The lighted brand which Chartley carried in his hand hardly remained
unextinguished till he and Iola had passed through the deep gateway
into the large hall; but there they found much more light than they
had expected, for the fire in the courtyard threw a broad glare over
the two large windows, and served, in some degree, to illuminate the
interior. It was one of those vast old halls, of which but few are now
remaining, though at that time no great baronial residence was without
one of them. Some indeed were of greater extent than the one I now
speak of; but few, if any, had a bolder sweep of arch than was
displayed by the vaulted roof which now covered the young nobleman and
his companion. Time had spared it; and ruin had not as yet laid any
hand upon it, so that the eye could roam through the framework of
richly carved oaken beams above, without detecting any flaw in the
slating which overspread the whole. No columns or obstructions of any
kind interrupted the sight from one end to the other; and, by the
flickering of the fire-light, Chartley could perceive two doors
opening out of the opposite end of the hall, one upon the right hand
and another upon the left. To the door upon the right, two or three
stone steps led up from the pavement; and he inquired at once,
remembering that Iola had boasted a thorough knowledge of the
building, if she could tell him whither that entrance led.
"To the great square tower," she replied, "by a staircase in the
little turret that you might see at the side of the keep. It is very
narrow, but quite good and perfect still."
"If the door be still there and sound," replied Chartley, "it will be
as good a place of refuge as any; for the mouth of a narrow staircase
is no bad spot for defence."
"I think the door is there," replied Iola; "but we can soon see."
"Thanks to the fire without, we can, sweet Iola," replied Chartley,
walking forward by her side; but, as he did so, his foot struck
against something lying on the pavement, which he sent rattling to the
other side of the hall. "Why, what is here?" he exclaimed, stooping
down. "Some one has been lighting a fire here, not very long ago. And
on my life here is a lamp too, seemingly not very long extinguished;
at all events, there is oil in it."
"Oh yes, it is long ago," answered Iola, "as long ago as Christmas. I
remember all about it now. The nuns come up here every year, on the
morrow of Christmas, for there is still a mass kept up once a-year in
the chapel; and, the last time, sister Bridget left her lamp behind
her, which she brought to light the tapers on the altar. It may now
serve us in good stead; and I do not see why we should not light a
fire here too; for they do so every Christmas day, and heat a flagon
of Malvoisie, for the priest who says the mass."
"Would to Heaven we had a flagon of Malvoisie to heat," replied Lord
Chartley, laughing. "I know few things better, on a cold night or in a
doubtful hour. Strange, sweet Iola, that so spiritual a thing as hope
should go up and down, burn more faintly or more brightly, for the
want or the possession of a few drops of grape juice."
"It may be so with men," answered Iola; "but I do not think it is so
with women. Hope with me never burns brighter than in a fine clear
summer morning, when I hear the birds sing. There seems, in the sweet
sounds and in the sweet sights, a world of promises from a voice that
never lies."
"Oh yes, but Malvoisie is good too," answered Chartley gaily,
"especially when summer mornings are not here, when no sweet bird
gives music, unless it be the hooting owl; and even Iola's eyes do not
afford light enough to show one this great thick door, the hinges of
which seem somewhat rusty."
As he thus spoke, with his foot upon the second step, he swung the
heavy door backwards and forwards, with a grating sound, which seemed,
to make the old hall shake.
"Come," he continued, "I will go light sister Bridget's lamp at the
fire, and see what good Ibn Ayoub is about. His watch has been
undisturbed, or we should have had his Arabic gutturals finding their
way into the hall, and echoing round and round as harshly as this
rusty hinge. You shall stay near the other door, till I return; but
mind, if there should be anything like a fray, you run up here and
shut yourself in. I am bound by knightly courtesy to take you back to
the abbey safe and sound; and so if I am killed you must take the task
upon yourself, in justice to my reputation."
"Killed! Oh do not talk of such a thing!" exclaimed Iola. "I beseech
you, my noble lord, think not of risking life in such a case."
"To protect and serve you," answered Chartley, "I would risk more than
life, sweet girl, if I had any thing more than life to lose. A man's
life is worth very little in these days; for there is so little
certainty of its continuing from one hour to another, that, good
faith, I am fain to shake my head every morning when I rise, to see
that it is upon my shoulders. Buckingham and Hastings, Vaughan, Grey,
and others, besides some hundreds more, would have done better to have
died in the field, or in defence of some fair lady, than to have
waited for the headsman's axe. I trust, whenever my hour comes, that
it will find me sword in hand. It is the only way I ever could make up
my mind to look upon death complacently. I suppose I am a sad coward,
for the thought of a sick bed, and feverish pillow, and lamentable
friends, and the grave doctor with a potion in his hand, frightens me
immensely. Nor is the axe much better for it usually has its dull
antecedents of trial, condemnation, gaping fools, and blocks and
scaffolds; whereas, on the battle field, or in the lists, lance to
lance, for a lady's honour, with stroke for stroke, and clanging
trumpets, and charging horse, and shouts of victory, the spirit
springs forth triumphant through the wounds of the flesh, and soars
away to glory, with the light of renown upon its wings."
Iola sighed, she knew not why; but still the enthusiasm touched her,
and she felt a thrill run through her veins at his high words, which
made her almost fearful of the sensations which were creeping over her
heart.
"You do not make me brave," she said; "and therefore I will come with
you under the arch, for I shall feel frightened if I lose sight of
you."
"Oh, I will willingly live ever in your eyes," answered Chartley; "and
he who reaches you must first pass over my corpse."
Iola started; for it is not to be supposed that, in that age, she, or
any one, was without superstition; and she read a sort of double sense
in his words, which seemed to her almost to have the force of
prophecy. She followed him closely, however, and only paused when she
again got sight of the courtyard, with the Arab still standing quietly
by the fire, upon which he had piled some more wood.
"Has no one come?" demanded Chartley. "Have you heard the steps
again?"
"I have heard the steps," answered the Arab; "but no one has come.
They seem to wander round and round the court; but the eye sees not
the walker. 'Tis most likely an Afrit, watching this old castle. There
may be treasures buried here."
"There is a treasure hidden here," replied the young nobleman,
speaking to himself but thinking of Iola. "As to Afrits, they never
cross the sea. However, good Ibn Ayoub, as we have not men enough in
the garrison to man all the walls or guard all the gates, we will
withdraw into the great hall, light our fire there, and close the
door, though we cannot drop the portcullis. Bring as much of the
embers in as you can contrive to carry, without burning your garments,
and a quantity of wood, of which there seems a great store there in
the corner."
"'Tis an old gate broken to pieces," said the Arab. "'Twill soon burn,
for it is as dry as camel's dung."
Chartley waited and listened, while his slave performed the task he
had set him about; and then returning to Iola, after he had lighted
the lamp, he said--
"I can hear no sound. It was good Ibn Ayoub's fancy, I suppose, though
his ears are as sharp as those of a page in a fairy tale. He traced me
through the forest to-night, by the sound of my horse's feet, as
surely as a hound traces the deer by the scent.--Nay, cheer up, sweet
Iola, or we shall both grow sad and fanciful in this old pile. What
though we have no Malvoisie, there is better wine than ever flowed
from the grape, or was imprisoned in a bottle--the wine of the heart,
dear lady, of the heart unconscious of evil, the bright gay spirit,
the cheerful contentment with the event of the hour, the fearless
trust of the morrow. 'Tis but a little time weaken be together. Let us
make the moments pleasant as they fly; for to me they will fly all too
soon. Come, let us look round the hall, and see what it contains;" and
he held the lamp high up above his head, gazing round, but unable to
see the whole of the vast extent of the chamber.
"Oh, there is nothing here," answered Iola. "It has been stripped of
every thing, long, long ago. But there are some things in the chambers
above, which the plunderers did not think it worth while to bring
down, I suppose--settles and stools, and a huge bed, which they say
was made in the room where it stands, and cannot pass the door."
"Come, we will go and see them," cried Chartley. "Sitting on these
cold stones is not made for those delicate limbs; and perchance we may
find something which we can bring down. But first let the Arab light
the fire here; and then we will try and close the great door."
No great difficulty occurred in either process; for the Arab
contrived, on two broad pieces of wood, to bring in a sufficient
quantity of embers speedily to kindle a large fire on the wide hearth
of the old hall, and the ponderous door, though it had one or two
large holes in it, and groaned most desperately at being forced to
turn upon its hinges--a process which it probably had not undergone
for more than half a century--nevertheless swung to easily enough, and
the heavy bolt was forced into the deep hole made for its reception in
the stone-work.
When the young lord turned round, after aiding the Arab in this work,
the aspect that the hall presented was cheerful enough. The pile of
wood on the hearth had caught fire at once; and, mingled with the
smoke which was rushing up the wide chimney, were thick columns of
many coloured flame, which cast a warm and flickering glow over the
ancient stone walls and upon the painted glass of the windows, where
knights, and priests, and angels, and apostles, were grouped in
somewhat strange confusion. In the bright blaze of the fire, on the
opposite side of the hearth, stood the fair form of Iola, wrapped
indeed in the earl's surcoat, which veiled, without altogether
concealing, the beautiful outline of the figure. The long sable-lined
sleeves, trailing upon the ground, seemed to form a sort of train
behind her as she stood, while the beautiful neck and shoulders rose
from the furred collar, lightly fastened over her chest, and the fair
and speaking countenance, turned towards those who were closing the
door, was now shown in bright light, now cast into shadowy
indistinctness as the flame rose and fell.
Chartley gazed at her, and thought it was the fairest sight he had
ever seen; and sensations rose up in his breast, which he took no
pains to master. He was young, free, trustful, full of happy
confidence in the future, and he said to himself--"Why not? Roam the
world over, can I find anything more lovely than she _is_, more
gentle, more sweet, more full of noble feelings and bright thoughts,
than she _seems_. In marriage one always cuts one's fate upon a die,
the fall of which is uncertain,--Why not?--But not now, not now," he
continued, the spirit of gentlemanly courtesy coming to guide him
instantly; "I must wait till she is free from danger, and then seek
her when she is safe and in the midst of her friends again. I must not
agitate or alarm her now."
Though the resolution was a strong one, as well as a good one, it was
difficult to keep the feelings which were busy at his heart from
influencing his manner in some degree. Nor, to say truth, did he keep
them in such subjection. He would have liked very much to make her sit
beside him, and, with his arm cast around her, pillow her beautiful
head upon his bosom, while she took the repose so needful to her. He
would have liked to stand before that open hearth, with her hand
clasped in his, and their eyes fixed upon the faces and landscapes in
the fire, talking of love and dreaming of happy days. He did none of
these things; but yet there was a softness and a tenderness in his
manner and his tone, every now and then, which went thrilling through
Iola's young fresh heart, and creating dreads for herself and for him,
which might have shaken her terribly, had it not been for the gay and
sparkling spirit which broke forth in his conversation from time to
time, and carried away all heavier thoughts upon its wings.
"Now come," he said, taking up the lamp after he had paused by her
side for a moment, "let us go up to these chambers above, and see if
we can find some seat or another, that we can bring down. You have
been walking and standing a long long while; and those beautiful
little feet will be sadly tired, unless we can discover some means of
resting them. I would rather walk a hundred miles than stand an hour.
I have always thought that a bird's life must be a sad wearisome one,
except when it is on the wing, to stand all day on a bare bough with
those thin shanks of its, and nothing to do but trim its feathers."
"And sing its songs," said Iola, following him. "It must have its
consolation there."
Chartley went first, lighting her by the way; and the stairs, narrow
and worn with many feet, soon afforded a fair excuse for taking her
hand to lead her up. When once it was in his, it was not easy to part
with it; and, as he held it neither very loosely nor very tightly,
there seemed no plea for withdrawing it, so that it remained where it
was, even after they had reached the top of the stairs, and had
entered a low-roofed stone corridor, and a large old-fashioned vaulted
chamber, which had probably been the state bedroom of the former
possessors of the castle. There, still, remained the great bedstead
which Iola had mentioned, probably of the reign of Edward III., formed
of dark black wood, apparently ebony, richly carved and inlaid with
ivory upon the lower cornices. The rich hangings, with which it had
been at one time adorned, had all been torn down and carried off with
the bedding; but the framework was so artificially joined, that no
means of removing it were apparent, without breaking it all to pieces;
and it is probable that the rude soldiers, who had sacked the castle,
were not disposed to burden themselves with any heavy booty. Marks on
the floor showed where three truckle beds had stood, but not one now
remained; and the only seat to be seen was a large chair, of the same
materials as the bed, with a footstool, from which the embroidery that
once covered it had been ripped.
"These will do," cried Chartley. "The chair must have come up, and so
it can go down the stairs. Then we will set it by the fire; and it
shall be your throne, queen of the May, while I sit on the footstool
at your feet, and Ibn Ayoub crouches, as is his wont, upon the dry
hearth. But you must be my lamp-bearer, or I shall never get them
down;" and; giving the light to Iola, he raised the chair in his
strong arms. "It is as heavy as iron," he said, "but it shall come
down, if it were made of adamant."
As he spoke, an extraordinary sort of sound, like a low groan, echoed
through the room, so clear and distinct, that there could be no doubt
their ears deceived them not. Iola started, and well, nigh dropped the
lamp, while Chartley set down the chair, and laid his hand upon his
sword.
"It is some door, moving on its rusty hinges," he said, after
listening for a moment. "The wind is blowing it backwards and
forwards;" and taking up the chair again, he bore it into the
corridor, while Iola went before with the light, gazing timidly
around.
Nothing occurred to disturb them however; and at length, though not
without difficulty, Chartley got the cumbrous seat down the narrow
stairs. The Arab was now standing in the midst of the hall, gazing
towards the door, with his naked scimitar in his hand.
"What is the matter, son of Ayoub?" asked Chartley. "What have you
heard?"
"Feet, and a groan," answered the Arab, with his dark eyes glaring in
the fire light.
"Pooh, 'tis some rusty hinge," said Chartley, "and the feet of rats or
martins, driven to take shelter here by this long continued wintry
weather.--Seat yourself here, sweet Iola. Put your feet to the fire,
and dream of pleasant things, while I go up again and bring the
stool."
Thus saying, he took the lamp from her hand, and re-ascended. He was
not long absent; but Iola listened anxiously for his returning step.
She felt safe while he was near her, but fearful the moment he was
away.
Chartley was soon at her side again, and placing the stool close to
her feet, he seated himself thereon, and, leaning upon the arm of her
chair, gazed up into her face with a gay smile.
"Now this is comfortable," he said. "We may pass the remaining hours
of night cheerfully enough here; and if you doze, sweet Iola, your
little head will but fall upon Chartley's shoulder, where it may rest
as securely, though not so softly, as on your own pillow in the abbey.
There, seat yourself there, Ibn Ayoub, in the nook of the chimney, or
your southern blood will be frozen in this cold northern night. Think
no more of groans and footfalls. These are all tricks of the
imagination--It is wonderful," he continued, turning to Iola, "what
wild fancies superstition will beget, ay, and sad as well as
wonderful, when one thinks of the horrible cruelties which reasonable
men will commit upon the strength of stories that a child should be
whipped for believing. When I was in Flanders a few years ago, a poor
woman was burned alive, in the public market place; and what do you
think was the crime of which she was accused?"
"Nay, I know not," answered Iola; "but, it should be a terrible crime
indeed to draw down so terrible a punishment."
"The tale is simply this," replied Chartley. "There was a poor woman
in one of the towns of Flanders, who gained her bread by the work of
her needle. One of those who employed her was the wife of the bailiff
of the black monks of that town; but when her work was done, the
bailiff and his wife refused to pay the wages promised, and, being
poor and distressed for money, she was naturally importunate.
Obtaining no redress, she applied to the curate of the village, where
she was born; for advice and assistance. It happened, however, that
the good man had been entangled in a lawsuit with the bailiff of the
monks, and whatever was the advice he gave to the poor woman, their
conference resulted in evil to both. The woman sent her daughter to
demand a part of that which was due, if she could not obtain the
whole; and the poor girl arriving, while the bailiff and his family
were at dinner, stood beside the table for some time, petitioning for
payment in vain. Several days after, one of the family was taken ill
and died. The disease, it would seem, was infectious; and before its
ravages ceased, the bailiff and two others were dead. The rest of the
family took it into their heads to accuse the poor woman, her
daughter, and the curate, of having bewitched them; and fools and
knaves enough were found to relate, and to believe, that the curate
had baptized a toad, and had administered to it the blessed sacrament,
at the instigation of the poor needlewoman. The toad, cut in four
pieces, was said to have been thrown under the table, where the
bailiff dined, by the woman's daughter; and upon this fabricated
charge, the unhappy creature was cast into prison, put to the torture,
and afterwards burned to ashes."
Iola shuddered.
"It is very horrible," she said, "and one can hardly believe that such
cruelty can exist in the breasts of human creatures."
"Or such folly either," answered Chartley, "as to suppose that the
quarters of a baptized toad could bewitch to the death three innocent
people. If there be charms and periapts, they must be produced by
other means than that."
"But do you doubt there are such things?" asked Iola. "We read of them
continually."
"Ah, fair Iola," answered Chartley, "we read and hear of many a thing
which, tried by the strong tests of reason and religion, vanish away
like empty dreams. If we but ask ourselves, thinking for one moment of
the goodness and majesty of the Almighty, is it probable, is it
possible, that God can suffer such things, there will be found an
answer in our own hearts, which will banish all such imaginations."
Iola mused; and Chartley, laughing at the grave subject he had
introduced, was proceeding to change it for some lighter topic, when
the Arab suddenly rose up from the spot where he had seated himself,
and lifted up his finger as a warning to listen.
"I hear something move," he said, "and not far off. Hark! You will
hear."
Even as he spoke, a strange kind of whining sound, and then a dull
groaning, came upon the air; and Chartley, starting up, exclaimed--
"This is indeed very strange."
The sounds had ceased almost instantly; but a sort of long-drawn sigh
seemed to follow, and then a heavy rattling fall, as if a part of the
wall had rolled down.
"Whatever that is," exclaimed Chartley, "it is in the court-yard. I
will go out and see."
"Nay, nay, I beseech you," cried Iola, clinging to his arm, "do not,
dear lord, do not rush into needless danger. Let us go up to the rooms
above, and look forth from the windows there, as these are too high."
"Stay, I can reach them by the chair," said Chartley; and, placing the
heavy seat underneath the window, the sill of which was a few inches
above his eyes, he mounted upon it and looked out in silence, while
Iola crept to his side, and raised her eyes towards his face. After
gazing for a few moments, Chartley held out his hand to her,
saying--"Come up hither beside me, sweet Iola, and see what is here.
Be not afraid. There is no danger."
Iola gave him her hand, and, setting her light foot on the seat beside
him, rose till her eyes just came above the window sill.
Her first impulse, had she not repressed it, when she obtained a view
through the dim small pane into the ruinous court, would have been to
utter a cry of terror and surprise; for certainly such were the
sensations which she felt. The fire which she and her companion had
left nearly extinguished had been relighted and piled up with fresh
wood, which was sending forth a volume of flame, higher than a man's
head; but the object which most struck the fair girl, as she gazed
forth, was a dark black-looking figure, sitting between the window and
the fire, crouched up in the position often assumed by an ape, and
seemingly holding its hands, to warm them at the blaze. The attire, as
far as it could be seen, which was very indistinctly, for the back
being turned towards them was in deep shadow, appeared to be quaint
and strange; and, rising straight up, though somewhat on the left side
of the head, appeared a long thin object like a horn. Chartley
continued gazing on this apparition in silence; but one glance was
enough for Iola; and, springing down, she covered her face with her
hand, saying in a low terrified voice--
"Oh, come down, come down!"