VII.

Two weeks passed, and brought the month of May. On the many island

banks long sprays of dog-rose and honeysuckle hung down over the

water, and the narrow canals which ran through them were tunnels of

blossom and verdure; on the sunny shallows thousands of white-winged

gulls were fishing and bathing all the day long; and in the churches

azaleas and lilies and arums were grouped round the altars under the

dark-winged angels of Tintoretto and the golden-haired cherubim of

Tiepolo.

The nights were still cold but the days were warm, were at noontide

even hot; and Veronica Zaranegra passed almost all her time on

the water. There was a little orchard island which belonged to

the family, out beyond Mazzorbo; in the previous century a small

summer-house or pavilion, with a red-tiled dome like a beehive, had

been erected on it and was still there; a pretty toy still, though

its frescoed walls were faded and its marble landing steps eaten

away by the incessant washing of the sea; it was embowered in peach

and plum and pear trees, and looked westward. Here she came often

for breakfast, or for afternoon tea, or the evening merenda of fruit

sweetmeats and wine, and here she was often accompanied by a gay

party of Venetians of her own years and by the two strangers who

had given her back her opals. The weather was rainless and radiant;

the gondolas glided like swallows over the lagoons; she was rich,

childlike, fond of pleasure; she tried to bring back the life of the

eighteenth century, and amused herself with reviving its customs,

its costumes, its comedies, as they had been before the storms of

revolution and the smoke of war had rolled over the Alps, and Arcole

and Marengo had silenced the laughter of Italy.

“I wish I had lived when this collar was new,” she said, when her

jewellers returned to her the opals restored to their pristine

brilliancy. “Life in Venice was one long festa then; I have read

of it. It was all masque, and serenade, and courtship, and

magnificence. People were not philosophical about life then; they

lived. Nina Zaranegra was a beautiful woman. They have her portrait

in the Belle Arte. She holds a rose to her lips and laughs. She was

killed by her husband for an amour. She had these opals on her throat

when he drove the stiletto through it. At least so Carlo used to tell

me. But perhaps it was not true.”

“Do not wear them,” said Adrianis, to whom she was speaking. “Do not

wear them if they are blood-stained. You know they are stones of

sorrow.”

She laughed.

“You Sicilians are superstitious. We northerners are not. I like to

wear them for that very reason of their tragedy.”

She took up the necklace and clasped it round her throat; some

tendrils of her hair caught in the clasp; she gave an involuntary

little cry of pain. Adrianis hastened to release her hair from the

clasp. His hand trembled; their eyes met, and said much to each

other. Damer, who was near, drew nearer.

“I have seen the portrait in the Belle Arte,” he said. “The Countess

Nina symbolises silence with her rose, but she has the face of a

woman who would not keep even her own secrets. Indeed a charming

woman is always ‘_bavarde comme les pies_,’ as the French say.”

“You despise women,” said Veronica Zaranegra, with vexation.

“Oh, no. But I should not give them my confidence any more than I

should give a delicate scientific instrument to a child.”

“Not even to a woman whom you loved?”

“Still less to a woman whom I loved.”

“You are a mysterious sage,” she said, a little impatiently.

“You regard us as if we were children indeed, incapable of any

comprehension.”

Damer did not dispute the accusation.

“Did I hear you say,” he asked, “that the lovely original of that

portrait was murdered by her husband?”

“Yes, and he would not even allow her Christian burial, but had her

body carried out on to the Orfano canal, and thrown into the water,

with a great stone tied to her feet.”

“He was primitive,” said Damer. “Those are rough, rude ways of

vengeance.”

“What would you have done?”

“I hardly know; but I should not have so stupidly wasted such a

beautiful organism. Besides the end was too swift to be any great

punishment.”

She was silent, looking at him with that mixture of curiosity,

interest, and vague apprehension which he always aroused in her. She

was not very intelligent, but she had quick susceptibilities; there

was that in him which alarmed them and yet fascinated them.

“He awes me,” she said later in the day to Adrianis. “So often one

cannot follow his meaning, but one always feels his reserve of power.”

It was a grave speech for a light-hearted lover of pleasure. Adrianis

heard it with vexation, but he was loyal to the man who, as he

considered, had saved his life.

“He is a person of great intellect,” he answered; “we are pigmies

beside him. But——”

“But what?”

“He used his brains to cure my body. So I must not dispute the virtue

of his use of them. Yet sometimes I fancy that he has no heart. I

think all the forces in him have only nourished his mind, which

is immense. But his heart, perhaps, has withered away, getting no

nourishment. He would say I talk nonsense; but I think you will

understand what I mean.”

“I think I understand,” said Veronica, thoughtfully.

She had thought very little in her careless young life; she had begun

to think more since these two men had come into it.

“Adrianis merits better treatment than you give him,” said her duenna

to her that day. “How long will you keep him in suspense? You ought

to remember ‘what hell it is in waiting to abide.’”

“A hell?” said Veronica, with the colour in her face. “You mean a

paradise!”

“A fool’s paradise, I fear,” replied the elder woman. “And what does

that other man do here? He told me he was due at some university in

Germany.”

“How can I tell why either of them stays?” said Veronica,

disingenuously as her conscience told her. “Venice allures many

people, especially in her spring season.”

“So does a woman in her spring,” said the elder lady, drily, with an

impatient gesture.

“You are angry with me,” said Veronica, mournfully.

“No, my dear. It is as useless to be angry with you as to be angry

with a young cat because in its gambols it breaks a vase of which it

knows nothing of the preciousness.”

Veronica Zaranegra did not resent or reply. She knew the vase was

precious; she did not mean to break it; but she wanted to be free

awhile longer. Mutual love was sweet, but it was not freedom. And

what she felt ashamed of was a certain reluctance which moved her

to allow Damer to see or know that she loved a man of so little

intellectual force as Adrianis, a man who had nothing but his

physical beauty and his gay, glad temper and kind heart.

“Do you want nothing more than these?” the gaze of Damer seemed in

her imagination to say to her.

She was angered with herself for thinking of him or of his opinion;

he was not of her world or of her station; he was a professional man,

a worker, a teacher; natural pride of lineage and habit made her

regard him as in no way privileged to be considered by her. And yet

she could not help being influenced by that disdain of the mental

powers of others which he had never uttered, but which he continually

showed. Indecision is the greatest bane of women; obstinacy costs

them much, but indecision costs them more. The will of Veronica

flickered like a candle in the wind, veered hither and thither like a

fallen leaf in a gust of wind and rain.

Adrianis was delightful to her; his beauty, his gaiety, and his

homage were all sympathetic to her. She knew that he loved her, but

she prevented him telling her so; she liked her lately acquired

liberty; she did not want a declaration which would force her to

decide in one way or another what to do with her future. And she was

affected without being aware of it by the scarcely disguised contempt

which his companion had for him. It was seldom outspoken, but it was

visible in every word of Damer, in every glance.

“He is beautiful, yes,” he said once to her. “So is an animal.”

“Do you not like animals?”

“I do not like or dislike them. The geologist does not like or

dislike the stones he breaks up, the metallurgist does not like or

dislike the ore he fuses.”

She did not venture to ask him what he meant; she had a vague

conception of his meaning, and it gave her a chill as such replies

gave to Adrianis: a chill such as the north wind, when it comes down

from the first snows on the Dolomite peaks, gives to the honeysuckle

flowers hanging over the sea-walls. She was not clever or much

educated, but she had seen a good deal of the world, and she had

heard men talk of science, of its pretensions and its methods, its

self-worship and its tyrannies. She had put her rosy fingers in her

ears and run away when they had so spoken, but some things she had

heard and now remembered.

“You are what they call a physiologist?” she said once, suddenly.

“I am,” replied Damer.

She looked at him under her long silky lashes as a child looks at

what it fears in the dusk of a fading day. He attracted her and

repelled her, as when she had herself been a little child she had

been at once charmed and frightened by the great ghostly figures on

the tapestries, and the white and grey busts of gods and sages on

the grand staircase of her father’s house in the Trentino. She would

have liked to ask him many things, things of mystery and of horror,

but she was afraid. After all, how much better were the sea, the

sunshine, the dog-rose, the barcarolle, the laughter, the lute!

She turned to Adrianis, who at that moment came along the sands of

the beach, his hands filled with spoils from the blossoming hedges;

turned to him as when, a little child on the staircase in the dusk,

she had run to reach the shelter of a warmed and lighted room. He was

of her own country, her own age, her own temperament; he carried

about him a sense of gladness, an atmosphere of youth; he was of her

own rank; he was as rich as she, and richer. There was no leaven of

self-seeking in the love he bore her; the passion she had roused

in him was pure of any alloy; it was the love of the poets and the

singers. If she accepted it, her path, from youth to age, would be

like one of those flowering meadows of his own Sicily which fill the

cloudless day with perfume.

She knew that; her foot was ready to tread the narcissus-filled

grass, but by an unaccountable indecision and caprice she would not

let him invite her thither. She continually evaded or eluded the

final words which would have united them or parted them.

Again and again, when that moment of decision could not have been

postponed, the sombre shadow of Damer had appeared, as in the moment

when the clasp of the necklace had been entangled in the little curls

at the back of her throat.

It might be chance, it might be premeditation; but he was always

there in those moments when the heart of Adrianis leaped to his eyes

and lips and called to hers.

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