Juan I.--Enrique el Enfermo
The Court vacillates between Burgos and Valladolid, both cities of the
plain. Since the death of Don Pedro the charms of Seville are neglected.
All the fighting is in the north, mostly with Aragon and Portugal.
Valladolid (Belad-Waled of the Moors) remains much the same dull, ugly
town, without a charm; to be greatly favoured by-and-by by Philip the
Second, when his time comes to reign, as one of the centres of the
Inquisition, and a convenient place to burn heretics in the great Plaza.
But Burgos has become a noble city, much altered and embellished since
the homely days of the Cid Campeador, when his Suelo stood on the ridge
of the hill facing east, near the royal castle where he and Doña Ximena
were received at their marriage with such honour by King Fernando and
the queen.
The king was always talking, but Ximena held down her head and seldom
gave an answer to anything he said. “It is better sure to be _silent_
than _meaningless_,” she said.
Fernando el Santo, in succession to Fernando the First, afterwards laid
the foundations of the cathedral standing at the base of the hill, and
his successors finished it; that gracious sanctuary which rears itself,
so pure and white, out of the tawny land. Too ornate and minute perhaps,
but lovely all the same--pointed steeples transparent in fine stone-work
and open to the sky, an army of statues glistening in the sun up to the
spandrels and the dome, and semicircles, colonettes, and arches by the
score--every ledge and cornice filled, until the eye turns away fatigued
by the prodigality of ornament. Inside the _coro_ a mass of golden
entablatures is lighted with ranges of painted windows, filling the nave
with a kaleidoscope of colour, and the fourteen chapels which line the
walls, each complete in itself--Condestable and Santiago, San Enrique
and San Juan, each with carved _retablos_, a statue or a monument in the
midst. That of Condestable, so named from Don Pedro de Velasco, Grand
Constable of Spain, where he and his wife are extended on an alabaster
tomb in the elaborate costume of the day, necklace, ruff, brocade, and
head-dress; even to the tiny curls on the back of the little spaniel
lying at the lady’s feet, half hidden by the folds of her dress, in so
natural a position one asks oneself what will the little creature do
when he wakes and finds his mistress dead?
Outside, the gaily-tinted streets are variegated as in a patchwork of
colour, and over against the dried-up banks of the river Arlanzon
(where the tournament was held for the marriage of Don Pedro and Queen
Blanche), the grand old gothic gateway of Santa Maria appears, from out
of which the Cid rode to join the Moors when no one dared to give him a
crust of bread in Burgos.
* * * * *
The time is morning, and an unclouded sun has just risen above the
horizon. Already the idlest and the most eager are afoot, to secure a
good position for the review to be held by King Juan I.
Before the clock has struck ten from the cathedral, the crowd has so
increased that the whole plain is alive with horsemen and
foot-passengers, _cabelleros_ splendidly mounted, _ricoshombres_ in
chariots and _portantini_, and peasants with sturdy stride: every one
muffled up to the eyes, which is the fashion of Castilians, even when it
is hot--all making their way, on the grass or by country roads and
foot-paths, to the Cartuga de Miraflores seen from afar on the summit of
a chalky down, sweet with the perfume of thyme and rosemary, over which
the summer clouds strike light shadows. Flourishes of trumpets announce
the passage of knights with glistening helmets, and the glitter of
gold-embroidered banners, masses of moving horsemen and squadrons of
troops, mixed with crescent flags and turbans of many colours, the light
Barbary horses caracoling here and there, covered with nets of coins and
chains, catching the sunbeams; announcing the presence of an army and
the evolutions of many troops, especially of a picked body habited like
Berbers, who gallop forward in gallant style, brandishing their
scimitars to the rattle of drums and fifes. Anon a mounted figure dashes
out from the main body of troops, wearing a suit of light chain armour
in which gold is the chief metal, a spiked crown mixing with the
feathers of his casque, mounted on a heavy-flanked charger of the old
gothic breed so loved by the sovereigns of Spain, which he fiercely
urges forward with spur and heel in front of the rapidly riding Berbers,
until the unwieldy animal, gored by the sharp rowels of steel, rears and
turns aside, dashing the crowned rider onto the ground, where he lies
motionless!
A cry of horror rises from the field. The king is wounded! The king is
unhorsed; he is dead! Knights in their light panoply are arrested in
their charge; courtiers in jewelled mantles on ambling jennets rein up;
men-at-arms, young pages with nodding plumes on silken caps, all, all,
in one dense mass, gathering around the fallen figure of the king, Juan
I., son of Henry of Trastamare (1379), who came out to review some
regiments just arrived from Africa habited to represent the Moors, and
going through their graceful evolutions with lance and scimitar.
Unhappy king! There he lies, a corpse! He never moved, and is borne off
from the field on a trestle hastily formed of gilded lances laid across,
covered with the flag of Castile, a melancholy spectacle, his soldiers
following with many a moistened eye, to be buried in the cathedral,
beneath gorgeous gold panels in the _coro_.
* * * * *
The race of Trastamare, destined soon to end, brings short and troubled
reigns, in which the superstitious may read an ever-present curse in the
fratricide of Don Pedro.
The last words of Don Enrique el Caballero were a warning to his son
Juan not to follow his footsteps, “but to cherish the followers of Don
Pedro, who were faithful in adversity"--a curious glimpse into the
idiosyncrasy of his mind at the moment when the crown for which he had
sacrificed his honour as a knight and his fealty as a brother is fading
from him as he approaches the misty confines of another world. “Verily
his sin will find him out,” says the Bible, and so it was with Henry of
Trastamare. Juan I., his son, dies a miserable death at thirty-four
(A.D. 1390) on a mimic battle-field.
He had none of the bloodthirsty instincts of his family. He fought with
English and Portuguese because it was the duty of kings of that day to
fight, but with no ferocity of temperament or greed of conquest. He had
inherited the softer qualities of the winning Caballero whom all men
loved, before the unnatural cruelty of his brother, and the sting of
repeated reverses drove him to the commission of a crime which will ever
cling to his name.
Juan is succeeded by his young son Enrique, known as _El Enfermo_, under
a Council of Regency, presided over by the Archbishop of Toledo and the
Marqués de Villena.
No wonder the child of eleven is sick and tired of life under the
oppressive surroundings in which he lives.
The Marqués de Villena, a grandee with the privilege of wearing his hat
in the royal presence, and irritable and sarcastic when he dares, turns
the royal boy’s blood cold when he rivets upon him his keen black eyes.
Under the guise of devotion to his person he exercises over him every
species of petty tyranny, and when, driven beyond his patience, the
gentle Don Enrique pouts his lip and knits his young brow, he calls in
the archbishop to help him, who, in his turn, exhorts the unhappy young
king to conform in all things to the will of “the Regents” placed over
him under God. Else--here the stately prelate pauses with a significant
glance upwards, not to the sky, for these scenes generally take place
within the palace, but all the same invoking the Divine wrath upon the
disobedient child, who, well understanding what the archbishop means, is
seized with such an access of unknown and mysterious terror as leaves
him a helpless victim in their hands.
According to these two (there are other nobles in the Council of
Regency, such as Don Pedro de Mendoza, the treasurer who disposes of the
revenue, but the archbishop and Villena chiefly rule Castile) Enrique
is to have no eyes, ears, or senses, but at their bidding. If he asks a
question as to the matters of his kingdom, commands a largess to be
disbursed, or expresses a wish for liberty to hunt or exercise himself
in arms, or to entertain his friends, he is at once treated like a
troublesome child and silenced.
Little by little, as time goes on, a sense of wrong and injustice
rankles in his heart which neither the marquess nor the archbishop
understands, but they continue assiduously to divide between them the
power and the revenues of Castile.
* * * * *
Don Enrique is now sixteen; yet, as the years pass, the strength of his
young life does not come to him in robustness of frame or sinew. Music
is his passion--the old ballads which we hear as dance tunes in modern
Spain, _gallardas_ and _seguidillas_ set to words--and the chase, a
strange taste in one so weak. Between these pursuits his time is chiefly
passed; nor are those who govern him at all displeased that such simple
pleasures should occupy his thoughts and divert him from any possible
interference in affairs of state.
One other comfort he has in life, the company of Don Garcia de Haro. He
is a few years older than himself, and was placed with him as a
companion by his father, almost from his birth, to cheer him in his many
childish ailments, and share in the amusements of his solitary
childhood. And now, in his dull life as king, with no one to sympathise
with or love him, he clings to Garcia as to a kindred soul. With this
intercourse the Regents dare not meddle, although Garcia, who is much
more experienced than the king, may, in course of time, become dangerous
to their interests. But a certain martinet warns them not to rouse by
interference the latent passions of the young king, whose reserved and
silent nature is as a sealed book to their understanding.
* * * * *
Now the two friends are riding side by side down the steep hill from the
ancient castle of Sahagun, a stronghold belted in by machicolated walls,
situated to the north of Burgos, where the court has gone for the
enjoyment of hunting in the abundant Vega watered by the river Cea. A
capital place for snipe, partridge, and woodcock, with the chance of
stags or even of wild boars driven down by cold or hunger from the
adjacent mountains.
A slender retinue follows Don Enrique, for it is not in the policy of
the Regents to indulge him in much state, “the revenues being needed for
the necessities of the kingdom,” he is told, and the court expenses,
consequently, must be curtailed.
“But what matters!” is his thought, as he loosens the reins on the neck
of the noble Andalusian barb on which he is mounted, with a coat as
sleek as silk, as it bounds forward, swift as the wind, over the turf.
Garcia is with him, and they are hastening at the top of their speed to
spend a happy afternoon together with music and song in an old
pavilion, built by the Moors as a garden house or _delicias_, at some
miles distant from Sahagun.
“Now, Garcia, I do feel like a king,” shouts Don Enrique, turning in his
saddle, the wind catching his words and flinging them back to his
companion, a little in the rear. “I am out of reach of the marquess. No,
not even the awful archbishop can threaten me here.”
“Ah! my lord,” returns Garcia de Haro, speaking under the influence of
the same rapid movement, his words barely reaching the ear for which
they are intended, “may it ever be so!”
“It shall!” cries the king, turning carelessly on his saddle to cast a
hurried glance, full of affection, at him. “IT SHALL, IT SHALL!”
Now they are passing on a true Spanish road, full of holes and overlaid
with stones, on by the aqueduct into a cool avenue, all fluttering with
elm leaves, past the _Cruz del Campo_--and what a campo, as flat as my
hand--the sky glowing over them like an opal, to the murmur of many
waters and a rush of streams, onto a high plateau, where the pleasant
air cheerfully fills the lungs as with the flavour of new wine; through
corn fields and olive grounds and fig gardens and vineyards, bordered by
low banks; the pleasant songs of the farmers in their ears, as with a
lazy team of fat oxen they plough the fertile earth. A scent as of
blossoming beans is in the air; the berries of the ripening olives toss
over their heads; folks pass and repass on donkeys, and rough men lead
files of mules, all with a “_Vaya con Dios_,” open-eyed at the young
king, uncovering his head in silent courtesy, though the hoofs of his
horse scatter pebbles in their faces.
Now they are passing a lonely village, the whole population sitting at
their doors, a stool placed close by, with a white cloth and a plate for
charity, round which gather the blind and the cripples, impelling
themselves forward at the risk of their lives, but the cavalcade rushes
by too quickly to stop to relieve them.
* * * * *
At last they have reached the Moorish _Quinta_, a low, flat-roofed
building with a _tapia_ border, flanked by towers, from one of which
floats the flag of Spain, the front cut by long rows of _miradores_ and
shutterless casements staring upon them like unlidded eyes.
The drawbridge is down and the sculptured portal open. Not a creature is
about to salute the king, but a posse of fierce dogs, the Penates of the
place, break out from behind a wall and fly at the horses’ heels, who
highly resent the attack with many kicks and plunges, to the imminent
danger of the riders, while terrified cows rush in from the woods to
increase the confusion, then bolt into space, pursued by the dogs.
All this time not a soul has appeared. The page who has accompanied the
king advances to
[Illustration: A VIEW IN GRANADA.
Engraved by James B. Allen from a drawing by D. Roberts.]
assist him to dismount, as well as his old attendant, Martos, but,
before they can reach him, he has sprung lightly from the saddle, and
looks around.
“What! no one to receive me?” he says, with a light laugh, but a frown
is on his face all the same. “Do the Regents hold me for a schoolboy, to
be punished when I go abroad?”
“Such disrespect is not to be endured,” returns Garcia, of a much more
impetuous temperament than the king, which betrays itself by the
impatience with which he paces up and down, searching every corner, then
sounding a horn he wears across his shoulders; but the long-drawn notes
bring no response save innumerable echoes and a dense flight of birds
from the old building, frightened from their nests.
“It makes my blood boil to see your Grace so treated,” cries Garcia,
returning with heightened colour to the king’s side. “How dare the
Regents----”
“Tush! tush! Garcia, I am sure it is accidental.”
“Impossible, my lord! I myself announced your intention of taking your
midday meal here. You observe the flag is flying.”
All this time the bevy of dogs keep up such a chorus of barking that
they can hardly hear themselves speak, closing round them as if
determined for an attack.
“Let them bark,” says the king, carelessly, fronting one savage old
hound with fiery eyes and tail erect, about to leap on him.
Martos and the page, seriously alarmed, rush to his rescue with sticks
and stones.
“Better this noise than silence. The dogs after all are doing their
duty, which my servants are _not_. Perhaps their barking will bring out
some one to stable our horses. See how wet the flanks of the poor beasts
are and how they tremble. Look to them well, Juanito,” to the page, who,
doffing his plumed cap, bows to the ground, “I would not have Zulema
take any harm for half the kingdom I do NOT rule. We have ridden hard
and long; let us hope that a good repast awaits us. I have a keen
appetite.”
“I do not see where it is to come from,” answers Garcia, following the
king over the drawbridge into the _patio_.
It was a lovely place, this Moorish _patio_, shut in by walls delicately
embroidered and diapered in stone, supported by ranges of horseshoe
arches, light as a dream, grouped on double pillars as white as snow,
the central space traversed by walks paved with coloured tiles, followed
by rustic arches cut in yew in fanciful devices of pyramids and crowns,
from which hung coloured lanterns in the summer nights when the harem
made holiday here long ago, a bubbling fountain in the midst, cutting
tiny canals edged with flowers.
“Here I could live and die!” exclaims the young king, standing entranced
in the centre, the sound of many waters flowing from jets and tunnels
mingling with the songs of birds emboldened by the stillness and
fluttering in the boughs. “Give me my zither and lute, I should never
care to return to Burgos. Come, Garcia,” turning to his companion, “let
us explore the interior of this fair mansion.”
But Garcia, not at all poetical by nature, and who is growing every
moment more indignant at the absence of the _jefe_ and the lack of every
preparation, follows him in silence under a colonnade from which the
various apartments open out through doors of cedar wood into an Arab
hall--a blaze of gorgeous colour.
“This passes all belief!” cried Garcia, looking round, unable any longer
to suppress his feelings. “It is high time that your Grace emancipates
yourself. If this insult leads to the fall of the Regents (and you are
already sixteen, and competent to reign), it will satisfy me better than
the choicest meal ever served to mortal, though I confess I am as hungry
as a wolf.”
“But, our Lady defend us!” he cried, as he suddenly caught sight of the
dismal face of Martos, “what brings you with such a woful countenance?
Speak, man! Have the dogs bitten you?”
“No, no!” answered Martos, with a grim smile. “No, but the dinner!”
“Have the dogs eaten it, then, instead of you?” asked the king.
The major-domo shook his head sorrowfully. “Dinner, my lord and master,
there is none.”
“No dinner!” broke in Garcia. “Do you mean to say nothing is provided
for the king?”
“Nothing! nothing!” cried Martos in despair, clasping his hands.
“I assure your Grace I told them you were coming,” broke in Garcia. “I
gave the Marqués de Villena due notice. I am not to blame.”
“I am sure you are not, dear Garcia. Good Martos, do not vex yourself.
Call such people together as you can find, and have the game we shot on
the way fashioned into a _salmis_. It will make a delicious dish.”
* * * * *
Then Martos and a page appeared, carrying a single dish, and placed it
on the table.
“How is this?” cried the king, with more anger than he had yet shown.
“Where are the servants I pay to serve this palace? Where is the _jefe_
whose duty it is to receive his sovereign?”
“Gone, my lord and master, gone no one knows whither. Nothing left but a
crippled scullion and those cursed dogs, who fly upon us every time we
move.”
“I must look to these matters more closely,” said the young king, roused
at last to a sense of his position. “As my tutors and governors are so
careless of the charge conferred on them by my father, it is time that I
should relieve them of their office.”
A delighted look overspread Garcia’s face, and a sardonic grin from
Martos indicated that he had much more to say if he dared.
“Speak freely, my faithful Martos,” said the king, “if you have anything
to tell me.”
Garcia eagerly listened.
“It is a great liberty, Altezza, for one so humble as I am to interfere
in the affairs of those so much above me, but I have cause to know that
your Highness’s governors are not worthy of the confidence reposed in
them.”
“Did I not say so?” interposed Garcia. “They hated me too much to be
honest.”
“Proceed, Martos, I see you have not told me all.”
“True, my lord. And there _is_ something of which I would fain inform
your Grace,” continued he, speaking in a whisper, with a careful look
round. “I know that there is to be a great _fiesta_ given at the house
of the Archbishop of Toledo to-night. All the _grandiose_ are bidden,
and all the cooks in Burgos will attend. There will be plenty of food
_there_,” with a sly glance at the solitary dish of game yet untouched
lying on a huge table.
As the old man spoke, the king’s face changed to a graver look than it
seemed possible for those placid features to assume.
“I understand,” he answered, “while the King of Castile is without a
dinner, his Regents and nobles feast. Alas! I am often weak in health,
which leads me to shrink from the duties of my office, but, _por Dios_!
I am strong in spirit, and I will settle these _caballeros_ as they
deserve.”
* * * * *
That same night the Casa del Cordon, in the great Plaza of Burgos, where
the Regents lived, was blazed bright as day. Circles of light blazed in
the heavily mullioned casements of the front, where the arms of Mendoza
Velasco appear within a deep entablature, surrounded by carved figures,
each line and detail of the building defined by low Moorish lamps softly
glimmering, and armorial shields. Crowds of men-at-arms and alguazils
stationed along the street bore torches of resin, casting fiery gleams
upon the pavement, crowded as far as the eye could reach with Burgolese
notables come out to see the show, wrapped in their everlasting
_mantos_.
* * * * *
Passing through a lofty guard-room with raftered ceiling--the walls hung
with tapestry--where casques and shields of antique pattern shone out,
side by side with crescent banners and scimitars captured from the
Moors, the guests arrive and are ushered into a Gothic hall of
sculptured oak heavily carved, a richly wrought balustraded gallery
breaking the lines high up under the cornice. All the great names of
Burgos are present. The Villacruces, De Vaca, Peralta, Gomez, Laynes,
descendants of the Cid Campeador, Lerma, De Bilbas, and Mendoza, making
their way to tables ranged transversely across the dais at the upper
end, bright with golden lamps, fed with delicately-scented oil, each
place set with cups and sturdy flagons enriched with jewels, trophies of
Arab filigree work, taken from the Moors, and gilded shields all
wreathed with fruit and flowers to represent a garden of delight.
In the centre of the board, on two chairs more elevated than the rest,
sit the Archbishop of Toledo, his pale face outlined against the panels
of dark oak; and opposite to him the courtly figure of the Marqués de
Villena, his handsome features greatly set off by the quaint
half-ecclesiastical costume he wears of the Master of Calatrava, with
belt and sword, the cross of Christ embroidered on his breast.
The days are past when the great nobles come to feasts in plumed casques
and chain armour, as knights ready to mount and ride as the trumpet note
sounds. Now more peaceful times have come, the land of castles has
expelled the Moors--shut up in the east of Spain among the mountains of
Granada where they are soon to be attacked--and the great chiefs can
display their taste in abundance of costly jewels and apparel of brocade
and velvet, samite and silk, crimson, purple, and yellow, close-fitting
to display the person, with mantles trimmed with miniver or ermine; the
long skirts worn to the ankle, embroidered with all the art the needle
could attain, with the crests, cognisances, and initials of the wearer,
pointed shoes and golden girdles thick with gems, holding glittering
daggers, the head covered with graceful caps or furred bonnets adorned
with circlets of jewels and plumes placed on flowing locks trimmed
according to the fashion of the time.
* * * * *
Amid the bustle of attendants rushing to and fro with ponderous dishes,
and skins of wine to replenish the flagons, and the joyous talk of the
numerous guests echoing down the hall in which the deep sonorous voice
of the archbishop is prominent by bursts of loud laughter and noisy
jests as deep draughts of the finest vintages of Val de Peñas and Xeres
mount into the brain, the feast proceeds, each guest pledging his
neighbour, the Conde de Peralta drinking to Don Pedro de Mendoza, in his
turn bowing to the Conde de Lerma, who, rising in his chair and bowing
low, carries his full goblet towards the Marqués de Villena, who with
lofty courtesy acknowledges the toast, and forthwith fills his golden
cup to drink wassail to the archbishop.
“I will warrant your Grace of not dying of old age with this vintage,”
cries Don Pedro de Mendoza, addressing the archbishop as he has risen in
his place to return the compliment, eying the generous liquor with the
loving eyes of a connoisseur. “It is enough to carry a man far into a
hundred years.”
All at once the conversation is arrested by the soft notes of a Moorish
zither; just the sweep of the cords and a tap or two on the sounding
board, _galopando_, then the plaintive _cana_ or cry rises, preluding
the _cancionero_ of the Cid--ever the popular hero of Burgos--sung with
such exquisite sweetness that the entire company is hushed.
Si es Español
Don Rodrigue
Español fue el
fuente andalla.
“What new constellation has your greatness procured us?” asks Don
Silvela Velasco, turning to the Marqués de Villena--a known lover of
music. “Who is he? Not the young king himself, with all his talent, can
excel him.”
“He sings well,” is the answer of the marquess, listening attentively
until the final _cadenza_, and giving his opinion with the decision of a
master. “But I know nothing of him. Minstrels were commanded to be
present, and he is come. His voice and the music please me. I am
accounted, as you know, my lords, a judge in these matters. You are
aware that if the king has any merit, he owes it entirely to my
training.”
Again the sweet voice sounds, this time with more power in its tones.
“Who is he? Can no one tell us?” asked the archbishop, breaking off in a
discussion of the value of certain jewels which he had purchased from a
Jew.
“A wandering _estudiante_ who is travelling through the north,”
answered the chamberlain, advancing with doffed cap and bended knee; for
the Regents exacted the same respect in addressing them as the kings of
Castile; “recommended to me by a friend as skilled in his art.”
“That cannot be doubted,” said the archbishop. “Bring him round, that we
may judge of his appearance.”
This command was promptly obeyed, and a youth stood forward on the edge
of the dais, habited in a long dark mantle of coarse cloth, sandals on
his bare feet, and a mass of thick fair hair combed down so straight
under a pointed cap it was almost impossible to distinguish his
features. Not that he appeared the least dismayed, but stood perfectly
at his ease in front of the radiance of the scented lamps, his zither in
his hand, minutely surveying the faces of those before him.
“Your looks proclaim you young,” said the archbishop, struck for a
moment with a fancied resemblance to some one he had seen. “Where do you
come from? By our Lady of Saragossa, you have a pleasant voice.”
“Grandeza,” answered the minstrel, “I am an orphan, of good birth,
reduced to the greatest want. To-day, upon my word, I have not eaten a
meal.”
“Poor boy! here you shall have your fill. How long have you been so
reduced?”
“Since my father’s death, your Grace. He died when I was a child, and
the wicked governors
[Illustration: CHRISTOPHER COLUMBUS.]
he placed over me have despoiled me of my inheritance. You see me,
mighty señors, reduced to sing for food.”
“A right good youth, and worthy of largess,” observed Don Pedro de
Mendoza, ill-famed as the most ruthless squanderer of the royal
treasure. (If Don Pedro could have scanned the expression of the face
before him, he might have seen such a smile of scorn gathering about the
thin lips as would have startled him.)
“The saints bless you!” was the reply, “and deal with you as you do to
others. As for me,” with a deep sigh, “I am not only starving, but at
this present time I know that my sinful guardians are carousing at my
expense.”
“The Virgin protect us!” exclaimed the archbishop. “Did ever man hear of
such infamy!”
“If the youth speaks truth,” returned Villena, not to be behindhand in
the expression of sympathy, “the matter should be submitted to the
king’s judges, and right done in ample restitution.”
“Otherwise it were a disgrace to the government of the Regents,” put in
Don Pedro de Mendoza.
“Restitution is not sufficient,” sententiously observed the archbishop
in a pompous voice, intended to impress the company with his high sense
of justice. “If the guilt of his guardians be proved, death is their
proper due.”
“Methinks your holiness is somewhat severe,” put in the minstrel, making
a low obeisance.
“Not at all, not at all! We rule Castile and Leon, not the king, who is
disabled by bodily infirmities. It is _our_ duty to have justice done.”
“What noble sentiments!” exclaimed the singer, clasping his hands.
“Happy is the king to possess such servants! I leave my appeal with you,
my lords, confident that you will see me righted.”
But what he said, though spoken low and in an altered voice, had such a
familiar ring in it as to make the archbishop again look sharply at him;
then, as if satisfied, he turned away.
* * * * *
Now the festival had continued far into the night, and, as the fumes of
the generous wine mounted to their brains, the guests spoke more and
more openly to each other.
Again had the voice of the minstrel been raised, during a momentary
pause, as he intoned with extraordinary power and skill _The March of
Bernardo del Carpio_:
With three thousand men of Leon, from the city Bernardo goes
To preserve the name and glory of old Pelayo’s woes.
And as his notes rang out in the great hall, the enthusiasm he excited
so mastered the stately company that they rose _en masse_ to drink to
the health of Castile.
“And of the Regents!” cried Mendoza, “our capable leaders! Don Enrique
must be put aside. He is sick and unfit to reign. What say you,
Caballeros? Methinks the race of Trastamare is played out.”
“Agreed! agreed!” came from all sides.
“And who can better replace him than the Regents?” cried the Conde de
Lerma, who had good reason to tremble lest, when the young king came to
reign, he should discover the villainies of which he had been guilty.
“And I! and I!” shouted Velasco and Peralta, tossing high their goblets.
Indeed, the whole company was in a state of violent excitement, to which
not only the wine, but the patriotic ballads of the minstrel had much
contributed.
“My lords! my lords!” cried the archbishop, rising from his seat,
seriously alarmed at the imprudent vehemence of his partisans, “these
are matters not to be lightly mentioned. Such words are treason if they
get abroad. To-morrow is the _fiesta_ of the young king. His Grace has
invited us to a special _tertulia_ in honour of the event. I drink to
his health, and better capacity to fill the high place he inherits!”
A palpable sneer was in his voice as he added these words in a low tone.
“Yes, the _fiesta_ of our king,” added the Marqués de Villena, amid a
general chorus of mocking laughter. He was no more loyal than the
prelate, but less hypocritical, and, like him, fully aware of the
dangerous consequences, should any premature knowledge of a conspiracy
get abroad. “I pray you, Grandezas, to disperse quietly. Whatever be in
your minds, this is no place to discuss it.”
And so they parted, each one to his abode, attended by bands of armed
followers with torches.
The singer was left alone, but he was met at the portal by a friend,
attired like himself as an _estudiante_, and thus together they passed
unheeded into the night.
* * * * *
Great curiosity was felt, especially by Don Pedro de Mendoza, the
treasurer, as to how the king had obtained money to defray the expenses
of the _tertulia_ which had been announced. Mendoza knew that the
coffers were empty. Had he borrowed money from the King of Aragon, or
some powerful northern noble? Had he unearthed a treasure, or contracted
with the Jews? If so, how could it happen that he was ignorant of it?
Again all the great nobles assembled, and many more, from south and
north, who had not been present at the entertainment in the Casa del
Cordon, composed especially of the supporters of the Regents.
Most of those who came from afar had never seen the king (so purposely
was he secluded), and looked on him as a sickly youth, destined soon to
follow his father to the tomb. It was this idea, indeed, sedulously
spread abroad, which added so much to the prestige of the Regents. If
the king died, who was to succeed him?
When the cedar doors are thrown open, a huge undecorated gallery is
disclosed, devoid of any furniture except bare wooden tables and benches
placed on either side.
At the head the young king is seated in a chair of state, surmounted by
the arms of Spain. On one side the hereditary Constable of Castile
(_Condestable_) supports him, clad in complete armour; on the other the
chamberlain, Don Martinez de Velases, who introduces the company. As
each feudatory advances, Don Enrique inclines his head. His manner is
courteous but very cold, as he raises his hand to signify the special
place assigned to each at the table, where a piece of bread and a cup of
water are placed.
Not even the rigid rules of formal etiquette imposed on the Spanish
Court can conceal the amazement of each grandee as he takes his place on
the hard bench, but the presence of the young king checks all outward
expression.
As the Regents enter and sit down with the rest (no special seat having
been assigned them) a momentary flush passes over the king’s face.
“I fear the food provided does not suit your palates,” he says, at last,
unable any longer to affect to misunderstand the astonished glances
each one exchanges with the other, specially the Archbishop of Toledo,
who, with a highly offended air, places himself before his portion of
bread and water; “but I myself am frugally fed. I hope this may
reconcile you to it.”
“Is the young king mad?” is whispered round the room, as each guest
endeavours to swallow the unpalatable food; “or is it the caprice of a
silly boy, soon to be deposed?” Indeed, in this sense, the
eccentricities of this so-called banquet are very agreeable to the
greater number present, as plainly displaying his incapacity for
reigning.
* * * * *
Meanwhile, Don Enrique, seated at the head of the board, has partaken of
his portion of bread and water with apparent relish.
“If your Graces,” he says, breaking an icy silence, “are not contented
with the _first_ course I have offered you, I hope the second will be
more to your taste. Will you follow me, Grandezas?” rising from his
chair.
“A second course!” There was, then, something prepared to eat, and a
buzz of satisfaction passed round, as each _caballero_ left his hard
bench to follow the young king.
* * * * *
A vast hall lay beyond, of interminable extent, dimly lighted, and hung
with black. A coffin, covered with a pall, lay beside an altar in the
midst, surmounted with a crucifix. Shrouds lay beside it, with
implements to dig a grave, and all the other ghastly paraphernalia of
the dead.
“Close the doors, jefe,” said the king, in a voice of command never
heard from his lips before, as he placed himself like a young judge in
front of the altar. “You see, my lords, the second course I serve to
you. But before you partake of it, I would address some questions to
those who have up to this time governed in my name. Stand forth,
Archbishop of Toledo, joint Regent of the kingdom, and tell me how many
kings you have known in Castile?”
“Excellency,” answered the bewildered prelate, growing cold under the
apprehension that not only the king was mad, but was about to murder
him, “I have known three: your grandsire of glorious memory, your
father, Don Juan, and yourself.”
“For shame, your Grace!” exclaimed Enrique, in an austere tone. “What! A
prelate lie? How dare you, at your age, assert that you have known only
_three_ kings, when _I_, who have barely reached man’s estate, can
reckon at least double the number? Yes, my assembled nobles, barons,
princes, prelates, knights, and _ricoshombres_, who know me so little as
to think, because I am young and inexperienced, I can be deceived. Six
sovereigns reign in Castile besides the lawful heir, carefully excluded
from all power, to the damage of the state. Now I call upon the usurpers
of my rights, especially the most venerable archbishop,” launching at
him a look of bitter reproach, “his Grace the Marqués de Villena, Master
of Santiago, also the treasurer, bearing the high name of Don Pedro de
Mendoza, and the other ‘kings’ to lay their submission at my feet!”
Words cannot paint the consternation of the noble company at these words
and at the commanding aspect of the young king as he stood forth, the
awful emblems of death behind him.
What doom was he about to pronounce? What judgment would he pass on the
guilty? And it need not be said how many of those present felt
themselves to be such, and with the superstitious horror of the age at
anything unusual, trembled lest by some occult knowledge he had read
their treacherous thoughts.
Then came denials, vehement asseverations, protestations, and
recriminations; loudest of all, because most in danger, sounded the
sonorous voice of the archbishop and the mellifluous tones of Villena.
“If we have erred,” cried the marquess, “it is only by excess of zeal to
spare your Highness from the burden of public affairs.”
But Don Enrique, far from being pacified by these protestations, grew
more and more indignant as one after another of the Regents invoked
every saint in the calendar in protest of their innocence.
* * * * *
“There is yet another pledge to be fulfilled,” said the king, addressing
the archbishop, who, bold as he was, literally trembled under the clear
[Illustration: THE PORT, QUAY, AND CATHEDRAL, MALAGA.]
gaze fixed on him, as though he read his inmost thoughts. “At the
banquet with which you regaled the court so lavishly, while I was kept
without a _maravedi_, you remember a young singer, whose wrongs at the
hands of his guardians you promised to redress. I am that unhappy youth,
and by the wounds of Christ, I swear that you shall keep your word!”
A dead silence followed. No one dared to speak, lest he might hasten the
catastrophe all felt was impending.
At a sign from the king, the curtains before the doors were withdrawn,
and in a blaze of light the Alcaide of Burgos appeared in his furred cap
and gown, on one side of him a priest arrayed as for a funeral mass, and
on the other the headsman in a red robe, a gleaming axe resting on his
shoulder.
“Nothing now remains, my lords,” continued the king, “but to carry out
the sentence you have passed on yourselves. Prepare for death, Regents
of Castile; and you, executioner, stand forth! See that your instrument
is in good order. We desire not to cause needless pain, nor that these
guilty souls should go unshriven; therefore, holy father,” turning to
the priest, “such respite as is required for confession shall be
granted.”
No sooner had these awful words passed the king’s lips, spoken with the
air and bearing of a sovereign determined to be obeyed than the
archbishop and the Marqués de Villena cast themselves before him on
their knees.
“Grant us but life, son of the noble Trastamare,” pleaded the
archbishop, suddenly seizing the king’s hand, as, gazing earnestly into
his face, he became aware of a certain yielding in his bearing as he
contemplated the humiliation of those two great statesmen, for so many
years masters of Castile. “Give us life at least to repent of our
misdeeds.”
“I will,” answered Don Enrique, “upon certain conditions,” the sweet
smile natural to him lighting up his face as he graciously raised them
from their knees; “but it must be true repentance and no falling back
into mortal sin. You are my witnesses, hidalgos,” turning to the
assembled nobles standing closely pressed together, in a common fear of
some general accusation, “of their own sentence against themselves, and
now of my generous pardon. Now listen, my Lord Archbishop,” addressing
the prelate who had so often tyrannised over his childhood, standing
with his hands clasped in humble attitude before him, “and you, Villena,
Master of Santiago, and Mendoza; on this day sixteen years ago I was
born. Never, while I live, shall my birthday be darkened by deeds of
blood, but you shall remain in strict imprisonment until a full
restitution is made to the State of your shameful spoliation. Those of
my guests whom I have summoned here as spectators to profit by the
lesson may depart in peace, but those of the Regency, ‘_the Kings_,’ as
they are called, shall be conducted to prison by my faithful
_balasterdos_, there to remain till justice is satisfied. Guards,
remove the prisoners!”
* * * * *
“It will all come out well,” whispered Don Pedro de Mendoza, a gay and
rollicking cavalier, not easily intimidated, to the Marqués de Villena,
much more cast down at his fall, as they passed up the horrible
apartment out amid sheaves of glittering lances. “He has never found out
we meant to depose him. Lucky for us, or our heads might really have
been cut off!”
* * * * *
That the charming young king did not live to verify the promise of his
youth (A.D. 1407) is one of the misfortunes of history. The delicate
scabbard was not stout enough to hold the noble blade. In other words,
his feeble health gave way under the cares of sovereignty. He died
prematurely at the early age of twenty-eight, leaving an infant son, Don
Juan II., to succeed him. Doña Catalina, his wife, or, as we know her,
Catherine of Lancaster, daughter of Costanza (the daughter of Pedro the
Cruel), married to John of Gaunt, was appointed regent for her son--a
placid, good-tempered princess, by reason of her English blood, and a
great favourite with the Castilians.