The hause accordingly is foul, by having either a cross, an elbow, or a

round turn. If the larboard cable, lying across the stem, points out on

the starboard side, while the starboard cable at the same time grows out

on the larboard side, there is a cross in the hause. If, after this, the

ship, without returning to her former position, continues to wind about

the same way, so as to perform an entire revolution, each of the cables

will be twisted round the other, and then directed out from the opposite

bow, forming what is called a round turn. An elbow is produced when the

ship stops in the middle of that revolution, after having had a cross:

or, in other words, if she rides with her head northward with a clear

hause, and afterwards turns quite round so as to direct her head

northward again, she will have an elbow. See the articles ELBOW and

RIDING.

HAUSE-HOLES, _ecubiers_, certain cylindrical holes cut through the bows

of a ship on each side of the item, through which the cables pass in

order to be drawn into, or let out of the vessel, as occasion requires.

They are represented by _d d_ in fig. 10. plate IV. being fortified on

each side by the

HAUSE-PIECES, a name given to the foremost timbers of a ship, whose

lower ends rest upon the knuckle-timber, or the foremost of the

cant-timbers. They are generally parallel to the stem, having their

upper ends sometimes terminated by the lower part of the beak-head, and

otherwise, by the top of the bow, particularly in small ships and

merchantmen.

HEAD, an ornamental figure erected on the continuation of a ship’s stem,

as being expressive of her name, and emblematical of war, navigation,

commerce, &c.

The heads which have any affinity to war or navigation, are in general

either historical, as referring to some of the deities or heroes of

antiquity; or allegorical, as alluding to some of the natural

consequences of battle, or the virtues most essential to a life exposed

to perpetual danger. Thus, in the former sense, they represent a

Neptune, an Alcides; a Mars, an Achilles; a Minerva, or a Jason; and in

the latter they produce a _Magnanime_, an Intrepid, a Revenge, or a

Victory.

The head of a ship however has not always an immediate relation to her

name, at least in the British navy. Various instances might be produced

to shew, that our artists, as it suits their conveniency or judgment,

can dispense with this supposed idea of propriety. Hence we sometimes

observe the place of a Jason supplied by a Medea; or a best of prey made

the representative of an illustrious lady. The same liberty of design

may therefore, with equal propriety, be allowed to symbolize the

successes of our arms, by a groupe of heterogeneous figures, of sundry

shapes and sizes, according to the artists opinion of their superiority

or subordination. Their attitude and situation, as well as their size,

must accordingly depend, in a great measure, on the space into which

they are to be crowded: for although the figures may be of equal

importance in themselves, yet as there is not room for them all, as

large as the life, on a ship’s head, it becomes expedient to diminish a

few, in order to give place to others. The emblems by which allegorical

figures are usually characterized in painting, poetry, and sculpture,

are not always thought necessary in a work of this kind, nor even the

postures in which these figures are exhibited. And indeed, if we reflect

with how much labour and application the workman has endeavoured to fill

up every vacancy with some little figure of a convenient form and size,

we ought rather to admire his ingenuity than censure him for a violation

of those general rules of art, by which it is supposed necessary, on

such occasions, to relieve the eye from a scene of perplexity and

confusion.

The heads of many of our ships of war have undoubtedly great beauty and

propriety; and candour must acknowledge that some of the most elegant

and judicious have been borrowed from the French designs, which are

never left to the invention of illiterate mechanics. A multitude of

ornaments appears rather unnecessary in any building calculated for the

purposes of war. If there be any general rule to determine the subjects,

and the quantity of sculpture employed in ship-building, it seems to be

connected with the ideas of dignity and simplicity. These too are the

genuine characteristics of the Grecian and Roman orders of architecture,

as opposed to that perplexity, and rage for embellishment, which

peculiarly distinguish the Gothic. It is hardly possible for us to

recollect the various disasters to which a single hero, or goddess, on

the head of a ship, is exposed by tempestuous weather, battle, and the

unexpected encounter of ships, without trembling for the havoc and

indecency that may happen in an assemblage of gods and conc-shells,

princesses and satyrs; heroes, blunder-buffes, sea-monsters, little

children, globes and thunder-bolts, and all the apparatus necessary to

constitute the head of a ship of the first class in our navy.

In plate IV. we have sketched four heads, which are calculated for

vessels of different sizes and constructions. Fig. 6. exhibits an image

of Hercules brandishing his club over the heads of Cerberus, calculated

for a ship of the line. Fig. 7. represents Jupiter riding on his eagle,

and armed with his thunders, being a suitable head for a capital ship.

The eagle displayed by fig. 8. may serve for a frigate; and fig. 9.

which expresses an incumbent dragon, is very proper for any small vessel

with a projecting beak or prow. These figures have been selected from

many others, because, being very rarely used to decorate the head of a

ship, it is possible that several of our readers may never before have

observed them. The two first, which are usually called image-heads, are

bold, warlike, and classical. The eagle in the third is certainly a

proper emblem of dignity, force, and velocity: and it is apprehended

neither the representation of the latter, nor any other figure in that

position, are to be met with amongst our shipping.

HEAD, _avant_, is also used, in a more enlarged sense, to signify the

whole front or fore part of the ship, including the bows on each side:

the head therefore opens the column of water through which the ship

passes when advancing. Hence we say, head-sails, head-sea, head-way, &c.

Thus fig. 10. plate IV. represents one side of the fore-part, or head of

a seventy-four gun ship, together with part of the bow, keel, and

gunnel. The names of the several pieces, exhibited therein, are as

follow:

A A fore part of the keel, with _a a_ the two false keels beneath it.

A C The stem.

_a a_ The cat-head.

_b b_ The supporter of the cat-head, _sous-barbe_.

_c c_ The knight-head, or bollard-timber, of which there is one on each

side, to secure the inner-end of the bowsprit.

_d d_ The hause-holes.

_e e_ The navel-hoods, _i. e._ thick pieces of plank laid upon the bow

to strengthen the edges of the hause-holes.

_f_ The davit-chock, by which the _davit_ is firmly wedged while

employed to fish the anchor.

_g_ The bulk-head, which terminates the forecastle on the fore-side,

being called the beak-head bulk-head by ship-wrights.

H The gun-ports of the lower deck.

_h_ The gun-ports of the upper deck and forecastle.

I, I, The channels, with their dead-eyes and chain-plates.

_i_ The gripe, or fore-foot, which unites the keel with the stem,

forming a part of either.

_k k_ These dotted lines represent the thickness and descent of the

different decks from the fore-part of the ship towards the middle. The

lowest of the three dotted lines _l_ expresses the convexity of the

beams, the difference between the height of the deck in the middle of

its breadth, and at the ship’s side. This is also exhibited more clearly

in the midship-frame, where the real curve of the beam is delineated.

N. B. These lines must be always parallel to the lines which terminate

the gun-ports above and below.

_m m_ The timbers of the head part of the bowsprit.

X The rails of the head which lie across the timbers.

Q Z Fore-part of the main-wale.

R X Fore-part of the channel-wale.

U C The load water-line.

See also the continuation of a ship throughout her whole length, upon a

smaller scale, plate I. ELEVATION.

Fig. 11. represents a head-view of a ship, with the projection of her

principal timbers, and all her planks laid on one side. This figure

corresponds to that of the elevation, plate I. and the stern-view, fig.

2. plate X.

It is evident that the fore-part of a ship is called its head, from the

affinity of motion and position it bears to a fish, and in general to

the horizontal situation of all animals whilst swimming.

_By the_ HEAD, the state of a ship, which is laden deeper at the

fore-end than the after-end.

HEAD-FAST, _amarre d’avant_, a rope employed to fasten a ship to a

wharf, chain, or buoy, or to some other vessel along-side.

HEAD-LAND, _acrotere_, a name frequently given to a cape, or promontory.

HEADMOST, the situation of any ship or ships which are the most advanced

in a fleet, or line of battle.

HEAD-ROPE, that part of the bolt-rope which terminates any of the

principal sails on the upper-edge, which is accordingly sewed thereto.

See the article BOLT-ROPE.

HEAD-SAILS, _voiles de l’avant_, a general name for all those sails

which are extended on the fore-mast and bowsprit, and employed to

command the fore-part of the ship: such are the fore-sail,

fore-top-sail, fore-top-gallant-sail, jib, fore-stay-sail, and the

sprit-sail with its top-sail. This term is used in opposition to

_after-sails_, which see.

HEAD-TO-WIND, _de bout au vent_, the situation of a ship or boat, when

her head is turned to windward.

HEAD-WAY, _sillage_, the motion of advancing at sea. It is generally

used when a ship first begins to advance; or in calm weather, when it is

doubtful whether she is in a state of rest or motion. It is in both

senses opposed to retreating, or moving with the stern foremost. See the

article STERN-WAY.

HEART, _moque_, a peculiar sort of dead-eye, somewhat resembling the

shape of a heart, but differing from the common dead-eyes, inasmuch as

it is only furnished with one large hole in the middle, fig. 32. plate

II. whereas the common dead-eyes have always three holes. The hearts are

principally used to contain the _laniards_, by which the stays are

extended. See DEAD-EYE.

HEAVER, a name given by seamen to a wooden staff, employed by them as a

lever on many occasions; particularly in setting up the

top-mast-shrouds, frapping the top masts, dropping the larger blocks,

seizing the standing rigging, &c. See those articles.

HEAVING, _virer_, (_heafian_, Sax.) the act of turning about a

_capstern_, _windlass_, or other machine of the like kind, by means of

bars or handspecs.

HEAVING _the lead_. See the article SOUNDING.

HEAVING _a-head_, is advancing the ship by heaving-in the cable, or

other rope, which is fastened to an anchor at some distance before her.

To heave a-stern is therefore to draw the ship backwards by the same

operation.

HEAVING-_down_. See the article CAREENING.

HEAVING-_out_, the act of unfurling and throwing loose a sail from the

place where it had been rolled and fastened. This phrase is more

particularly applied to the stay-sails: thus we say, “Loose the

top-sails, and heave out the stay-sails!” which is accordingly done,

either to _set_ or _dry_ them.

HEAVING-_short_, is the drawing so much of the cable into the ship, by

means of the capstern or windlass, as that by advancing, she will be

almost perpendicularly above the anchor, and in a proper situation to

set sail.

HEAVING-_taught_, the act of heaving about the capstern, till the rope

applied thereto becomes streight and ready for action.

HEEL, _talon_, a name usually given to the after-end of a ship’s keel;

as also to the lower end of the stern-post, to which it is firmly

connected.

HEEL _of a mast_, the lower end, which is diminished into the frustrum

of a pyramid, so as to sink immoveably into a hole of the same shape,

cut in the step, which is attached to the ship’s keel.

HEEL _of a top-mast_, the lower end, which is sustained upon the

_tressel-trees_ by means of an iron bar, called the fid. See the article

MAST.

_To_ HEEL, _carguer_, to stoop or incline to either side. It is usually

applied to a ship when she is forced into this position by the wind

acting upon her sails, while braced obliquely across her; or by being

ballasted so as to lean more to one side than the other. See the

articles CRANK, STIFF, and TRIM.

HELM, _gouvernail_, (_helme_, Sax.) a long and flat piece of timber, or

an assemblage of several pieces, suspended along the hind part of a

ship’s stern-post, where it turns upon hinges to the right or left,

serving to direct the course of the vessel, as the tail of a fish guides

the body.

The helm is usually composed of three parts, viz. the rudder, the

tiller, and the wheel, except in small vessels, where the wheel is

unnecessary.

The length and breadth of the rudder are represented in plate VIII.

where it is evident that it becomes gradually broader in proportion to

its distance from the top, or to its depth under the water. The _back_,

or inner part of it, which joins to the stern-post, is diminished into

the form of a wedge throughout its whole length, so as that the rudder

may be more easily turned from one side to the other, where it makes an

obtuse angle with the keel. The hinges upon which it is supported are

also expressed in this figure. Those which are bolted round the

stern-post to the after extremity of the ship, are called googings, and

are furnished with a large hole on the afterpart of the stern-post. The

other parts of the hinges, which are bolted to the back of the rudder,

are called pintles, being strong cylindrical pins, which enter into the

googings, and rest upon them. The length and thickness of the rudder is

nearly equal to that of the stern-post, as represented in fig. 1. plate

X.

The rudder is turned upon its hinges by means of a long bar of timber,

called the tiller, which is fixed horizontally in its upper end within

the vessel. The movements of the tiller to the right and left,

accordingly, direct the efforts of the rudder to the government of the

ship’s course as she advances, which, in the sea-language, is called

steering. The operations of the tiller are guided and assisted by a sort

of tackle, communicating with the ship’s side, called the tiller-rope,

which is usually composed of untarred rope-yarns, for the purpose of

traversing more readily through the blocks or pullies.

In order to facilitate the management of the helm, the tiller-rope, in

all large vessels, is wound about a wheel, which acts upon it with the

powers of a crane or windlass. The rope employed in this service being

conveyed from the fore-end of the tiller _k_, to a single block _i_, on

each side of the ship, (plate III. DECK) is farther communicated to the

wheel, by means of two blocks, suspended near the mizen-mast, and two

holes immediately above, leading up to the wheel, which is fixed upon an

axis, on the quarter-deck, almost perpendicularly over the fore end of

the tiller. Five turns of the tiller-rope are usually wound about the

barrel of the wheel, and, when the helm is amidship, the middle turn is

nailed to the top of the barrel, with a mark by which the helmsman

readily discovers the situation of the helm, as the wheel turns it from

the starboard to the larboard side. The spokes of the wheel generally

reach about eight inches beyond the rim or circumference, serving as

handles to the person who steers the vessel. As the effect of a lever

increases in proportion to the length of its arm, it is evident that the

power of the helmsman, to turn the wheel, will be increased according to

the length of the spokes, beyond the circumference of the barrel.

When the helm, instead of lying in a right line with the keel, is turned

to one side or the other, as in BD, fig. 1. plate V. it receives an

immediate shock from the water, which glides along the ship’s bottom in

running _aft_ from A to B; and this fluid pushes it towards the opposite

side, whilst it is retained in this position: so that the stern, to

which the rudder is confined, receives the same impression, and

accordingly turns from B to _b_ about some point _c_ whilst the head of

the ship passes from A to _a_. It must be observed, that the current of

water falls upon the rudder obliquely, and only strikes it with that

part of its motion which acts according to the sine of incidence,

pushing it in the direction N P, with a force which not only depends on

the velocity of the ship’s course, by which this current of water is

produced, but also upon the extent of the sine of incidence. This force

is by consequence composed of the square of the velocity with which the

ship advances, and the square of the sine of incidence, which will

necessarily be greater or smaller according to circumstances; so that if

the vessel runs three or four times more swiftly, the absolute shock of

the water upon the rudder will be nine or sixteen times stronger under

the same incidence: and, if the incidence is increased, it will yet be

augmented in a greater proportion, because the square of the sine of

incidence is more enlarged. This impression, or, what is the same thing,

the power of the helm, is always very feeble, when compared with the

weight of the vessel; but as it operates with the force of a long lever,

its efforts to turn the ship are extremely advantageous. For the helm

being applied to a great distance from the centre of gravity, G, or from

the point about which the vessel turns horizontally, if the direction P

N of the impression of the water upon the rudder be prolonged, it is

evident that it will pass perpendicularly to R, widely distant from the

centre of gravity G: thus the absolute effort of the water is very

powerful. It is not therefore surprizing that this machine impresses the

ship with a considerable circular movement, by pushing the stern from B

to _b_, and the head from A to _a_; and even much farther, whilst the

sails with rapidity: because the effect of the helm always keeps pace

with the velocity with which the vessel advances[31].

Amongst the several angles that the rudder makes with the keel, there is

always one position more favourable than any of the others, as it more

readily produces the desired effect of turning the ship, in order to

change her course. To ascertain this, it must be considered, that if the

obliquity of the rudder with the keel is greater than the obtuse angle A

B D, so as to diminish that angle, the action of the water upon the

rudder will increase, and at the same time oppose the course of the ship

in a greater degree; because the angle of incidence will be more open,

so as to present a greater surface to the shock of the water, by

opposing its passage more perpendicularly. But at that time the

direction N P of the effort of the helm upon the ship will pass, with a

smaller distance from the centre of gravity G towards R, and less

approach the perpendicular N L, according to which it is absolutely

necessary that the power applied should act with a greater effect to

turn the vessel. Thus it is evident that if the obtuse angle A B D is

too much enclosed, the greatest impulse of the water will not

counterbalance the loss sustained by the distance of the direction N P

from N L; or by the great obliquity, which is given to the same

direction N P of the absolute effort of the helm with the keel A B. If,

on the contrary, the angle A B D is too much opened, the direction N P

of the force of action of the helm will become more advantageous to turn

the vessel, because it will approach nearer the perpendicular N L; so

that the line prolonged from N P will increase the line G R, by removing

R to a greater distance from the centre of gravity G: but then the helm

will receive the impression of the water too obliquely, for the angle of

incidence will be more acute; so that it will only present a small

portion of its breadth to the shock of the water, and by consequence

will only receive a feeble effort. By this principle it is easy to

conceive, that the greatest distance G R from the centre of gravity G is

not sufficient to repair the diminution of force occasioned by the too

great obliquity of the shock of the water. Hence we may conclude, that

when the water either strikes the helm too directly, or too obliquely,

it loses a great deal of the effect it ought to produce. Between the two

extremes there is therefore a mean position, which is the most

favourable to its operations.

The diagonal N P of the rectangle I L represents the absolute direction

of the effort of the water upon the helm. N I expresses the portion of

this effort which is opposed to the ship’s head-way, or which pushes her

astern, in a direction parallel to the keel. It is easily perceived that

this part N I of the whole power of the helm contributes but little to

turn the vessel; for if I N is prolonged, it appears that its direction

approaches to a very small distance G V from the centre of gravity G,

and that the arm of the lever B N=G V, to which the force is applied, is

not in the whole more than equal to half the breadth of the rudder: but

the relative force N L, which acts perpendicular to the keel, is

extremely different. If the first N I is almost useless, and even

pernicious, by retarding the velocity; the second N L is capable of a

very great effect, because it operates at a considerable distance from

the centre of gravity G of the ship, and acts upon the arm of a lever G

E, which is very long. Thus it appears, that between the effects N L and

N I, which result from the absolute effort N P, there is one which

always opposes the ship’s course, and contributes little to her motion

of turning; whilst the other produces only this movement of rotation,

without operating to retard her velocity[32].

Geometricians have determined the most advantageous angle made by the

helm with the line prolonged from the keel, and fixed it at 54° 44´

presuming that the ship is as narrow at her floating-line, or at the

line described by the surface of the water round her bottom, as at the

keel. But as this supposition is absolutely false, inasmuch as all

vessels augment their breadth from the keel upward to the extreme

breadth, where the floating-line or the highest water-line is

terminated; it follows that this angle is too large by a certain number

of degrees. For the rudder is impressed by the water, at the height of

the floating-line, more directly than at the keel, because the fluid

exactly follows the horizontal outlines of the bottom; so that a

particular position of the helm might be supposed necessary for each

different incidence which it encounters from the keel upwards. But as a

middle position may be taken between all these points, it will be

sufficient to consider the angle formed by the sides of the ship, and

her _axis_, or the middle-line of her length, at the surface of the

water, in order to determine afterwards the mean point, and the mean

angle of incidence.

It is evident that the angle 54° 44´ is too open, and very unfavourable

to the ship’s head-way, because the water acts upon the rudder there

with too great a sine of incidence, as being equal to that of the angle

which it makes with the line prolonged from the keel below: but above,

the shock of the water is almost perpendicular to the rudder, because of

the breadth of the bottom, as we have already remarked. If then the

rudder is only opposed to the fluid, by making an angle of 45° with the

line prolonged from the keel, the impression, by becoming weaker, will

be less opposed to the ship’s head-way, and the direction N P, fig. 1.

plate V. of the absolute effort of the water upon the helm drawing

nearer to the lateral perpendicular, will be placed more advantageously,

for the reasons above mentioned[33]. On the other hand, experience daily

testifies, that a ship steers well when the rudder makes the angle D B E

equal to 35° only.

An Universal Dictionary of the Marine Or, a Copious Explanation of the Technical Terms and Phrases Employed in the Construction, Equipment, Furniture, Machinery, Movements, and Military Operations of a Ship. Illustrated With Variety of Original Designs of Shipping, in Different Situations; Together With Separate Views of Their Masts, Sails, Yards, and Rigging. to Which Is Annexed, a Translation of the French Sea-terms and Phrases, Collected from the Works of Mess. Du Hamel, Aubin, Saverien, &c. · 第 17 / 52 段