Illustration: 0315]
There are several taupo dances this afternoon, but only two of the
girls have the courage to wear the helmet. Fangati, my little “flennie,”
frankly confesses that she cannot stand it. “He made me cly-y-y!
too much!” she says, and shows me the pretty wreath of crimson berry
peelings and green leaves that is to adorn her own curly head.
These helmets, it may be noted, are not made of fur, as one might
suppose at a first glance. The material is human hair, cut from the head
of a Samoan girl, and dyed bright yellow with lime. In time of war, it
is a common thing for a girl to offer up her beautiful tresses to make
a helmet for father, husband, or lover; and the wearer of such a gift is
as proud as a knight of Arthur’s Round Table may have been, bearing on
his crest his lady’s little pearl-broidered glove.
It is Fangati’s turn to dance now, and out she trips, wearing a valuable
mat of the finest plait, her pretty wreath, countless scarlet necklaces,
and a modest girdle of coloured silk. Fangati has the prettiest foot
and hand in Apia, and she is a dainty little dancer--not so marvellously
agile and spirited as Fuamoa, and with much less of “devil” in her
composition, but a pretty and a pleasant creature to watch. She has
reached the twenties, and gone nearly half-way through them, so that she
is in a fair way to become an old maid, according to Samoan ideas; but
she still retains her maiden state, and declares she will not marry, in
spite of good offers from several chiefs. It is said in Apia that she is
proud, and wishes to marry a white man--which is much as if a charming
English country girl should determine to mate with nothing less than
a duke. Country lasses do marry dukes, but not often; and there is
not much more chance of my “flennie’s” attaining her ambition, unless
Providence is very kind.
[Illustration: 0433]
[Illustration: 0438]
The ordinary Samoan is obliged to do a little work now and then, since
yam patches must be cultivated, breadfruit plucked and cooked, banana
and arrowroot puddings made, fish caught, nets woven, houses built and
repaired. But all in all there is not much to do, and the real business
of life in Samoa is amusement. _Le monde où l’on s’amuse_, for most
people means a certain circle of London and Paris; but for all who have
travelled in the South Seas, it means, once and for all, Samoa.
The taupo is of course at the head and front of every diversion, for,
little as the other people have to do, she has less, having nothing at
all. A day at Papaseea is one of her favourite delights. During my stay
in Samoa one of these pleasant native picnics was organised for me, and
I set off on a lovely morning for the “Sliding Rock,” accompanied by
fifteen native and half-caste girls, stowed away in six buggies. It
was a long drive in the burning sun, and afterwards a long rough
walk through the bush, among wild pineapples, scarlet hibiscus, tall,
creamy-flowered, pungent, scented ginger-bushes, red-fruited cacao,
quaint mammee-apple trees, mangoes, Pacific chestnuts, and countless
other strange tropic growths. Hot and tired as we all were, the Papaseea
rock, when we reached it, seemed a perfect Paradise.
Imagine a deep gorge in the heart of green, heavily-wooded hills; at
the bottom, a narrow channel shaded by overhanging trees, where the pure
mountain water runs clear and cold and deep, amber-brown pools quiver
at the foot of white plunging falls--one only some seven feet high, the
other a good thirty. This last was the Sliding Rock, over which we were
all going to fling ourselves _à la_ Sappho by-and-by, only with less
melancholy consequences. It looked formidable enough, and when Pangati
and the others, with cries of delight, pulled off their dresses, wound
white and pink and green cotton lava-lavas over one shoulder, and
round from waist to knee, crowned themselves picturesquely with woven
fern-leaves, and plunged shrieking over the fall, I began to wish I had
not come, or coming, had not promised to “slide.” However, there was no
help for it, so I got into my English bathing-dress, which excited
peals of merry laughter, because of its “continuations,” waded down the
stream, and sitting in the rush of the water, held tightly on to a rock
at each side, and looked over my own toes at the foaming, roaring thirty
feet drop.
It was all over in a minute. Just an unclasping of unwilling hands
from the safe black rocks, a fierce tug from the tearing stream, an
exceedingly unpleasant instant when one realised that there was no going
back now at any price, and that the solid earth had slipped away as it
does in the ghastly drop of a nightmare dream; then nothing in the world
but a long loud roar, and a desperate holding of the breath, while the
helpless body shot down to the bottom of the deep brown pool and up
again--and at last, the warm air of heaven filling one’s grateful lungs
in big gasps, as one reached the surface, and swam across to the other
side of the pool, firmly resolved on no account to do it again, now that
it was over.
It was pleasant, afterwards, to sit among the rocks above the fall, and
watch one after another of the native and half-caste girls--including a
very charming and highly educated half-American, who had been to college
in San Francisco, and to smart society dances in Samoa--rush madly over
the fall, leaving behind them as they went a long, loud yell, like the
whistle of a train going into a tunnel. One native girl daringly went
down head first; another, standing incautiously near the edge of the
fall, lost her balance, and simply sat down on the pool below, dropping
through the air with arms and legs outspread like a starfish. Fangati
seized a friend in her arms and tumbled over the verge with her, in
a perfect Catherine wheel of revolving limbs. It was hours before the
riotous party grew tired, and even then, only the sight of large green
leaves being laid out on the stones, and palm-leaf baskets being opened,
brought them out of the water, and got them into their little
sleeveless tunics and gracefully draped kilts. By this time, the pretty
Samoan-American’s mother had laid out the “ki-ki”--baked fowl and pig,
taro-root, yams, bananas, pineapples, guavas, European delicacies
such as cake and pies, and native dainties, including the delicious
_palusami_, of which I have spoken before. The drinking cocoanuts had
been husked and opened by the boy who brought the food, and there they
stood among the stones, rows of rough ivory cups, lined with smooth
ivory jelly of the young soft meat, and filled with fresh sweet water,
such as is never to be tasted out of the cocoanut-land. Our plates were
sections of green banana-leaf; our forks were our fingers. And when
every one had fed, and felt happy and lazy, we all lay among the rocks
above the fall, in the green shadow of the trees, and did nothing
whatever till evening. Then we climbed back to the road, and drove
home, six buggies full of laughing brown and white humanity, crowned
and wreathed with green ferns, and singing the sweet, sad song of
Samoa--“Good-bye, my flennie”--the song that was written by a native
only a few years ago, and has already become famous over the whole
Pacific. It is the farewell song of every island lover, the melody
that soars above the melancholy rattling of the anchor chains on every
outward-bound schooner that spreads her white wings upon the breast
of the great South Seas. And for those who have known the moonlight
nights of those enchanted shores, have smelt the frangipani flower, and
listened to the soft singing girls in the endless, golden afternoons,
and watched the sun go down upon an empty, sailless sea, behind the
weird pandanus and drooping palms--the sweet song of the islands will
ring in the heart for ever. In London rush and rain and gloom, in the
dust and glitter of fevered Paris, in the dewy cold green woods of
English country homes, the Samoan air will whisper, calling, calling,
calling--back to the murmur of the palms, and’ the singing of the coral
reef, and the purple tropic night once more.
“GOOD-BYE, MY FLENNIE.”
(Song, with Samoan words, English beginning to each verse.)
[Illustration: 0317]