XL.

IT was written that there, in the nursery of our navigating ancestors, I

should learn to walk in the ways of my craft and grow in the love of the

sea, blind as young love often is, but absorbing and disinterested as all

true love must be. I demanded nothing from it—not even adventure. In

this I showed, perhaps, more intuitive wisdom than high self-denial. No

adventure ever came to one for the asking. He who starts on a deliberate

quest of adventure goes forth but to gather dead-sea fruit, unless,

indeed, he be beloved of the gods and great amongst heroes, like that

most excellent cavalier Don Quixote de la Mancha. By us ordinary mortals

of a mediocre animus that is only too anxious to pass by wicked giants

for so many honest windmills, adventures are entertained like visiting

angels. They come upon our complacency unawares. As unbidden guests are

apt to do, they often come at inconvenient times. And we are glad to let

them go unrecognised, without any acknowledgment of so high a favour.

After many years, on looking back from the middle turn of life’s way at

the events of the past, which, like a friendly crowd, seem to gaze sadly

after us hastening towards the Cimmerian shore, we may see here and

there, in the gray throng, some figure glowing with a faint radiance, as

though it had caught all the light of our already crepuscular sky. And

by this glow we may recognise the faces of our true adventures, of the

once unbidden guests entertained unawares in our young days.

If the Mediterranean, the venerable (and sometimes atrociously

ill-tempered) nurse of all navigators, was to rock my youth, the

providing of the cradle necessary for that operation was entrusted by

Fate to the most casual assemblage of irresponsible young men (all,

however, older than myself) that, as if drunk with Provençal sunshine,

frittered life away in joyous levity on the model of Balzac’s “Histoire

des Treize” qualified by a dash of romance _de cape et d’épée_.

She who was my cradle in those years had been built on the River of

Savona by a famous builder of boats, was rigged in Corsica by another

good man, and was described on her papers as a ‘tartane’ of sixty tons.

In reality, she was a true balancelle, with two short masts raking

forward and two curved yards, each as long as her hull; a true child of

the Latin lake, with a spread of two enormous sails resembling the

pointed wings on a sea-bird’s slender body, and herself, like a bird

indeed, skimming rather than sailing the seas.

Her name was the _Tremolino_. How is this to be translated? The

_Quiverer_? What a name to give the pluckiest little craft that ever

dipped her sides in angry foam! I had felt her, it is true, trembling

for nights and days together under my feet, but it was with the

high-strung tenseness of her faithful courage. In her short, but

brilliant, career she has taught me nothing, but she has given me

everything. I owe to her the awakened love for the sea that, with the

quivering of her swift little body and the humming of the wind under the

foot of her lateen sails, stole into my heart with a sort of gentle

violence, and brought my imagination under its despotic sway. The

_Tremolino_! To this day I cannot utter or even write that name without

a strange tightening of the breast and the gasp of mingled delight and

dread of one’s first passionate experience.

The Mirror of the Sea · 第 46 / 56 题