CHAPTER XX

A GARDEN GLIMPSE OF EDEN

It was mid-August, however, before I reached that part of America that

was destined to mean so much to me. A visit to Mrs. Upgrove, my

mother's old friend, extended itself beyond my plans, largely because

of the pleasant acquaintance I formed there with her son, then

Captain, now Major Upgrove, one of the most charming men I have ever

encountered. Next to Roger he has become my best friend, incidentally

disproving a theory of mine that warm friendships between men are not

likely to be formed after thirty. Even as I write this chapter I am

looking forward to his visit, and the slim Hawaiian girls are looking

forward, too, I promise you, with wonderful, special garlands, and

smiles that many a handsome young sailor may jingle his pockets in

vain to win!

What is it, that strange, lasting charm that wins every woman-thing of

every age and colour? His mother told me that he had it in the cradle,

that the nurses were jealous over him and the sweet-shop women put his

pennies back into his pockets! Yes, Lona, and yes, Maiti, the

silver-haired Major is coming surely, and you shall surely dance!

Never mind the wreaths for me, dear hypocrites--they were never woven

for bald heads!

It was warm, almost as warm as this languid, creamy beach, the day I

clambered, none too agile, over the thwarts of Caliban's boat and made

my way up the sandy path to the cottage.

"I'm afraid the fever took it out of you, Jerry," Roger said, looking

hard at me, and I nodded briefly and he gripped my hands a little

harder.

"I'm glad you're here," he said.

Through the dear old room we stepped and out the further door, and

here a surprise met me. The straggling grass stretch was now a

rolling, green-hedged lawn, quartered by homelike brick paths. Two

long ells had been added to the house, running at right angles

straight out from it at either end, making a charming court of the

door yard and doubling the size of the building; the fruit trees had

been pruned and tended; an old grape arbour raised and trained into a

quaint sort of _pergola_, a strange sight, then, in America; a

beautiful old sun-dial drowsed in a tangle of nasturtiums. A delicate,

dreamy humming led my eyes to a group of beehives (always dear to me

because of the _Miel du Chamounix_ and our happy, sweet-toothed

boyhood!) and near a border of poppies, marigold and hardy mignonette

a great hound lay, vigilant beside a large, shallow basket, shaded by

a gnarled wistaria clump. The basket was filled with something white,

and as we stood in the door, a woman dressed in trailing white, with

knots of rich blue here and there, came through a green gate in the

side hedge and moved with a rich, swooping step toward the basket.

Behind her through the open gate I saw a further lawn white with

drying linen, and a quick, pleasant glimpse of a brown, broad woman in

an old-world cap, paring fruit under an apple tree, a yellow cat

basking at her feet.

The white-clad figure leaned over the basket, her deep-brimmed garden

hat completely shading her face, lifted from it a struggling, tiny

doll-creature, with a reddish-gold aureole above its rosy face,

dandled it a moment in her arms, then sank like a settling gull into

the hollow of a low seat-shaped boulder near the wistaria, fumbled a

moment at the bosom of her lacy gown, and while I held my breath,

before I could turn my eyes, gave it her breast. It pressed its

wandering, blind hands into that miraculous, ivory globe (that

pattern of the living world) and through the dense, warm stillness of

that garden spot, where the bees' hum was the very music of silence,

there sounded, so gradually that I could not tell when the first notes

stirred the soundlessness, a curious cooing and gurgling, a sort of

fluty chuckle, a rippling, greedy symphony. It was not one voice, for

below the cheeping treble of the suckling mite ran a lowing undertone,

a murmurous, organ-like music, a sort of maternal fugue, that imitated

and dictated at once that formless, elemental melody. Even as we stood

riveted to the threshold, the sounds echoed in the air above us,

seemed to descend mystically from the very heavens themselves, and as

my heart swelled in me, a flock of pigeons swept down from some

barnyard eyrie and dropped musically, in a cloud of grey and amethyst,

beneath the pear tree. They crooned together there, the woman, the

child and the birds, and truly it was not altogether human, that

harmony, but like the notes of the pure and healthy animals (or the

angels, may be?) that guard this living world from the fate of the

frozen and exhausted moon.

"I--I can't get used to it," said Roger abruptly, "it--it seems too

much, somehow," and we turned back into the room.

"It's not a bit too much for you, Roger!" I answered heartily (thank

God, how heartily!) and we drew deep breaths and welcomed Miss Jencks,

in irreproachable white duck--I had almost written white ducks--and

talked about my momentous health.

Miss Jencks had abandoned her seaman's comforters for a cooler form of

handiwork, suspiciously tiny in shape, but she pursued it relentlessly

while we discussed the changes in the cottage; the gardens, the corn

and asparagus planned for another season; the ducks quartered near the

fresh-water brook; the tiny dairy built for her over the spring; the

brick-wall for Roger's pet wall fruit; the piano dragged by oxen from

the village; the sail-boat, manned now and then by our enthusiastic

telegrapher: the wondrous size and health of the tiny Mary.

She was called, as one who knew Roger might have expected, for his

mother, after the old tradition, too, that gave every eldest daughter

of the Bradleys that lovely name. No bitter obstinacy, no unyielding

pride of Madam Bradley's could alter in his calm mind the course of

his duty, and I never heard a harsh word from him concerning the

matter. Margarita cared absolutely nothing about it and never, he told

me, expressed the faintest curiosity as to his family or their

relations with her.

Soon she was with us, dear and beautiful, with only a tiny lavender

shadow under those cloudy eyes--misty just now and a little empty,

with that placid emptiness of the nursing mother--to mark the change

that my not-to-be-deceived scrutiny soon discovered. We left the

sleepy Mary slowly patrolling the brick walks in a pompous

perambulator propelled by a motherly English nurse under Miss Jencks's

watchful eye, and strolled, in our customary hand-in-hand, to the

boat-house, a low, artfully concealed structure, all but hidden under

a jagged cliff, and faced wherever necessary with rough cobbled

sea-stones sunk in wet cement and hardened there. The right wing of

the cottage stood out unavoidably at one point against the skyline,

and Roger, who had developed a surprising gift of architecture and a

sort of rough landscape gardening, was planning an extension of the

artificial sea-wall to cover this.

He worked at this himself, drenched with sweat, tugging at the stones,

while Caliban and a mason from the village set them and threw sand

over the wet plaster (the method which we decided must have been

adopted by the builder of the cottage), and I, too weak yet to help in

this giant's play, criticised the effect from a rowboat outside the

lagoon, telegraphing messages by means of a handkerchief code. Often

Margarita would come with me, embroidering placidly in the bow of the

boat, under her wide hat. She detested sewing, and refused utterly to

learn any form of it, to Miss Jencks's sorrow, but had invented a

charming fashion of embroidery for herself and worked fitfully at tiny

white butterflies in the corner of my cambric handkerchiefs--the one

and only form this art of hers ever took. It became a sort of emblem

and insignia of her, and Whistler, who began coming to them, I think,

the year after that, or the next, made much of this fanciful bond

between them. It was she who worked the black butterfly upon the lapel

of his evening coat which created such a sensation in Paris one

season.

Once while shooting in the Rockies with Upgrove, six or eight years

ago, I pulled out an old buckskin tobacco pouch, turned it hopefully

inside out in the search for a stray thimbleful, and discovered in a

corner of the lining a faded yellow silk butterfly, all unknown to me

till then! She must have worked it surreptitiously, like a

mischievous, affectionate child; and as I held it in my hands, and

stared at the graceful absurd thing, the lonely camp faded before me;

the sizzling bacon, the rough shelter, the whistling guide, slipped

back into some inconsequential past, and I lay again on the sun-warmed

rocks, watching a yellow-headed toddler prying damp pebbles from the

beach, to pile them later in her tolerant lap. Oh, Margarita! Oh, the

happy days!

Margarita's Soul: The Romantic Recollections of a Man of Fifty · 第 20 / 32 章