men laughed. "If you sit on a bench where the grass and flowers are,
outside the Casino door, and watch, perhaps you will see him come down
the steps. But you are small to be out all alone looking for him."
"It's very important for me to find my father before it is dark," said
Rosemary. "So I thank you for telling me, and now goodbye."
Daintily polite as usual, she bowed to them all, and started up the
hill.
As she walked briskly on, she studied with large, starry eyes the face
of every man she met; but there was not a suitable father among them.
She was still fatherless when she reached the Place of the Casino, where
she had often come before, to walk in the gardens or on the terrace at
unfashionable hours with her mother, on Sundays, or other days
when--unfortunately--there was no work to do.
She had sat down on a bench between a French "nou-nou," with a wonderful
head dress, and a hawk-visaged old lady with a golden wig, and had fixed
her eyes upon the Casino door, when the throb, throb of a motor caught
her attention.
Now an automobile was a marvellous dragon for Rosemary, and she could
never see too many for her pleasure. Above all things, she would have
loved a spin on the back of such a dragon, and she liked choosing
favourites from among the dragon brood.
A splendid dark blue one was panting and quivering before the door of
the Hotel de Paris, having just been started by a slim chauffeur in a
short fur coat. As Rosemary gazed, deciding that this was the noblest
dragon of them all, a young man ran down the steps of the hotel and got
into the car. He took his place in the driver's seat, laid his hand on
the steering wheel as if he were caressing a baby's head, the chauffeur
sprang up beside his master, and they were off. But with a cry, Rosemary
rushed across the road.
The nou-nou shrieked and hugged her muffled charge; the old lady
screamed, and all the other old ladies and young ladies, and pretty
girls sitting on the benches, or walking about, screamed too.
The man who drove was pale under his coat of brown tan as with a crash
of machinery he brought the big blue car to a stop so close to the child
that its glittering bonnet touched her coat. He did not say a word for
an instant, for his lips were pressed so tightly together, that they
were a white line.
[Illustration: _With a crash of machinery he brought the big blue car to
a stop_]
That beautiful, little golden-haired, smiling thing, so full of life!
But it was all right now. She was smiling still, as if she did not guess
the deadly peril she had just escaped.
"Don't you know, little one," he asked gently, "that it's very dangerous
to run in front of automobiles?"
"Oh, but I wanted so much to stop you," said Rosemary.
"Why, do you know me?" And the young man smiled such a pleasant smile,
with a gleam of white teeth, that the child was more than ever sure she
had done right.
"Yes, I know you by 'eavensenthinstinct." She got out the long word with
a gasp or two; but it was a great success. She had not mixed up a single
syllable.
The young man burst out laughing. "Where's your nurse?" he asked.
"In London," said Rosemary. "She isn't my nurse any more."
"Well, your mother--"
"She isn't--"
"What? Are you going to tell me she isn't your mother any more? Are you
out 'on your own,' little lady?"
"I don't know what that is; and my mother's my mother just as usual,
thank you," said Rosemary, with dignity. "She's quite well. But she
doesn't know I came out to look for you."
"Oh, doesn't she?" echoed the young man in the car. "Then don't you
think the best thing you can do is to let me take you back to her?"
"She won't be home yet, not till it's dark, I expect," said the child.
"Oh, that's a long time yet. Well, since you know me, wouldn't you like
to climb in, and have a little run?"
"May I, truly and really?" The little face grew pink with joy.
"Truly and really--if you're not afraid."
"What should I be afraid of?" Rosemary asked.
"I was talking nonsense. Get down, Paul, and put her into the tonneau.
You'd better sit by her, perhaps."
The chauffeur proceeded to obey, but when the child found herself being
tucked into a back seat of the car, she gave a little protesting cry.
"Oh, can't I sit in front with you?"
"Of course you can, if you like. Paul, wrap her up well in the rug. Now,
little one, we're going to start. I won't take you too fast."
He turned the car, and passing the Casino drove up the hill, taking the
direction of Mentone, when he had reached the top. He had not been over
this road before, as he had arrived by way of Nice yesterday; but he had
studied road maps, and knew both how and where he wished to go.
"Now," said he, driving carefully, "how do you like it?"
"Oh, it's wonderful!" answered Rosemary, with a rapt smile on her rosy
face.
"Have you ever motored before?"
She shook her head. "Never."
"Brave Baby."
"I don't usually care to be called a baby," she remarked. "But I don't
mind from you."
"I'm especially favoured, it seems," said the young man. "Tell me how
you happen to know me? I can't think, I must confess, unless it was on
shipboard--"
"There! I knew perfectly well it was you!" broke in Rosemary with a look
of rapture. "You _were_ on a ship, and you were lost at sea. But you're
found again now, because it's Christmas Eve."
"I wasn't lost at sea, though, or I shouldn't be here with you," said
Hugh Egerton. He glanced rather wistfully in a puzzled way at the
lovely little face framed with blowing golden hair. There was something
in the child's eyes which stabbed his heart; yet there was sweetness in
the pain. "I'm afraid we're playing at cross purposes, aren't we?" he
went on. "Was it on a ship that you saw me?"
"Oh, I didn't see you on the ship," said Rosemary. "I only knew you went
away on one. I haven't seen you for ever and ever so long, not since I
was a tiny baby."
"By Jove! And you've remembered me all this time?"
"Not exactly remembered. It was the feeling I had in my heart, just as
Jane said I would, the minute I saw you, that told me it was you. That
was why I ran to keep you from going on in your motor car, because if
you had, I might have lost you again, forever and ever."
"So you might," said puzzled Hugh Egerton, pleased as well as puzzled.
"And that would never have done for either of us."
"It would have been dreadful," replied Rosemary, "to have to wait for
another Christmas Eve."
"Christmas Eve seems a day for adventures," said Hugh. "One finds new
friends;--and dear little girls; and--goodness knows what I shall find
next."
"We must find Angel next," Rosemary assured him. "She'll be so glad to
see you."
"Do you really think so? By the way, who is Angel?"
"Mother. Didn't you know _that_?"
"I expect I'd forgotten," Hugh answered. She looked so reproachful, that
not for the world would he have denied all knowledge of Angel. The child
evidently took him for someone she had known; perhaps she had seen a
photograph of some long lost friend of her family, who resembled him,
and she had sprung to a conclusion, as children do. But she was an
exquisitely pretty and engaging little thing, a grand little pal, and
worth cultivating. Hugh liked children, especially girls, though he had
always been rather shy with them, not knowing exactly how they liked
best to be entertained, and finding it difficult to think of things to
say, in keeping up a conversation. But there was no such difficulty with
this child. It was really interesting to draw the little creature out,
and see what she would say next. As for finding Angel, however, when the
time came to do that, he thought he would prefer to bid Angel's daughter
goodbye at the door. He had no fancy for scraping up an acquaintance
with strangers through their children.
CHAPTER SIX
FAIRY FATHERS MUST VANISH
Rosemary sat in silence for a few moments, taking in the full meaning of
her companion's answer to her last question. He had forgotten that Angel
was Angel! Though she was warmly wrapped in a soft rug of silvery fur, a
chill crept into her heart. Could it be that Nurse's words about father
had been true, after all; and if they were, was she doing harm, rather
than good, in bringing him home?
Presently Hugh waked out of his own thoughts, and noticed the little
girl's silence.
"You're not afraid?" he asked, blissfully unconscious of offence. "I'm
not driving too fast to please you?"
"Oh no," said Rosemary.
"You're not cold?"
"No, thank you."
"Nor tired?"
"No, not tired."
"But something is the matter?"
"I'm worrying," confessed the child.
"What about, little one?"
"I'm not sure if I ought to have spoken to you, or have come with you,
after all."
To save his life, Hugh could not have helped laughing, though it was
evidently a matter of serious importance. "What, do you think we ought
to have a chaperon?" he asked. "Paul's in the tonneau, you know; and
he's a most discreet chap."
"I don't know what a chaperon is," said Rosemary. "But will you promise
not to be angry if I ask you something, and will you promise to answer,
honour bright?"
"Yes, to both your questions."
"Were you really unkind to Angel, before you were lost?"
This was a hard nut to crack, if his past were not to be ruthlessly
severed from Angel's by a word. He thought for a moment, and then said,
"Honour bright, I can't remember anything unkind I ever did to her."
"Oh, I'm so glad. I was afraid, when you said you'd forgotten--but maybe
her name wasn't Angel, then?"
"That was it, I'm sure," replied Hugh, soothingly. "Maybe you named her
Angel, yourself?"
"I don't know," said Rosemary. "She seems to have been it, always, ever
since I can remember. And she does look just like one, you know, she's
so beautiful."
"I expect you remember a lot more about angels than I do, because it
isn't so long since you came from where they live. But here we are in
the woods at Cap Martin. Have you ever been here before?"
"Angel and I had a picnic here once, all by ourselves; and there were
lots of sheep under the olive trees, and a funny old shepherd who made
music to them. Oh, I do love picnics, don't you? Angel said, if she were
rich, she'd take me on the loveliest kind of a picnic for Christmas;
but, you see, it would cost too much money to do it, for we've hardly
got any, especially since the Comtesse doesn't pay us back."
"What kind of picnic would it have been?" asked Hugh, driving along the
beautiful shore road, where the wind-blown pines lean forward like
transformed wood nymphs, caught in a spell just as they spread out their
arms to spring into the sea.
"Angel has told me lots of history-stories about the strange
rock-villages in the mountains. There's one called Eze, on top of a hill
shaped almost like a horn; she showed me a picture of it. Children live
up in the rock villages, and never come down to the towns. They've never
even seen any toys, like other children play with, Angel says. All the
strangers who come here give presents to the poor in Monte Carlo and
Mentone, and big places like that; but they never think of the ones up
in the mountains. Angel said how nice it would be, if we were rich, to
buy toys,--baskets and baskets full,--and give them away to the
children of Eze. Perhaps you are rich; are you?"
"Richer than I thought, a few years ago, that I ever should be. I used
to be poor, until I dug, and found some gold lying about in the ground."
"How splendid! I suppose the fairies showed you where to look. Jane says
there are no fairies, but I do hope she's mistaken. I wish you would
send up some presents to the little children at Eze."
"I will, lots, if you'll take them."
"Perhaps we could all go together."
"I'm afraid your mother wouldn't care for that."
"Yes, she would. Because, if you were never unkind to her, like Nurse
said you were, she'll be most awfully glad to see you again. I shouldn't
wonder if she'd cry for joy, to have you with us always, and take care
of us. Oh, do let's go back now, and I'll take you to her. She _will_ be
surprised!"
"I should think she would," said Hugh. "But look here; you said she
wouldn't get back till dark. We've come to Mentone now. See how pretty
the shops are for Christmas. Can't you stop and have some nice hot
chocolate and cakes with me, and afterwards choose a doll for yourself,
as a Christmas present from your old friend?"
As he put this temptation before her, he slowed down the car in front of
a shop with big glass windows full of sparkling cakes, and ribbon-tied
baskets of crystallized fruits. Through the windows Rosemary could see a
great many well-dressed people sitting at little marble tables, and it
would have been delightful to go in. But she shook her head. The sun
was setting over the sea. The sky was flooded with pink and gold, while
all the air was rosy with a wonderful glow which painted the mountains,
even the dappled-grey plane trees, and the fronts of the gaily decorated
shops.
The donkey women were leading their patient little animals away from the
stand on the sea promenade, up to Sorbio for the night; and their dark
faces under the queer, mushroom hats were ruddy and beautiful in the
rose-light.
"As soon as the sun goes down, it gets dark here," said Rosemary,
regretfully. "Thank you very much, but I'd rather go home now. You see,
I do _so_ want you to be there already, waiting to surprise Angel when
she comes in."
"No time even to buy a doll?"
"I'd rather go home, thank you. Besides, though I should like to have a
new doll, perhaps darling Evie would be sad if I played with another."
Hugh was obediently turning the car's bonnet towards Monte Carlo, and
for the fraction of a second he was foolish enough almost to lose
control of it, on account of a start he gave. "Evie!" he echoed.
It was years since he had spoken that name.
"She's my doll," explained Rosemary.
"Oh!" said Hugh.
"But I don't think she'd mind or be sad if you gave me a doll's house,"
went on the child, "if you _should_ have time to get it for me by and
bye; that is, if you really want to give me something for Christmas, you
know."
"Of course I do. But tell me, why did you name your doll Evie?"
He put the question in a low voice, as if he were half ashamed of asking
it; and as at that instant a tram boomed by, Rosemary heard only the
first words.
"I 'sposed you would," she replied. "Fathers do like to give their
little girls Christmas presents, Jane says; maybe that's why they're
obliged to come back always on Christmas Eve, if they've been lost. Do
you know, even if there aren't any fairies, it's just like a fairy story
having my father come back, and take me to Angel in a motor car on
Christmas Eve."
"Good gracious!" exclaimed Hugh Egerton. "Did you say--father?"
"Yes," replied Rosemary. "You're almost like a fairy father, I said."
So, he was her father--her long lost father! Poor little lamb, he began
to guess at the story now. There was a scamp of a father who had "not
been very kind" to Angel, and had been lost, or had thoughtfully lost
himself. For some extraordinary reason the child imagined that he--well,
if it were not pathetic, it would be funny. But somehow he did not feel
much inclined to laugh. Poor little thing! His heart yearned over her;
but the situation was becoming strained. Unless he could think of some
good way out of it, he might have a scene when he was obliged to rob the
child of her father, on reaching the door of her house.
"That's it," said he, calling all his tact to the rescue. "I am a fairy
father. Just as you thought, it's a mistake of Jane's about there being
no fairies; only the trouble is, fairies aren't so powerful as they used
to be in the old days. Now, I should love to be able to stay with you
for a long, long time, but because I'm only a poor fairy father, I
can't. We've been very happy together, and I'm tremendously glad you
found me. I shall think of you and of this day, often. But the cruel
part is, that when I bring you to your door, I'm afraid I shall have
to--vanish."
"Oh, how dreadful!" cried Rosemary, her voice quivering. "Must I lose
you again?"
"Perhaps I can write to you," Hugh tried to console her, feeling
horribly guilty and helpless.
"That won't be the same. I do love you so much. _Please_ don't vanish."
"I shall send you things. A doll's house for Evie. By the way, you
didn't tell me why you named her that."
"After Angel, of course," returned the child absent-mindedly. "But when
you've vanished, I--"
"Is your mother's name Evie?"
"Evelyn. But that's too long for a doll."
"Evelyn--what? You--you haven't told me your name yet."
"Rosemary Evelyn Clifford."
"Great Heavens!"
"How strange your voice sounds," said Rosemary. "Are you ill?"
"No--no! I--feel a little odd, that's all."
"Oh, it isn't the vanishing coming on already? We're a long way from our
hotel yet."
Hugh drove mechanically, though sky and sea and mountains seemed to be
seething together, as if in the convulsions of an earthquake.
Her child! And her husband--what of him? The little one said he was
lost; that he had not been kind. Hugh gritted his teeth together, and
heard only the singing of his blood in his ears. Was the man dead, or
had he but disappeared? In any case, _she_ was here, alone in Monte
Carlo, with her child; poor, unhappy, working by day, crying by night.
He must see her, at once--at once.
Yet--what if it were not she, after all? If the name were a coincidence?
There might be other Evelyn Cliffords in the world. It must be that this
was another. His Evelyn had married a rich and titled Englishman. She
was Lady Clifford. The things that had happened to Rosemary's Angel
could not have happened to her. Still, he must know, and know quickly.
"Where do you live, little Rosemary?" he asked, grimly schooling his
voice, when he felt that he could trust himself to speak.
"The Hotel Pension Beau Soleil, Rue Girasole, in the Condamine, Monte
Carlo," answered the child, as if she were repeating a lesson she had
been taught to rattle off by heart.
Lost as he was to most external things, Hugh roused himself to some
surprise at the name of the hotel.
"Why, that is where Mademoiselle de Lavalette and her mother live!" he
exclaimed.
"They're the ladies Angel lent the money to, because she was so sorry
for them," said Rosemary. "I've heard them talking about it with her,
and saying they can't pay it back. They're angry with her for asking,
but she had to, you see. When they go past us in the dining-room they
turn their backs."
Hugh's attention was arrested now.
"Do they dine?" he asked. "Every night?"
"Oh yes, always. Mademoiselle has lovely dresses. She is pretty, but the
Comtesse is such an ugly old lady; like Red Riding Hood's grandmother, I
think. I'm afraid of her. Jane says _her_ Madame and Monsieur don't
believe she's really a Comtesse. I had to knock at her door with a
letter from Angel to-day, for Angel doesn't know I'm afraid. I couldn't
help being glad Madame wouldn't let me in, for it seemed as if she might
eat me up. I knocked and knocked, and when I was going away, I saw
Mademoiselle coming in, in a pink dress with a rosy hat."
"I think she'll pay your mother back to-morrow," said Hugh, remembering
the fatness of the pink bag.
"She didn't say she would. She was so cross with me that she called me a
_petit bete_, and snatched the letter out of my hand."
At this, Hugh's face grew suddenly hot and red, and he muttered
something under his breath. But it was not a word which Rosemary would
have understood, even if she had heard.
CHAPTER SEVEN
THE WHITE FIGURE AT THE DOOR
Rosemary had tears in her eyes and voice, when the fairy father stopped
his car at the door of the hotel. He had driven so very quickly since
he'd broken it to her that they must part!
"Now, have you to vanish this very minute?" she asked, choking back a
sob, as he lifted her to the ground.
Vanish? He had forgotten all about vanishing. To vanish now was the last
thing he wished to do.
"Something tells me that I shan't have to,--quite yet, anyhow," he said
hastily. "I--want to see your mother. Has she a sitting-room where I
could call upon her, or wait till she comes in?"
"We haven't one of our own," said Rosemary. "But there's a nice old lady
who lives next door to us, on the top floor, and is very good to Angel
and me. She writes stories, and things for the papers, and Angel types
them, sometimes. When she's away she lets us use the sitting-room where
she writes; and she's away now. Angel and I are going to be there this
evening till it's my bed-time; and you can come up with me if you will.
Oh, I'm so thankful you don't need to vanish for a little while."
His heart pounding as it had not pounded for six years and more--(not
since the days when he had gone up other stairs, in another land, to
see an Evelyn)--Hugh followed the flitting figure of the child.
The stairs and corridors were not lighted yet. One economises with
electric light and many other little things at a hotel pension, where
the prices are "from five francs a day, _vin compris_."
Rosemary opened a door on the fourth floor, and for a moment the
twilight on the other side was shot for Hugh with red and purple spots.
But the colours faded when the childish voice said, "Angel isn't here.
If you'll come in, I'll go and see if she's in our room."
"Don't tell her--don't say--anything about a fairy father," he
stammered.
"Oh no, that's to be the surprise," Rosemary reassured him, as she
pattered away.
It was deep twilight in the room, and rather cold, for the eucalyptus
and olive logs in the fireplace still awaited the match. Hugh could see
the blurred outlines of a few pieces of cheap furniture; a sofa, three
or four chairs, a table, and a clumsy writing desk. But the window was
still a square of pale bluish light, cut out of the violet dusk, and as
the young man's eyes accustomed themselves to the dimness, the room did
not seem dark.
He was not left alone for long. In two or three minutes Rosemary
appeared once more, without her hat and coat, to say that "Angel" had
not yet come back. "But she'll soon be here now," went on the child. "Do
you mind waiting in the twilight, fairy father? The electric light
doesn't come on till after five, and I've just heard the clock
downstairs strike five."
"I shall like it," answered Hugh, glad that his face should be hidden by
the dusk, in these moments of waiting.
"Angel tells me stories in the twilight," said Rosemary, as he sat down
on the sofa by the cold fireplace, and she let him lift her light little
body to his knee. "Would you tell me one, about when you were lost?"
"I'll try," Hugh said. "Let me think, what story shall I tell?"
"I won't speak while you're remembering," Rosemary promised, leaning her
head confidingly against his shoulder. "I always keep quiet, while Angel
puts on her thinking cap."
Hugh laughed, and was silent. But his head was too hot to wear a
thinking cap, and no story would come at his half-hearted call.
Rosemary waited in patience for him to begin. "One, two, three," she
counted under her breath; for she had learned to count up to fifty, and
it was good practice when one wished to make the time pass. She had
just come to forty-nine, and was wondering if she might remind the fairy
father of his duty, when the door opened.
It was Angel, of course; but Angel did not come in. She stopped on the
threshold, talking to somebody, or rather somebody was talking to her.
Rosemary could not see the person, but she recognised the voice. It was
that of Mademoiselle de Lavalette.
"You are not to write my mother letters, and trouble us about that
money, madame," said the voice, as shrill now as it could be sweet.
"Once for all, I will not have it. I have followed you to tell you this.
You will be paid soon; that is enough. I am engaged to be married to a
rich man, an American. He will be glad to pay all our debts by and by;
but meantime, madame, you are to let us alone."
"I have done nothing, except to write and say that I needed the
money,--which you promised to return weeks ago, or I couldn't possibly
have spared it," protested a voice which Hugh had heard in dreams three
nights out of every six, in as many years.
"Well, if you write any more letters, we shall burn them unread, so it
is no use to trouble us; and we will pay when we choose."
With the last words, the other voice died into distance. Mademoiselle
had said what she came to say, and was retreating with dignity down the
corridor.