That was a hard thrust--"if you still care."

Leo was terribly upset, and a dull gnawing self-reproach made him feel

as if he were to blame for the turn events had taken. He steeled

himself to write a long letter to Felicitas, in which, under the

pretext of ordinary sympathy, he put his time and his person at her

disposal, and offered to share her sorrow as brother and friend. He

awaited her answer, fearful that she might accept. But he need not have

been afraid. Her note contained only a few words of entreaty to him to

stay away.

"For God's sake, don't come," she wrote. "I can only pray and weep

night and day. You are the last person I wish to see." Whereupon he

asked his mother to take compassion on the heartbroken mistress of

Uhlenfelde. The good old lady, deeply pitiful, set out at once on her

mission, but Felicitas refused to see her.

Four days full of awful suspense went by. Leo sent a messenger twice

daily to Uhlenfelde to inquire, and he brought back tidings gleaned

from old Minna that the telegrams from Wiesbaden still gave hope, but

the case was a grave one. The gracious mistress was confined to her bed

and prayed. The doctor from Muensterberg visited her every day. The

hours between one piece of news and the next seemed an eternity. Leo

didn't know what else to do, but shoulder his gun and stride aimlessly

over the snowy fields. He passed the time by oracular questionings as

to whether the child would live or die. He counted the poplars by the

road-side, the hares running across the furrows, and the buttons on his

shooting-jacket. He counted the number of breaths he must draw before

he reached a certain spot, the sunbeams that pierced the dusky

undergrowth of the fir woods, and the cries of the ravens that echoed

through the silent forest--a monotonous game with varied results. He

made vows, too, that were the next moment forgotten. Now and then he

was demoniacally jubilant, and sent a whoop over the meadows and was

startled at the echo of his own voice. In the evenings he turned into

the Prussian Crown for distraction, and drank in the company of its

frequenters enormous quantities of grog and red wine, with two cognacs

in between. The two cognacs went by the name of "a pair of flannel

trousers." There he found his old friends--Hans von Sembritzky, who had

drunk heavily since his marriage; the elder Otzen, a melancholic, shy

personage by day, but at night, after the second bottle, a wild singer

of comic songs; Herr von Stolt, always on the scent of women, and

hoping, through associating with Leo, to approach Felicitas once more.

Nothing had leaked out here of the misfortune which had befallen

Uhlenfelde. Even Ulrich's sudden departure had called for no remark,

because, as one of the social magnates of the district, his absences

were frequent. The only person who knew was Dr. Senftleben, who

attended Felicitas. This taciturn old bachelor, who enjoyed the

reputation of being a cynic, and was much feared in consequence, was in

the habit of devouring his supper in a corner of the Prussian Crown,

and going away without saying good night to any one.

Leo, however, ventured to speak to him one night, and asked what was

the matter with Felicitas.

"Nothing," answered the doctor, and seized his hat.

"But she is in bed, and you see her every day."

"She has what you call 'anxious' fever, Herr von Sellenthin. She is

taking morphine in raspberry syrup--plenty of raspberry, but no

bromide; that is too depressing. Good evening, Herr von Sellenthin."

On the morning of the fifth day, when Leo was dressing, Lizzie's old

factotum rushed in upon him, sobbing and wringing her hands.

"What has happened, Minna?"

"Misfortune upon misfortune! Paulchen is dead, the gnaedige Frau has

taken poison in her despair, and, though still alive, is unconscious.

The doctor has been sent for, but for God's sake come, gnaediger Herr,

for everything is topsy-turvy, and I don't know what to do."

Leo felt as if cold water were running down his back, and he reeled

against the wall.

"It can't be true, it can't be true," was his first thought. Then he

said to himself, "You must put on your boots;" and he went about the

simple task with a feeling as if in another minute he would lack the

strength to accomplish it. Suddenly he burst into a loud derisive

laugh, and the old woman crept into a corner, frightened at the sound.

After all it was only what was to be expected. It was fate. The child

dead; Felicitas dying; Ulrich, with his weak heart, unable to bear the

blow; and then it would be his own turn.

He glanced at the spot where his weapons hung. The bullet that would do

the work was waiting for him. He stretched himself, and a murderous

lust overcame him for a moment; then he finished his dressing, and,

leaving the old woman panting behind, he tore across the snow-covered

fields and over the frozen river to Uhlenfelde, and as he ran he asked

himself, "Do I love her?" and the answer was, "No; love isn't like

this. I am not even sorry for her. My guilt, if she dies, seems far

worse than her death itself." But the child, and Ulrich--in thinking of

them too, the hideous spectre of his own guilt reared itself,

grimacing, before him.

Everything in the courtyard at Uhlenfelde was the same as usual, which

surprised him. He expected, at least, that the barns would be on fire.

A two-horsed sleigh was waiting at the door. "Who is there?" he

inquired of old Wilhelm, who, red and half frozen, touched his fur cap

with his customary imperturbable air of deference.

"The doctor, gnaediger Herr."

Leo met him in the hall, hurrying, after the manner of busy doctors, to

his conveyance.

"How is she, doctor?" he asked, detaining him.

"As well as can be expected," was the curt reply.

"What does that mean? That all danger is past?"

"It means that the baroness is simply suffering from an attack of bile,

which I don't envy her."

"Hasn't she taken poison?"

"Poison! Humph! My dear sir, it depends on what you call poison. The

baroness may have had the intention of taking her life, I dare say. But

she went the wrong way about it. She drank her toothache drops, Herr

von Sellenthin, a mixture of ether, alcohol, and oil, not exactly

unpleasant to the taste, but one that few would be of sufficiently

tough constitution not to feel some disagreeable effects from imbibing.

Now she seems to have slept herself out, but will probably suffer a day

or two yet from a disordered stomach. Good day to you, Herr von

Sellenthin."

He got into the sleigh, bowed, and drove off.

Leo felt disgusted, and half disappointed; the most sacred spot in his

heart seemed to have been rudely tampered with.

The tragedy had become something very like a farce. Still, the child,

the dear child, was dead. There was no getting over that. The wrath

which always flamed up within him against this woman, at moments when

his will was weakest and most impotent to meet her, hardened into cold

aversion. He could have strangled her on account of those toothache

drops. Everything, even the desire to die, became in her hands a

miserable petty fraud. But the child was dead, and could not be brought

back to life.

He asked a maid-servant, who was apparently affected by the general

alarm in the household, whether her mistress was visible. She answered

shyly that she would go and see, and ran upstairs.

Meanwhile, old Minna, coughing and sobbing, came in at the front door,

and asked, wringing her hands, if the gracious one was still alive.

Leo turned his back on her without deigning to answer, and she hobbled

on up the stairs as fast as she could. He was alone, and it seemed a

long time before any one came. He paced up and down between the

pillars, where he and Ulrich as boys had played hide-and-seek, and he

thought, "What shame have she and I brought on your house!" It would

have come almost as a consolation if some one had hounded him with a

horse-whip out at the door, the threshold of which his feet had

desecrated.

Instead, old Minna returned with beaming eyes and champing jaws, and

declared joyously that the gracious little mistress was better again,

and the gracious little mistress wished to see him.

He clenched his teeth and followed the old woman upstairs. What he

wanted to say to her he did not know; he was only aware of a dull

desire to lay his fingers about her throat and choke her. So bitterly,

at that moment, did he hate her.

Minna led him into her bedroom. He had not entered it since the days at

Fichtkampen. A wave of the opoponax perfume met him as the door opened,

and he found himself in a rosy gloaming, penetrated here and there by a

ray of hard, cold daylight. He felt as if he were plunged into a warm

scented bath, and a cover shut down upon him. He remained stationary by

the door, and breathed quickly.

The old hag caught him by the sleeve and pulled him forward towards the

bed where she lay. Her face was illumined by the light from the window,

and her pillow gleamed round her like an aureole, while the rest of the

bed was bathed in purple, semidarkness.

"She has arranged this _mise en scene_," he thought.

Her face had a waxen hue; there were dark rims round her eyes, which,

from beneath their half-closed heavy lids, looked at him without

recognition or intelligence. It seemed to him that the effects of her

drug-taking had not entirely passed off.

He approached her bedside on tip-toe; the thawing snow fell from his

boots and left little discoloured streams on the carpet.

"Felicitas?"

She raised her left hand and motioned to him to come nearer, and he

dragged a chair close to the bed. There was a night-table standing

beside it, with bottles and phials of every description; one was empty,

and labelled, "Cure for toothache--_Not to be taken_." This admonition

must have induced her to drink it.

"Felicitas?" he repeated.

Then she slowly raised her large dim eyes and stared at him, while a

bitter smile played about her mouth.

"Felicitas, pull yourself together," he exhorted, feeling uneasy.

She stammered Paulchen's name, and looked into vacancy again. A

reflection of death seemed to lie on this white face, rigid from

anguish.

Leo would have sunk on his knees beside her, deeply moved and anxious,

had not the doctor's words hardened and steeled him against her.

"Leo?" she whispered, without looking at him.

"What can I do for you?"

"Are you my friend?"

"Of course. You know that I am."

"Leo, I can't go on living. Leo, you must get me poison."

He took comfort from her words. After all, then, she had seriously

wished to take her life. For that he thanked her from the bottom of his

heart.

A quiver of pain passed over her drawn features, which the grief of the

last few days had lengthened and pinched. Her face was now marked by

lines, which made it look older, but gave it more character. This was

not the pink-and-white laughing face of the syren who lured him on to

the edge of a precipice, but the woe-struck face of a madonna who had

endured and come through much tribulation.

And it was fitting that the partner of his guilt should be thus. He

felt for the first time how thoroughly she belonged to him, and his

hate gradually evaporated.

"Don't sin against yourself, Felicitas," he said, for the sake of

saying something.

"Sin against myself!" she repeated, speaking in a low, hopeless

monotone. "Oh, my God! As if there was anything worse for me to do!

Could I sin more than I have done? My little Paul is dead, and I am

still alive. I sentenced my child to death, and am allowed to live.

Matricide; isn't that the most horrible of crimes? How can I go through

life with such a burden of guilt weighing upon me? How can any one who

cares for me wish me to do it?"

"Matricide!" he exclaimed in bewilderment. "What do you mean?"

"I know what I mean," she said, and smiled.

A cold shudder ran through him. This woman's brain must be unbalanced

by grief; she was going out of her mind. Her fingers groped on the

counterpane.

"Where is your hand?" she whispered. "Give me your hand. I implore you

to give me your hand."

He stretched it towards her mechanically, and she grasped it in her hot

moist palm.

"Lean down to me," she whispered on, "and I will tell you in your ear

how it happened."

He inclined his head as she commanded, till it was close to her mouth.

"You remember that evening you came before Christmas?" she

continued--"that was the hour when I sacrificed my boy's life to you.

When we were warming ourselves at the furnace in the greenhouse, it was

then that he died."

"You are talking deliriously, Felicitas!" he exclaimed, drawing himself

erect.

"Hush!" she said, pulling him down to her again. "They may be listening

at the door, and no one must know this but you and I. It was three days

before Christmas. I was doing up his presents, and there wasn't much

time. For I had sent him far, far away for your sake, and kept from

Ulrich how unhappy he was at school; for your sake I did that too. But

I wanted him to have his Christmas presents, but in the middle you came

in. And then I forgot everything else. I thought no more about

Christmas, or my child. My whole soul was filled with you. I wanted

nothing else but to go away with you into some corner where no one

could see us or hear us. And when you were gone, I was in a sort of mad

ecstasy. I ran up and down stairs. I stood by the window looking

towards Halewitz half the night through, and then I sat by the stove,

and stared into the fire and thought, 'This is how he and I sat beside

the furnace.' And at last when I came to my senses it was too late--too

late."

"Why too late?" he asked hoarsely.

"Yesterday morning," she answered, "Ulrich's telegram came, and last

night the letter. Everything is in the letter. It is somewhere in the

room. Look for it."

He rose, with faltering steps, and with unsteady fingers fumbled about

in search of the fatal letter. But he could not find it. He ransacked

the whole apartment that lay before him in a mysterious twilight, with

its luxurious appointments, its silken cushions and covers, its veiled

mirrors and countless silver and ivory toilette articles. He wandered

from one piece of furniture to another, and while he gazed in stupefied

astonishment at all the glittering knickknacks, he asked himself what

it was he was looking for. But a voice from the bed reminded him.

"Look in the dressing-room; it may be there."

Ah, the letter--of course, the letter. He opened the door to which she

pointed, and found himself in a small room so brilliant and light that

it hurt his eyes. The floor was of porcelain tiles, and he saw on the

left a bath with steps leading down to it, on the right a marble table

surrounded by a threefold full-length mirror, before which were strewn

yet more articles of the toilette of crystal and tortoiseshell in every

conceivable design.

"How _he_ must hate all this show and luxury!" he thought. And then his

glance wandered through a door standing wide open opposite him. He saw

a plain camp-bedstead covered by a white crochet counterpane, with a

deer-skin rug on the bare boards beside it. Photographs in dark frames

were on the wall, and amongst them, staring at him with laughing eyes

and plump cheeks, his own. He groaned aloud, and, putting his hands

before his face, flew back into the perfumed, purple prison.

"Have you got the letter?" she asked.

"No."

"Did you look everywhere?"

"I don't know; I think so."

"Leo, what's the matter with you?"--her voice trembled with anxiety.

"The matter with me?" he cried. "Only this: I am ashamed of

myself--ashamed! ashamed!" He drew himself up, and then flung himself

down on his knees beside the bed. She raised herself on the pillows and

laid her hand on his head, while her eyes filled with tears.

"My poor, poor boy," she said, "you are broken-hearted already, and yet

you don't know nearly all."

"What more is there?" he asked, shaken with emotion.

"The letter says," she continued, "that all the others got their

presents from parents and friends in time for the distribution. Only

his table was empty. And he couldn't believe it--couldn't believe that

his mother had forgotten him. And when the rest were playing round the

Christmas-tree, he slipped out unseen, without hat or overcoat. He must

go to the post-office, he said, to inquire whether mamma had sent

nothing. Not the soldiers and the cannons, and the pocket inkstand, and

all the things that he had wanted so badly, and which mamma had

promised him? But he couldn't find the post-office, and ran on and on

over the open fields in a snowstorm, _without cap and overcoat_, and

because he could not believe that his mother had forsaken him (for your

sake, Leo), he died--died."

She pressed her forehead against the bowed head of the kneeling man,

sobbing bitterly, and clung to his shoulders. And so they cried

together and would not be comforted. When at last they lifted their

heads they looked into each other's eyes, astonished and questioning.

Was he this man? Was she this woman? It seemed as if their common

sorrow had made them new creatures, and linked them as one for all time

in guilt and the wretched consequence of their sin. She smiled at him

inconsolably, but at the same time she was almost happy.

"Lizzie, we are lost," he murmured.

"Yes, we are lost," she said, still smiling, and then he left her.

The Undying Past · 第 61 / 74 题