Moscheles, in thanking Mendelssohn for his last letter, says:--

* * * * *

“It is with so much pleasure I see your handwriting, your ideas and

views have so much charm for me (although I occasionally think they may

yet ripen to full maturity), I so fully recognize your genius, and am

personally so much attached to you, that the word ‘friendship’ but

inadequately expresses my feelings. Similarly, it is a source of

happiness to me to know that your thoughts are often with me, aware, as

I am, how constantly you are surrounded by an admiring circle of

friends.”

* * * * *

In reference to the preparations for a performance of “Saint Paul” in

England, he says:--

* * * * *

“I am glad to find that all promises well for your Oratorio in England.

Novello, Sir George Smart, and the whole profession are looking forward

to its production with sympathy and interest. Like Hercules, you have

throttled Envy while still in the cradle.

“Klingemann, Smart, and Novello are busy directing Mr. Ball, the

translator. I have offered to correct the proofs, but have not yet

received them.”

* * * * *

SPEIER, April 6, 1837.

MY DEAR FRIEND,--Forgive my not having written for so long; the fact

that it is a week since I was married, and that this is my first letter

to a friend, must be my excuse. I need not tell you, and could not, if I

tried, how the events of last year have added new prospects of happiness

to my life, how all that is good has become doubly dear to me, all that

is bad easier to put up with, how happy were the last months, how

heavenly the last days! Looking back to the past and planning for the

future, my thoughts have often reverted to you in friendship and

affection, and to the happy hours spent with you. Believe me, I am truly

grateful to you and your wife, and can never forget how many kindnesses

you have at all times heaped on me. I have heard about you, both from

Schumann and Bennett, but more particularly from Klingemann, who in his

last letter describes some of your _soirées_, and your playing of

Scarlatti, Handel, and Bach. It must have been delightful and what is

more delightful still, he drops a word about new “Studies” that you are

going to play on one of these evenings. So you have at last written

some; you cannot fancy how impatient I am to get them, what a treat it

will be to me, and how refreshing to have something new to study. For

really the piano music of the present day is such that I cannot make up

my mind to play it through more than once; it is so desperately empty

and poor that I usually get tired of it on the first page. I positively

dislike Thalberg’s work as regards the composition; and the good piano

passages seem to me of no earthly use, so little soul is there in them.

I could no more play his music than I could ever make up my mind to play

a note of Kalkbrenner’s; it goes against my nature, and I should feel

mean if I attempted such fingerwork with a serious face. Chopin’s new

things, too, I don’t quite like, and that is provoking. So, you see, it

is doubly pleasant to think of the old “Studies” and to look forward to

new ones. When shall we have them, and will there be more than one book?

Your wife, I suppose, I had better not address, for I am sure she is

dreadfully angry; and, to say the truth, I am rather afraid of her.

Nevertheless I do address her, for I want to speak of _my_ wife, and say

I hope she will not visit my sins upon her; on the contrary, she must be

ready to like her and to love her a little when she becomes acquainted

with her; and truly my dear Cécile deserves it, and I think I need not

make any appeal to your wife, but simply introduce her and say, “This

is Cécile,”--the rest will follow naturally. And do you know, it is

quite possible I may bring her to you soon. I have had an invitation

from Birmingham to conduct my “Saint Paul” at the Festival, and feel

much inclined to accept. If I come, it may be in the autumn, or perhaps

sooner, about the middle of August. But shall you be in England then?

That is usually the time when you are away; it would be too great a pity

if we weren’t to meet. I cannot ask you to let me know about your

plans,--for such a correspondent as I am can beg for pardon, but not for

an answer; so send me word through Klingemann. But if you have leisure,

and are disposed to treat me to a few lines, please address, all through

the summer, care of M. T. Herz, Frankfurt.

If we meet this year, as I do hope we shall, I shall have several new

things to show you. I have worked a good deal lately, and mean to be

still more industrious. I shall send your wife a new book of Songs which

is to appear in a few days, as soon as I get it.

And now good-by, my dear, dear friend; best love to your wife, and to

the children if they haven’t forgotten me and the carnations. If you see

Klingemann tell him that I will shortly write to him, perhaps from

Strassburg, where I am going to-morrow, from there to Freiburg and Bâle,

and so back to Frankfurt. And now that I must end, I feel as if

everything yet remained to be said. Forget not

Yours,

Letters of Felix Mendelssohn to Ignaz and Charlotte Moscheles · 第 99 / 158 题