THE KISS.

(_By a Jubilant Juryman._)

[Kissing the Book is now to be dispensed with as part

of a Juryman's duties.]

LIP to lip is pleasant altogether,

But there is no charm in lip to leather

All the bards who've sung of osculation,

Down from OVID to song's last sensation,

Could not lend romance, or even sense,

To the Court's poor labial pretence,

Always meaningless, and most unpleasant.

Here the past _is_ bettered by the present.

Kissing is the due of Love and Beauty,

Dull and dismal when 'tis made mere duty.

Mere lip-loyalty to Love means little--

But to Truth? 'Tis not worth jot or tittle!

When from lip to lip in cold formality

Passed the grubby cover, in reality

Binding kissing made no oath more binding

Nor more easy Justice's clear finding.

Therefore, thanks to common sense,--long missing--

That makes obsolete _one_ form of kissing!

* * * * *

"THERE AND BACK."

FIRST night at Covent Garden of new Opera, _Irmengarda_, by Chevalier,

not Chevalier Coster, but Chevalier EMIL BACH. In this plot the women of

a besieged city are allowed to leave it, carrying whatever is most

precious on their backs--but this one BACH can't carry _Irmengarda_,

which is, however, not too, too precious, but is supportable. Sir

DRURIOLANUS OPERATICUS "gives a Back," and it's "Over!" First Act, while

performing, is promising; second very much after, or behind the first.

House full. Everybody good, specially VALDA and ABRAMOFF. Mr. ARMBRUSTER

conducted the MASCAGNI-_cum_-WAGNER-&-CO. music. Everybody happy,

specially BACH himself, who was not backwards in coming forwards, and

bowing his acknowledgments.

By the way, as in Act III. the King enters "a-riding a-riding," this

Opera may be distinguished from any of BACH'S future works by being

called The Horse-BACH Opera. Not to exhaust the punning possibilities in

the name of the composer, it may be incidentally noted that, original

and fresh as every air in this Opera may be, yet this present work

consists entirely of "BACH Numbers." No more on this subject at present.

Last week of Opera by night at Covent Garden, as the Garden is turned

into a Race-course for _The Prodigal Daughter's_ steeplechase, and Drury

Lane is wanted for the Pantomime. Sir DRURIOLANUS has his hands

full--likewise his pockets. "So mote it be!"

* * * * *

[Illustration]

Punch, or the London Charivari, Volume 103, December 17, 1892 · 第 12 / 13 题