CHAPTER IV

The circle which the ladies of Brookfield were designing to establish

just now, was of this receipt:--Celebrities, London residents, and

County notables, all in their severally due proportions, were to meet,

mix, and revolve: the Celebrities to shine; the Metropolitans to act as

satellites; the County ignoramuses to feel flattered in knowing that

all stood forth for their amusement: they being the butts of the

quick-witted Metropolitans, whom they despised, while the sons of renown

were encouraged to be conscious of their magnanimous superiority over

both sets, for whose entertainment they were ticketed.

This is a pudding indeed! And the contemplation of the skill and

energy required to get together and compound such a Brookfield Pudding,

well-nigh leads one to think the work that is done out of doors a very

inferior business, and, as it were, mere gathering of fuel for the fire

inside. It was known in the neighbourhood that the ladies were preparing

one; and moreover that they had a new kind of plum; in other words, that

they intended to exhibit a prodigy of genius, who would flow upon the

world from Brookfield. To announce her with the invitations, rejecting

the idea of a surprise in the assembly, had been necessary, because

there was no other way of securing Lady Gosstre, who led the society of

the district. The great lady gave her promise to attend: “though,” as

she said to Arabella, “you must know I abominate musical parties, and

think them the most absurd of entertainments possible; but if you have

anything to show, that's another matter.”

Two or three chosen friends were invited down beforehand to inspect

the strange girl, and say what they thought of her; for the ladies

themselves were perplexed. They had found her to be commonplace: a

creature without ideas and with a decided appetite. So when Tracy

Runningbrook, who had also been a plum in his day, and was still a

poet, said that she was exquisitely comic, they were induced to take the

humorous view of the inexplicable side in the character of Miss Belloni,

and tried to laugh at her eccentricities. Seeing that Mr. Pericles

approved of her voice as a singer, and Tracy Runningbrook let pass her

behaviour as a girl, they conceived that on the whole they were safe in

sounding a trumpet loudly. These gentlemen were connoisseurs, each in

his walk.

Concerning her position and parentage, nothing was known. She had met

Adela's delicately-searching touches in that direction with a marked

reserve. It was impossible to ask her point-blank, after probing her

with a dozen suggestions, for the ingenuousness of an indifferent

inquiry could not then be assumed, so that Adela was constantly baked

and felt that she must some day be excessively 'fond with her,' which

was annoying. The girl lit up at any sign of affection. A kind look

gave Summer depths to her dark eyes. Otherwise she maintained a simple

discretion and walked in her own path, content to look quietly pleased

on everybody, as one who had plenty to think of and a voice in her ear.

Apparently she was not to be taught to understand 'limits': which must

be explained as a sort of magnetic submissiveness to the variations of

Polar caprice; so that she should move about with ease, be cheerful,

friendly, and, at a signal, affectionate; still not failing to recognize

the particular nooks where the family chalk had traced a line. As the

day of exhibition approached, Adela thought she would give her a lesson

in limits. She ventured to bestow a small caress on the girl, after

a compliment; thinking that the compliment would be a check: but the

compliment was passed, and the caress instantly replied to with two arms

and a tender mouth. At which, Adela took fright and was glad to slip

away.

At last the pudding flowed into the bag.

Emilia was posted by the ladies in a corner of the room. Receiving her

assurance that she was not hungry, they felt satisfied that she wanted

nothing. Wilfrid came up to her to console her for her loneliness, until

Mr. Pericles had stationed himself at the back of her chair, and then

Wilfrid nodded languidly and attended to his graver duties. Who would

have imagined that she had hurt him? But she certainly looked with

greater animation on Mr. Pericles; and when Tracy Runningbrook sat down

by her, a perfect little carol of chatter sprang up between them. These

two presented such a noticeable contrast, side by side, that the ladies

had to send a message to separate them. She was perhaps a little the

taller of the two; with smoothed hair that had the gloss of black briony

leaves, and eyes like burning brands in a cave; while Tracy's hair was

red as blown flame, with eyes of a grey-green hue, that may be seen

glistening over wet sunset. People, who knew him, asked: “Who is she?”

and it was not in the design of the ladies to have her noted just yet.

Lady Gosstre's exclamation on entering the room was presently heard.

“Well! and where's our extraordinary genius? Pray, let me see her

immediately.”

Thereat Laura Tinley, with gross ill-breeding, rushed up to Arabella,

who was receiving her ladyship, and touching her arm, as if privileges

were permitted her, cried: “I'm dying to see her. Has she come?”

Arabella embraced the offensive girl in a hostess's smile, and talked

flowingly to the great lady.

Laura Tinley was punished by being requested to lead off with a

favourite song in a buzz. She acceded, quite aware of the honour

intended, and sat at the piano, taming as much as possible her pantomime

of one that would be audible. Lady Gosstre scanned the room, while

Adela, following her ladyship's eyeglass, named the guests.

“You get together a quaint set of men,” said Lady Gosstre.

“Women!” was on Adela's tongue's tip. She had really thought well of her

men. Her heart sank.

“In the country!” she began.

“Yes, yes!” went my lady.

These were the lessons that made the ladies of Brookfield put a check

upon youth's tendency to feel delightful satisfaction with its immediate

work, and speedily conceive a discontented suspicion of anything

whatsoever that served them.

Two other sacrifices were offered at the piano after Laura Tinley. Poor

victims of ambition, they arranged their dresses, smiled at the

leaves, and deliberately gave utterance to the dreadful nonsense of

the laureates of our drawing-rooms. Mr. Pericles and Emilia exchanged

scientific glances during the performance. She was merciless to

indifferent music. Wilfrid saw the glances pass. So, now, when Emilia

was beckoned to the piano, she passed by Wilfrid, and had a cold look in

return for beaming eyes.

According to directions, Emilia sang a simple Neapolitan air. The singer

was unknown, and was generally taken for another sacrifice.

“Come; that's rather pretty,” Lady Gosstre hailed the close.

“It is of ze people--such as zat,” assented Mr. Pericles.

Adela heard my lady ask for the singer's name. She made her way to her

sisters. Adela was ordinarily the promoter, Cornelia the sifter, and

Arabella the director, of schemes in this management. The ladies had a

moment for counsel over a music-book, for Arabella was about to do duty

at the piano. During a pause, Mr. Pole lifting his white waistcoat with

the effort, sent a word abroad, loudly and heartily, regardless of its

guardian aspirate, like a bold-faced hoyden flying from her chaperon.

They had dreaded it. They loved their father, but declined to think his

grammar parental. Hushing together, they agreed that it had been a false

move to invite Lady Gosstre, who did not care a bit for music, until the

success of their Genius was assured by persons who did. To suppose

that she would recognize a Genius, failing a special introduction, was

absurd. The ladies could turn upon aristocracy too, when it suited them.

Arabella had now to go through a quartett. The fever of ill-luck had

seized the violin. He would not tune. Then his string broke; and while

he was arranging it the footman came up to Arabella. Misfortunes, we

know, are the most united family on earth. The news brought to her was

that a lady of the name of Mrs. Chump was below. Holding her features

rigidly bound, not to betray perturbation, Arabella confided the fact

to Cornelia, who, with a similar mental and muscular compression, said

instantly, “Manoeuvre her.” Adela remarked, “If you tell her the company

is grand, she will come, and her Irish once heard here will destroy us.

The very name of Chump!”

Mrs. Chump was the wealthy Irish widow of an alderman, whose

unaccountable bad taste in going to Ireland for a wife, yet filled the

ladies with astonishment. She pretended to be in difficulties with her

lawyers; for which reason she strove to be perpetually in consultation

with her old flame and present trustee Mr. Pole. The ladies had fought

against her in London, and since their installation at Brookfield they

had announced to their father that she was not to be endured there. Mr.

Pole had plaintively attempted to dilate on the virtues of Martha Chump.

“In her place,” said the ladies, and illustrated to him that amid a

nosegay of flowers there was no fit room for an exuberant vegetable. The

old man had sighed and seemed to surrender. One thing was certain: Mrs.

Chump had never been seen at Brookfield. “She never shall be, save by

the servants,” said the ladies.

Emilia, not unmarked of Mr. Pericles, had gone over to Wilfrid once or

twice, to ask him if haply he disapproved of anything she had done.

Mr. Pericles shrugged, and went “Ah!” as who should say, “This must be

stopped.” Adela now came to her and caught her hand, showering sweet

whispers on her, and bidding her go to her harp and do her best. “We

love you; we all love you!” was her parting instigation.

The quartett was abandoned. Arabella had departed with a firm

countenance to combat Mrs. Chump.

Emilia sat by her harp. The saloon was critically still; so still that

Adela fancied she heard a faint Irish protest from the parlour. Wilfrid

was perhaps the most critical auditor present: for he doubted whether

she could renew that singular charm of her singing in the pale lighted

woods. The first smooth contralto notes took him captive. He scarcely

believed that this could be the raw girl whom his sisters delicately

pitied.

A murmur of plaudits, the low thunder of gathering acclamation, went

round. Lady Gosstre looked a satisfied, “This will do.” Wilfrid

saw Emilia's eyes appeal hopefully to Mr. Pericles. The connoisseur

shrugged. A pain lodged visibly on her black eyebrows. She gripped her

harp, and her eyelids appeared to quiver as she took the notes. Again,

and still singing, she turned her head to him. The eyes of Mr. Pericles

were white, as if upraised to intercede for her with the Powers of

Harmony. Her voice grew unnerved. On a sudden she excited herself to

pitch and give volume to that note which had been the enchantment of the

night in the woods. It quavered. One might have thought her caught by

the throat.

Emilia gazed at no one now. She rose, without a word or an apology,

keeping her eyes down.

“Fiasco!” cruelly cried Mr. Pericles.

That was better to her than the silly kindness of the people who deemed

it well to encourage her with applause. Emilia could not bear the

clapping of hands, and fled.

Sandra Belloni (originally Emilia in England) — Complete · 第 4 / 58 章