CHAPTER XVII.

ONE EFFORT MORE.

We will now return to Raphael, who with keen and breathless interest

had watched from the shade of the forest Horace's passage along the

perilous ledge. When Marco's hand had been laid on the shoulder of

the youth, the Rossignol could hardly refrain from springing forward

to the rescue, and scarcely had Horace himself experienced greater

satisfaction than did his friend when that startling danger was past.

When the fugitive had disappeared from his view, Raphael, for the

first time, appeared to have leisure to think of himself. To aid in

the escape of a prisoner was, as he well knew, a crime to be atoned

for only with life. Raphael was young, and notwithstanding the recent

bereavement, which had been like the wrenching away of a heart-string,

life was to Raphael a precious thing, not to be parted with lightly.

As he stood with folded arms under the of the waving boughs, a sense

of the loveliness of nature came on his poet-soul with a soothing,

softening power. He felt loath to leave God's beautiful world. How

divinely fair looked the scene before him, beneath the silvery rays

of the moon! How wooingly breathed the night-breeze upon his feverish

brow! How sweet sounded the nightingale's song, warbled soft through

the stilly air! Hope, even earthly hope, was not dead in that young

bosom; there was still a desire for human love and for human happiness

there. Raphael thought of Horace, blessed with friends, a mother, a

home; not, indeed, with envy, but with the instinctive yearning of a

tender and loving nature for the sympathy of human hearts, of which he

had known so little.

Thus the improvisatore had no intention of awaiting a violent death

with folded hands; he revolved all possible means of escape. From

Matteo's mercy he expected as little as he would have done from that

of a lioness whose cubs had been slaughtered before her eyes. He must

not await the burst of frantic fury of a father bereaved of his son and

balked of his vengeance. Nor could Raphael count upon the protection

of any of the band, though he knew that on some he had the claim of

gratitude. No, he must rely upon the aid of God and his own efforts

alone.

Raphael resolved to wait just long enough to give Horace a fair start,

which might be essential to his safety, and then to follow himself

in the same track as that which his friend had pursued. It was true

that Marco must be passed on the perilous rock—that the bandit had

pistols in his belt, and that his bullet always levelled his victim.

But Raphael deemed it possible that the man would be reluctant to slay

a comrade, alone and unarmed. Marco was savage, ignorant, blinded by

superstition, a fanatic who regarded murder itself as a venial offence

compared with heresy; but he was not so utterly hardened and depraved

as were Matteo and Beppo. The fate of Enrico had seemed somewhat to

move even his rugged nature. At all events, Raphael felt that of two

dangers the lesser one was to be chosen;—better to try the chance of

passing Marco, than to await the return of Matteo and his gang.

After recommending himself to the protection of his heavenly Father,

in submission to the divine will, whatever that will might appoint,

the young Italian quitted the shrouding shade, and with a firm step

advanced towards the sentinel, whose eyes were at that moment, turned

in an opposite direction. Raphael had, as we have seen, divested

himself both of hat and mantle. His face was calm, but very pale;—the

expression that of a man who knows that he is facing death, but who has

nerved himself to face it without flinching. The mass of rich dark hair

thrown back from his high, pale forehead, fell almost to his shoulders,

damp with the dews of night.

Marco was repeating an Ave for the soul of the miserable Enrico, when,

chancing to turn round, he suddenly beheld the tall figure approaching

him in the moonlight, bareheaded, in its spirit-like stillness and

calmness, with the gaze of its large, thoughtful eyes riveted on his

own. It came along the path by which, not an hour before, he believed

that Raphael had passed. The Rossignol marveled to see the fear which

he was wrestling down in his own heart suddenly transferred to the man

before him. Marco's eyes dilated, his lips parted, his very hair seemed

to rise from his head; he crossed himself with a trembling hand, moved

backwards step by step as Raphael Goldoni drew nearer, but staring at

him still, like the hare fascinated by the gaze of the serpent. At last

with a cry, "'E il suo spirito!" ("It is his ghost!") The strong man

actually turned and fled, overpowered by superstitious terrors.

Then Raphael knew the cause of that before inexplicable alarm which

his presence had inspired, and with thankfulness for the path thus

cleared for him which he could never have reckoned, came a bitter pang

of remembrance, as he thought on his brother, loved and lost! There

appeared to be as little cause to doubt the death of Enrico as there

would have been had he been dashed over the Falls of Niagara; no human

foresight could have calculated upon the singular accident to which he

owed his almost miraculous preservation.

Scarcely had the Rossignol entered the wood on the further side of the

pass, with a feeling of deep melancholy as he approached the scene of

his brother's fall, when he was startled, as Horace had been, by the

sound of distant firing. It was evident that Matteo and his ruffian

band had lighted on no despicable foe—that they were engaged in a

desperate struggle with those who would claim blood for blood, and life

for life.

Raphael and Horace little guessed that a timid delicate woman, foiled

in her efforts to save her son in one way, had attempted another, with

the energy given by desperation to maternal love. There had been a

carriage and a lady within it; there had been postilions and outriders;

the appearance of the equipage had been such as to awake cupidity,

but not arouse alarm. But the banditti were soon to find out that the

hands which held bridles were such as had been accustomed to grasp the

sword. The luggage on the carriage consisted of sabres and carbines;

and the travelers within it, save one, were soldiers chosen for courage

and strength. Gold had, indeed, been lavished with unsparing hand by

the almost despairing mother; and now, notwithstanding constitutional

nervousness and delicacy of frame, Mrs. Cleveland risked her own life

amidst clashing steel and flying bullets in order to lure from their

secret fastness, and draw within reach of the arm of justice, those who

in perilous captivity held her only son!

What was the result of the conflict we shall hear in the following

chapter.

The robbers' cave · 第 17 / 18 章