CHAPTER XIX. CREATIVE ART

He went forth, seeking.

The Schofield household was catless this winter but there was a nice

white cat at the Williams'. Penrod strolled thoughtfully over to the

Williams's yard.

He was entirely successful, not even having been seen by the sensitive

coloured woman, aged fifty-three years and four months.

But still Penrod was thoughtful. The artist within him was unsatisfied

with his materials: and upon his return to the stable he placed the

cat beneath an overturned box, and once more sat down in the inspiring

wheelbarrow, pondering. His expression, concentrated and yet a little

anxious, was like that of a painter at work upon a portrait that may or

may not turn out to be a masterpiece. The cat did not disturb him by her

purring, though she was, indeed, already purring. She was one of those

cozy, youngish cats--plump, even a little full-bodied, perhaps, and

rather conscious of the figure--that are entirely conventional and

domestic by nature, and will set up a ladylike housekeeping anywhere

without making a fuss about it. If there be a fault in these cats,

overcomplacency might be the name for it; they err a shade too sure

of themselves, and their assumption that the world means to treat them

respectfully has just a little taint of the grande dame. Consequently,

they are liable to great outbreaks of nervous energy from within,

engendered by the extreme surprises that life sometimes holds in store

for them. They lack the pessimistic imagination.

Mrs. Williams's cat was content upon a strange floor and in the

confining enclosure of a strange box. She purred for a time, then

trustfully fell asleep. 'Twas well she slumbered; she would need all her

powers presently.

She slumbered, and dreamed not that she would wake to mingle with events

that were to alter her serene disposition radically and cause her to

become hasty-tempered and abnormally suspicious for the rest of her

life.

Meanwhile, Penrod appeared to reach a doubtful solution of his problem.

His expression was still somewhat clouded as he brought from the

storeroom of the stable a small fragment of a broken mirror, two paint

brushes and two old cans, one containing black paint and the other

white. He regarded himself earnestly in the mirror; then, with some

reluctance, he dipped a brush into one of the cans, and slowly painted

his nose a midnight black. He was on the point of spreading this

decoration to cover the lower part of his face, when he paused, brush

halfway between can and chin.

What arrested him was a sound from the alley--a sound of drumming upon

tin. The eyes of Penrod became significant of rushing thoughts; his

expression cleared and brightened. He ran to the alley doors and flung

them open.

“Oh, Verman!” he shouted.

Marching up and down before the cottage across the alley, Verman plainly

considered himself to be an army. Hanging from his shoulders by a string

was an old tin wash-basin, whereon he beat cheerily with two dry bones,

once the chief support of a chicken. Thus he assuaged his ennui.

“Verman, come on in here,” Penrod called. “I got sumpthing for you to do

you'll like awful well.”

Verman halted, ceased to drum, and stared. His gaze was not fixed

particularly upon Penrod's nose, however, and neither now nor later did

he make any remark or gesture referring to this casual eccentricity. He

expected things like that upon Penrod or Sam Williams. And as for Penrod

himself, he had already forgotten that his nose was painted.

“Come on, Verman!”

Verman continued to stare, not moving. He had received such invitations

before, and they had not always resulted to his advantage. Within that

stable things had happened to him the like of which he was anxious to

avoid in the future.

“Oh, come ahead, Verman!” Penrod urged, and, divining logic in the

reluctance confronting him, he added, “This ain't goin' to be anything

like last time, Verman. I got sumpthing just SPLENDUD for you to do!”

Verman's expression hardened; he shook his head decisively.

“Mo,” he said.

“Oh, COME on, Verman?” Penrod pleaded. “It isn't anything goin' to HURT

you, is it? I tell you it's sumpthing you'd give a good deal to GET to

do, if you knew what it is.”

“Mo!” said Verman firmly. “I mome maw woo!”

Penrod offered arguments.

“Look, Verman!” he said. “Listen here a minute, can't you? How d'you

know you don't want to until you know what it is? A person CAN'T know

they don't want to do a thing even before the other person tells 'em

what they're goin' to get 'em to do, can they? For all you know, this

thing I'm goin' to get you to do might be sumpthing you wouldn't miss

doin' for anything there is! For all you know, Verman, it might be

sumpthing like this: well, f'rinstance, s'pose I was standin' here,

and you were over there, sort of like the way you are now, and I says,

'Hello, Verman!' and then I'd go on and tell you there was sumpthing

I was goin' to get you to do; and you'd say you wouldn't do it, even

before you heard what it was, why where'd be any sense to THAT? For all

you know, I might of been goin' to get you to eat a five-cent bag o'

peanuts.”

Verman had listened obdurately until he heard the last few words; but

as they fell upon his ear, he relaxed, and advanced to the stable doors,

smiling and extending his open right hand.

“Aw wi,” he said. “Gi'm here.”

“Well,” Penrod returned, a trifle embarrassed, “I didn't say it WAS

peanuts, did I? Honest, Verman, it's sumpthing you'll like better'n a

few old peanuts that most of 'em'd prob'ly have worms in 'em, anyway.

All I want you to do is--”

But Verman was not favourably impressed; his face hardened again.

“Mo!” he said, and prepared to depart.

“Look here, Verman,” Penrod urged. “It isn't goin' to hurt you just to

come in here and see what I got for you, is it? You can do that much,

can't you?”

Surely such an appeal must have appeared reasonable, even to Verman,

especially since its effect was aided by the promising words, “See what

I got for you.” Certainly Verman yielded to it, though perhaps a little

suspiciously. He advanced a few cautious steps into the stable.

“Look!” Penrod cried, and he ran to the stuffed and linked stockings,

seized the leading-string, and vigorously illustrated his further

remarks. “How's that for a big, long, ugly-faced horr'ble black ole

snake, Verman? Look at her follow me all round anywhere I feel like

goin'! Look at her wiggle, will you, though? Look how I make her do

anything I tell her to. Lay down, you ole snake, you--See her lay down

when I tell her to, Verman? Wiggle, you ole snake, you! See her wiggle,

Verman?”

“Hi!” Undoubtedly Verman felt some pleasure.

“Now, listen, Verman!” Penrod continued, hastening to make the most of

the opportunity. “Listen! I fixed up this good ole snake just for you.

I'm goin' to give her to you.”

“HI!”

On account of a previous experience not unconnected with cats, and

likely to prejudice Verman, Penrod decided to postpone mentioning Mrs.

Williams's pet until he should have secured Verman's cooperation in the

enterprise irretrievably.

“All you got to do,” he went on, “is to chase this good ole snake

around, and sort o' laugh and keep pokin' it with the handle o' that

rake yonder. I'm goin' to saw it off just so's you can poke your good

ole snake with it, Verman.”

“Aw wi,” said Verman, and, extending his open hand again, he uttered a

hopeful request. “Peamup?”

His host perceived that Verman had misunderstood him. “Peanuts!” he

exclaimed. “My goodness! I didn't say I HAD any peanuts, did I? I only

said s'pose f'rinstance I DID have some. My goodness! You don't expeck

me to go round here all day workin' like a dog to make a good ole snake

for you and then give you a bag o' peanuts to hire you to play with it,

do you, Verman? My goodness!”

Verman's hand fell, with a little disappointment.

“Aw wi,” he said, consenting to accept the snake without the bonus.

“That's the boy! NOW we're all right, Verman; and pretty soon I'm goin'

to saw that rake-handle off for you, too; so's you can kind o' guide

your good ole snake around with it; but first--well, first there's just

one more thing's got to be done. I'll show you--it won't take but a

minute.” Then, while Verman watched him wonderingly, he went to the can

of white paint and dipped a brush therein. “It won't get on your clo'es

much, or anything, Verman,” he explained. “I only just got to--”

But as he approached, dripping brush in hand, the wondering look was all

gone from Verman; determination took its place.

“Mo!” he said, turned his back, and started for outdoors.

“Look here, Verman,” Penrod cried. “I haven't done anything to you yet,

have I? It isn't goin' to hurt you, is it? You act like a little teeny

bit o' paint was goin' to kill you. What's the matter of you? I only

just got to paint the top part of your face; I'm not goin' to TOUCH the

other part of it--nor your hands or anything. All _I_ want--”

“MO!” said Verman from the doorway.

“Oh, my goodness!” moaned Penrod; and in desperation he drew forth from

his pocket his entire fortune. “All right, Verman,” he said resignedly.

“If you won't do it any other way, here's a nickel, and you can go and

buy you some peanuts when we get through. But if I give you this money,

you got to promise to wait till we ARE through, and you got to promise

to do anything I tell you to. You goin' to promise?”

The eyes of Verman glistened; he returned, gave bond, and, grasping the

coin, burst into the rich laughter of a gourmand.

Penrod immediately painted him dead white above the eyes, all round his

head and including his hair. It took all the paint in the can.

Then the artist mentioned the presence of Mrs. Williams's cat, explained

in full his ideas concerning the docile animal, and the long black

snake, and Della and her friend, Mrs. Cullen, while Verman listened with

anxiety, but remained true to his oath.

They removed the stocking at the end of the long black snake, and cut

four holes in the foot and ankle of it. They removed the excelsior,

placed Mrs. Williams's cat in the stocking, shook her down into the

lower section of it; drew her feet through the four holes there, leaving

her head in the toe of the stocking; then packed the excelsior down on

top of her, and once more attached the stocking to the rest of the long,

black snake.

How shameful is the ease of the historian! He sits in his dressing-gown

to write: “The enemy attacked in force--” The tranquil pen, moving in a

cloud of tobacco smoke, leaves upon the page its little hieroglyphics,

serenely summing up the monstrous deeds and sufferings of men of action.

How cold, how niggardly, to state merely that Penrod and the painted

Verman succeeded in giving the long, black snake a motive power, or

tractor, apparently its own but consisting of Mrs. Williams's cat!

She was drowsy when they lifted her from the box; she was still drowsy

when they introduced part of her into the orifice of the stocking; but

she woke to full, vigorous young life when she perceived that their

purpose was for her to descend into the black depths of that stocking

head first.

Verman held the mouth of the stocking stretched, and Penrod manipulated

the cat; but she left her hearty mark on both of them before, in a

moment of unfortunate inspiration, she humped her back while she was

upside down, and Penrod took advantage of the concavity to increase it

even more than she desired. The next instant she was assisted downward

into the gloomy interior, with excelsior already beginning to block the

means of egress.

Gymnastic moments followed; there were times when both boys hurled

themselves full-length upon the floor, seizing the animated stocking

with far-extended hands; and even when the snake was a complete thing,

with legs growing from its unquestionably ugly face, either Penrod

or Verman must keep a grasp upon it, for it would not be soothed, and

refused, over and over, to calm itself, even when addressed as, “Poor

pussy!” and “Nice 'ittle kitty!”

Finally, they thought they had their good ole snake “about quieted

down”, as Penrod said, because the animated head had remained in one

place for an unusual length of time, though the legs produced a rather

sinister effect of crouching, and a noise like a distant planing-mill

came from the interior--and then Duke appeared in the doorway. He was

still feeling lively.

Penrod and Sam · 第 19 / 24 章