CHAPTER XVII.

DRESSMAKERS AND MILLINERS IN PARIS.

"If a revolution come again, I think well, madame, it will be the great

shops that will fall, and that it is workwomen who will bear the torch

and even consent to the name of terror, _pétroleuses_. For see a moment

what thing they do, madame. Everywhere, the girl who desires to learn as

_modiste_, and who, in the day when I had learned, became one of the

house that she served, and, if talent were there, could rise and in time

be mistress herself, with a name that had fame even,--that girl must now

attempt the great shop and bury her talent in always the same thing. No

more invention, no more grace, but a hundred robes always the same, and

with no mark of difference for her who wears it, or way to tell which

may be mistress and which the servant. It is not well for one or the

other, madame; it is ill for both. Then, too, many must stand aside who

would learn, since it is always the machine to sew that needs not many.

It is true there are still houses that care for a name, and where one

may be _artiste_, and have pride in an inspiration. But they are rare;

and now one sits all day, and this one stitches sleeves, perhaps, or

seams of waists or skirts, and knows not effects, or how to plan the

whole, or any joy of composition or result. It is bad, and all bad, and

I willingly would see the great shops go, and myself urge well their

destruction."

These words, and a flood of more in the same direction, came as hot

protest against any visit to the Magasins du Louvre, an enormous

establishment of the same order as the Bon Marché, but slightly higher

in price, where hundreds are employed as saleswomen, and where, side by

side with the most expensive productions of French skill, are to be

found the _occasions_,--the bargains in which the foreigner delights

even more than the native.

"Let them go there," pursued the little _modiste_, well on in middle

life, whose eager face and sad dark eyes lighted with indignation as

she spoke. "Let those go there who have money, always money, but no

taste, no perception, no feeling for a true combination. I know that if

one orders a robe that one comes to regard to say, 'Yes, so and so must

be for madame,' but how shall she know well when she is blunted and dead

with numbers? How shall she feel what is best? I, madame, when one comes

to me, I study. There are many things that make the suitability of a

confection; there is not only complexion and figure and age, but when I

have said all these, the thought that blends the whole and sees arising

what must be for the perfect robe. This was the method of Madame

Desmoulins, and I have learned of her. When it is an important case, a

trousseau perhaps, she has neither eaten nor slept till she has

conceived her list and sees each design clear. And then what joy! She

selects, she blends with tears of happiness; she cuts with solemnity

even. Is there such a spirit in your Bon Marché? Is there such a spirit

anywhere but here and there to one who remembers; who has an ideal and

who refuses to make it less by selling it in the shops? Again, madame, I

tell you it is a debasement so to do. I will none of it."

Madame, who had clasped her hands and half risen in her excited protest,

sank back in her chair and fixed her eyes on a robe just ready to send

home,--a creation so simply elegant and so charming that her brow

smoothed and she smiled, well pleased. But her words were simply the

echo of others of the same order, spoken by others who had watched the

course of women's occupations and who had actual love for the profession

they had chosen.

Questions brought out a state of things much the same for both Paris and

London, where the system of learning the business had few differences.

For both millinery and dressmaking, apprenticeship had been the rule,

the more important houses taking an entrance fee and lessening the

number of years required; the others demanding simply the full time of

the learner, from two to four years. In these latter cases food and

lodging were given, and after the first six months a small weekly wage,

barely sufficient to provide the Sunday food and lodging. If more was

paid, the learner lived outside entirely; and the first year or two was

a sharp struggle to make ends meet. But if any talent showed itself,

promotion was rapid, and with it the prospect of independence in the

end, the directress of a group of girls regarding such talent as

developed by the house and a part of its reputation. In some cases such

girls by the end of the third year received often five or six thousand

francs, and in five were their own mistresses absolutely, with an income

of ten or twelve thousand and often more.

This for the exception; for the majority was the most rigid

training,--with its result in what we know as French finish, which is

simply delicate painstaking with every item of the work,--and a wage of

from thirty to forty francs a week, often below but seldom above this

sum.

In the early stages of the apprenticeship there was simply an allowance

of from six to ten francs per month for incidental expenses, and even

when skill increased and services became valuable, five francs a week

was considered an ample return. In all these cases the week passed under

the roof of the employer, and Sunday alone became the actual change of

the worker. The excessive hours of the London apprentice had no

counterpart here or had not until the great houses were founded and

steam and electric power came with the sewing-machine. With this new

regime over-time was often claimed, and two sous an hour allowed, these

being given in special cases. But exhausting hours were left for the

lower forms of needle-work. The food provided was abundant and good, and

sharp overseer as madame might prove, she demanded some relaxation for

herself and allowed it to her employés. The different conditions of life

made over-work in Paris a far different thing from over-work in London.

For both milliners and _modistes_ was the keen ambition to develop a

talent, and the workroom, as has already been stated, felt personal

pride in any member of the force who showed special lightness of touch

or skill in combination.

"Work, madame!" exclaimed little Madame M., as she described a day's

work under the system which had trained her. "But yes, I could not so

work now, but then I saw always before me an end. I had the sentiment.

It was always that the colors arranged themselves, and so with my

sister, who is _modiste_ and whose compositions are a marvel. My back

has ached, my eyes have burned, I have seen sparks before them and have

felt that I could no more, when the days are long and the heat perhaps

is great, or even in winter crowded together and the air so heavy. But

we laughed and sang; we thought of a future; we watched for talent, and

if there was envy or jealousy, it was well smothered. I remember one

talented Italian who would learn and who hated one other who had great

gifts; hated her so, she has stabbed her suddenly with sharp scissors in

the arm. But such things are not often. We French care always for

genius, even if it be but to make a shoe most perfect, and we do not

hate--no, we love well, whoever shows it. But to-day all is different,

and once more I say, madame, that too much is made, and that thus talent

will die and gifts be no more needed."

There is something more in this feeling than the mere sense of rivalry

or money loss from the new system represented by the Bon Marché and

other great establishments of the same nature. But this is a question

in one sense apart from actual conditions, save as the concentration of

labor has had its effect on the general rate of wages. Five francs a day

is considered riches, and the ordinary worker or assistant in either

dressmaking or millinery department receives from two and a half to

three and a half francs, on which sum she must subsist as she can. With

a home where earnings go into a common fund, or if the worker has no one

dependent upon her, French thrift makes existence on this sum quite

possible; but when it becomes a question of children to be fed and

clothed, more than mere existence is impossible, and starvation stands

always in the background. For the younger workers the great

establishments, offer many advantages over the old system, and hours

have been shortened and attempts made in a few cases to improve general

conditions of those employed. But there is always a dull season, in

which wages lessen, or even cease for a time, the actual number of

working days averaging two hundred and eighty. Where work is private and

reputation is established, the year's earnings are a matter of

individual ability, but the mass of workers in these directions drift

naturally toward the great shops which may be found now in every

important street of Paris, and which have altered every feature of the

old system. Whether this alteration is a permanent one, is a question to

which no answer can yet be made. Wages have reached a point barely above

subsistence, and the outlook for the worker is a very shadowy one; but

the question as a whole has as yet small interest for any but the

political economists, while the women themselves have no thought of

organization or of any method of bettering general conditions, beyond

the little societies to which some of the ordinary workers belong, and

which are half religious, half educational, in their character. As a

rule, these are for the lower ranks of needlewomen, but necessity will

compel something more definite in form for the two classes we have been

considering, as well as for those below them, and the time approaches

when this will be plain to the workers themselves, and some positive

action take the place of the present dumb acceptance of whatever comes.

Prisoners of Poverty Abroad · 第 17 / 21 章